These little houses and trees came from the Concord & 9th ‘City Stacks’ set. I love the possibilities with this set. You can stamp a simple single house or a detailed layered scene. I decided to line my images in one long line extending across the front and back of the my card.
I stamped in versafine clair nocturne ink and did all my colouring with polychromos pencils. I used the co-ordinating dies to create masks to make the stamping easier when tucking those trees in amongst the houses. I also die-cut a cloud edge from cardstock as a guide for my pale blue pencil coloured clouds. I have a class coming up in September where we will be watercolouring these cute stamps to create some city scenes. Check it out on my Upcoming classes page.
My coloured pencils feature more often in my projects these days. To create this card I stamped the Penny Black floral stamps in delicata white shimmer ink then coloured with my Faber Castell polychromos pencils. The feature image is from a 2-stamp set called ‘appreciation’ and the background image from a floral set called ‘ebulliant’.
I used a white pencil to lightly colour the flowers and leaves before adding other colours over the top. I also coloured over the border and sentiment with a sharp white pencil to make them pop a little more.
The delicata shimmer white ink definitely has shimmer to it and the overall effect of the pencils and ink on black is a bit like a printed fabric
I am sharing floral cards this week here and on the Penny Black blog. This particular one makes me happy. It took me an age to complete but I think it’s bright and sunny. I’ve been wanting to create a card where the design continues across the back and front; my next challenge is one where the design covers back, front and inside!
I used the large floral stamp from the transparent set ‘radiant’; it’s part of the new Nature’s Art release from Penny Black. I used my stamping platform and antique linen ink to stamp three prints across the panel. I wanted them to fit nicely together but not look like a repeat pattern so I changed the direction each time. If I had been really diligent I would have masked the first before I stamped the next but I just let them overlap a little. When it came to adding colour I decided which petals or leaves would be in front and painted accordingly. You can’t tell now can you?
I used quite a few colours but I mixed and matched a bit. Basically I chose a yellow and orange for the large flowers, a peach and a pink for the medium flowers then did some smaller flowers with the orange and the pink (not new colours) I added a purple to the mix but shaded with the pink used earlier. On each flower I painted the lighter colour first then dropped in some of the darker one where I wanted shadow. I painted half the leaves with green and the other half with blue green then added shading to all with a darker green. When the same colour pops up in a few different mixes on your design it keeps things cohesive and visually appealing. Once all the painting was completed I used coloured pencils here and there to darken shadows and add more definition
The set includes solid centres in two sizes for the flowers so I stamped them in black and created my die cut stacked sentiment in black also. And I almost forgot to mention I stamped and painted a couple of flowers inside too.
I’ll be back with more bright and breezy florals tomorrow.
Stamps: radiant 30-481 (PB)
Die: congratulation 51-439 (PB)
Inks: antique linen distress ink, nocturne versafine clair
Paint: Peerless watercolours
Paper: hot pressed watercolour, neenah black
Pencils: Faber-Castell polychromos pencils
I have a couple more shimmery leafy cards to share today. I created these with leaf stamps from Darkroom Door and Shimmerz spray paints. The panel started out as a square that I intended to turn into a large square card but when it was complete I decided to slice it up!
I began by stamping the two smallest leaf stamps from the Darkroom Door ‘fine leaves’ set in gold ink on hot pressed watercolour paper. I stamped in gold so I could see where I had stamped, versamark makes it tricky to do that. After I had filled three quarters of the panel I embossed with gold powder and started spritzing the panel with heliotrope shimmerz spritz spray. Can I point out right how that heliotrope’s full name is ‘Walking a Tight Heliotrope’ Shimmerz Spritz Spray! I also spritzed with Bamboo Leaf shimmerz spritz spray and let them blend and pretty much flood the panel. I dried it before adding more spray a couple of times then splattered some droplets over the dried panel.
I wanted the leaves to stand out just a tiny bit more so I used a dark blue and an olive green pencil to shade around each leaf so they appear to be lifting slightly off the paper. Once I’d decided to create two cards I matted both panels in gold shimmer cardstock and added embossed sentiments.
The chipped sapphire ink was exactly what I needed for the little sentiment above so I stamped in versamark first then over the top with chipped sapphire which made it possible to emboss in clear powder and get a blue sentiment.
Stamps: fine leaves (DD), all occasions (DD)
Ink: versamark, chipped sapphire, encore gold
Shimmerz Sprays: Walkin’ on a tight Heliotrope, Bamboo Leaf
Paper: hot pressed watercolour paper, neenah natural white, gold shimmer cardstock
Also: WOW gold metallic rich embossing powder, Faber Castell polychromos pencils
I have been using my coloured pencils more often recently. For this card I used them to add finishing touches and details after I had painted the majority of the design with watercolours. I used my gansai tambi paints for the watercolour then polychromos pencils for the details. I even wrote down the numbers just in case you were interested but really you don’t need my choices you could just use your own favourites.
One thing I did which worked in my favour was limit my colour palette. I mixed colours I had already used rather than continually adding new ones. This helps with the cohesiveness of the finished panel. I started by stamping the ‘aviary’ stamp on hot pressed watercolour paper in versafine smokey grey. I painted the area surrounding the birdhouse first with blue and green paint. I kept it mainly blue and used a ‘wet into wet’ method, painting around edges first with water then adding paint. A medium sized brush that comes to a good point can help with this as there is a lot of space to cover but also some tricky areas to navigate. Also if your brush is too small or doesn’t hold liquid well you will be forever picking up more water or paint.
Once the background was dry I painted the flower pots in brown and added shadows with the blue I used on the sky. After that I painted the birdhouse, once again with the brown and blue then added black for some darker shadows and definition. I decided to limit the flowers to pink and purple painting the taller plant on the left with a diluted purple paint and the magnolia on the right with touches of dark pink blended out with water. I left the centre flowers to do with coloured pencil. I used the same green from the background to paint the leaves and a combination of colours already used to paint the birds.
I couldn’t decide on a colour for the foreground the pots are sitting on so I used the dirty paint water. It turned out to be a teeny bit on the purple side but mainly on the dirty side so it didn’t clash with anything else. I added shadows with black. With all the basic painting done I switched to coloured pencils to add fine details. I picked pencils that matched the paint colours and went over some outlines or added tiny details inside leaves and flowers.
Thanks for dropping by today.
I had fun with a few new techniques and products when creating this card. Those white spots on the kraft cardstock are not paint splats even though they look a bit like I spilt something on my panel. I sprayed some minc reactive mist onto a kraft panel then ran it through the minc with white foil. I realise I could have used white gesso or paint but the thing I like about the foiling in this instance is that it has no texture or bulk so stamping over it was easy.
I stamped the Penny Black ‘tulip bouquet’ stamp in the corner and part of a sentiment from the PB ‘choose happy’ set both in versafine onyx black ink then started colouring. Since I began teaching my pencil colouring technique class I have had pencils within reach most of the time. I grabbed a couple of prismacolor pinks, a green and a polychromos white to colour the tulips and leaves. The antique hemp twine seems to be popping up on quite a few cards too; it’s not too thick to knot or tie in a bow and it blends in with most colour schemes and especially kraft cardstock. To add a little interest to my white card base I gave it an all-over texture treatment by running it through the die-cutting machine several times with the new ‘rows of stitches’ die from Penny Black.
I really enjoyed reading the responses to my last card – the one with the clever black brusho design. Some of you have already experienced the joy of black brusho and others are now wanting to try it. I’d love to see your creations if you do try it; please leave me a comment or use the contact me option.
PB Stamps: tulip bouquet, choose happy
PB Die: rows of stitches
Ink: versafine onyx black ink
Pencils: prismacolor 925, 930, 911, polychromos 101
Also: minc reactive mist, white foil, minc
After teaching some colour pencil classes I am feeling inspired to use my pencils more often. I especially like the look on black cardstock but it is trickier to get a good photo. I used my Faber-Castell polychromos pencils for this card paired with the ‘good neighbors’ stamp from Penny Black.
I embossed the stamp with platinum powder then used a selection of coloured pencils to fill all the images. I wanted the sentiment to add some more interest to the black panel so I die-cut the top of my image panel with one of the PB stitched edges dies, used the same die to frame the sentiment then cut a little strip again with the same die to complete the rectangle again at the top.
The sentiment is embossed in platinum and then all the panels are attached to a cream card base. A little larger than my usual, hence the side fold. I’m teaching a coloured pencil technique class in Toronto in April; you can find the details on my upcoming classes page.