I’ve been doing some more watercolour with a limited colour palette. I am hosting a colour challenge with the Foiled Fox until the end of the month so I’ve been working with three colours whenever I get the chance. I’d love to see any three colour cards you’ve made added to our challenge link up. The card above was painted with only three colours, picked raspberry, fossilized amber and evergreen bough. The orange tones are a mix of pink and yellow, the blue/green leaves are evergreen bough, the other leaves are a mix of evergreen bough and fossilized amber.
I stamped PB ‘flower cascade’ in antique linen ink which is perfect for no-line watercolour. After I had finished the painting I splattered some antique linen oxide and some metallic green paint over the panel. I completed the card with some kraft and shimmer gold cardstock and added a gold embossed sentiment.
I want to let you know that The Foiled Fox is having a sale all weekend so if you are wanting to do a little arty crafty shopping pop on over there.
My second card is also a three colour image painted with bundled sage, worn lipstick and antique linen inks. I stamped the image in antique linen ink then smooshed the distress ink on my glass mat so I could dilute and paint with it. I painted one petal at a time so I could blend dark to light and let it dry before painting an adjacent petal.
Have a great weekend and maybe try a colour trio card!
Blossoms are finally appearing in Ottawa! I even have a daffodil or two in my garden.
There are two blossom stamps on the PB ‘flower fantasy’ set and I paired them up to create this spring card. I used spun sugar distress ink to stamp the blossoms then painted the petals first with spun sugar ink then a second layer with worn lipstick ink. My painting is inside the lines for the first layer but I added the darker layer more loosely just wanting some extra depth in the flowers. I was working in my MISTI so I was able to ink the centres in rusty hinge ink and stamp them over the flowers once the painting was dry. This is an example of what is known as ‘no-line watercolouring’. Distress inks are great for this technique as you can stamp with them and then smoosh them on a glass mat or acrylic block and paint with the ink. The original stamped outline blends with the painting making the lines less obvious or disappear entirely. I often use antique linen distress ink for no-line watercolouring but the spun sugar did a good job for today’s panel.
To fill in the design I added some twigs using the ‘winter branches’ stamps and forest moss distress ink. I painted little dabs of shabby shutters and diluted forest moss ink around the twigs to look like leaves budding.
To add some subtle decoration I used the new stitched nested frames dies to cut the stamped panel and the sentiment strip. I stamped the sentiment in peeled paint archival ink; having archival inks in distress colours is a wonderful thing! The sentiment is from the ‘best mom’ stamp set and I think it is so nice to have a ‘we love you’ stamp as this card is going to a friend and will be from our whole family.
I tried out a few new products yesterday and ended up with these two cards featuring the Darkroom Door carved flower set. I coloured both cards with distress oxide inks. For this first one I smushed the oxide inks on my glass mat, added some water then painted a graduated wash going from yellow to brown. Oxide inks are designed to react with water so the diluted wash I painted on the card had a muted looked to it when it dried. I wanted to add a pale sun and some stenciled diamonds so I used my new ‘Wendy Vecchi Stay-tion’. It is a magnetic surface which is well suited to stenciling. There are four magnets to hold the stencil firmly over the paper while adding a medium through the stencil. I used it first to hold the DD circle stencil over the panel while I diluted the exposed circle with water and dabbed colour away with a paper towel. I then used the magnets and board to hold the diamond stencil while I sponged some oxide ink onto the background. I splattered some water over the panel then stamped the carved flowers and carved leaves in black archival ink.
Instead of painting a wash with diluted oxide ink for the second card I blended oxide inks over the whole panel which I had added a circle mask to before I started. Once again I used the magnets and board to keep the panel in place while I blended the inks and while I dabbed out some colour through the diamond stencil. Even though the two cards look similar the techniques were a bit different; you can see the oxide ink applied with a blending brush is smoother than the painted panel. Oxides really do blend well. I used the make up blending brushes my children gave me for mothers’ day. They are not life changing but they did do a very good job 😉
Once again I stamped carved flowers and wildflowers in jet black archival ink using the misti.
In keeping with the solid black flowers I chose to emboss sentiments on black cardstock in rose gold powder hoping it would look a bit coppery like the sunset. It did. The sentiments are from the DD ‘thank you’ sentiment strip stamped then cut out with the Avery Elle sentiment strip dies and popped up on black foam tape. The black tape is handy when the card base or element needing the tape is black or a dark colour.
It was my first time trying the Wendy Vecchi ‘stay-tion’ and I found it very useful. The magnets held the stencils and paper in place and it cleaned up easily. I am sure I will be using it often.
Don’t forget to check out the ‘Color Trio Challenge’ I am hosting with the Foiled Fox. I would love to see your three colour cards and give you the chance to win a shopping spree at the Foiled Fox store!
I came across some interesting paper at Art Noise when I was in Kingston on the weekend. It is called canal paper and is made by Paperterie St. Armand in Montreal. The pad of paper I bought has six different colours, all made from cotton rag; the fibres are left from clothing company offcuts. There is no bleaching or dyeing, the colour of the papers is from the colour of the cotton fabrics.
The paper is not the only new thing I tried out on these cards. I also have some delicious new Sennelier watercolours. I was interested to see how they looked on the coloured paper and also how the paper held up to a watercolour wash.
These cards are one layer making use of the natural deckled edge on one edge of the paper pad. I scored the paper then taped it to my glass mat, lining up the frog tape with the grid on my mat to create a masked panel in the centre of the card front. I used three colours of paint on each card and matching envelopes. I was impressed that no paint seeped under the edge of the tape so I had crisp edges to my watercolour panels.
I stamped the new line art stamps from Penny Black with Ranger archival inks and was very happy with the crisp prints on the paper, I thought there might be a bit of bleed as the paper has quite a soft surface but the stamping was crisp and there was no bleed through with the watercolour washes. For the two cards above I simply stamped the image over the watercoloured section. On the card below I did the same then added some extra painting to the flowers using the same paint colours. The colour of the paper makes the paint colours more muted than they would be on white or cream but I liked the more rustic simple style on these cards. You could definitely use this technique with the traditional white watercolour paper and achieve much brighter results.
My cards measure 5″x 4¼” so I decided to make custom envelopes from the same paper. I used the We R Memory Keepers 1-2-3 punch board to make an envelope to fit and before I taped it together I masked a section of the front so I could watercolour in the same colours used for the cards.
I have another video featuring the fine line florals set from Concord & 9th. I am using a similar technique as in my previous video but I’ve created a patterned panel that covers the whole card front this time. The single flower stamps from this set are made up of very fine radiating lines which look like transparent petals whether blended with water or not. I like the way part of each flower is still lined where as other sections are a soft blend of pink and purple ink. I’m using hot pressed watercolour paper which captures more of the fine lines than cold pressed does.
The Foiled Fox and I have a three-colour challenge happening during May and today’s card is features a simple pink, purple and green colour scheme which packs plenty of punch with its soft pinks through to dark purple. The stamp set includes flower centres and little splattery dots but no leaves so I pulled out a little spray of leaves from the C&9 turnaround leaves set.
You can see all my process in the video. I hope you get inspired to try this technique or try a three-colour card for our challenge.
These fabulous big letters are from the C&9 ‘big thanks’ set and I love the font.
Thanks for dropping in today. Hope you have a creative day!
I love playing with colour and over the years I have come to the conclusion that often less is more when adding colours to a project. It is not a hard and fast rule but I like to use three colours and mix more from the original three. With that idea in mind I have collaborated with the Foiled Fox to host a card challenge. We invite you to join us in creating cards of only three colours (along with white or black if needed), post them in the link up below and be in the running for a shopping spree at the Foiled Fox store
To create today’s cards I used distress oxides: twisted citron, dusty concord and chipped sapphire. I would call this a complementary colour scheme because although purple and dark blue are right next to each other on the colour wheel, opposite them is yellow.
Two of the feathers above are stamped using the solid feather from the Concord & 9th ‘feathered’ stamp set. I inked the centre feather with dusty concord then stamped the outline over the top in twisted citron. The feather on the right was inked in all three colours with a spritz of water to get them blending. Once the ink dried I added spots and lines using the decorative stamps from the same set. After the stamping dried I cut them out using a co-ordinating die. I also smushed some oxide ink on my glass mat, added a spritz of water then swiped some watercolour paper through it. I used another feather die to cut the feather on the left. For some added texture the feathers are layered on canvas textured cardstock, the middle and right hand ones popped up on foam tape.
For this second card I die cut three feathers from the textured cardstock and used blending tools to apply the three colours of oxide ink. I splattered a little water over them, waited then dabbed it away with a paper towel which gave me the little light dots on each feather. Once again the feathers are layered on the same canvas textured cardstock with a sentiment from the same ‘feathered’ set.
We would love to see the colour trios you come up with. Please use the link up below to link directly to your card on whatever social media platform you use. You have until May 30 to play along. I can’t wait to see all the colour combos; I am ready for new inspiration!
Today’s little garden cards contain unusually small die-cuts (for me) but I had fun arranging them and love the results. While I was putting these together I had Jill Foster’s video using the same die sets on pause in front of me so I could get inspiration from all her ideas. Make sure you check out Jill’s video; she includes plenty of tips and tricks and cool layouts.
There are three ‘little garden’ sets that co-ordinate well and between them there are oodles of leaves, flowers, pots, hanging baskets and fixtures to choose from. I chose a limited palette of black, kraft and a blue/green patterned panel for all four cards. My patterned panel was a shaving cream marbled panel so I was able to get variation in colour without having to change cardstock.
My garden box, a garden and hanging planters die sets are all still joined together so I cut everything from kraft, black and patterned then proceeded to create vignettes.
Once I had an arrangement that looked balanced I used my marvy jewel picker and lawn fawn glue tube to get everything attached to cream cardstock. The jewel picker saved my arthritic thumb joint; picking up little things is not good for it!
As you might imagine I still had plenty of little elements to spare after three cards and I remembered the ‘art deco window’ and ‘window treatment’ dies I had so I arranged another couple of pots inside the window and beside the patterned curtains.
I ruled some lines on the kraft card base to make it look like wood panels on the side of a house. The window frame dies cuts a window that opens on each side which is a cute touch.
This last simple scene is created with elements from the ‘garden box die set’ along with leftovers from ‘a garden’ and ‘hanging planters’ sets.
All the sentiments are stamped in versafine clair nocturne ink and taken from the ‘grateful sentiments’ and ‘sending thanks’ sets.
I had fun creating these little scenes despite the ‘fiddliness factor’ being a little higher than I am used to. I love the end result with the strong contrast between black, cream, kraft and blue/green pattern.