My second gilded card also features dragonflies, this time little silver ones. In my previous post I shared a card gilded in both gold and silver flakes; this time I just used silver because I think silver and blue look so very pretty together. I used stick it adhesive once again to attach the gilding to the watercolour panel and colorburst powders to create the background panel.
I sprinkled three colours of colorburst powder on watercolour paper then sprinkled with water. Once the colours were blending nicely I used a brush to spread the colour to the edges of the panel. I dried it with a heat tool then added droplets of water a few at a time and dabbed some of them up with a paper towel. I dried the panel in between each batch of water droplets so I could get a mass of water marks. I die-cut three dragonflies from stick it adhesive then applied them to the watercolour panel, removed the backing paper and rubbed silver gilding flakes on top. I burnished with a plastic scrubby pad to remove the excess flakes. It’s finished with a frame of silver spiderweb fabric that comes from France and happens to match the gilding flakes perfectly.
The lovely folk at The Foiled Fox have been spoiling me again, this time with gilding flakes. I tend not to add sparkly elements to all my cards but I do like the option of a little or sometimes a lot when a card asks for bling. I had no idea just how much I would like playing Midas with the Nuvo gilding flakes. They arrived on Friday, I experimented with them on Saturday and turned my panels into cards yesterday. If I didn’t have classes to plan and groceries to buy I would probably play with them more today.
My initial experiments have resulted in six cards which I will share over the next little while. I played with a few techniques for adhering the gilding flakes and today’s is possibly the most effective so far. A word of warning, the gilding flakes are lighter than feathers and they do go everywhere! Jennifer McGuire suggested a swiffer cloth for clean up so I might just need to get one of those! To create the gilded background I cut a piece of ‘stick-it’ adhesive sheet larger than my dragonfly frame die and stuck it to a piece of white cardstock then removed the backing paper. Next I cut the dragonfly frame from black cardstock and positioned it on top of the adhesive rectangle on the white cardstock. I gently laid both silver and gold gilding flakes onto the adhesive panel and pressed lightly. The gilding adheres effortlessly to the ‘stick’it’, filling the entire area not covered by the black die cut. I burnished the flakes gently with a scrubby which breaks off excess pieces and makes sure all the adhesive is covered. The scrubby tends to turn the shiny silver and gold to brushed silver and gold so if you want maximum shine then burnish with your fingers or something smoother than a scrubby.
I trimmed the panel keeping a gilded border round the die cut frame. I wanted something extra behind the panel but not too much so I wrapped a strip of silver spiderweb fabric around my black card base then attached the gilded panel over the top. I finished the card with a white paper panel inside to write on and an envelope decorated with the die cut dragonfly. I am training myself to complete a card/envelope combo each time rather than have to catch up with envelopes at a later date. I have a booth in a craft market next month so most cards I make at present will be heading to Craft-Fest 2017 on June 17 here in Ottawa. More about the market in the days to come.
Die: dragonfly frame (PB)
Cardstock: solar white, epic black (Neenah) textured white paper
Also: stick it adhesive (Ken Oliver), silver bullion gilding flakes, radiant gold bullion gilding flakes (Nuvo), silver spiderweb fabric from France
I am really enjoying working with alcohol inks on photo paper right now. I just taught a class where we worked on photo paper and the effects are quite different to those I get on watercolour paper. I am using glossy photo paper from Costco and for stamping on these cards, archival inks. I have since switched to StazOn inks because they dry more quickly and slip less on the glossy surface.
These two cards feature a Darkroom Door stamp of the quintessential Australian homestead from days gone by. I chose colours that remind me of the often dry summer landscape and black bases to match the ink.
I used the swipe method to apply alcohol ink to the photo paper, dropping colours onto an impermeable craft mat, diluting them with rubbing alcohol then swiping my panel through the ink several times to cover the area.
Stamps: Homestead (Darkroom Door)
Inks: Jet black archival ink & sunshine yellow, willow, ginger, stonewashed, slate grey alcohol inks (Ranger)
Papers: glossy photo paper (Kirkland from Costco), Neenah epic black cardstock, brown cardstock
Tools: craft mat
I have another card that utilises brusho experiments. If you have delved into the magic of brusho you probably have a pile of pretty brusho panels you don’t know quite what to do with. Experimenting with brusho is a bit addictive so it is rather easy to keep trying colour combinations with no project goal in mind. I decided to put a scrap of green, blue and purple brusho ‘mosaic’ to use as balloons. By brusho mosaic I mean the effect I get when I spritz over the sprinkled brusho only enough to activate it but not send it flowing all over the paper.
I used the ‘uplifting’ dies from Penny Black to cut out five balloons then added adhesive backed foam to each one. I cut circles of circles out of a panel of neenah solar white cardstock to create a background panel then cut circles from a piece of foam to position behind the panel so shadows would show inside the circles. The circles of circles are part of a new PB die set ‘stencil cut’.
I tied a linen thread to each balloon and tucked the other ends under the background panel. The thread tying took me close to my fiddliness factor limit but I persevered and assembled the layers and added a sentiment. This happy card would work for any celebration so I am adding it to the Casology challenge this week ‘Commencement’.
It’s been all about the colorburst and brusho powders with me lately so I thought it was past time to share the other watercolour powder in my life, bister. The concept is the same with bister; you add water and colour bursts out. The colours in the bister range are more earthy than the other brands and the crystals are, on the whole, coarser. The effects are just as magical as you can see on this panel.
I think this panel is from my initial experimenting with watercolour powders. I really liked how the colours moved on the cold pressed watercolour paper but for a long time I didn’t have a plan for the abstract panel. Eventually I realised it didn’t need a plan; it was a stand alone! I added a sentiment and popped up the panel on foam to give it a ‘shadow frame’ and that is the card. This panel shows the versatility of watercolour powders quite well. By varying the amount of water added you can get small intensely coloured shapes which I think look a bit like mosaics, you can get soft washes and some patterning in between the two extremes.
Stamps: special thoughts (Penny Black)
Paint: Bister paint powders
Ink: Versafine vintage sepia (Tsukineko)
Paper: cold pressed watercolour paper
The tulip festival starts here in Ottawa in two days. Of course there are tulips already blooming but the very chilly turn our weather took last week might have kept a few from blooming earlier. I have only a few tulips in my garden so I was seriously annoyed to see a squirrel pull a bud off a stalk this morning. I quickly ran outside and yelled but he just scampered further from me and proceeded to eat the whole thing!
I used distress stains to ink the Tulips stamp from Darkroom Door for this card. I have heard that Ranger is discontinuing the dauber version of the distress stains which makes me sad. I love inking stamps with the dauber to create soft watery looks. I have most of the daubers in the distress stain range but I plan to complete my set before they become unavailable. The spray stain bottles will still be available so I will use them to refill my daubers. I used my MISTI so I could stamp the stains one at a time starting with mustard seed on the petals. Next I added spiced marmalade to the base of the petals, stamped and followed with peeled paint on the stems. I blended all the stain into the petals for fill the outline stamping then let it dry before add a blue frame. I used salty ocean stain on the frame part of the stamp then blended it with water around the tulips after stamping.
I found I had a nice match in ribbon so wrapped some around a white panel and added two knotted pieces. I popped the tulip panel on the white and attach all to a white card base.
Hope the flowers are blooming where you are.
Stamps: Tulips (Darkroom Door)
Inks: mustard seed, spiced marmalade, peeled paint, salty ocean distress stains (Ranger)
Paper: hot pressed watercolour paper, Neenah solar white cardstock
Also: turquoise grosgrain ribbon
Today’s misty muted scene is brought to you by ‘The Distress Oxide Trials’. This one was one of my early experiments involving stamping over stamping. The effect might be a bit messy for some but I like the way lighter colours over darker colours give something of a skeletal look. I used the ‘feathery’ stamp and inked it with peeled paint first, spritzed then stamped, did the same with vintage photo, and finished with broken china.
You can see the blue over the brown shows up as a x-ray type image. On the right hand side there was an area without much brown so I decided to soften it even more with water to create the look of light coming through.
To finish the card I matted with both brown and blue cardstock then added a sentiment in brown.
Stamps: Feathery, snippets (Penny Black)
Inks: vintage photo, peeled paint, broken china distress oxide inks (Ranger) versafine vintage sepia (Tsukineko)
Paper: hot pressed watercolour paper, blue cardstock, brown cardstock