I have mentioned before how beautiful these Darkroom Door ‘nature walk’ images are but have I mentioned how easy it is to create pretty cards with them. Each card today features just one image, stamped twice over a quick watercolour background.
I created the backgrounds with my glass mat and some distress inks. I squished the ink pads down on the mat side by side (three or four colours at a time), spritzed with water then swiped my hot pressed watercolour panel through the diluted ink a few times until there was good coverage on the panel. I dried the panel with a heat tool before sponging one or two of the distress inks through a section of stencil then added splots of water for some added texture. The panels were all different, all pretty and done within minutes.
I used the MISTI for stamping because the texture of the watercolour paper makes it necessary to stamp a few times to get a solid image. I used versafine clair nocturne ink which always gives me a crisp print. Once the ink was dry I splattered gold paint from the gansai tambi starry colours palette. The gold splatter might just be my favourite part of these cards; unfortunately it’s not very obvious in the photos.
To draw more attention to the gold splatter I matted with gold and stamped the sentiments either on gold cardstock or with embossed in gold powder. The sentiments are from Darkroom Door’s new sentiment strips. The sentiments are in list format and I have kept the stamp uncut. I stamp on a cardstock panel and cut out the sentiment I want. I now have a handy die set from the Foiled Fox which neatly cuts out the smaller fonts and I always love sentiments in small fonts! The set is called ‘simple sentiments’ and it has ten lengths of sentiment strip dies.
In putting together the cards I used one more happy new product. I am always searching for textured white cardstock. Today’s cards feature a linen texture with enough depth to be seen by the camera. It is in 8½ “x11” sheets so one sheet did four card fronts, no waste. This is the first time I’ve used it so there will be more testing to come with dies, inks etc but so far, so good.
Thanks for listening to me prattle on about this and that. I hope you are enjoying some ‘nature walks’ even if they are of the snowy variety! While we have been experiencing extreme cold followed by loads of snow, friends and family on the other side of the world are experiencing extreme heat and flooding!
Stamps: nature walk, (DD)
Stencils: mesh, boxes 12 up
Dies: Simple Sentiment (Avery Elle)
Distress inks: crushed olive, pine needles, blue print sketch, milled lavender, stormy sky, mermaid lagoon, wilted violet, worn lipstick
Inks: versamark, nocturne versafine clair,
Paint: gansai tambi starry colours
Paper: hot pressed watercolour paper, snowbound textured white cardstock, gold cardstock, neenah solar white
Also: Cutterpillar glass mat, MISTI, gold embossing powder
After making a gift set of cards with the ‘blissbloss’ stamp I was inspired follow the same process with another stamp set. This time I used Alexandra Renke’s pretty poppy stamp set and her poppy dies. I used Catherine Pooler inks for the watercolour effect on the poppies and for the tiny sentiments.
I started with a 10″x7″ panel of hot pressed watercolour paper. There are five poppy stamps in the set so I positioned them randomly over the panel while in the stamp positioner. I inked the petals first in samba ink then dabbed some rockin’ red ink on the sides or edges but not covering the whole flower. I spritzed then stamped. I wiped off the stamps then inked the stems in eucalyptus ink and stamped again. I moved the panel and repeated the process to fill the panel with poppies. In order to get even spacing I had to clean and reposition the stamps a couple of times but eventually I had the panel covered. At this point I changed my mind and crowded in a few more flowers in a couple of areas using the CP bellini ink along with CP samba to make paler poppies. I added some eucalyptus ink splatter and some gold splatter using one of the gansai tambi gold paints then called it complete.
To create the cards I cut some panels to 5 ½” so they would stretch the length or height of the card and used co-ordinating cardstock to frame and mat the panels. I also cut several poppies using the Alexandra Renke poppy flower dies in light peach, dark peach and light gold cardstock. I don’t have a formula for creating five cards from the panel; basically I played with ideas until they looked ok!
The poppy stamp set has the same seven sentiments in English, French, German and Spanish so I stamped sentiments on a few of the panels using the same word in four languages to fill spaces between the poppies. On one card I needed a larger sentiment so I used a Penny Black stamp from the ‘happy snippets’ set.
I used light weight vellum over one of the watercolour panels to soften the colours and make the die cuts stand out.
I’m hoping to sell cards at a market in the not too distant future so having a few gift sets might be a good idea.
Stamps: poppy flower set (Alexandra Renke)
Dies: poppy flower dies (Alexandra Renke)
Cardstock: hot pressed watercolour, Neenah cream, light weight vellum, light gold, dark peach, light peach
Inks: samba, rockin’ red, bellini, eucalyptus (Catherine Pooler)
Paint: gansai tambi starry colours
Also: stamp positioner, diamond glaze, gold cord
I am over on the Foiled Fox blog today; make sure you pop over there for more details and for a browse through their recent blog posts.
I have shared cards made with ‘turnabout’ stamps before but the look on this one is a bit different. My other turnabout stamps from Concord & 9th fill the space a lot more than this starry one. ‘Star Turnabout’ is a two part stamp which means you can do a small area of stars with the centre of the stamp, a large border of stars with the the outside of the stamp or, as I did, a large square covered in stars by using both stamps at the same time. There is now a jig available which makes the turnabout process easier.
I worked on a 6″x6″ piece of cold pressed watercolour paper in my MISTI. I started by stamping in versamark and embossing in clear powder. Then after turning my panel 90° I stamped again with versamark then embossed in gold. With a turnabout stamp you turn the panel three times and stamp each time. I embossed with clear, gold, silver and lastly platinum. Once the stamping was done I taped the panel down on my glass mat to paint it. I used Altenew’s watercolour paint set, limiting myself to blues and aquas. I painted the colours randomly over the whole panel, blending them together and diluting if necessary with some water.
While the paint dried I die cut the word ‘wonderful’ using the MFT little lower case dies and some Tonic silver cardstock. C&9 have a co-ordinating star die which I used to cut a few little stars from the same silver cardstock so I could add them here and there over the panel. To complete the card I framed it with blue cardstock and stamped a small banner using a MFT sentiment set.
With the stamps and embossing powders out on my messy desk I decided to do a few more panels including this black one.
I used neenah black cardstock, silver, gold, platinum and gun metal embossing powders then added words on tonic silver and gold embossed cardstocks.
Thank you for dropping by today. All the products I used are linked below. I use affiliate links to the Foiled Fox store in my blog posts. At no extra cost to you I receive a commission when you use the links.
Stamps: star turnabout stamp set (C&9), birdie brown greetings galore (MFT)
Dies: Star Turnabout Die (C&9), little lower case letters (MFT)
Ink: versamark, versafine clair nocturne
Paints: Altenew watercolour set
Cardstock: cold pressed watercolour paper, Craft Perfect Luxury Embossed Card – Golden Satin & Silver Silk Luxury Embossed card (Tonic), Neenah black, Neenah cream, Whirlypop blue
Embossing powders: metallic gold rich embossing powder, platinum embossing powder, clear embossing powder, silver embossing powder, gun metal embossing powder
Also: MISTI, T-ruler, glass mat
It is hard to believe I haven’t inked this pretty stamp before now. I made up for it by repeat stamping on a large panel to make into a set of cards. I put the 10″x 7″ hot pressed watercolour panel in my stamp positioning tool and ended up stamping PB ‘blissful blossoms’ four times.
Each time I stamped I followed the same order. First I inked the whole stamp in scattered straw distress ink and dabbed some wild honey and abandoned coral ink here and there on the flowers, spritzed it with water. After stamping I cleaned the stamp, then inked all the stems and leaves in peeled paint ink, spritzed and stamped again. I kept partially inking with markers, spritzing and stamping until the flowers were well coloured. Before moving the panel and stamp to do another print I blended over the stamping with a paint brush and water.
I repeated the process three more times to fill the panel. I was able to orient the stamp so the stems and flowers filled the space and looked like one big patterned panel.
Once the panel was done I had to decide how to divide it for different designs. I could have done four of the same card but no, I wanted to come up with a few options. I pulled out a pretty PB die, a PB sentiment set and some green cardstock to create a set of five cards.
The decorative die does not cut right across, it cuts out the scroll work but scores either side for folding. On several of the cards I cut on the score line for a border instead of a fold.
By double matting and popping up the panel even the last scrap became a card. All the sentiments are from the handy dandy ‘happy snippets’ set.
Stamps: blissful blossoms, happy snippets (PB)
Dies: pop on a fold -royal swirl (PB)
Inks: scattered straw, dried marigold, abandoned coral, peeled paint, versamark, shady line versafine clair
Markers: peeled paint, dried marigold, abandoned coral, ground espresso
Cardstock: hot pressed watercolour, neenah cream, olive green
Also: Stamp positioner, white embossing powder, linen twine
I created these alcohol ink panels months ago! They were the result of a primary colours experiment with pool (blue), raspberry (red) and honeycomb (yellow) alcohol inks and both heavy and light weight yupo paper. I restricted myself to the three colours to see what I could come up with and how they reacted with each other.
I was able to get very soft blends by adding rubbing alcohol and tilting the yupo around. This panel was done on light weight yupo which is translucent. When I held it up to the light the colours softened and looked like stained glass. I decided I had to cut the cardstock out behind the dragonfly ‘window’ so a light could be placed under the card to show off its soft blended colour. Not a real tealight mind you, remember this is paper crafting! I took a photo to give you an idea of the pretty stained glass effect you see with a soft light underneath.
The same colours appeared but with more lines by working the inks for longer. By that I mean that I kept adding and tilting and blending so there are more secondary and tertiary colours in the mix.
When it came to making the panels into cards I decided die cuts over the top was all I wanted to add. I used three Penny Black dies, dragonfly frame, serenity and heartfelt thanks. For all the cards I put double sided adhesive on the back of the green cardstock before die cutting the images and words.
In the final sample I was able to keep some of each ink colour distinct as well as each secondary colour (blue+yellow=green) (yellow+red=orange) (red+blue=purple). There is also a bit of brown which is is a tertiary colour made when a primary and a secondary mix.
I created this panel by dropping the inks onto the yupo panel and letting them move and fill the space. When there was a good mix of colour patterning the whole area I switched to placing tiny drops of ink or rubbing alcohol onto the panel to create the bubble patterns. Each tiny drop expanded into a little circle or blob shape. The pattern looked very busy all on its own so I just added a small die cut word.
Dies: serenity, dragonfly frame, heartfelt thanks (Penny Black)
Inks: pool, raspberry, honeycomb Ranger alcohol inks
Paper: yupo both light and heavy weight, neenah cream cardstock, green textured cardstock
Also: double sided adhesive, rubbing alcohol
Snowy scenes and thank you cards will keep on popping up on the blog. This one made with the PB stamp, ‘snow forest’, was very simple to make. I put the stamp in the stamp positioner then inked part of it in Catherine Poolers ‘icing on the cake’ ink, stamped then randomly inked in ‘over coffee’, stamped and finally the same with ‘eucalyptus’ ink. With the whole image stamped I blended the larger distinct tree trunks with water to get the watercolour effect.
I ended up painting over some areas, not all, with water also which softened the contrasts but still left light and dark areas. I pressed the three inks onto my glass mat so I could pick up ink to paint the snowy forest floor.
To complete the card I matted in dark green cardstock and die cut a banner for the sentiment. I embossed the sentiment with weathered white powder which gives an antique, and I think, snowy effect.
Stamps: snow forest, banner sentiments
Dies: a pocketfull
Inks: eucalyptus, icing on the cake, over coffee (Catherine Pooler), versamark
Paper: hot pressed watercolour, green cardstock
Also: MISTI, weathered white embossing powder, glass mat
I really enjoy creating winter scenes and today’s card features stamps that lend themselves very well to scenic stamping. I used the PB ‘birches’ stamp and the boy from an older PB set, ‘spread cheer’. I began by embossing the large birch stamps on either side of a panel of hot pressed watercolour paper in versafine clair nocturne ink and clear powder. Next I splattered masking fluid over the panel to later look like snow.
I painted water across the panel from left to right skipping the tree trunks, added distress stains, faded jeans and barn door, then blended the colours to create a winter sky. I painted some diluted blue stain on the tree trunks for a bit of shadow then let everything dry. I stamped the boy and his dog in nocturne inks several times to get a very solid black image over the embossing and stain that was already on the panel. After the black ink dried I painted some shadow with the same stains used for the sky.
Once all the ink was dry I removed the masking fluid to reveal all the little dots of snow. I trimmed the panel to fit on a navy card base (although it looks black in the photos) and will add a white insert for writing my message inside.