I have been asked a few times for a video showing how I use brusho for emboss resist panels. It is definitely one of my favourite techniques. I have used it with picture stamps and patterns, with one colour of paint powder or several; the principles are the same. I have added a list of emboss resist cards made with paint powders at the end of this post.
One key point to remember when using brusho over embossing is not to overdo the powder or the water. A little at a time means you can see what patterns and depth of colour are developing before you add anything more. In the video I show my method for moving colour around; I often pick up paint from an area with too much pigment and paint it somewhere else.
Obviously you if you sprinkle paint powder on a panel and then spritz with water it will not stay inside all the lines but that is part of the beauty of this technique. If this is a bit too loose and artsy for you try the same technique over an embossed pattern stamp.
Other cards featuring emboss resist with paint powders
happy cacti, embossed grevillea, roses in bloom, black brusho grid, shimmery summer glow, roses all over, flower garden, happy canada day, felicity, falling florals
Thank you for dropping by today; I hope the technique in the video is something you try one day. Let me know if you do; I’d love to hear or see how it went.
Die: thankful heart
Inks: versamark, versafine clair monarch
Paper: hot pressed watercolour, purple cardstock
Paint: terracotta, leaf green, violet brusho
Also: clear embossing powder, double sided adhesive, misti
Today’s card cannot guarantee you the health benefits of an actual apple but I hope it brings a smile. I stamped and painted it with distress inks and I’m sorry to say I didn’t record the colours. I was attending an all day crop and teaching a few mini classes during the day. My table was set up with inks and stamps and watercolour paper and I came and went from classroom to table resuming my card panels whenever I returned to my table. My best guess would be festive berries, mowed lawn, vintage photo, forest moss, gathered twigs and squeezed lemonade. Maybe I should tell you my process instead because apples come in a range of colours; there is no wrong answer! I used my stamp positioner and worked one colour at a time. I inked the apples in red and wiped any red ink off the leaves before stamping then I used water and a paintbrush to blend all the stamped ink to cover the apple skin. While the area was wet I dropped in some green ink to create some variation and shadow. I dried the red before inking all the leaves in the two greens, stamped and blended them with a paint brush also. I inked the stems in brown and stamped them over the leaves. Once the leaves were dry I also used some brown or maybe forest moss ink to paint the veins back on the leaves. I stamped the centre of the cut apple with brown ink and painted some onto the shadow at the bottom of the apple also. The flesh of the apple looked a bit too stark so I painted some yellow and blended a bit of the red from the edge into the white area as well.
You’ve probably noticed my apple looks like it is in a snow storm. I worked on cold pressed watercolour paper splattered with masking fluid, probably not entirely necessary for a close up apple image but I’m claiming artist’s licence. I had splattered masking fluid over a batch of cold pressed panels in preparation for the all day crop as I was planning to work mainly on snow scenes. When I went to assemble the card I thought the apple needed a bit of shadow to ground it so I painted some diluted festive berries and chipped sapphire ink because they were in reach on my desk. As is often the case for me, I left any thoughts of a sentiment until the end. After a search through my sentiment dies I settled on ‘you’re sweet’ then matted the panel in the same green cardstock.
Do you have an apple a day? I usually do but sometimes there are peaches or mangoes or nectarines that distract me from the humble apple.
Die: you’re sweet
Inks: festive berries, mowed lawn, vintage photo, forest moss, gathered twigs, squeezed lemonade distress inks
Paper: cold pressed watercolour paper, green cardstock
Tools: stamp positioner, masking fluid
I have done some experimenting with alcohol lift ink in the past month and learnt a few things along the way. There are a couple of variables that can affect the process and results. The main thing I learnt is that it does not hurt to let things dry longer than you think might be necessary. Let me give you some examples. So far I have done all my experimentation on yupo paper with one or two colours of ink and some rubbing alcohol to help move the ink around and create colour variation. When you create an abstract background on yupo paper let it dry for at least 10 minutes but preferably longer; if it is humid weather it will need to be longer. Sometimes I have so much fun creating pretty background panels with alcohol ink I end up with a lot of ink on the yupo; the process will work best if I give all that ink plenty of time to dry.
Once the coloured panel is dry it is time to use the alcohol lift ink. The ink takes out some colour but not all the colour. You can see in the two panels below it went from dark to light. Even with a light panel the lift ink will still remove some colour but the contrast will be less and the effect more subtle. This Darkroom Door collage stamp was perfect for the technique and shows you that solid stamping and fine detail stamping both work with the alcohol lift technique. I positioned the stamp in my stamp positioner, inked it with alcohol lift ink and pressed it down onto the coloured panel. After a few seconds I lifted the stamp, removed the panel and set it aside for more waiting. While I was waiting I pressed an envelope down onto the stamp which was now covered with the ‘lifted ink’. I pressed the edge of the envelope onto one side of the stamp because I did not want the whole stamp image. You could put a piece of cardstock into the stamp positioner and stamp the whole lifted image.
After at least ten minutes of drying time I returned to my alcohol ink panel and started dabbing the lift ink off with a paper towel. Each dab picks up some colour so I kept rearranging my paper towel so I would not be dabbing colour back onto my panel. When there was no more evidence of ‘shiny’ lift ink on the panel I gently buffed the panel with a clean area of paper towel. If all the ink is dry at this point the stamped image will get clearer as you polish. If there is any wet alcohol ink or lift ink the image will blur or spread. This is why it is worth giving the panel plenty of drying time and dabbing time.
The card on the left was made with just ranger pitch black alcohol ink and rubbing alcohol; I ended up with black, pale blue and burgandy areas on the panel. The card on the right was made with ranger indigo alcohol ink and I think some cloudy blue as well but I didn’t write them down so I’m not sure. The stamp has its own frame so I just trimmed my panel close to that and attached it to a white card base.
It is worth watching a couple of alcohol lift ink videos before you try the technique. After completing a few panels I found myself wondering which stamps I would try next.
Stamps: butterfly garden, happy birthday sentiment stamp (DD)
Inks: pitch black , indigo ranger alcohol inks, ranger alcohol lift ink, distress chipped sapphire, versafine clair nocturne
Paper: yupo heavy white, neenah solar white
Tools: stamp positioner
The Foiled Fox and I are excited to announce three winners who participated in our gratitude week by telling us what they were thankful for. Each winner receives a $25 gift voucher for the Foiled Fox online store. Thank you to everyone who participated; it is great to be part of this kind, generous and thankful crafting community.
Happy Thanksgiving to all my Canadian friends. We celebrated both Thanksgiving and my son’s birthday last night as he will be off at the crack of dawn on the actual day to write an exam with another one the next day. Our first Thanksgiving was eighteen years ago after we had been in Canada for seven weeks. After Thanksgiving dinner with a kind and welcoming neighbour we took off for the hospital where our son was born just before midnight! We were reminiscing last night about his sisters coming into our room the next morning to see the new little brother asleep in a basket at the end of the bed! I have so many things to be thankful for including friends who have become like family to us here in Ottawa. Living so far from our family it has been a great blessing to be welcomed into the families of friends.
This subtly coloured card is embossed in silver powder and painted with shimmer paints. Most of the painting was done with Shimmerz sprays; I spritzed a bit of each colour onto my glass mat and picked it up with a paintbrush to fill the leaves and flowers. For some added depth I used bolder colours from my finetec pearlescent watercolour palette. The background is painted with colour from a grey watercolour pencil.
I was happy to find a copper shimmer cardstock in my stash that matched well with the copper highlights from the finetec palette. I matted the panel and added a die-cut sentiment also from Concord & 9th.
Make sure you pop back in tomorrow when I will announce the winners from the gratitude week giveaway I hosted with the Foiled Fox.
I still have a few flowers in my garden but it’s getting sparse in out there. The leaves have started falling but not with any real commitment yet. I chose an autumn colour scheme and kept my paint choices to a minimum. I used brusho ost blue, yellow and crimson brusho and did some mixing to get all the variation you see in the card.
I stamped the large floral image from the PB set ‘radiant’ in antique linen distress ink. It’s a pale water soluble ink which is perfect for watercolouring. I used a palette with my brusho paints for this card, dropping some brusho into a well then adding water. As I was using a circular palette I left spaces between the crimson, yellow and ost blue paint so I could create mixed colours in the spaces. I painted the small flowers yellow first then while the paint was wet dropped some orange (mixed from crimson and yellow brusho) onto the petals to show detail and shadow. The large flower is painted in a dark mixed orange. The leaves are painted with greens mixed from yellow and ost blue. The stamp set includes solid flower centres to be stamped after painting. I used the large one in the large flower but couldn’t find the smaller one so I dotted black ink with a marker. Later my dad found that tiny missing stamp which made me happy.
The sentiment is from the perspective set; I only inked part of it to get the exact wording I wanted. To finish off I matted with a rust cardstock and attached to a natural white card base.
Enjoy your weekend. Happy Thanksgiving, my Canadian friends.
Stamps: radiant 30-481 (PB), perspective 30-460
Inks: antique linen distress ink, versafine clair nocturne ink
Paper: cold pressed watercolour paper, neenah natural white, rust cardstock
As I’ve said before, you can never have too many tree stamps! This one is a beauty from Penny Black. I used three green inks plus a spritz of water on the stamp; you can’t see all the detail in the trees but the mix of solid and delicate lines makes for a lot of texture. I used forest moss, pine needles, evergreen bough distress inks stamped onto cold pressed watercolour paper which I had splattered masking fluid on earlier.
After stamping the trees I painted the sky in chipped sapphire and stormy sky stains. I painted in amongst the trees so there is some green bleeding into the blue sky. I don’t let that bother me; it adds to the loose artsy feel.
Once the panel was dry I removed the masking fluid to reveal dots of snow and added a sentiment in versafine ink.
I am thankful you stopped by today.
Stamps: pine forest 40-638(PB), Christmas sentiments 30-504(PB)
Inks: forest moss, pine needles, evergreen bough distress inks & chipped sapphire, stormy sky distress stains & Olympia green versafine ink
Paper: cold pressed watercolour paper
Also: masking fluid