This wonderful new C&9 alphabet stamp set arrived a few days ago and, oh the possibilities! I had only a little time to play with it today so I pulled out the delightful ‘city stacks’ stamps, also from Concord & 9th. I stamped in versafine onyx black ink and watercoloured with my peerless watercolour paints. Versafine is a pigment ink so it won’t react with water when I start painting over it.
The sky and the road I blended onto the panel with makeup brushes which was quite a bit quicker than painting it. I used broken china, scattered straw and wild honey distress inks for a sunrise look.
When I laid out the letters in my stamp positioner I wondered how long it would take me to get them lined up. I got them right on the second attempt! I slipped in a piece of acetate to do a trial stamping, realigned the few that needed it and then the next attempt was just right. The serifs at the top and bottom of the letters make it easy to line them up on the grid of my stamp positioner lid. Yay! I used part of a stamp from the ‘city stacks’ set to finish the sentiment at the bottom of the panel.
You’ll be seeing these letters again, and again. Count on it. And there are dies too, I didn’t use them on this card but it won’t be long.
I finally got my act together enough to enter a challenge and not even in the last few minutes it was open! I just hosted a challenge with the Foiled Fox and we will be announcing winners in the next few days. I enjoyed visiting all the entries and was inspired by each card. Today’s card was inspired by the ‘Ombre’ challenge at CAS Mix Up and I will be entering it in the ‘Calm’ challenge at Casology as well.
Before I talk about this calm and clean and simple and ombre card I just want to thank those who joined the conversation on Monday about ‘bunchies’. I posted a photo on Monday of myself, aged 6, with my hair in ‘bunchies’ and asked what others called the two ponytail style. I was surprised to read they were known as ‘dog ears’ and ‘dust mops’ as well as the more common ‘pigtails’. One reader called them ‘bunches’ which is practically the same as me so I was not alone with that tag.
Back to the feather, I used the solid feather stamp from the C&9 Feathered set and Catherine Pooler inks to create the watercolour ombre look. The coverage and blending is just what I was after. Like some dye inks the colours continue to soak in and smooth out after stamping with the CP inks which is exactly what I needed for this look. I inked the whole stamp in ‘shea butter’ ink, stamped then inked two thirds in ‘bellini’ ink, spritzed and stamped, then finished by inking the tip in ‘rockin red’ ink, spritzed and stamped. The little spritz over the ink spread the ink on the stamp so there were no hard lines where one ink stopped or started.
I dry embossed the whole panel with the snowfall/speckles texture fade folder for a bit more visual interest and popped up the sentiment from the same stamp set. Did you know embossing folders are enjoying a rise in popularity these days? I don’t know if that is true or not, I just know they are around here! The CAS mix up challenge required ombre + stamping + my choice (embossing), so all boxes checked! There are a few metallic ombre looks featured on the challenge blog; I’ve never thought of metallic ombre but it is pretty fancy so I might have to give it a try.
My second card is not entering any challenges; it was made because I love pairing sectioned stamps with sprinkled brusho. I embossed the sectioned feather from the same C&9 set in gold three times on hot pressed watercolour paper, sprinkled sandstone and terracotta brusho powder over the top then spritzed water gently to activate the brusho. I added more brusho and spritzing several times and then moved some paint around with a paintbrush, not much just a few places so there would be a few more solid sections. I die cut the feathers then popped them up on a different dry embossed background, ‘weathered’ by Taylored Expressions. The sentiment is from the Altenew set, ‘leaf canopy’.
Click on the badges below to see what’s happening in the challenges I’m entering.
I have another video featuring the fine line florals set from Concord & 9th. I am using a similar technique as in my previous video but I’ve created a patterned panel that covers the whole card front this time. The single flower stamps from this set are made up of very fine radiating lines which look like transparent petals whether blended with water or not. I like the way part of each flower is still lined where as other sections are a soft blend of pink and purple ink. I’m using hot pressed watercolour paper which captures more of the fine lines than cold pressed does.
The Foiled Fox and I have a three-colour challenge happening during May and today’s card is features a simple pink, purple and green colour scheme which packs plenty of punch with its soft pinks through to dark purple. The stamp set includes flower centres and little splattery dots but no leaves so I pulled out a little spray of leaves from the C&9 turnaround leaves set.
You can see all my process in the video. I hope you get inspired to try this technique or try a three-colour card for our challenge.
These fabulous big letters are from the C&9 ‘big thanks’ set and I love the font.
Thanks for dropping in today. Hope you have a creative day!
I love playing with colour and over the years I have come to the conclusion that often less is more when adding colours to a project. It is not a hard and fast rule but I like to use three colours and mix more from the original three. With that idea in mind I have collaborated with the Foiled Fox to host a card challenge. We invite you to join us in creating cards of only three colours (along with white or black if needed), post them in the link up below and be in the running for a shopping spree at the Foiled Fox store
To create today’s cards I used distress oxides: twisted citron, dusty concord and chipped sapphire. I would call this a complementary colour scheme because although purple and dark blue are right next to each other on the colour wheel, opposite them is yellow.
Two of the feathers above are stamped using the solid feather from the Concord & 9th ‘feathered’ stamp set. I inked the centre feather with dusty concord then stamped the outline over the top in twisted citron. The feather on the right was inked in all three colours with a spritz of water to get them blending. Once the ink dried I added spots and lines using the decorative stamps from the same set. After the stamping dried I cut them out using a co-ordinating die. I also smushed some oxide ink on my glass mat, added a spritz of water then swiped some watercolour paper through it. I used another feather die to cut the feather on the left. For some added texture the feathers are layered on canvas textured cardstock, the middle and right hand ones popped up on foam tape.
For this second card I die cut three feathers from the textured cardstock and used blending tools to apply the three colours of oxide ink. I splattered a little water over them, waited then dabbed it away with a paper towel which gave me the little light dots on each feather. Once again the feathers are layered on the same canvas textured cardstock with a sentiment from the same ‘feathered’ set.
We would love to see the colour trios you come up with. Please use the link up below to link directly to your card on whatever social media platform you use. You have until May 30 to play along. I can’t wait to see all the colour combos; I am ready for new inspiration!
I have a video for you today showing my process in making this simple floral card with a loose watercolour look. The foliage is from the Altenew set ‘leaf canopy’ and the flowers are from the Concord & 9th set ‘fine line florals’ (the same set I featured in a journal page last week). The flower stamp is very detailed with fine lines covering the whole stamp. Because I wanted a loose watercolour look I spritzed water on the inked stamp which meant I lost most of thefine lines. I do like the way a few of them remained giving the petals a slightly transparent look.
I tried the ink, spritz and stamp method a few times before creating this panel because it was easy to add too much water and end up with a splodge rather than a flower. The experiments only took a little time and a few pieces of watercolour paper so definitely not a waste.
In this close up you can see some of the texture of the cold pressed watercolour paper. Although I often use hot pressed I still reach for cold pressed at times because the rough texture adds interest particularly when using solid or semi solid stamps like these ones.
I’ve been experimenting in my journal again featuring some new and old stamps from Concord & 9th. Once again I had an idea in my head and although this does not look like my original idea, I’m very happy with the vibrant look of the massed flowers. I haven’t put any words on this page yet and possibly wont. Now if you are not an art journal type of person, hang in there, I have cards made with the new ‘fine line florals’ set coming over the next few weeks.
As I mentioned last time a couple of my journals do not have watercolour pages, this one is drawing paper. Sometimes I paint my pages with gesso or absorbant ground before I start or glue other papers to the page. I’ve also glued two pages together a few times to make sure liquids don’t soak through the page. The glued pages are very bulky and bumpy though so I don’t think I’ll keep that up. With this page I wanted to see if I could add watercolouring to an untreated page without it soaking through, breaking down the page or seeping outside the stamped images. Even though I love watercolouring with distress inks or stains I thought they might be too wet. I decided instead to used inktense pencils as I hoped to get vibrant colour with limited water. I tried picking up colour from the pencil lead with a wet brush and painting it into my stamped images as well as colouring the image with the pencil then adding the water over the top. I preferred the look of the former method. When I coloured directly on the page it was more likely that I would end up with shading lines or the colour would seep outside the stamping once I added water. I did get some paint soaking through the next page of the journal so I’ll cover that up with my next spread.
The big flowers are part of a large multiflower stamp from the new C&9 set, fine line florals. I stamped it three times on my journal double page but the page doesn’t sit flat so I was not able to get perfect prints. I was using the fiskars stamp press on the flatter right hand page but used my hand to press the stamp on the bumpy left hand page and tried to do the stamping across the centre of the two pages in two steps while masking the left then right. I kept going even with my patchy stamping and used micron pens to add in missing lines and trace over the pale stamping. I wondered whether the lines I added would be obvious but once all the colour was added it was hard to tell the difference between the stamped and the hand drawn outlines.
The other stamps in my floral explosion are a feather from the C&9 ‘feathered’ set and leaves, flowers and little sprays from the C&9 ‘songbird’ set. I did several layers of colour on the large flowers, letting it dry after each one but just one layer on the leaves, little flowers and feathers. The dots were distress inks sponged through a homemade die cut vellum stencil made with C&9 ‘dots and hearts’ die.
I also did quite a bit of splattering by flicking a wet brush across the lead of the inktense pencils. I added black outlines as I did the watercolouring but when all the painting was finished I went over the centre of the flowers drawing little circle centres with the micron pens and adding little white dots here and there with a white gel pen. To frame the spread I drew a squiggly frame with in black then added some black soot distress stain splatter here and there.
I had fun with this spread and learnt a few things along the way. Hope you are having a great day; thanks for spending some of it here on my blog.
Polka dots are make happy patterns in my opinion. Add rainbow colours and it’s a double happy. I created this simple card with the Concord & 9th ‘dotted fill-in stamp set’. I inked the background stamp with a rainbow of distress inks, spritzed the stamp with water to blend the overlapping colours a little then stamped on watercolour paper.
I thought a bold black sentiment would stand out so I arranged the letters from the C&9 ‘big thanks’ set across the panel and stamped in versafine clair nocturne ink. The only embellishments are little gold circles die cut with the ‘dots and hearts’ die from gold foiled cardstock and popped up over a few of the polkadots.
So simple. So dotty. So happy.