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Floral medley

Sweet Spring has arrived, on the Penny Black blog that is! Sweet Spring is Penny Black’s brand new release and as you can imagine it’s full of flowers. I’ve been having fun using some of my favourite techniques to colour those flowers so let’s take a look at today’s blooms. This big stamp is called ‘flower medley’ and I’ve paired it with a new sentiment from the ‘grateful heart’ set. (list and links below)

I embossed the flower medley stamp on hot pressed watercolour paper with white powder then used my watercolour pencils to paint in and around all the leaves and flowers. The embossing keeps everything contained so I was able to pick up colour from my pencils with a waterbrush, paint a petal or leaf then drop in more of the same colour for some depth or a different colour to create some blended areas. Once all the flowers and leaves were coloured I painted around them all with a grey watercolour pencil.

Next I used a trick I occasionally employ to flatten my watercoloured panels. I turned on my minc, popped the panel inside a folded piece of computer paper and ran it through the minc on a low heat setting. It ironed my panel nicely but also melted and removed some of the embossing. If I had used an embossing powder with some colour or shine then I wouldn’t have wanted it to disappear but clear or white embossing just masks the white paper underneath so melting it off didn’t change my design at all. The panel ended up very smooth so I was able to overlap the floral design with a sentiment stamped in versafine smokey gray ink. I matted the panel with co-ordinating pink cardstock and then added it to a square cream card base.

Now click on over to the Penny Black blog for the full reveal and a giveaway!

Supplies

Stamps

Inks: versamark, versafine smokey gray

Pencils: Faber-Castell Albrecht Dürer watercolour pencils

Paper: hot pressed watercolour paper, pink cardstock

Also: opaque white embossing powder, minc foil applicator

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Glorious Day

When I posted my first card made with this stamp I mentioned a second I had completed when I knew the image better. In this one I managed to keep the snowy areas white from the beginning rather than dilute them after I realised my mistake! I used fewer inks and left the leaves on right side of the stamp unstamped.

I stamped bird, perch and foliage in antique linen first then went over the perch and leaves as with vintage photo and black soot distress markers. I stamped then blended with water before adding ink to the berries with festive berries and barn door distress markers. To colour the bird I switched over to my watercolour pencils, picking up colour from the lead with a small damp watercolour brush.

I finished off the card with a sentiment stamped in versafine vintage sepia then popped up the panel on craft foam.

Supplies

Stamps: snowy perch, peace & love


Inks: antique linenvintage photo  distress inks (Ranger), versafine vintage sepia (Tsukineko), black micron pen (Pigma)
Markers: vintage photo, black soot, festive berries, barn door distress markers
Paper: 100% cotton hot pressed watercolour paper (Fabriano)
Pencils: dark carmine, light orange, black & cold greyIV Faber Castell Albrecht Durer watercolour pencils


Snowy Perch

This little bird and its snowy perch are all part of one stamp. It took me a bit of playing to work out how I wanted to colour the stamped image. I have another card to share where I took a slightly different approach. I started by stamping the whole stamp with antique linen distress ink. Using a pale ink with a detailed stamp helps me see the whole image so I can add colours one by one using a stamp positioning tool. I coloured with both a mix of inks added to the stamp and watercolour pencils added to the stamped image. I inked the branch and twig sections of the stamp with several brown inks (listed below) and blended the stamping with water.

I used a wet paintbrush to pick up colour from watercolour pencils to apply colour to the bird, berries and leaves. By working wet into wet I was able to paint a lighter colour first then add either a darker colour or more of the same colour to darken a shadowed area. You can see I added a lot more water to the leaves on the right hand side so they appeared less prominent and more suitable as a background for the sentiment.  Once all the colouring was finished I used a fine tip black pen to make sure the eye stood out. I trimmed the panel then popped it up on craft foam.

Thanks for dropping by.

Supplies

Stamps: snowy perch, sweetest moments 

Inks: antique linenvintage photo  distress inks (Ranger), versafine vintage sepia, espresso truffle memento marker (Tsukineko), black micron pen (Pigma)
Paper: 100% cotton hot pressed watercolour paper (Fabriano)
Pencils: juniper green, sap green, dark carmine, light orange, black & cold greyIV Faber Castell Albrecht Durer watercolour pencils


Morning glory emboss resist

Yes, it’s another emboss resist card, this time a delicate, ‘stay inside the lines’ one. I embossed the morning glory stamp from the transparent flower medley set with clear powder over black ink. I coloured with watercolour pencils, a blue and a purple for the flowers and a couple of greens for the leaves.

When I trimmed my panel I decided it need a little something in between the flowers so added some black nuvo crystal drops here and there in different sizes. Within minutes I managed to put something down on top of the panel which smeared some of the black drops! I let it finish drying then trimmed it and separated the two sections on a black card base. Now when I use nuvo crystal drops I take my panel and place it on the other side of the room where I am less likely to dump something on top of it.

Just in case you missed my last few posts I am embossing all the things at present because I have a challenge happening with The Foiled Fox right now and I would love you to get involved. You have three more days to add your emboss resist card to our link up. Hope to see it there soon.

Supplies

Stamps: flower medley, delicate flowers
Paper: hot pressed watercolour paper, epic black neenah cardstock
Inks: onyx black versafine
Paints: Albrecht Dürer watercolour pencils (Faber Castell)
Also: ebony nuvo crystal drops, clear embossing powder


Sweet perfume

This panel is another I coloured while away in Toronto. I took my watercolour pencils, some brushes and several stamped panels, some embossed others just stamped in light colours to paint over. I did a ton of walking and exploring while there but also met up with my daughter in coffee shops during the day as she was working on a thesis most of the time. She sat at her laptop, I painted for a while, drunk some tea then headed out exploring again.

I have already posted a card featuring this image stamped on black cardstock. This one was not stamped on black; it was embossed on hot pressed watercolour paper. I did all the painting with my watercolour pencils filling the flowers with pinks and purples and the leaves with a few shades of green. When I had finished there were a few spaces between flowers with no colour at all. I decided to paint them black. It really did not look very good but I packed it away and moved onto something else. When I came home and took some time to turn my panels into cards I trimmed this one back so the flowers were cropped on all sides then tried several coloured mats to frame it. The black card base ended up being the best option. Those few little black sections on the coloured panel tied in with the card base nicely. I also tried a few sentiments but ended up going without. On the inside I have glued a pale pink panel to write on.

Thanks for dropping by; I’ll be back with my next distress oxide trial tomorrow, I think it is my favourite so far.

Supplies:

Stamps: Sweet Perfume (PB)
Pencils: Albrecht Durer watercolour pencils (Faber Castell)
Ink: Versamark ink
Paper: hot pressed watercolour paper, Neenah Epic black cardstock
Also: gold embossing powders, gold organza ribbon


Flower embrace

 

I embossed this pretty new stamp from Penny Black so I could do some pencil colouring while I was away in Toronto a few weeks ago. The photo below is a little washed out on the gold embossing but I included it so you could see how the shiny gold contrasts with the pencil colouring. I used watercolour pencils as tiny palettes which is my usual method. I hold the pencil in one hand and a water brush in the other to pick up colour from the pencil lead.

My watercolour pencils are Faber Castell’s Albrecht Dürer. I’ve had a set of 36 since art school and recently I bought a bunch of colours I didn’t have.  The floral wreath is embossed in gold powder after stamping in versamark.

The only other detail I added was a shadow of grey around all the embossing. I used a zig cleancolour brush marker then blended it with some water. Enjoy your day.

Supplies

Stamps: flower embrace, sprinkles and smiles (PB)
Pencils: Faber Castell Albrecht Dürer watercolour pencils 172, 168, 176, 108, 126, 225, 144
Ink: versamark
Also: WOW gold metallic rich fine embossing powder, gray zig cleancolor brush pen

 


Bible journalling

bible journal Heather Telford

I have recently started some bible journalling. When I first saw the trend I decided I wouldn’t venture down that path but a couple of things changed my mind. The pastor of our church challenged us to read through the New Testament this year, a challenge I am enjoying and even managing to keep up with! I started jotting things down in a notebook as I read. Also I began taking notes during the sermons more carefully; there is usually an outline on the back of the weekly bulletin provided for notes. The problem was, even after I took the notes I brought them home and they piled up and eventually I tossed them out. Rather than continue that practice I decided to buy an interleaved bible which has a blank page after every printed page, and transfer my notes into that. I have been doing it for a month or so and it makes a difference for me to read the bible passage, hear the sermon, take notes, then come home and read through it all again as I add notes to my journalling bible. Most of the pages I’ve written on do not include colour illustration but I enjoy having the option of lettering, writing, drawing or stamping on the blank pages. The page I am sharing today has plenty of blank space left for notes on the passage highlighted in the stamped verse.

Now onto my process. I printed out a lined page to both guide my stamping and protect the page underneath.

I stamped the 1 Corinthians verse from the set, ‘Faith’, in versafine smokey gray on the blank bible page and and on a post-it note to use as a mask.

With the mask in place I stamped the floral bouquet from the ‘Fragrant Flowers’ set, also in smokey grey but a second generation impression. I did this three times to surround the verse.

I decided to use my Albrecht Dürer watercolour pencils to colour my page but kept them dry. (you can click on the photo to view larger version) There are two types of leaves on the floral stamp so I chose two pairs of green pencils, yellow greens (apple green 170, moss green 168) and blue greens (Hookers Green 159, Juniper Green 165) I coloured with the lighter hue first then added shadow and definition with the darker.

For the yellow flowers I chose two oranges and coloured all the petals with canary yellow (108) then added shading with cadmium orange (111). In the centre of the flowers I switched to browns (Venetian red 190, sepia 175)

Purple and yellow are complementary colours so I chose blues and purples for the remaining flowers knowing it would give some visual impact to the page. (blue violet 137,Delft blue 141, sky blue 146)

Once all my colouring was done I shaded around the edges of all the leaves and flowers with cold grey IV 233 and added some colour around a few of the letters in the verse.

I balanced out the page with a section of the stamp coloured in the lower corner and will add journalling to the page some time in the future.

Supplies

Stamps: Faith, Fragrant Flowers (PB)
Inks: versafine smokey gray (tsukineko)
Pencils: Albrecht Dürer watercolour pencils (Faber-Castell)
Bible: ESV journaling bible interleaved (Crossways)