It’s all soft and subtle on the blog today. I have two projects featuring the beautiful Alexandra Renke cardstock the Foiled Fox recently started carrying in their store. The weight of the cardstock is somewhere between a good quality printer paper and a piece of cardstock. There is definitely enough weight to die cut nicely.
I chose the elegant ‘whirl wreath’ by Penny Black and cut one out of ‘pink dots’ cardstock. I attached it around the centre circle with adhesive but left the branches unattached ( so I will be careful putting it in a envelope) The background is ‘rose stripes’ which matches the pink dots perfectly. I cut the bow out of a piece of cardstock from my stash and layered a few together to give it some extra weight. I blended around the edge of the striped panel with tattered rose distress ink and attached everything to a cream cardbase.
I chose to add a natural twine bow to the die cut bow then had to co-ordinate the sentiment with antique linen distress ink.
For my little neighbourhood card I use three patterns of Alexandra Renke cardstock, the rose stripes, gray stripes and medium mud watercolour. I know it is hard to see the details of the die cuts in my photo but in real life the pink striped neighbourhood is clear against two lines of gray striped trees in front of a gray mud starry sky.
I have been wanting to try a white on white layered die cut scene and I probably still will but chose to try it with these pretty papers first. The neighbourhood is layered over two layers of trees cut with the ‘trees and hills’ dies which are layered over a gray piece cut with the starry sky night die attached directly to a white card base.
I featured some of the subtle colours and patterns from Alexandra Renke today but I do have some bold patterns and solids to share another day.
Have a great weekend.
Stamps: Christmas sentiments, winter days (PB)
Dies: whirl wreath, neighbourhood border, starry night die, trees & hills die set (PB)
Cardstock: Alexandra Renke medium mud watercolor, gray stripes, rose stripes & Neenah solar white, cream, pink
Inks: tattered rose, antique linen distress ink, smokey gray versafine ink
Also: hemp twine
I’m on the Foiled Fox blog today, sharing these fun and festive cards made with the Concord & 9th ‘Deck the Halls’ turnabout stamp.
It is a cool trick to create a multicoloured background by turning your stamp 90 degrees each time but that is not the coolest thing I learnt in creating these cards. It was a happy accident resulting in an unexpected colour scheme that please me most.
The beauty of the turnabout stamp is not so much the full background you create because you can do that with a background stamp. The turnabout stamp allows you to ink a different colour each turn and have four different colours even distributed across your finished panel. For the first card I was traditional in my colour choices and stamped with versamark so I could emboss in gold then the rest of my turns were versafine clair glamorous, shady lane and rainforest. The gold gives the panel a lovely pop and I ended up embossing my die cut sentiment with the same gold as I didn’t have cardstock that matched exactly. I popped up my sentiment on some red foam but you could get the same effect with a couple of layers of red cardstock. To frame the stamped panel I swiped the glamorous ink pad around the perimeter and attached the panel to a cream card base.
The second card features gold, platinum, white and black embossing. The white doesn’t show up in the photos but in real life it’s very pretty. I would never have chosen black as the fourth colour in this mix but I accidentally inked the stamp with my black nocturne stamp pad thinking I had picked up my versamark. I think the effect is bold and modern. I also added black foam under the gold sentiment to pop it up a bit.
I often use black for silhouette stamping on a Christmas card but I think this might be the first time I have stamped little decorative motifs in black. What do you think? Would you include black in a multicolour Christmas panel?
Make sure you pop over to the Foiled Fox blog for extra tips and details.
Stamps: deck the halls turnabout (Concord & 9th)
Dies: jingle bells, wreath noel (Penny Black)
Paper: hot pressed watercolour, neenah cream, shimmer gold
Inks: versamark, versafine clair glamorous, shady lane, rain forest, nocturne
Embossing powder: gold metallic rich, platinum, clear, white
Also: black foam sheet, red foam sheet
I have mentioned Kathy Racoosin’s 30 day colouring challenge a few times lately. It is definitely a no stress, no fuss, no obligation challenge which I have participated in before. Kathy, would be the first one to tell you there is no preparation necessary and I agree. However, I am enjoying it more this time around because I did do a little stamping in advance. I sat down at my work table a few days before the challenge began and stamped a bunch of images. I embossed some, stamped some in waterbased dye ink and a few in waterproof black ink. I basically created a little stack of images I could reach for and colour when I had the chance. It has helped me to be more involved this time. Sometimes I work on a panel until it is finished, other times, as in the case of these mittens, I colour it bit by bit or mitt by mitt!
I stamped the red mittens on hot pressed watercolour paper in worn lipstick distress inks and the cord in rusty hinge distress ink. I painted over the stamping with water to blend the pink ink to a smoother colour and to soften the stark white of the stripes. I added shading and little lines on the edges of the mittens and texture to the cord with watercolour pencils.
I decided the red mittens would be hanging against a wall or fence outside so I stamped and cut a mask of the mittens, covered them and stamped the woodgrain stamp from the PB set ‘tall timbers’ first one way then again at right angles in weathered wood and frayed burlap distress inks. As with the mittens I blended over the stamping with water and added extra colour from watercolour pencils especially around one side of the mitts to look like shadow. To finish the panel I stamped some snowflakes on the mitts, a sentiment and also splattered some embossing fluid before embossing it all with white powder.
I followed a similar process with the blue mittens but stamped them initially in three blue distress inks (broken china, salty ocean and chipped sapphire). I blended the stamping with water then, when it was dry, added details with coloured pencils. I wanted them to look knitted so I drew a pattern to look like rib at the cuffs then some lines and shading on the rest of the mitts.
Once again I added a woodgrain background this time by masking the lower portion of the panel before stamping the woodgrain from the PB ‘inspiring’ set then more masking to stamp it horizontally across the card. The sentiments for both cards are from the PB ‘smile all season’ set.
Warm & cosy wishes everyone!
Stamps: Christmas mittens, inspiring, tall timbers, smile all season
Paper: hot & cold pressed watercolour paper, neenah cream
Inks: worn lipstick, rusty hinge, broken china, salty ocean, chipped sapphire, frayed burlap, weathered wood, hickory smoke
Also: white embossing powder
Pencils: Albrecht Durer watercolour pencils, Polychromos pencils (Faber Castell)
This little light of mine is the ‘lantern’ stamp from Penny Black paired with the ‘Xmas sprigs’ and ‘winter branches’ for added interest. I worked on this panel over several days leaving it in the MISTI the whole time so I could add a bit anytime I was waiting for something else to dry. I definitely made use of the MISTI to build up colour without loosing much detail from the stamp.
The panel is cold pressed watercolour paper; you can see a bit of texture in the yellow areas. I began by stamping the whole lantern in scattered straw distress ink. Next I stamped all but the very centre around the flame with wild honey ink, after than spiced marmalade ink and finally rusty hinge ink, each time leaving more of the centre of the stamp un-inked so the brightest ink was central and the darkest around the edges. At this point I hadn’t done any blending, it was all just stamped. I switched to a chipped sapphire marker and began stamping the details of the lantern and blending them with a wet paintbrush. Dark blue over all the orange tones looked almost black. I stuck with the chipped sapphire marker and kept adding detail, blending, then letting it dry before doing any more. I added detail and shadow to the lantern by painting with chipped sapphire ink then dried the panel before blending the warm tones inside the lantern.
I stamped some foliage around the lantern after positioning a mask over it. I stamped a leaf stamp from the Xmas sprigs set in mowed lawn and pine needles distress inks then dotted some small berries with a candied apple distress marker. I added some winter branches stamped in versafine black then coloured with a fine black micron pen.
I wasn’t sure whether to try adding background colour at this point; It can be a bit risky. I painted scattered straw stain around the lantern and chipped sapphire stain around the edge of the panel then blended some water in between the colours because I didn’t want the yellow and blue mixing to create a strange green light! And it worked better than expected. The final detail was a sentiment in dark blue from the ‘holy night’ set.
Thanks for dropping in today. Enjoy your weekend.
Stamps: lantern, Xmas sprigs, winter branches, holy night (PB)
Inks: scattered straw, wild honey, spiced marmalade, rusty hinge, mowed lawn, pine needles, chipped sapphire distress inks & nocturne versafine clair, majestic blue versafine
Markers: chipped sapphire, candied apple distress markers, micron pen
Paper: cold pressed watercolour paper, neenah cream cardstock
Stains: chipped sapphire, scattered straw
Also: MISTI, masking paper
I was surprised how much fun I had colouring this stocking stamp. I worked on it on Saturday afternoon when it was wet and dreary outside; I lit a fire in my fireplace and brought colouring supplies up from my workroom so I could have a comfy cosy afternoon of colouring inspired by Kathy Racoosin’s 30 day colouring challenge.
Before colouring I’d used a stamp positioner to stamp the holly sprig stamp first in pine needles, mowed lawn and festive berries distress ink. I blended the leaves with a wet brush and let them dry. I cut a mask to cover the holly branch then stamped the stocking over the top in worn lipstick distress ink. Other than painting the leaves straight after they were stamped, all the other stamping was a base for watercolour pencil colouring.
Because my base stamping was pink I decided to stay with a red and white colour scheme. I used a couple of red watercolour pencils and a paint brush to do half the stripes and the decorative top of the stocking. Rather than colour with the pencils straight on the watercolour panel, I picked up pigment from the pencils with a wet brush and painted over the stamping. I toyed with the idea of red and purple stripes but I’m glad I chose a very pale earth green which blended with the pink ink to look pale pink. I messed up a stripe at the top but I’m hoping the recipient won’t notice that!
For the berries I used darker red pencils and the bells a mustard and a rusty brown pencil. I added a background by ruling a few lines in medium grey watercolour pencil then blending and painting more grey below each line. I painted a grey shadow to the left of the stocking and leaves.
As usual I gave no thought to a sentiment until all my painting was completed and then of course I wasn’t sure where to put a sentiment or whether to have one at all. I hadn’t really paid attention to the size of my panel either so I had to do some creative matting to turn it into a card that would fit into the size of envelope I had. So as you can see, no, I don’t plan all the details of my cards in advance!
Stamps: elf stocking, Christmas sentiments
Paper: Neenah cream, hot pressed watercolour, red, Alexandra Renke mud
Inks: pine needles, mowed lawn, worn lipstick distress inks, festive berries distress marker & smokey gray versafine ink
Pencils: Faber Castell Albrecht Dürer watercolour pencils
More poinsettias to share today. These ones are from the Penny Black transparent set ‘winter joy’. I embossed several poinsettias in gold and did some loose colouring with distress inks inside the poinsettias then decided to paint a warm antique linen background with a little red added in.
Distress inks are easy to use as watercolour paints. I just press my ink pads onto my glass mat or an acrylic block then pick up the ink with a paint brush. I can add water to make a paler colour or work with undiluted ink.
You can see in the close up how loose I kept the painting both inside and outside the petals. What you can’t see so well is the pretty shine of the gold embossing and the gold twine. I’d like to try painting a white poinsettia for a change; it is a bit more of a challenge though to work out how to add colour even though I want it to appear white. If I have success I’ll be showing you.
Stamps: winter joy, Christmas sentiments
Inks: versamark, forest moss, antique linen, barn door, wild honey, tulip red versafine clair
Paper: hot pressed watercolour, neenah cream
Also: metallic gold rich embossing powder, glass mat, gold cord
Today’s cards show two different looks from the Penny Black ‘Chrismtas poinsettia’ stamp. The first is simple distress ink colouring popped up on a fun polka dot background and the second is a bit more elegant with bold colouring inside a gold embossed image. I stamped this first poinsettia in festive berries and shabby shutters distress inks on hot pressed watercolour paper then blended the ink with water to fill the petals. If I needed extra ink for shadows and depth I picked it up from my glass mat which acted as a palette.
When I inked the stamp I wiped off the festive berries ink from the centre of the stamp so I could add peeled paint ink with a distress marker. After I had done all the blending I coloured the circles in the centre of the flower with a gold gel pen. My favourite part of the card though is the polka dot paper; it is so pretty. It is just one of a series of papers by Alexandra Renke. The Foiled Fox sent me some Alexandra Renke papers to try out and they are lovely. I will share more of them with you in the coming weeks. The weight is between paper and cardstock so it die cuts well but doesn’t add too much bulk when you layer it.
I cut my poinsettias out with the co-ordinating die but they wouldn’t be too hard to cut by hand, especially if you have fussy cutting skills (which I don’t). I matted the polka dot panel in red and added a sentiment from ‘festive snippets’ in versafine crimson red.
I embossed my second poinsettia in gold powder then coloured with zig clean color real brush markers. As I often do I used two reds and two greens, colouring first with the light marker then adding the darker colour at one end before blending with water to fill the petals.
I applied adhesive to a strip of gold cardstock then trimmed it even narrower to position behind the popped up poinsettia. I embossed a sentiment in the same gold embossing powder used for the flower.
I am continuing to participate in Kathy Racoosin’s 30 Day colouring challenge. If you want some colouring inspiration pop over to her blog and check out her tutorials and link up. Let me know if you are participating.
Stamps: Christmas poinsettia, festive snippets (PB)
Dies: xmas poinsettia cut out (PB)
Paper: hot pressed watercolour paper, Alexandra Renke pink dots, gold shimmer, red cardstock
Ink: festive berries, shabby shutters distress inks, , versamark, versafine crimson red
Markers: clean color real brush markers, peeled paint distress marker
Also: metallic gold rich embossing powder, glass mat