I have seen this stamp on quite a few cards lately, just pop over to the Penny Black blog if you want to see some other colour schemes and techniques. I have surprised myself with this colour scheme and also by choosing a large heart motif in the first place. I don’t usually make Valentine’s day cards so when I decided to ink this stamp it was always going to be for a versatile friendship card.
I worked on hot pressed watercolour paper in the stamp positioner and inked one flower at a time. It is easier to ink a single flower with a marker but when I don’t have the colour marker I need I use an inkpad and just wipe excess ink off the stamp. Each time I stamped a flower or leafy section I blended the ink with a paintbrush and added extra ink if necessary by picking it up off my glass mat. On some of the flowers blending the colour resulted in loss of definition so I restamped after all the colouring was done. That’s the beauty of keeping it in the stamp positioner.
The distress inks I used were carved pumpkin, barn door, mermaid lagoon and peeled paint; I’m pretty sure I’ve never used that combo before. I added centres to the flowers with a black marker.
I chose a die-cut sentiment that spans the heart and chose orange cardstock to stand out against the background. Even though the sentiment was over the top of mainly red and turquoise flowers it got a little lost so I cut a black layer as well and stacked two orange over a slightly offset black.
On my last post ‘Creating in Colors’ commented, ‘...I love it when you design cards for which I have the stamps and/or stencils! I’m inspired to try these.‘ I was so pleased to read that. It makes me happy when that happens; its always good to get a fresh idea for supplies we already have.
As you can imagine, I was thrilled when I saw this stamp. Yes it is one stamp with all these beautiful trees in a snowy clearing! It’s called wintertide and it definitely portrays what I am seeing outside these days.
I worked on hot press watercolour paper because I did plan to add a little water as I worked but the stamp is very detailed so I didn’t want added water to blur the detail and lose all the snowy white areas. There are some white splatters in the sky made by splots of masking fluid splattered on the panel before I started stamping.
I kept the stamp in a stamp positioner so I could stamp one colour at a time starting with pine needles distress ink. I added other distress greens and blues bit by bit to give definition to the trees on the right and the bushy area in the foreground. I spritzed the stamp lightly with water after inking the area left of the big tree so the greens blended with each other. Once I had built up enough colour variation I dried the panel and added a frisket film circle mask before colouring the sky. I used blending brushes to apply tumbled glass and chipped sapphire distress inks to the sky and the snowy path.
This stamp is very detailed but that does not have to mean it is difficult to use. By stamping the whole image first in a light colour you are able to see where to change colours when adding ink with markers or ink pads. When I don’t use markers I add ink to a large area with an ink pad(often a cube) then wipe it off the areas I don’t want stamped. Jill Foster has a fabulous video tutorial for this stamp so check that out if you want some ideas.
This is the last of the three colour panels I did with sandstone, lemon and ost blue brusho. I think this one might be my favourite because of the sky behind the poppy. Of course I was not really responsible for that pretty sky, it was the magic of brusho! I embossed the PB ‘poppy time’ stamp in gold powder on hot pressed watercolour paper first. Next I sprinkled the three colours of brusho on craft mat and spritzed it with water. I didn’t sprinkle too much powder; it is easier to add more colour than to take it away. I swiped the panel through the wet activated brusho and set it flat to dry. I can’t remember if I dabbed colour away or moved some with a paintbrush (I made this card a while ago)
With the background taken care of I mixed some green from the sandstone & ost blue and painted the bud, stems and seed pod. I the petals with sandstone and lemon from a palette then sprinkled salt on top to get some texture.
Once again I used a sentiment from MFT ‘fluttering friends’; I really like the clean lines of the font and the size too. The sentiments fit perfectly in strips cut with the Avery Elle simple sentiment strips.
Thanks for joining me in this mini series on using a limited palette. I have enjoyed reading your comments and hope you are trying it yourself. Please let me know if you do. If you just joined me today here are the other two cards made with this simple colour scheme.
Above is the second of my three colour cards painted with only ost blue, sandstone and lemon brusho. The first card displayed some of the texture and blending which is easily achieved with brusho, in this card it is easier to see the three basic colours plus a couple of the colours I mixed myself. As with the first card I mixed the brusho powders with water in a palette but for this card didn’t sprinkle any brusho directly on the watercolour panel.
The PB bouquet ballet stamp is stamped in black ink on cold pressed watercolour paper; I used a stamp positioner as cold pressed watercolour paper has texture which prevents me from getting a perfect impression first go. The small poppy is painted in lemon brusho, the large flower with sandstone and the multi-headed flower in ost blue. On each one I dropped in more colour for extra depth. The small trumpet shaped flowers to the right are also painted in ost blue but a diluted coat. The stems and leaves are painted in a mix of blue and lemon. The centre of the flowers I painted in brown which was a mix of blue and sandstone brusho. I did use a black marker to colour the little flower centre thingies, but we are not going to count black as a fourth colour!
Happily I found a blue cardstock in my stash to create a sentiment strip and a frame. I embossed the sentiment from MFT fluttering friends in gold powder and popped it up over the panel. The frame is cut using PB square frames and glued on using on point glue because of the tiny tip on the glue bottle. I have one more card to show you in this miniseries and I think it might be my favourite. Check back soon.
I’ve talked about limited palettes on the blog before; today’s card is a good example of why I like to work with a limited palette of colours. I used only three brusho colours to paint this card, ost blue, sandstone, lemon brusho. The panel began with the PB sweet perfume stamp embossed in gold on hot pressed watercolour paper.
I sprinkled each of the three brusho colours into wells of a palette leaving empty wells between the colours where I could mix new colours. I used mainly sandstone for the large flower, lemon for the smaller flowers and added depth by adding more sandstone for tan shadows or orange shadows. I was able to create a few different greens by mixing blue with sandstone and blue with lemon. As sandstone is a brownish orange it was perfect for darkening the centres of the flowers. I love the texture in the centre of the large flower which I achieved by sprinkling some brusho directly on the panel then blending it with water.
To mat the panel I chose a dark blue cardstock that co-ordinated with the dark bluey green paint. To finish the card I added an MFT sentiment also embossed in gold.
I have another couple of cards made with the same limited palette, so check back soon.
That’s right I have a Christmas card for you. I totally subscribe to the twelve days of Christmas deal; I am in no hurry to take down decorations or make resolutions. When I look at this card though, I realize it could definitely work for the new year. We woke up to a very merry & bright scene as the world is once again covered in white! Both these stamps are favourites of mine as they will be useful year round and of course, they feature trees!
No watercolour paints or techniques were used in this card, I know, it’s a bit of a departure but I love the crisp images I was able to get stamping on bristol cardstock. I stamped the winter woodland stamp with memento London fog ink on bristol then switched to versafine clair rainforest ink to stamp the ‘before the snow’ tree and the sentiment in the foreground. I matted with a co-ordinating green cardstock then a white cardbase.
I made a couple of these cards but might make a few more in preparation for next Christmas or even change the foreground image to make them suitable for year round. It’s a quick but effective design inspired by the beautiful work of Julia of Derkleineklecks blog.
Happy New Year! Thank you for spending time here on the blog with me this year; I look forward to sharing more projects in 2020. How about the neatness of that 2020; I like it!
The pine needles and pine cone stamps I used for this card are from Darkroom Door and I love how realistic they are. The stamps are quite large and there are several sizes and shapes of cones which makes for lovely feature images and fillers as well. I used one pine cone stamp but two of the pine needle stamps and worked on hot pressed watercolour paper which had been splattered with masking fluid. If you look at the close up below you can see large white dots as well as tiny ones; they’re all made by the masking fluid.
I stamped the pine cone three times using a stamp positioner and four different brown distress inks. A spritz of water started the browns blending and I did a little blending with a paint brush as well.
I stamped the green pine needles with forest moss and evergreen bough distress inks and the fine needles in the background with iced spruce. I added some green splatter then some gold splatter using one of the gansai tambi starry colours. I used the ‘jumbo joy’ die from Penny Black to cut out the word joy from the stamped panel and cut three layers from shimmer gold cardstock as well so I could stack them up just a little offset so the gold peeps out on the side.
I stamped the rest of the Christmas carol lyric using a stamp from Ink to Paper’s ‘season of joy’ set and some gold embossing powder. The overall pattern may be a little messy but it reminds me of what I see if I look up into the branches of the very messy pine tree in my front yard, which is currently covered with snow but not gold splatter!
I have been blessed to receive some beautiful handmade Christmas cards in the mail this week and I am enjoying them on my window ledge. I hate to say it but as yet I have not sent a single one! As I’ve said before there are twelve days of Christmas so I haven’t run out of time yet!