This lovely blue wheelbarrow filled with pumpkins is one of the new autumn products from Penny Black. It’s called ‘pumpkin season’ and I paired it with an older PB scenic stamp, ‘homeward’.
I worked on the wheelbarrow first while keeping it in my stamp positioner. I stamped the barrow in faded jeans archival ink, the base in hickory smoke archival and the pumpkins in fossilized amber archival. That gave me a base print to add to with distress inks which I could blend with water and a paintbrush. Still with the stamp in the positioner I inked different section with distress ink cubes and markers to build up the colours bit by bit. Once I was sure I didn’t have to stamp any more on the barrow I removed the panel, stamped the barrow on masking paper and masked the barrow in order to finish my scene.
With the panel back in the positioner and the barrow masked I stamped the ‘homeward’ scenic stamp over the top with ground espresso, spiced marmalade, barn door , peeled paint and wild honey inks. I blended the grass area immediately after stamping so I could extend the ground with peeled paint ink to fill the space around the wheel and base of the barrow.
I built up the colour of the tree with repeat stampings spritzed with water. Once the stamping and blending was complete I painted some shadows under the barrow with peeled paint ink and added some extra definition to the pumpkins with watercolour pencils. I blended the sky around the tree with stormy sky ink and a blending brush.
We harvested most of our tomatoes yesterday even though they are still green so now I am looking up green tomatoes recipes. The fried ones sound appealing (just like in the Fanny Flagg book) and a zucchini and green tomato relish could be good too.
I just can’t stop serving you up three colour panels. This one is made up of green, purple and blue. Once again I used distress inks because if you’re blending, distress inks are always a good choice. In my last post I mentioned how I used archival inks along with the distress inks to give me a base image to stamp and paint over. I used archival ink on this card also but in a different way. It is so convenient having some archival inks in distress colours.
I began with a piece of hot pressed watercolour paper and pressed both the peeled paint and the seedless preserves ink pads down on my glass mat. I then spritzed a generous amount of water over the inks to dilute and spread them out. I swiped my watercolour panel through the ink then dabbed with a paper towel and dried with a heat tool to make a soft background for my stamped image.
With my stamp in the MISTI I inked the leaves in peeled paint distress ink and the tulips in seedless preserves. I added dabs of salty ocean ink to both the leaves and flowers, spritzed the stamp and stamped on the panel. I then blended with a paint brush which resulted in some variation of colour in leaves and tulips where the blue ink mixed with the main colours. I love how easy it was to get some variation with the salty ocean ink. Blue is a base colour for making green and purple so I knew it would blend nicely with both inks. With the panel still in the MISTI I was able to ink the tulips with dusty concord archival and the leaves with peeled paint archival ink and stamp some of the detail over the top of the blended colour. I used a black soot distress marker to darken the centre of the open tulip. To fill out the design a bit I did some masking and some partial inking to add another leaf and flower on the left hand side of the panel.A little stamp surgery on the thank you stamp from the PB ‘grateful sentiments’ set made it possible to have one word above the other tucking around the flowers.
If you have a recent three colour card on hand pop over to the challenge on the Foiled Fox blog and link it up. I would love to see it!