Today’s card features two new brushstroke stamps from Penny Black. The pink flowers in two corners of my panel are from a vase + flowers set called ‘painter’s vase’. I just used the flower stamp but there is a vase stamp I’ll use another day.
I used my stamp positioning tool (MISTI) and placed the flower stamp overlapping one corner of the hot pressed watercolour panel. I stamped the whole image in worn lipstick distress ink knowing the forest moss ink would be bold enough to cover the pink later. Without moving stamp or panel I inked centres and edges of the flowers with candied apple distress ink, stamped then blended the two pinks with water. I then added black soot ink to the flower centres, stamped and let the panel dry. I coloured in the flower centres with a sun yellow inktense pencil and shaded some of the flower centres and edges with poppy red. Then I flipped the panel 180° and repeated the whole process.
To add a background I had to mask the flowers so I stamped them on masking paper, cut them out and covered my completed corners while I stamped ‘a floral twist‘ stamp in weathered wood distress ink and added a few splatters too. All that was left was to add a sentiment; I decided on something small from ‘grateful sentiments’ on a little die cut label with the edges sponged in worn lipstick ink.
Thanks for dropping by today; it is great to be blogging with a bit of regularity again.
I am hanging out on the Foiled Fox blog today with some new Penny Black floral loveliness along with some new to me inktensity!
I have been trying out some inktense pencils lately. Friends have raved about them and Shauna from the Foiled Fox loves them and kindly sent me some to try. Inktense pencils and blocks are permanent once dry so it is possible to blend then add another layer without diluting the first layer. Some watercolours are not permanent so they blend with subsequent layers applied. I was happy to see how easy it is to ‘paint’ with these pencils.
Penny Black has a new release; you probably saw some sneak peeks on the PB social media or maybe you saw this card as a peek on my instagram. The new release is called ‘Timeless‘ and it is full of spring and summer loveliness. To celebrate Penny Black is hosting a giveaway.
Isn’t this a cute stamp? Blooming boots! I guess boots could work as a vase if they were waterproof. I used distress stains to stamp this happy colour scheme but you could use any water soluble ink that blends well after stamping. I inked the tulips with mustard seed and spiced marmalade distress stains. Now that the daubers are discontinued I paint stain onto the stamp with a brush. After stamping the tulips I wiped the stamp and inked the leaves with mowed lawn stain. While the stamped stain was still damp I blended it with a brush and water then dried the panel.
I painted black soot stain onto the boot part of the stamp then stamped and blended to fill the boots. By drying the rest of the stamping first I prevented the black stain from bleeding into the flowers and leaves. I used the new die set ‘square frames’ to cut a green frame. As my dies are not divided up they cut not only the decorative frames but also plain rectangles and that is what I used here. I finished the card with a sentiment from the super-useful new set ‘grateful sentiments’ in black versafine ink.
I am currently enjoying not tulips but a giant amaryllis; it is 80cm tall and each one of the five flowers measures 20cm across. It is huge and beautiful!
It is hard to believe I haven’t inked this pretty stamp before now. I made up for it by repeat stamping on a large panel to make into a set of cards. I put the 10″x 7″ hot pressed watercolour panel in my stamp positioning tool and ended up stamping PB ‘blissful blossoms’ four times.
Each time I stamped I followed the same order. First I inked the whole stamp in scattered straw distress ink and dabbed some wild honey and abandoned coral ink here and there on the flowers, spritzed it with water. After stamping I cleaned the stamp, then inked all the stems and leaves in peeled paint ink, spritzed and stamped again. I kept partially inking with markers, spritzing and stamping until the flowers were well coloured. Before moving the panel and stamp to do another print I blended over the stamping with a paint brush and water.
I repeated the process three more times to fill the panel. I was able to orient the stamp so the stems and flowers filled the space and looked like one big patterned panel.
Once the panel was done I had to decide how to divide it for different designs. I could have done four of the same card but no, I wanted to come up with a few options. I pulled out a pretty PB die, a PB sentiment set and some green cardstock to create a set of five cards.
The decorative die does not cut right across, it cuts out the scroll work but scores either side for folding. On several of the cards I cut on the score line for a border instead of a fold.
By double matting and popping up the panel even the last scrap became a card. All the sentiments are from the handy dandy ‘happy snippets’ set.
Stamps: blissful blossoms, happy snippets (PB)
Dies: pop on a fold -royal swirl (PB)
Inks: scattered straw, dried marigold, abandoned coral, peeled paint, versamark, shady line versafine clair
Markers: peeled paint, dried marigold, abandoned coral, ground espresso
Cardstock: hot pressed watercolour, neenah cream, olive green
Also: Stamp positioner, white embossing powder, linen twine
I created these alcohol ink panels months ago! They were the result of a primary colours experiment with pool (blue), raspberry (red) and honeycomb (yellow) alcohol inks and both heavy and light weight yupo paper. I restricted myself to the three colours to see what I could come up with and how they reacted with each other.
I was able to get very soft blends by adding rubbing alcohol and tilting the yupo around. This panel was done on light weight yupo which is translucent. When I held it up to the light the colours softened and looked like stained glass. I decided I had to cut the cardstock out behind the dragonfly ‘window’ so a light could be placed under the card to show off its soft blended colour. Not a real tealight mind you, remember this is paper crafting! I took a photo to give you an idea of the pretty stained glass effect you see with a soft light underneath.
The same colours appeared but with more lines by working the inks for longer. By that I mean that I kept adding and tilting and blending so there are more secondary and tertiary colours in the mix.
When it came to making the panels into cards I decided die cuts over the top was all I wanted to add. I used three Penny Black dies, dragonfly frame, serenity and heartfelt thanks. For all the cards I put double sided adhesive on the back of the green cardstock before die cutting the images and words.
In the final sample I was able to keep some of each ink colour distinct as well as each secondary colour (blue+yellow=green) (yellow+red=orange) (red+blue=purple). There is also a bit of brown which is is a tertiary colour made when a primary and a secondary mix.
I created this panel by dropping the inks onto the yupo panel and letting them move and fill the space. When there was a good mix of colour patterning the whole area I switched to placing tiny drops of ink or rubbing alcohol onto the panel to create the bubble patterns. Each tiny drop expanded into a little circle or blob shape. The pattern looked very busy all on its own so I just added a small die cut word.
Dies: serenity, dragonfly frame, heartfelt thanks (Penny Black)
Inks: pool, raspberry, honeycomb Ranger alcohol inks
Paper: yupo both light and heavy weight, neenah cream cardstock, green textured cardstock
Also: double sided adhesive, rubbing alcohol
Snowy scenes and thank you cards will keep on popping up on the blog. This one made with the PB stamp, ‘snow forest’, was very simple to make. I put the stamp in the stamp positioner then inked part of it in Catherine Poolers ‘icing on the cake’ ink, stamped then randomly inked in ‘over coffee’, stamped and finally the same with ‘eucalyptus’ ink. With the whole image stamped I blended the larger distinct tree trunks with water to get the watercolour effect.
I ended up painting over some areas, not all, with water also which softened the contrasts but still left light and dark areas. I pressed the three inks onto my glass mat so I could pick up ink to paint the snowy forest floor.
To complete the card I matted in dark green cardstock and die cut a banner for the sentiment. I embossed the sentiment with weathered white powder which gives an antique, and I think, snowy effect.
Stamps: snow forest, banner sentiments
Dies: a pocketfull
Inks: eucalyptus, icing on the cake, over coffee (Catherine Pooler), versamark
Paper: hot pressed watercolour, green cardstock
Also: MISTI, weathered white embossing powder, glass mat
I really enjoy creating winter scenes and today’s card features stamps that lend themselves very well to scenic stamping. I used the PB ‘birches’ stamp and the boy from an older PB set, ‘spread cheer’. I began by embossing the large birch stamps on either side of a panel of hot pressed watercolour paper in versafine clair nocturne ink and clear powder. Next I splattered masking fluid over the panel to later look like snow.
I painted water across the panel from left to right skipping the tree trunks, added distress stains, faded jeans and barn door, then blended the colours to create a winter sky. I painted some diluted blue stain on the tree trunks for a bit of shadow then let everything dry. I stamped the boy and his dog in nocturne inks several times to get a very solid black image over the embossing and stain that was already on the panel. After the black ink dried I painted some shadow with the same stains used for the sky.
Once all the ink was dry I removed the masking fluid to reveal all the little dots of snow. I trimmed the panel to fit on a navy card base (although it looks black in the photos) and will add a white insert for writing my message inside.