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Layered Poinsettia

After creating a pretty blue background through the magic of brusho yesterday, I decided to do the same with green and red for poinsettias. This set of four dies is called ‘layered poinsettia‘ and it was so easy to create pretty red and green flowers with some scattered brusho on watercolour paper. I had three scraps of hot pressed watercolour paper on my craft mat. I sprinkled mostly brilliant red brusho on two with a bit of leaf green either end, then I sprinkled more of the green and less of the red on my third strip. After I had spritzed water over them all I could see where more colour was needed so I sprinkled some more of the first two colours plus some rose red and spritzed again.

I left the scraps to dry then laid three flower dies on the strips and cut our 3×3 of the small, medium and large flowers making sure I got some green on the large and the medium ones. Once they were all cut I lay them back on my craft mat and splattered gold paint from my finetec mica pearl set over all the flowers.

I let them dry and assembled them by dotting glue on the backs. There is a teeny tiny die for the centres (which I have not lost so far!) which were cut from gold foil cardstock to tie in with my gold splatter. To assemble the card I glued the flowers on a strip of white cardstock, attached that to a strip of shimmery red cardstock then mounted it on a white card base. I added the little ‘sending joy’ sentiment from the PB holiday snippets set.

Don’t forget the Foiled Fox has a cool sale on all weekend; just click the link in my side bar or right here and use the discount code HOLIDAY2017 when you check out.

Supplies

Dies: layered poinsettia

Stamps: holiday snippets

Ink: versafine crimson red

Paints: finetec mica pearl 12, brusho 12

Neenah solar white cardstock, hot pressed watercolour paper, shimmer red cardstock, gold foil cardstock

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Frosty wreath

I have a frosty little wreath to share today which seems appropriate now it’s all frosty outside. I created my background on hot pressed watercolour paper by sprinkling ultramarine brusho over the paper then spritzing it with my homemade pearl-ex spray. The result is a shimmery pattern of blue, turquoise and purple made with paint powder from just one container.

I applied stick it adhesive to the back of neenah solar white cardstock then die-cut three wreaths using Penny Black’s ‘wreath & bow’ die. I stacked them on top of each other which was surprisingly easy even though they were quite delicate. I use a pair of tweezers to squeeze each section of the die-cuts into alignment with the ones above and below.

I stamped a sentiment from festive snippets on purple cardstock, embossed it in white and attached it overlapping the wreath then matted the painted panel in purple also. To finish it off I attached some silver cord and a little die-cut snowflake on top of the sentiment strip. You can find all the supplies listed below; I am experimenting with the appearance of my supply list; word has it that people like to see the product not just the name. Let me know if the pictures and links are helpful.

I know there are sales everywhere you turn this week but I just want to mention one. The Foiled Fox is offering 15% off everything in their store this weekend and if you click through from my blog you don’t have to wait until Friday to start shopping. The coupon code for check out is HOLIDAY2017

 Supplies

Stamps: festive snippets

Dies: wreath & bow, a blizzard

Paper:  Neenah solar white cardstock, 100% cotton hot pressed watercolour paper

Brusho paint: ultra marine
 

Also: white embossing powder, stick it adhesive, pearl ex interference blue powder, silver cord


Glorious Day

When I posted my first card made with this stamp I mentioned a second I had completed when I knew the image better. In this one I managed to keep the snowy areas white from the beginning rather than dilute them after I realised my mistake! I used fewer inks and left the leaves on right side of the stamp unstamped.

I stamped bird, perch and foliage in antique linen first then went over the perch and leaves as with vintage photo and black soot distress markers. I stamped then blended with water before adding ink to the berries with festive berries and barn door distress markers. To colour the bird I switched over to my watercolour pencils, picking up colour from the lead with a small damp watercolour brush.

I finished off the card with a sentiment stamped in versafine vintage sepia then popped up the panel on craft foam.

Supplies

Stamps: snowy perch, peace & love


Inks: antique linenvintage photo  distress inks (Ranger), versafine vintage sepia (Tsukineko), black micron pen (Pigma)
Markers: vintage photo, black soot, festive berries, barn door distress markers
Paper: 100% cotton hot pressed watercolour paper (Fabriano)
Pencils: dark carmine, light orange, black & cold greyIV Faber Castell Albrecht Durer watercolour pencils


DiOx background

I taught a class a while ago where we created distress oxide backgrounds similar to this one. I began with a piece of hot pressed watercolour paper, swiped my salty ocean and fossilized amber distress oxide inks across the panel then spritzed it generously while holding the paper upright which enabled the ink to run down towards the bottom of the panel. I held it the opposite way so the lighter colour ran back into the darker. I kept doing this until I had a fully covered, blended background.

It’s hard to see in the photo but I spritzed with pearl-ex spray which created a sparkly sheen over everything. (I create my own pearl-ex spray by adding less than ¼tsp pearl-ex powder to a small spritzer full of water) Once the panel was dry I splattered some more spray over the background and dabbed it off with a paper towel to created the patchy light and dark effect.

I stamped the Queen Anne’s lace stamps from the Penny Black Flower Sparks set in fossilized amber, salty ocean  and black soot distress oxide inks. To finish I attached to a white card base and added a white on black embossed sentiment. All the supplies are listed below; some include affiliate links which give me a small commission but add nothing to your costs. Anytime you feel like browsing in The Foiled Fox online store, clicking through from the Foiled Fox promo in my side bar will send some commission my way if you make a purchase.  And while we are chatting about the lovely folk at The Foiled Fox I have an inside scoop: they are starting a loyalty program where you will earn ‘foxy dollars’ every time you make a purchase there. Even though it hasn’t officially begun any November purchases will count towards your future foxy dollars!

Supplies

Stamps:Flower Sparks, Happy Snippets (made by Penny Black)
Inks: fossilized amber, salty ocean, black soot distress oxide inks (Ranger) Versamark (Tsukineko)
Papers: hot pressed watercolour paper, Neenah solar white cardstock, Neenah epic black cardstock
Tools: heat tool
Added extras: interference blue pearl-ex powder


Under the trees

So many of the stamps from the ‘Be Merry’ release are suitable for seasons other than winter and occasions other than Christmas. For this card I used the ‘under the trees’ stamp, masked out the little critters, snowflakes and gift and chose a warm colour scheme to make an autumn card. I stamped the ‘under the trees stamp in versafine vintage sepia ink.  I cut a little post-it mask to protect the area where the critters and hanging snowflakes were as well as wiping ink off the circles in the sky so they wouldn’t stamp either. I left the stamp in the stamp positioning tool for re-stamping later. I began by paint a pale wash of tumbled glass distress stain over the whole piece of hot pressed watercolour paper keeping the edges darker than the centre. I added some forest moss, crushed olive, mustard seed, spiced marmalade painting around the trees and ground as well as painting some loose background trees into the damp panel.

I dried the panel before painting the wooden fence so the distress stains would not bleed out of the stamped image as in the background area. I used gathered twig and vintage photo distress stains to paint the fence then dried the panel again so I could restamp in the stamp positioner. By the time I had added all the blended colour the original stamped trees and bushes were less prominent so I inked them with a ground espresso marker and re-stamped and then painted over until they stood out once more.

To finish it off I stamped a sentiment from Penny Black’s ‘happy wishes’ set in fossilised amber distress ink then versafine vintage sepia several times over the top.

Supplies

Stamps: under the trees, happy wishes(PB)
Inks: tsukineko versafine vintage sepia, ranger fossilised amber distress ink
Markers: ground espresso,  gathered twig distress markers
Distress Stains: tumbled glass, forest moss, crushed olive, mustard seed, spiced marmaladeground espressogathered twig, vintage photo
Paper:  hot pressed watercolor paper, green cardstock, cream cardstock
Tools: stamping platform, heat tool 

Snowy Perch

This little bird and its snowy perch are all part of one stamp. It took me a bit of playing to work out how I wanted to colour the stamped image. I have another card to share where I took a slightly different approach. I started by stamping the whole stamp with antique linen distress ink. Using a pale ink with a detailed stamp helps me see the whole image so I can add colours one by one using a stamp positioning tool. I coloured with both a mix of inks added to the stamp and watercolour pencils added to the stamped image. I inked the branch and twig sections of the stamp with several brown inks (listed below) and blended the stamping with water.

I used a wet paintbrush to pick up colour from watercolour pencils to apply colour to the bird, berries and leaves. By working wet into wet I was able to paint a lighter colour first then add either a darker colour or more of the same colour to darken a shadowed area. You can see I added a lot more water to the leaves on the right hand side so they appeared less prominent and more suitable as a background for the sentiment.  Once all the colouring was finished I used a fine tip black pen to make sure the eye stood out. I trimmed the panel then popped it up on craft foam.

Thanks for dropping by.

Supplies

Stamps: snowy perch, sweetest moments 

Inks: antique linenvintage photo  distress inks (Ranger), versafine vintage sepia, espresso truffle memento marker (Tsukineko), black micron pen (Pigma)
Paper: 100% cotton hot pressed watercolour paper (Fabriano)
Pencils: juniper green, sap green, dark carmine, light orange, black & cold greyIV Faber Castell Albrecht Durer watercolour pencils


Bright night

Would you believe some new tree stamps join my collection? You can never have too many! These two artistic silhouettes are not two halves of the same tree as you might first think but two separate stamps by Penny Black which come in a set of three, Snowy Village, including a little village stamp that would look cute in the distance between the two trees. My scene leans a little more to the whimsical side of things with a multicoloured starlit landscape.

I started by splattering masking fluid over a piece of hot pressed watercolour paper. When it was dry I used a stamp positioning tool to stamp the two large trees on either side of the panel. The stamp positioner made it possible to stamp several times with versafine onyx black ink so I had completely black images. Once the ink dried I began painting with a range of Ken Oliver’s colorburst powders. I tapped a tiny bit out of a bunch of bottles into a palette then added a drop of water when I was ready to use that colour. I began by painting a section of water in the middle of the panel which stayed fairly light as I added colour above and below. I used mainly blues and pinks above the horizon with a spot of yellow here and there. Below the horizon I added more green and painted some hard edges to suggest gullies and rises. I let the panel dry a bit but not completely before I stamped a strip of distant trees in memento northern pine ink. The strip of trees is from another new PB set, Peaceful winter. As the panel was still damp the background trees softened and bled into the surrounding area.

To finish the scene I splattered water then soaked it up again with a paper towel to get some ghostly dots then splattered a bit of black over the base area. It was tricky deciding whether to mat or not but I ended up popping it up over a white card base.

My inspiration for this bright scene was a painting I saw on Pinterest; you can see the artist’s work here.

Supplies

Stamps:  Snowy Village, Peaceful winter (made by Penny Black)
Inks: versafine onyx black, memento northern pine (made by Tsukineko)
Paint: Colorburst ultramarine blue, indigo, cerulean blue, tangerine, terre verte, pthalo green, chartreuse, burnt sienna, fuchsia
Papers: Neenah solar white 110lb, Fabriano hot pressed watercolour paper, white textured cardstock
Also: Pebeo drawing gum