Gel printed feathers again

Last year I did my first gel prints with feathers and I was thrilled with the detail in the prints. When I was gel printing with leaves a few months ago I did a few feather prints at the same time. It’s the same process.

The letters and word added to this feather print were cut from the same panel. I was working on my large gel plate and lifting the prints on A4 pieces of cardstock. The mustard/gold paint was over the whole print before I added dark turquoise paint to one end as I printed feathers.

I cut the letters for the word ‘sending’ with the ‘Heather lowercase’ dies from Pinkfresh studio. There are capital letter dies in the same style and co-ordinating stamps for both lower and upper case but I just bought the lowercase dies. Buying alphabet dies or stamps is quite the investment so I worked out what I would get the most use from and it was these pretty letter dies. I am way more likely to make words with all lowercase than with all caps. After I had ordered the dies I realised they were all double dies in that they cut a very narrow border around every letter which gives you a bonus delicate die cut letter which can be used as a border for the solid letter. Maybe you know all this but I was pretty happy to get double the letter fun.

I cut all the letters for the word ‘sending’ and arranged them on top of the feather panel but they did not stand out enough until I cut the same letters from shimmer gold cardstock so I could give each one the narrow border. I added double sided adhesive to the back before cutting the letters so it would be easy to attach them to the panel. I cut the word love from a teal section of the printed panel twice and layered them to make them stand out a bit more, the die is from the Pinkfresh phrase builder ‘sending’ set.

I’m very keen to get out my gel plates again but my to do list has other things on it right now. It’s fun to have a stack of prints to put to use in the interim.

Supplies


All the Birthdays

I made a short stack of birthday cards yesterday with a new Concord & 9th set, ‘All the Birthdays’. I pulled out several prints from earlier gel printing sessions and chose some which would work as panels for birthday cards.

On the card above I used ranger blue embossing powder and the card below versafine tulip red was the perfect match for my printed background.

Some were printed using the petite set A gel presses so they were already shaped as squares. Others I cut from larger prints. I used stencils and lace to make the prints and a range of acrylic paints.

One of the stamp combinations from the C&9 ‘all the birthdays’ is a pair of stamps that overlap to spell ‘happy birthday’; there are outline stamps that frame the solid letters also. That is what I used on the card below with gold and brown inks then clear embossing powder.

I also added some texture to a few of the card bases or mats with embossing folders and stencils.

The printed panel below included such pretty blues and purples I wanted to match them in the sentiment so I stamped with archival dusty concord and faded jeans then, before the ink dried embossed in clear powder.

The card below features rose gold embossing powder; it looks a little darker than expected on this panel, maybe because of the depth of colour in the print.

I really enjoyed pairing sentiments from the C&9 set with my leftover gel prints. I did have some embossing challenges though; I’m just not an embossing champion. Stray powder, over heating, underheating, even when I use a powder tool and preheat the heat tool I still make mistakes. This lot took me all afternoon but I am very happy with them and I’m pleased to have boosted my birthday card stash. Now if I can just remember to send them…

Supplies


Gel print pumpkins

Despite what the title suggests this post isn’t about gel printing, it’s about using more dies on one card than I’ve ever done before. I tend to use dies sparingly, not because I don’t like them, but because they are usually called in to highlight or frame some watercolouring. This time the dies are the feature and I used some leftover pieces of gel printed paper for the pumpkins.

On the first card I built up a background for the gel print pumpkins with a row of die cut trees and then a die cut picket fence. Each pumpkin is two layer as the original cardstock used for printing was light weight. I tried to find prints in pumpkin colours and found a couple of blue/greens, some goldy browns and a pale orange; I didn’t have a strong orange in the pile. The fact that one of the prints had stars on it was definitely a bonus.

On the second card I stacked two leaf pattern die cut panels to create a textured background then layered the pumpkins on top of that. All the background die cutting and card bases are either luxe textured white cardstock or a cheap cold pressed watercolour paper that I thought was luxe textured white until I placed them side by side and had to rearrange things a bit.

All the dies are listed and linked below and I made two messages with the same ‘golden delight’ sentiment stamp. I know I have other sentiments for thanksgiving but I can’t go past this one. For the cute little sign by the pumpkin patch I stamped one word, masked, then next word, masked and then the last one and wonder of wonders, it worked first go!

The layering and adhering of dies was a labour of love because I am just not great at the whole fiddly nature of gluing die cuts. When I imagined the card in my head it was way more intricate than either of these but it’s important to know your own limits and sometimes quit while you’re ahead!

Supplies


Gel Print Leaves video

Last week I posted a card featuring gel printed leaves from herbs I grew. I tried to explain my process but a few of you wished for a video so I picked some more leaves and had some fun printing them.

I used two different methods in the video, the leaf printed in yellow at the top of the page uses a two step method. The blue + green leaf above uses three steps and has one technique layered over the other technique.

I think the part of gel printing that gives me most inconsistent results is the way I apply ink. I’m getting better but I still get unwanted lines from the edge of the brayer. That wasn’t so evident on these prints as I was working on little gel plates called ‘petites’ from Gel Press.

I did a bunch of prints for this video on the square and the circle ‘petite’ plates as shown on the top cards. For the ‘slimline’ card I used three of the square prints but die-cut them smaller so I could fit them side by side on a 8¾” x 3¾” card.

I hope you give this a try, it’s quite satisfying and addicting once you get going!

….And did I mention I now have an online class called COLOUR CLUES?…

Supplies


Parsley, sage & mint

As I hoped I fitted in some gel printing the other day. I picked leaves from my garden and experimented to see which would give me a good print. It also took me some trial and error to get the amount of paint right too.

I brayered titanium white, ultamarine blue and hooker’s green onto my circle gel plate then lay down the back of the leaf on the paint. I lay white cardstock over the top and taped one edge of the cardstock to my table before lifting it to see the print. Without untaping the cardstock I removed the leaves and lay the cardstock back down to take another print, that which was left by the leaf.

I know some extra visuals, even a video might be more helpful than a description so I am working towards that goal. Gel printing can be rather hit and miss for me so I haven’t done any filming yet.

I decided to use all three prints on the one card so cut a piece of snowbound textured cardstock 10⅞ ” x 4¾” and scored it at 3⅝” and 7¼”. I die cut each print using a 3¼” square die and attached them directly to the textured card base. I stamped ‘Thank you’ from PB ‘million thanks’ set on white in peeled paint archival ink then embossed ‘for your help’ from the same set in white on green then cut it out with an oval punch to make a tab on the side of the card.

This card is for my daughter who has put hours or work and loads of enthusiasm into our garden this year. It’s looking good and we have high hopes for the tomatoes, brussel sprouts and cantaloupes still growing!

Join my online class COLOUR CLUES to create card sized works of art!

Supplies


Old gel print, new card

I am getting closer to doing some satisfying gel printing but this card was made from a previous gel printing session. You can probably tell the texture on this panel was from a piece of corrugated cardboard. So simple and effective.

There is definitely some leftover paint printed on this panel. Leftovers are a feature of gel printing I really like. I usually print and print without cleaning the plate so the leftovers, often on edges or corners appear in subsequent prints.

I stamped the large and small cone flowers from the Darkroom Door ‘carved flowers’ set first in white ink then offset in black before embossing in clear powder. White ink is very sticky so when I stamped on top of it the stamp lifted some of the white ink off. It was necessary to wipe the stamp each time and restamp in black to build up a solid black layer. After embossing I used the large six square grid die from Waffle Flower’s color combo set to cut my panel into squares. I popped them up on foam on a 6″x4.25″ card base.

The sentiment is the DD ‘majestic mountains’ set and reminds me that not all adventures have to be in person or in the outdoors right now, although I am missing that. I am enjoying the adventure of creating with new and old friends through my online class. (yes maybe this is another shameless plug, but it’s true!) As I see what class members are creating I am inspired and encouraged to be ‘in class’ with friends even while I can’t be in class in person.

And I am sure new gel printing is imminent; I want to print fresh leaves and maybe petals from my garden so stay tuned.

Supplies


Almost a gel press card

I have been waiting for some time to get the gel press out again and it has finally happened. A gel press session needs a decent amount of time and space otherwise I barely remember what to do before I have to pack up again. I find when I am working with the gel press my first prints or ‘pulls’ are very uninteresting as I get back into the process and build up some interesting colour and texture on the gel plate. That was definitely the case yesterday when I got started. The squares above did not come from a gel print. I cut them all from the cardstock off to the side where I was cleaning off my brayer!

Maybe you can guess from the squares that I was using dark blue, dark green and deep violet acrylic paint. The reason most of the squares look softer and more pastel is because I also used white paint each time I rolled some colour onto the plate. I may not use any of the gel prints I made yesterday but the scrap sheet for cleaning my brayer was perfect for making a card inspired by ‘Dear Paperlicious’. I am often inspired by Joan; I’m sure you will be too if you take a look at her blog or instagram. Her cards are clever and cool, just like her!

I cut all my squares using one of the dies from the Waffle Flower color combos die set then popped them up on craft foam and added a sentiment from MFT. Hopefully you will see some actual gel printing in the days to come but until then don’t discount the usefulness of a pretty piece of scrap paper!

Don’t forget to check out my new online class about cards, colour and making pretty things!

Supplies


Ferns & friendship

It is a long time since I had my gel plate out for monoprinting; I’m definitely keen, but for the last few months my time has been taken up by an exciting new project I’ll be sharing with you soon. I decided to go through prints from previous gel print adventures to make a few cards with Darkroom Door stamps.

Most often I use acrylic paints on my gel plate but to make this natural coloured background I used water colour powders. I can’t remember which paint colours I used, possibly only one like sandstone which can give a range of browny orange tones. To turn the monoprints into cards I used stamps from DD sets ‘leaves’, ‘butterflies’ and ‘global postmarks’. I also used the small ‘mesh’ texture stamp.

I stamped in ‘vintage sepia’ versafine ink, brushed corduroy and rusty hinge distress inks. Initially I stamped the sentiments from the ‘friendship’ sentiment strips on watercolour paper scraps but they looked too stark and clean so I splattered and swiped some ink on them so they blended into the background a bit more.

I also added some linen thread which worked with the natural tones and the postal images. I popped up the panels with a couple of cardstock layers on white luxe textured card bases.

Supplies


Classic car

I have some mixed media goodness for you today. I know it’s pretty flat and doesn’t involve any fibres or other funky textured things but it is mixed media and currently my favourite mixed media option – gel printing. I spent a day with a friend a few weeks ago, and we printed up a storm on our gel presses. This is one of my backgrounds patterned with Darkroom Door stencils then stamped with DD stamps.

The textures in the background were made with the DD small stars stencil, diamond stencil and some corrugated cardboard. This background was cut from a bigger panel and I chose a section that had a pop of yellow in the corner; it’s only a small thing but it provides some contrast and leads the eye from left to right.

Once I’d trimmed my panel I stamped one of the cars from ‘classic cars vol 1’ in versamark ink and embossed in white. The background is so busy I needed to do something to make the car stand out a bit more so I coloured it with a white pencil which softened the area inside the stamped car just enough to make a difference. I added numbers from the new ‘number medley’ set in black so they would subtle but noticeable. The sentiment also from ‘classic cars’ set is embossed on a strip of the gel print then matted in white and popped up on some foam tape.

Supplies


http://undefined

 


Global Postmarks et al

The new Darkroom Door global postmarks set features on today’s cards, and if you look closely you can see I chose several Australian postmarks but there are different shapes and sizes from all over the world. It is a very cool set and once again these cards have made me want to create an art journal page.

I’ve had my gel press out after quite a break and I’m hooked again. In any one session I always end up with some duds and some winners but the more I print, the more I like what I;m printing. One of the lessons I learnt in my latest session was the beauty of restricting my paint colours. You would think I would know that by now considering how often I restrict myself to a limited palette when watercolouring.

The prints I turned into today’s cards were made with a turquoise, dark blue, gold, beige and purple palette. The first card was just beige, gold, turquoise and a bit of dark blue left on the gel press from the previous print. To create patterns in the print I used Darkroom Door stencils and stamps.

I won’t go into my gel printing process because there are videos aplenty that will show you. I brayered acrylic paints onto the press and used the new ‘brick wall’ stencil along with the diamonds and starry night stencils. I also pressed the mesh background stamp and the wavy line postmark stamp into the paint before pulling a print.

After pulling the prints I used black archival and black versafine clair inks to stamp the flowers, sentiments and dragonfly. I stamped several of the global postmark stamps in mermaid lagoon archival ink and tiny numbers from the new ‘number medley’ set lightly in black.

The flowers on the square card are from DD ‘tall flowers’ and are stamped in nocturne versafine clair then embossed in clear powder. The black stamping on the larger card is black soot archival ink. I tried popping up the sentiments from the ‘warm wishes’ set but it didn’t look right, the beauty of a monoprint is that it looks like it has depth and texture even though it is a single layer.

Supplies