I’ve been enjoying some pencil colouring lately, especially on ‘Stardream’ shimmer paper. (this background is stardream lapis lazuli) Working on a dark background requires a different approach but the results can be quite eye catching. I stamped a few of the ‘wonderland’ poppies from Altenew on blue shimmer cardstock with antique linen distress oxide ink. The oxide ink ends up looking almost white on such a bold background.
My pencils are Faber Castell Polychromos but you could use whatever coloured pencils you have on hand. With a dark background it helps to lay down a light base of white before adding colours over the top. I chose two pink pencils plus a white to colour the petals and blended from white on the petal edges to dark pink at the petal base. I preserved the stamped lines where I could but occasionally coloured over them and did what repairs I could with my white pencil. I used a bright green pencil for the stems and sepals and a tiny spot of yellow in the centre of the lowest poppy.
As always it is hard to capture the shimmer of the paper on camera but I think you can see a bit of it in each photo. I stamped and embossed the sentiment on the panel but made a patchy job of it so I stamped it on cream cardstock and cut it out with the avery elle sentiment dies that are never far from my side these days! I popped the sentiment up on dimensional tape and added the panel to a cream card base.
I love that sentiment and hope you all stay awesome today, my friends!
I have mentioned Kathy Racoosin’s 30 day colouring challenge a few times lately. It is definitely a no stress, no fuss, no obligation challenge which I have participated in before. Kathy, would be the first one to tell you there is no preparation necessary and I agree. However, I am enjoying it more this time around because I did do a little stamping in advance. I sat down at my work table a few days before the challenge began and stamped a bunch of images. I embossed some, stamped some in waterbased dye ink and a few in waterproof black ink. I basically created a little stack of images I could reach for and colour when I had the chance. It has helped me to be more involved this time. Sometimes I work on a panel until it is finished, other times, as in the case of these mittens, I colour it bit by bit or mitt by mitt!
I stamped the red mittens on hot pressed watercolour paper in worn lipstick distress inks and the cord in rusty hinge distress ink. I painted over the stamping with water to blend the pink ink to a smoother colour and to soften the stark white of the stripes. I added shading and little lines on the edges of the mittens and texture to the cord with watercolour pencils.
I decided the red mittens would be hanging against a wall or fence outside so I stamped and cut a mask of the mittens, covered them and stamped the woodgrain stamp from the PB set ‘tall timbers’ first one way then again at right angles in weathered wood and frayed burlap distress inks. As with the mittens I blended over the stamping with water and added extra colour from watercolour pencils especially around one side of the mitts to look like shadow. To finish the panel I stamped some snowflakes on the mitts, a sentiment and also splattered some embossing fluid before embossing it all with white powder.
I followed a similar process with the blue mittens but stamped them initially in three blue distress inks (broken china, salty ocean and chipped sapphire). I blended the stamping with water then, when it was dry, added details with coloured pencils. I wanted them to look knitted so I drew a pattern to look like rib at the cuffs then some lines and shading on the rest of the mitts.
Once again I added a woodgrain background this time by masking the lower portion of the panel before stamping the woodgrain from the PB ‘inspiring’ set then more masking to stamp it horizontally across the card. The sentiments for both cards are from the PB ‘smile all season’ set.
Warm & cosy wishes everyone!
Stamps: Christmas mittens, inspiring, tall timbers, smile all season
Paper: hot & cold pressed watercolour paper, neenah cream
Inks: worn lipstick, rusty hinge, broken china, salty ocean, chipped sapphire, frayed burlap, weathered wood, hickory smoke
Also: white embossing powder
Pencils: Albrecht Durer watercolour pencils, Polychromos pencils (Faber Castell)
These little houses and trees came from the Concord & 9th ‘City Stacks’ set. I love the possibilities with this set. You can stamp a simple single house or a detailed layered scene. I decided to line my images in one long line extending across the front and back of the my card.
I stamped in versafine clair nocturne ink and did all my colouring with polychromos pencils. I used the co-ordinating dies to create masks to make the stamping easier when tucking those trees in amongst the houses. I also die-cut a cloud edge from cardstock as a guide for my pale blue pencil coloured clouds. I have a class coming up in September where we will be watercolouring these cute stamps to create some city scenes. Check it out on my Upcoming classes page.
My coloured pencils feature more often in my projects these days. To create this card I stamped the Penny Black floral stamps in delicata white shimmer ink then coloured with my Faber Castell polychromos pencils. The feature image is from a 2-stamp set called ‘appreciation’ and the background image from a floral set called ‘ebulliant’.
I used a white pencil to lightly colour the flowers and leaves before adding other colours over the top. I also coloured over the border and sentiment with a sharp white pencil to make them pop a little more.
The delicata shimmer white ink definitely has shimmer to it and the overall effect of the pencils and ink on black is a bit like a printed fabric
I am sharing floral cards this week here and on the Penny Black blog. This particular one makes me happy. It took me an age to complete but I think it’s bright and sunny. I’ve been wanting to create a card where the design continues across the back and front; my next challenge is one where the design covers back, front and inside!
I used the large floral stamp from the transparent set ‘radiant’; it’s part of the new Nature’s Art release from Penny Black. I used my stamping platform and antique linen ink to stamp three prints across the panel. I wanted them to fit nicely together but not look like a repeat pattern so I changed the direction each time. If I had been really diligent I would have masked the first before I stamped the next but I just let them overlap a little. When it came to adding colour I decided which petals or leaves would be in front and painted accordingly. You can’t tell now can you?
I used quite a few colours but I mixed and matched a bit. Basically I chose a yellow and orange for the large flowers, a peach and a pink for the medium flowers then did some smaller flowers with the orange and the pink (not new colours) I added a purple to the mix but shaded with the pink used earlier. On each flower I painted the lighter colour first then dropped in some of the darker one where I wanted shadow. I painted half the leaves with green and the other half with blue green then added shading to all with a darker green. When the same colour pops up in a few different mixes on your design it keeps things cohesive and visually appealing. Once all the painting was completed I used coloured pencils here and there to darken shadows and add more definition
The set includes solid centres in two sizes for the flowers so I stamped them in black and created my die cut stacked sentiment in black also. And I almost forgot to mention I stamped and painted a couple of flowers inside too.
I’ll be back with more bright and breezy florals tomorrow.
Stamps: radiant 30-481 (PB)
Die: congratulation 51-439 (PB)
Inks: antique linen distress ink, nocturne versafine clair
Paint: Peerless watercolours
Paper: hot pressed watercolour, neenah black
Pencils: Faber-Castell polychromos pencils
I have a couple more shimmery leafy cards to share today. I created these with leaf stamps from Darkroom Door and Shimmerz spray paints. The panel started out as a square that I intended to turn into a large square card but when it was complete I decided to slice it up!
I began by stamping the two smallest leaf stamps from the Darkroom Door ‘fine leaves’ set in gold ink on hot pressed watercolour paper. I stamped in gold so I could see where I had stamped, versamark makes it tricky to do that. After I had filled three quarters of the panel I embossed with gold powder and started spritzing the panel with heliotrope shimmerz spritz spray. Can I point out right how that heliotrope’s full name is ‘Walking a Tight Heliotrope’ Shimmerz Spritz Spray! I also spritzed with Bamboo Leaf shimmerz spritz spray and let them blend and pretty much flood the panel. I dried it before adding more spray a couple of times then splattered some droplets over the dried panel.
I wanted the leaves to stand out just a tiny bit more so I used a dark blue and an olive green pencil to shade around each leaf so they appear to be lifting slightly off the paper. Once I’d decided to create two cards I matted both panels in gold shimmer cardstock and added embossed sentiments.
The chipped sapphire ink was exactly what I needed for the little sentiment above so I stamped in versamark first then over the top with chipped sapphire which made it possible to emboss in clear powder and get a blue sentiment.
Stamps: fine leaves (DD), all occasions (DD)
Ink: versamark, chipped sapphire, encore gold
Shimmerz Sprays: Walkin’ on a tight Heliotrope, Bamboo Leaf
Paper: hot pressed watercolour paper, neenah natural white, gold shimmer cardstock
Also: WOW gold metallic rich embossing powder, Faber Castell polychromos pencils
I have been using my coloured pencils more often recently. For this card I used them to add finishing touches and details after I had painted the majority of the design with watercolours. I used my gansai tambi paints for the watercolour then polychromos pencils for the details. I even wrote down the numbers just in case you were interested but really you don’t need my choices you could just use your own favourites.
One thing I did which worked in my favour was limit my colour palette. I mixed colours I had already used rather than continually adding new ones. This helps with the cohesiveness of the finished panel. I started by stamping the ‘aviary’ stamp on hot pressed watercolour paper in versafine smokey grey. I painted the area surrounding the birdhouse first with blue and green paint. I kept it mainly blue and used a ‘wet into wet’ method, painting around edges first with water then adding paint. A medium sized brush that comes to a good point can help with this as there is a lot of space to cover but also some tricky areas to navigate. Also if your brush is too small or doesn’t hold liquid well you will be forever picking up more water or paint.
Once the background was dry I painted the flower pots in brown and added shadows with the blue I used on the sky. After that I painted the birdhouse, once again with the brown and blue then added black for some darker shadows and definition. I decided to limit the flowers to pink and purple painting the taller plant on the left with a diluted purple paint and the magnolia on the right with touches of dark pink blended out with water. I left the centre flowers to do with coloured pencil. I used the same green from the background to paint the leaves and a combination of colours already used to paint the birds.
I couldn’t decide on a colour for the foreground the pots are sitting on so I used the dirty paint water. It turned out to be a teeny bit on the purple side but mainly on the dirty side so it didn’t clash with anything else. I added shadows with black. With all the basic painting done I switched to coloured pencils to add fine details. I picked pencils that matched the paint colours and went over some outlines or added tiny details inside leaves and flowers.
Thanks for dropping by today.