After months of work behind the scenes and a few weeks of hints here on the blog I am happy to open registration to my new online class FLORAL FAVES. As the name suggests this one is all about flowers; stamping them, painting them, arranging them (on paper) and turning them into card sized works of art.
Once again my videographer son Ben has filmed and edited while I have designed, uploaded and scripted the content on the Coursecraft platform.
I hope you are inspired to join me in pairing your floral stamps to work with watercolour techniques. Every project is taught through video along with downloadable instructions, photos, tips and complete supply lists. We will work with different styles of stamps including background, outline, silhouette and brushstroke. We will pair all the favourite stamps with all the favourite mediums; dye inks, watercolour markers and watercolour paints .
As summer unfolds I’m sure you will be spending plenty of time outdoors, maybe in your garden, but when you need a quiet creative hour or two I hope you will join me in creating some bright and beautiful floral cards.
Registration is open now. Once registered you will have access to the introduction and supply pages. All the lesson content will be accessible on Wednesday May 26.
If you haven’t entered the giveaway yet click over to yesterday’s post.
When I get the alcohol inks out I always have a stack of panels at the end of the session. Some sit around and never amount to much but others wait for inspiration to hit. This one was created on white craft plastic (Grafix dura-bright white) with ginger and burgandy Ranger alcohol inks and Pinata magenta. I added gold foil using the minc well after the inks had dried.
Sometimes it is possible to make the foil stick soon after finishing the inking. There is a sweet spot as far as letting the ink dry enough that it is not gooey but not so much that it is dry to touch. The sections that will hold the foil are the ‘seams’ between colours where the ink is thicker. If you press foil on these areas when they are a bit tacky you can get it to stick with just a bit of burnishing. If the panel has dried it sometimes possible to get foil to stick by running the panel through a minc or laminator using some heat. This can be risky as sometimes the foil sticks to more of the panel than you expected.
When I ran this panel through the minc I was happy with most of the foiling but there were a few sections that didn’t look great so I just used the part that looked good and covered the rest with this pretty poppy edger from Penny Black. I finished the card with a gold embossed sentiment from the PB ‘only you’ set.
This second panel amazes me because it was created with only black alcohol ink plus rubbing alcohol. The blue and burgandy tones appeared when the black ink was diluted. Cool huh? I pressed the blue foil onto this panel at just the right time to get it to stick when the seams were tacky. It is hard to get it to show in the photo but there are small sections of blue foil here and there across the sky.
The inking on both panels was pretty experimental, a drop here and there some rubbing alcohol and tilting and blowing the ink to make a random pattern. I cut the Penny Black metropolitan die from both black and blue cardstock then stacked blue on black without removing all the window cut outs. I ended up using spray adhesive on the back of the blue die cut because gluing is not my gifting.
The sentiment is from the Concord & 9 ‘all the birthdays set stamped in black and embossed in clear then stacked up on two layers of black cardstock. More alcohol inks next week; I’m having fun.
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For some reason the images did not want to display on this list but if you click the word Supplies, above, you will get to the complete list.
I’ve teamed up with the Foiled Fox again, as I love to do and I’m sharing two cards featuring the Colorado Stamp Company’s ‘daisy & dahlia’ stamp. I made a couple of cards last year with this stamp using a very different colour scheme.
On the card above I wanted to show you how much depth and variation you can get from single Karin brushmarkers. I was so happy to see the light and shadow I could achieve on each petal with one or two dabs of ink from the marker then blending with water. The blue flower on the right which is barely showing was coloured with a bold dark blue but as you can see it was possible to dilute it to a pale blue. I used the following Karin brushmarkers on the panel: black, henna, cool grey , rose wood, cyan, turquoise, royal blue.
It’s not easy to see but you might notice a white on white embossed image on the card base; it’s the same stamp providing a bit of texture. You can learn more about my process by visiting the Foiled Fox blog today
I kept some of the colours but went for a bolder look on my second card embossing the same large stamp in white on black cardstock. As you can see this stamp works as a coloured image and and a black and white image. White on red, red on white, blue on white, there are many colour combos which I’m sure would also look bright and beautiful.
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This bunch of flowers is a single large stamp from the Colorado Craft Company and I’m over on the Foiled Fox blog today describing how it inspired me. It’s called ‘daisy & dahlia’ and it is from the ‘big and bold’ collection.
For this square card I chose autumn tones, because despite that sprinkle of snow we had last week it is definitely still autumn. I used Papertrey ink cubes which are very juicy and blend well with water after they’re stamped on watercolour paper.
I used one of the inks from the floral panel to stamp a bold birthday square with one of the stamps from Concord & 9th’s ‘all the birthdays’ set.
On my second card I used a similar colour scheme but threw in the contrast of purple paint. I embossed the stamp on a rectangular panel with platinum embossing powder then sprinkled four different colours of brusho powder strategically on the panel.
If you have used brusho powders at all you will know you can’t really be very strategic; it goes where ere it will! I still ended up with a red flower, an orange flower and a purple flower but my favourite bits are the ends of the petals that ended up multicoloured.
Once again I chose stamps from the C&9 ‘all the birthdays’ set to create a purple sentiment band trimmed in quartz shimmer cardstock.
An idea I have yet to try with this big beauty is to stamp it in one colour to highlight the detail of the design. Make sure you pop over to The Foiled Fox for more details and tips on these cards and techniques.
Even as my flowers fade and disappear I am still inspired to make floral cards. I’ve teamed up with the Foiled Fox today to share a blog post here and over there. If you are looking for all the creative process details pop over to the Foiled Fox blog. Today’s card features the C&9 ‘all the birthdays’ set again. It has only been in my house a week or so and already it has helped me out several times. Having one set with at least ten different ways to stamp happy birthday is a winner. There are probably more than 20 combinations when you look at all the separate word stamps and single letters in the set.
I wanted to combine a background image with a sentiment and ended creating my own background by repeat stamping with two stamps from the Concord & 9th ‘meadow blossoms’ set. Before heating the panel I stamped the word HAPPY from the new C&9 ‘all the birthdays’ set. I embossed with copper powder then coloured with ink from Papertrey ink cubes. The ink cubes are very juicy so I often smoosh them on my glass mat then pick up ink with a paint brush.
I filled the background with a grey zig clean color real brush pen and blended it with water. To complete the card I matted with with the dark blue cardstock I keep reaching for and finished the sentiment on a strip of the same blue. Having this new birthday set has got my birthday card production back on track. I have no excuses for not sending out birthday cards. Thank you Foiled Fox!
I made a short stack of birthday cards yesterday with a new Concord & 9th set, ‘All the Birthdays’. I pulled out several prints from earlier gel printing sessions and chose some which would work as panels for birthday cards.
On the card above I used ranger blue embossing powder and the card below versafine tulip red was the perfect match for my printed background.
Some were printed using the petite set A gel presses so they were already shaped as squares. Others I cut from larger prints. I used stencils and lace to make the prints and a range of acrylic paints.
One of the stamp combinations from the C&9 ‘all the birthdays’ is a pair of stamps that overlap to spell ‘happy birthday’; there are outline stamps that frame the solid letters also. That is what I used on the card below with gold and brown inks then clear embossing powder.
I also added some texture to a few of the card bases or mats with embossing folders and stencils.
The printed panel below included such pretty blues and purples I wanted to match them in the sentiment so I stamped with archival dusty concord and faded jeans then, before the ink dried embossed in clear powder.
The card below features rose gold embossing powder; it looks a little darker than expected on this panel, maybe because of the depth of colour in the print.
I really enjoyed pairing sentiments from the C&9 set with my leftover gel prints. I did have some embossing challenges though; I’m just not an embossing champion. Stray powder, over heating, underheating, even when I use a powder tool and preheat the heat tool I still make mistakes. This lot took me all afternoon but I am very happy with them and I’m pleased to have boosted my birthday card stash. Now if I can just remember to send them…
This is the first time I’ve used this beautiful stencil. I ordered it from a Canadian artist, Designs by Ryn. I love how delicate the maidenhair fern design is.
It was also the first time I have used pixie spray which is designed to keep stencils from moving on your paper while you apply ink or another medium. I followed the instructions on the spray bottle and then blended through the stencil onto hot pressed watercolour paper with oxide inks. It worked brilliantly. I used Ranger blending tools for this card but switched to blending brushes for the next card.
For both cards I used salty ocean, bundled sage and faded jeans distress oxide inks. When blending on the panel above I moved the stencil several times and the adhesive from the pixie spray continued to hold it. I didn’t clean the brush between colours which gave me a range of teal tones as I moved from bundled sage to the blue inks. This one might look a bit messy but I love all the layering of pattern and colour.
I blended faded jeans oxide ink on a piece of watercolour paper so I could cut letters from an exact match of blue then popped up the ones above on a layer of white letters. The letters are die cut with C&9 ‘simple serif alphabet dies’ and the words are from the C&9 set ‘meadow blossoms’. The little circles are watermarks made by adding a drop of water, leaving it for a minute then dabbing it up with a paper towel.
I also tried a journal page using similar techniques but took it a step too far! I will try again though, because the potential was there for a pretty spread. I made one more panel while I had the oxides and stencil out but I have another plan in mind for that one.
I completed another page in my art journal a few days ago; not the one that inspired a recent card, that one is still to come. This one I started, stopped and restarted again.
You can see there are some shadowy flowers in the background. They are the first flowers I stamped and painted straight on the journal page. The journal isn’t watercolour paper so diluting and painting with ink didn’t work well. I tried to fix it by drawing black outlines and then white gel pen highlights but that didn’t look good either. I like to think of the art journal as a place I can try techniques but sometimes those experiments don’t end up looking pretty.
When I’ve wanted to paint on other pages I have prepped the pages with absorbent ground first; it makes the surface more conducive to ink and water blending. Adding one layer of absorbent ground covered the surface but not the images underneath. When it dried though, I liked the misty images in the background and decided not to do another layer. Instead I proceeded to stamp again with the same inks (listed below) and this time blending the inks with water was more successful. To stamp on the uneven book pages I used acrylic blocks and the Wendy Vecchi ‘perfect stamp positioner’.
Once I finished stamping and painting the PB floral stamps ‘unfolding’ and ‘dainty whispers’ I stamped the delicate ‘a little secret’ stamp repeatedly in old paper distress ink to fill in some grass. I blended broken china ink directly onto the pages to fill the sky area and splattered water over it to break up the flat blue expanse.
Finally I chose the quote from a favourite author, C.S. Lewis and used the C&9 ‘simple serif’ alphabet stamps and some tiny stamps I bought long ago at Hanji gifts in Toronto. I’ve since found out C.S. Lewis did not say this; I guess I should have done a fact check before stamping it all in my journal.
I do like the effect of coloured images under a layer of white. I might do it on purpose next time!
I’m not sure if I have ever posted a baby card on my blog; if I have it was so long ago I can’t remember! This one is a commission for a friend; she asked me months ago and I totally forgot. When she texted the other day to see if it was ready I admitted it was not but I would make sure it was by the next day! I was happy to have thought up a concept all those months ago and my idea came together without hiccoughs.
I painted pink, yellow and orange paint on watercolour paper, added water then let it blend and bleed together. Once it was dry I used the Penny Black ‘Balloons!’ die set to cut three balloons then cut the strings and bows from unpainted watercolour paper. I added stick-it adhesive to the back of some peach coloured cardstock then cut two sets of letters to stack for the words using the C&9 ‘simple serif alphabet’ dies.
To create the cloudy sky I cut post-it masks using the cloud die from C&9 ‘city stacks’ die set then blended over the edges on a background panel and an envelope using Papertrey ink cubes in ‘sweet blush’ and ‘lovely lady’. I cut a very narrow mat of pale rose cardstock to frame the panel and attached everything to a cream card base.
I wondered about cutting more balloons to put inside but instead painted some of the same pink, yellow and orange paint on my glass mat, spritzed it generously to dilute it then placed an extra panel of watercolour paper on top to pick up a pale wishy-washy print.
Seeing that I rarely make baby cards this might become my design of choice when I do need one; I’ll just change the colour scheme to keep things interesting.
I’ve coloured these pretty ‘meadow blossoms’ from Concord & 9th a few times now, this time cutting them out with the co-ordinating die. I stamped the large spray of flowers in Gina K’s skeleton amalgam ink which is beige. I used inktense pencils for the watercolouring including the back panel of stripes. Inktense pencils are watersoluble but unlike some watercolour pencils they are permanent once dry. Many other watercolour pencils are not permanent meaning they will continue to move and dilute whenever liquid is added. One type is not better than another but they need to be used differently.
I used hot pressed watercolour paper for both layers and, although hot pressed is quite smooth it still has texture so you can see some of the pencil shading on the flowers where I first coloured with the pencils on dry paper. The pencil lines diluted once I painted over the top with water but not completely becoming part of the detail of the design. As the inktense are permanent once dry I decided to layer colour on the petals. Some I started with purple, the large one I did the base colour in red. To paint the leaves I coloured only a small amount, painted with water to fill the leaf or just picked up colour from one leaf to complete another one. I did switch to a black fineliner to do the flower centres and add some black dots. I used white paint to add some white dots.
I decided to create my own striped background for the die cut using the fuchsia pencil. Rather than drawing on the background panel directly I pulled colour from the pencil tip onto my glass mat with a wet brush and painted loose stripes on a piece of watercolour pencil using a t-ruler to keep them parallel. As sometimes happens on my work table there seemed to be some stray brusho floating around so I ended up with some random blue spots! Popping up the floral panel seemed like a good idea so I used a technique Jennifer McGuire recently suggested in one of her videos. Rather than pop up a panel on foam tape or a foam cut out just die cut a few extra layers of cardstock and stack them up. I cut two extra die-cuts each with stick-it adhesive on the back and layered them under the painted one. I played with the idea of popping up part of the sentiment but ended up stamping in two different inks instead.
The inktense pencils used: chilli red 500, leaf green 1600, red violet 610, ink black 2200, fuchsia 700