It is a long time since I had my gel plate out for monoprinting; I’m definitely keen, but for the last few months my time has been taken up by an exciting new project I’ll be sharing with you soon. I decided to go through prints from previous gel print adventures to make a few cards with Darkroom Door stamps.
Most often I use acrylic paints on my gel plate but to make this natural coloured background I used water colour powders. I can’t remember which paint colours I used, possibly only one like sandstone which can give a range of browny orange tones. To turn the monoprints into cards I used stamps from DD sets ‘leaves’, ‘butterflies’ and ‘global postmarks’. I also used the small ‘mesh’ texture stamp.
I stamped in ‘vintage sepia’ versafine ink, brushed corduroy and rusty hinge distress inks. Initially I stamped the sentiments from the ‘friendship’ sentiment strips on watercolour paper scraps but they looked too stark and clean so I splattered and swiped some ink on them so they blended into the background a bit more.
I also added some linen thread which worked with the natural tones and the postal images. I popped up the panels with a couple of cardstock layers on white luxe textured card bases.
I have some mixed media goodness for you today. I know it’s pretty flat and doesn’t involve any fibres or other funky textured things but it is mixed media and currently my favourite mixed media option – gel printing. I spent a day with a friend a few weeks ago, and we printed up a storm on our gel presses. This is one of my backgrounds patterned with Darkroom Door stencils then stamped with DD stamps.
The textures in the background were made with the DD small stars stencil, diamond stencil and some corrugated cardboard. This background was cut from a bigger panel and I chose a section that had a pop of yellow in the corner; it’s only a small thing but it provides some contrast and leads the eye from left to right.
Once I’d trimmed my panel I stamped one of the cars from ‘classic cars vol 1’ in versamark ink and embossed in white. The background is so busy I needed to do something to make the car stand out a bit more so I coloured it with a white pencil which softened the area inside the stamped car just enough to make a difference. I added numbers from the new ‘number medley’ set in black so they would subtle but noticeable. The sentiment also from ‘classic cars’ set is embossed on a strip of the gel print then matted in white and popped up on some foam tape.
The new Darkroom Door global postmarks set features on today’s cards, and if you look closely you can see I chose several Australian postmarks but there are different shapes and sizes from all over the world. It is a very cool set and once again these cards have made me want to create an art journal page.
I’ve had my gel press out after quite a break and I’m hooked again. In any one session I always end up with some duds and some winners but the more I print, the more I like what I;m printing. One of the lessons I learnt in my latest session was the beauty of restricting my paint colours. You would think I would know that by now considering how often I restrict myself to a limited palette when watercolouring.
The prints I turned into today’s cards were made with a turquoise, dark blue, gold, beige and purple palette. The first card was just beige, gold, turquoise and a bit of dark blue left on the gel press from the previous print. To create patterns in the print I used Darkroom Door stencils and stamps.
I won’t go into my gel printing process because there are videos aplenty that will show you. I brayered acrylic paints onto the press and used the new ‘brick wall’ stencil along with the diamonds and starry night stencils. I also pressed the mesh background stamp and the wavy line postmark stamp into the paint before pulling a print.
After pulling the prints I used black archival and black versafine clair inks to stamp the flowers, sentiments and dragonfly. I stamped several of the global postmark stamps in mermaid lagoon archival ink and tiny numbers from the new ‘number medley’ set lightly in black.
The flowers on the square card are from DD ‘tall flowers’ and are stamped in nocturne versafine clair then embossed in clear powder. The black stamping on the larger card is black soot archival ink. I tried popping up the sentiments from the ‘warm wishes’ set but it didn’t look right, the beauty of a monoprint is that it looks like it has depth and texture even though it is a single layer.