Daydream Watercoloured Flowers -Video

Penny Black has a new release called ‘Daydream’ and it’s filled with spring goodness. I guess many of us start daydreaming about spring in February. The stamp featured in my card today is called ‘daydream’ and I’ve paired it up with a new die, ‘thanks & hello’.

I’m enjoying working with the Karin brushmarkers both for watercolouring line images and for inking stamps. In today’s video I ink the stamp with four markers but my technique is slightly different to my usual method and involves some ‘water stamping’

In the video below you can see why the juicy Karin markers are perfect for this technique. As I’ve mentioned in previous posts, a little ink goes a long way. I’m looking forward to trying this technique again on a different stamp with even less ink for a paler more subtle look.

I chose to keep the panel simple on a white background but you could add a pale wash before starting or do some second generation stamping for background flowers. Maybe I’ll try that next.

This blue which has a hint of purple is my favourite blue. It reminds me of cornflowers which featured in my bridal bouquet and was the colour of my bridesmaid’s skirts.

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Faith & floral journal page

I know it is not spring yet, in fact it is still very winter where I am; we’ve had some of our coldest days and nights just in the last few days. Maybe because it’s so cold now is a nice time to muse about spring.

Sometimes I have a plan for a journal page, other times I work it out as I go along. To begin this one I painted absorbant ground on the journal double page. It is a base preparation a bit like gesso which makes the paper act a little more like watercolour paper. I should probably just switch to a journal with watercolour paper pages but I stubbornly want to keep adding to the this one.

Once the base dried I stamp the Penny Black ‘springtime sigh’ stamp in one corner then coloured with Arteza real brush pens. The colouring is not precise, the surface doesn’t react the same as watercolour paper but I found blending with very little water gave me the most control.

I stamped first with Gina K skeleton leaves amalgam ink which I have used for no-line watercolour in the past but it remained too distinct on the journal page so I switched to antique linen which worked a bit better. I restamped and coloured springtime sigh several times then decided I wanted fewer little flowers to colour! I switched to the new Penny Black ‘illustrious’ stamp which co-ordinated well. I don’t know for sure but I wonder if both stamps were drawn by the same artist, the scale and style is similar.

When stamping the ‘illustrious’ stamp I was able to ink most of the stamp with Arteza real brush pens which cut down on the colouring. I still used antique linen ink on the large open leaves then blended with a marker to shade the leaves. When I had almost framed the double page spread I switched to the PB ‘tranquil buds’ stamp to add some lavender.

Next came the tricky stage when I had to decide what was happening with the empty area of the journal page. Writing, stamping, hand lettering or empty space were all options. I decided a bit of ‘filler’ in the shape of a text stamp would be nice and instead of the large script one I often use I chose the smaller typed text stamp from the PB ‘footnotes’ set. I stamped it here, there and everywhere in old paper ink, often spritzing with water before stamping so it just stamped a blurry pattern. I also added splatter then chose a phrase from the new PB ‘inspirational sentiments’ set.

Is that cute notebook die-cut covering a failed stamping attempt? Yes it is but I’m quite happy with that because the notebook page looks sweet. I cut it with a die from the PB ‘a pocket full’ set. I love how this page turned out even though I had no idea at the beginning it would progress this way. That’s the beauty of a journal page.

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Freshly cut flowers

I’ve teamed up with the Foiled Fox again to share a post on their blog. If you pop over there you can read all the process details for this floral card featuring a stamp and a die from Penny Black.

This stamp is called Fresh Cut and it is a rubber cling stamp of five long stem roses. I did some masking and partial stamping to fill the corner of my panel with eleven orange roses. I guess I should have added one more to have a dozen!

You might recognise the background style on this card; it is inspired by some of Jill Foster’s amazing cards for Penny Black. Because all those roses make the panel a little busy I separated the stacked die-cut words from the roses with a piece of vellum, just to make it easier to read. Don’t forget to visit the Foiled Fox blog today for all the details and while you are there browse awhile for more inspiration.

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Rose Dance on black

Today’s rosy card features just a portion of the Penny Black rubber cling stamp, ‘rose dance’. I’ve been creating with this stamp for a couple of days, coming up with different ways to use it. It is quite a large stamp, 6″ x 4″ but you don’t need to use the whole stamp on a card. I used only a section to create an embossed white border on a square panel of black watercolour paper.

I painted the outline design with Finetec Mica Pearlescent watercolours; I didn’t spend much time being detailed or doing blending because the pearlescent on black is very pretty without too much fussing. I wish you could see the shimmer a little better in the photo but trust me it is there in real life.

I embossed a sentiment from the PB special sentiments set in Brutus Monroe alabaster ink and popped the panel up on two pieces of black cardstock to lift it above the card base. And you might have noticed I remembered to make a matching envelope this time.

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Rosa

This is ‘Rosa’ a new floral stamp from Penny Black. When I have a new brushstroke stamp I usually reach for the distress inks for the first test drive. That’s what I used for both cards in today’s post and I love the watercolour effects I was able to get.

The ‘rosa’ stamp is made up of round flowers and long leaves in an impressionistic style. For this orange and blue card I kept the stamp in the positioner while I worked on the hot pressed watercolour panel stamping the flowers first in fossilized amber and spiced marmalade, the leaves in faded jeans and forest moss and the flower centres in ground espresso.

Because I was experimenting with the new stamp I didn’t plan or paint a background for the panel. Once the flowers were finished I decided I wanted some colour around them. Rather than paint some pale washy colour I smooshed the faded jeans and forest moss mini distress cubes on a piece of acetate, spritzed it generously then pressed it onto the panel here and there to transfer ink around the flowers. I finished the card with some twine, blue leaf die cuts and a sentiment also stamped in blue. If you’re wondering why I chose to have blue leaves it’s not just because I love blue. Blue and orange are complementary colours, opposites on the colour wheel so when they are placed next to each other they provide a contrast that makes the other colour pop!

The second card features generational stamping stamping and plenty of spritzing to make the paler background flowers bleed into the surrounding area.

The flowers are stamped in abandoned coral and aged mahogany, the leaves are forest moss and the stems ground espresso. Because I added plenty of water when stamping this panel most of the definition in the flowers was lost so I drew some swirls on the flowers with a glue pen, let it dry to a tacky state then pressed gold foil on top. I added more gold details with an embossed sentiment, a gold cord and gold embossed edges round the panel.

Rosa is such a pretty stamp, I’m looking forward to playing with it again. I think it might make a pretty art journal page.

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Moving Alcohol Inks with Air – Video

I’ve had the alcohol inks out recently and spent some time trying to get soft wavy patterns on craft plastic. I have seen several artists who do this technique beautifully but I am very much still a beginner with it. I have a few cards to share today along with a video showing my process for two of the panels. I worked on white craft plastic from Grafix which is heavyweight and totally opaque. For most of the panels featured today I used only two alcohol inks plus plenty of 99% rubbing alcohol; each panel was created with a metallic and a non-metallic ink.

This first panel was made with turquoise AI and gilded alloy AI; I love the range of blues when diluted with rubbing alcohol. The ‘for you’ Penny Black die cut is two layers of turquoise cardstock topped with one layer of pale gold.

This warm toned card was made with honeycomb AI and mined alloy AI then die cut with a WaffleFlower square nesting die. I used the WaffleFlower additional square dies to cut a larger copper square then added the PB ‘light as a feather’ die cut and a PB birthday sentiment embossed in Brutus Monroe penny embossing powder.

You can see the process for both cards above in the video below.

As I am working on alcohol ink panels I am evaluating my process and working out what I want to try next. I just bought a cheap lazy susan to work on the blown flowers and I’m pretty sure I don’t need to use as much coloured ink when I make the initial drops. You can be sure I will let you know what I discover.

I have a couple more cards made off camera using the same technique shown in the video. The card above features juniper AI and statue alloy AI with the PB ‘many thanks’ die cut from antique gold cardstock and stacked twice.

When this panel was finished it reminded me of photos of the artic and far north where the icebergs and glaciers are made up of beautiful shades of blue. It’s kind of a cross section perspective where we can see below and above the ice the bears are walking on. I did use two blue inks plus a silver for this one, ranger turquoise and stream with pinata silver. The bear die is ‘polar bears’ from Penny Black.

We’ve been watching Cecilia Blomdahl’s youtube channel about her life on Svalbard, an island off the north coast of Norway. She lives in the world’s northern most town. Polar bears are definitely around so you don’t wander outside the village without your weapon!

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Marbled hearts

These hearts were cut from another alcohol inked panel, this one done with only pitch black ink from Ranger. The ink was diluted with rubbing alcohol and moved around on the panel with air and tilting. I also added some bubbles or circles by splattering some rubbing alcohol over the pattern.

I didn’t add foil straight away after completing the panel instead I came back to it days later and ran the panel through the minc with some red foil over the top. The red foil stuck to some nice fine lines as you can see as well as some chunkier sections. What you can’t see is an area where a large blob of foil attached itself. I avoided that area when cutting six hearts using a small heart die from the Penny Black set ‘all my hearts’. I cut six hearts from red foam to pop the hearts up on the card base.

I tried several times to take a photo which would show the dry embossed background behind the popped up hearts but I didn’t succeed. It seems you’re not going to see the shine of the foil and the dimension of the background in one photo. If you click on the photo above you might be able to see the texture a bit better. I used the embossing folder that came with the Gemini Junior, it’s called ‘Regency Swirls’ and it is one of those very detailed 3D folders. I am wanting to add to my embossing folder collection, I’d love to hear your suggestions for some subtle ones and some really fancy ones.

I completed the card with a sentiment from Penny Black’s ‘trust me’ set stamped in red ink and popped up on a narrow banner. Thanks for dropping in today; I will be back tomorrow with an alcohol ink tutorial video.

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Alcohol ink + foil

When I get the alcohol inks out I always have a stack of panels at the end of the session. Some sit around and never amount to much but others wait for inspiration to hit. This one was created on white craft plastic (Grafix dura-bright white) with ginger and burgandy Ranger alcohol inks and Pinata magenta. I added gold foil using the minc well after the inks had dried.

Sometimes it is possible to make the foil stick soon after finishing the inking. There is a sweet spot as far as letting the ink dry enough that it is not gooey but not so much that it is dry to touch. The sections that will hold the foil are the ‘seams’ between colours where the ink is thicker. If you press foil on these areas when they are a bit tacky you can get it to stick with just a bit of burnishing. If the panel has dried it sometimes possible to get foil to stick by running the panel through a minc or laminator using some heat. This can be risky as sometimes the foil sticks to more of the panel than you expected.

When I ran this panel through the minc I was happy with most of the foiling but there were a few sections that didn’t look great so I just used the part that looked good and covered the rest with this pretty poppy edger from Penny Black. I finished the card with a gold embossed sentiment from the PB ‘only you’ set.

This second panel amazes me because it was created with only black alcohol ink plus rubbing alcohol. The blue and burgandy tones appeared when the black ink was diluted. Cool huh? I pressed the blue foil onto this panel at just the right time to get it to stick when the seams were tacky. It is hard to get it to show in the photo but there are small sections of blue foil here and there across the sky.

The inking on both panels was pretty experimental, a drop here and there some rubbing alcohol and tilting and blowing the ink to make a random pattern. I cut the Penny Black metropolitan die from both black and blue cardstock then stacked blue on black without removing all the window cut outs. I ended up using spray adhesive on the back of the blue die cut because gluing is not my gifting.

The sentiment is from the Concord & 9 ‘all the birthdays set stamped in black and embossed in clear then stacked up on two layers of black cardstock. More alcohol inks next week; I’m having fun.

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For some reason the images did not want to display on this list but if you click the word Supplies, above, you will get to the complete list.

2020’s favourite posts

I looked through the stats for 2020 to see which posts were viewed the most. It is not necessarily an accurate indicator of favourites but it is fun to look back and see what appealed. I’ve included a link to the original post next to every photo. I’m featuring only cards I made and posted this year. Here they are in no particular order.

Back in January I used Darkroom Door stencils as a guide to paint watercolour backgrounds for silhouette stamping with DD stamps.

In February as I was preparing to teach a class using pearlescent paints on black watercolour paper I created this embossed and painted card. The class didn’t happen but the plan is still in my mind for either an online or in-person class hopefully some time in 2021.

This card and the next favourite feature the same Penny Black stamp and no-line watercolour technique. I used distress inks and markers for the watercolouring on this one.

Same stamp as shown above, Unforgettable from Penny Black but this time watercoloured with Arteza real brush pens.

This lilac card along with three other colour schemes featured the ‘lovely lilacs‘ stamp from Penny Black and there is a video tutorial as well.

Another video post once again with Arteza watercolour brush pens this time with Penny Black’s nature’s glory stamp.

Now this one is a little different, pencil colouring on kraft cardstock, again with a video. 2020 has definitely seen me create the most videos!

This one is also one of my favourites so it is nice to see it as a reader favourite too. It is the second post in the top ten to feature the lovely lilacs stamp from PB.

I’m happy to see one of my hand painted pieces in the favourites. This is a brusho & cling wrap painting I did after watching a CeeCee Creations video.

Another video post made the top ten, this one featuring die cut distress oxide painted leaves. This is the only one not featuring flowers.

This one just missed out on the top ten so I’m adding it here at the end because I think it might be my favourite of the year. It’s a brusho and cling wrap panels that made me think of hydrangeas so I turned the random patterns into massed flowers.

Thank you for dropping it to read my posts this year. I love sharing the details of my cards, journal pages and creative adventures. In a year when face to face interactions have been limited I have been encouraged over and over by the comments and conversations here on my blog.

It has been my best year ever for producing you tube videos and also the year I fulfilled a long time dream of producing online classes. Again thank you for your support in those endeavours.

I’m looking forward to sharing more creative pursuits on the blog with you in 2021, there will be watercolour and stamping (of course!) but also alcohol ink art, gel printing, lettering and journaling. I hope you are safe and well where you are and pray that 2021 will be a year of health and happiness for you.


Pretty fantastic

Children’s cards are something of a rarity for me but this one ended up being so much fun I might try them more often. I’ve had this gold embossed giraffe image sitting round for a while. The stamp, from Pink Ink Designs is called ‘giraffe’, no surprises there! It’s a large stamp so I cropped a bit of the neck off so it would fit on a 6×6 card.

I used Staedtler watercolour markers and papertrey ink cubes to watercolour the giraffe and the amethyst ink cube for the blended background. I decided on the stencil background after I’d finished watercolouring the giraffe so I cut a giraffe shaped mask and positioned it over the giraffe while I used blending brushes and the Paper Rose studio ‘fragments’ stencil.

The giraffe stamp set comes with a pair of glasses stamp but I went bigger and sparklier with a die cut from Penny Black. I embossed the purple glasses in clear sparkle powder first then clear gloss ultra high to seal the sparkle and make them shiny. The sentiment is from the PB set ‘perspective’. Pink Ink Designs has some beautiful big animal and fantasy stamps. They totally captured my imagination when I saw them. I’ve already shared a card with the dragon stamp and have one with a sea turtle still to come. Not my usual themes that’s for sure.

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