Rachel Greig from Darkroom Door is hosting ‘Artful August’, a challenge to make something arty each day in August. She has provided 31 prompts and I am going to play along as often as I can. Circles was the prompt yesterday so I cut circles from a just few of the many gel print panels I have piling up. I used only gelprints done on rice paper and they cut and adhered very easily.
Once I had cut circles in different sizes from different gel printed panels I stamped flower silhouettes from several Darkroom Door sets. Before gluing the circles to the pages I painted the pages with a base of gesso + light brown paint and added some scribbly circles by tracing inside circle dies.
I glued the printed, stamped circles with matte medium both on the back of the paper and over the top to seal it. To add a bit more interest around the circles I blended antique linen ink through a homemade paper stencil.
The prompts in the challenge are very open and participants are encouraged to interpret them in any way and with any medium. If you are on instagram you can view the submissions by searching for #artfulaugust or #rachelgreigartfulaugustchallenge
As I participate in the challenge I will have simple experiments along with some completed projects like this one. The fun is simply playing with the prompts. In making today’s journal pages I was very happy to use some pretty scraps, experiments and clean up pages from gel printing sessions. There are always too many to turn into cards but each one has a unique texture and colour mix.
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The rest of the quote says, ‘… and a library you have everything you need.’ My art journal is pretty much all book or flower related pages; I guess there is room for a new inspiration. Currently with a garden that is looking promising and an online course newly launched you could say flowers are on my mind.
The background for this page was created months ago when I was making subtle backgrounds for a few cards. Instead of swiping a whole panel through waterbased inks I was inking a piece of acetate then spritzing it and swiping it on a stamped panel. I opened a spread in the art journal and swiped the acetate across the pages a few times to leave some ink there. I don’t remember the exact colours but the smooshed ink covered the lower half of the pages in blue, green, yellow and pale orange. Last week I pulled it out again and turned the page into a messy garden.
As I said the lower half of the pages is smooshed ink. The upper half is broken china distress inks applied with a blending brush. The flowers are a mix of silhouette stamps from Darkroom Door’s ‘you are everything’ and ‘wildflowers vol 2’ sets. I inked with papertrey ink cubes, spritzed the stamp and stamped on the pages. Sometimes I blended the stamped ink, other times not. To make the blue flowers stand out a bit more I painted blue gouache paint over the stamping. The gouache works well on the journal pages so you will probably see more.
Once all the flowers were added I stamped the DD ‘scratches’ background stamp in black on the lower section of the page and added black and white splatter all over. I added the quote with a black gel pen. If you are in my Floral Faves online class you might this was inspired by one of the projects in lesson 3.
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Are you wondering if I’m repeating myself? Didn’t I post this a few days ago? Indeed, I posted something similar on Monday, a card featuring the new ‘warm wishes’ set from Darkroom Door. At the end of the post I mentioned that I’d like to transform the design into a journal page…so I did!
I kept my colour scheme with the addition of more green and added a few extra stamp images and a bit of texture. I used a Fabriano ‘Venezia’ art journal, with drawing paper not watercolour paper. The weight of the paper is decent but if I’m going to be spritzing and adding water and ink I paint a layer of absorbant ground on both pages first.
I began by inking up the clover stamps with worn lipstick, aged mahogany and peeled paint markers, spritzed them so the ink started blending on the stamp then stamped randomly across the pages. I spritzed the images lightly so the ink moved and softened and also dabbed colour and water away with a paper towel. I inked the number/account book stamp from ‘number medley’ set with stormy sky distress stain and stamped it randomly around the pages. After stamping I spritzed the images so the ink spread, diluted and ran across the page. I dabbed some of it dry but left other bits to make watermarks. I also splattered the stain around with a paintbrush. Once the first layer of stamping was dry I switched to stormy sky distress ink and a blending brush to add colour to all the page edges. Also on the dry page I added a bit of texture by applying modeling paste through the DD stencil, ‘crackle’. The crackle was not very obvious but showed up a bit more after I added more stamping.
At this point I considered the background complete and started on the more distinct stamping. As I was working in the journal I couldn’t place it in the MISTI so I placed my ‘staytion’ magnetic board under the left hand page and added some acrylic blocks underneath the board to balance the left side of the journal with the right. I used an acrylic block to stamp all the clover and positioned a stampa-ma-jig against the block a couple of times just in case I didn’t have a complete image. I was able to do touch ups with a paintbrush and extra ink if the stamping was too pale.
I wanted some clover-ish leaves to stamp around the flowers so I grabbed a stamp from the DD ‘wildflowers vol 2’ and stamped foliage all around in peeled paint and forest moss inks. I added some green splatter too because journal pages always need splatter! At this point I was almost finished but I wanted a little more blue on the page. Rather than add more of the number stamp I used a very delicate floral stamp from ‘nature walk’ in faded jeans archival ink so I would have fine detailed lines that wouldn’t blend or blur. To balance mass of colour at the base of the pages I added more blue across the top edges. The blending brush was going to take too long so I swiped the ink pad over the edges and some water droplets also.
My journal is nowhere near full but it has become bulky with uneven pages because some have been glued to each other, others have been collaged. When I started the journal I glued pages together for sturdiness because that was what Vicky Papaioannou did and Vicky is an art journal wizard! She doesn’t always do that any more and neither do I because some of the pages just don’t want to be joined to each other, it makes it difficult to open them or flatten them. If you are an art journaller I would love to know if you prep your pages in some way so they can take a bit of water and liquid ink.
I hope you enjoyed seeing how a card inspired a double page spread; I definitely enjoyed working on the large scale with less pressure to keep things neat and contained!
I tried out a few new products yesterday and ended up with these two cards featuring the Darkroom Door carved flower set. I coloured both cards with distress oxide inks. For this first one I smushed the oxide inks on my glass mat, added some water then painted a graduated wash going from yellow to brown. Oxide inks are designed to react with water so the diluted wash I painted on the card had a muted looked to it when it dried. I wanted to add a pale sun and some stenciled diamonds so I used my new ‘Wendy Vecchi Stay-tion’. It is a magnetic surface which is well suited to stenciling. There are four magnets to hold the stencil firmly over the paper while adding a medium through the stencil. I used it first to hold the DD circle stencil over the panel while I diluted the exposed circle with water and dabbed colour away with a paper towel. I then used the magnets and board to hold the diamond stencil while I sponged some oxide ink onto the background. I splattered some water over the panel then stamped the carved flowers and carved leaves in black archival ink.
Instead of painting a wash with diluted oxide ink for the second card I blended oxide inks over the whole panel which I had added a circle mask to before I started. Once again I used the magnets and board to keep the panel in place while I blended the inks and while I dabbed out some colour through the diamond stencil. Even though the two cards look similar the techniques were a bit different; you can see the oxide ink applied with a blending brush is smoother than the painted panel. Oxides really do blend well. I used the make up blending brushes my children gave me for mothers’ day. They are not life changing but they did do a very good job 😉
Once again I stamped carved flowers and wildflowers in jet black archival ink using the misti.
In keeping with the solid black flowers I chose to emboss sentiments on black cardstock in rose gold powder hoping it would look a bit coppery like the sunset. It did. The sentiments are from the DD ‘thank you’ sentiment strip stamped then cut out with the Avery Elle sentiment strip dies and popped up on black foam tape. The black tape is handy when the card base or element needing the tape is black or a dark colour.
It was my first time trying the Wendy Vecchi ‘stay-tion’ and I found it very useful. The magnets held the stencils and paper in place and it cleaned up easily. I am sure I will be using it often.
Don’t forget to check out the ‘Color Trio Challenge’ I am hosting with the Foiled Fox. I would love to see your three colour cards and give you the chance to win a shopping spree at the Foiled Fox store!
Brusho skies and stazon flowers. I have had fun playing with brusho on photo paper and it is one of the techniques we’ll be using in my upcoming autumn leaves class.
I used warm colours for the panel above then stamped the flowers several times in a burgandy and a yellow ink before framing with co-ordinating cardstock.
My colour scheme for the second card is a bit more dramatic as I played with two primary colours and ended up with the secondary purple for a dramatic sky and black silhouetted flowers.
There are so many ways to colour backgrounds then turn them into cards with some simple foreground florals. If you are looking for a gorgeous way to create a background, check out Kathy Rac’s beautiful underwater background here and get inspired to join in her Daily Marker 30 day coloring challenge.
Stamps: Wildflowers vol 2 Thank you (Darkroom Door)
Inks: claret, orange zest, jet blackStazon ink (Tsukineko)
Paper: Neenah solar white, Kirkland glossy photo, burgandy & blue cardstock
Paint: brusho (Colourcraft)
I have a couple more cards that came out of my session with the Darkroom Door Wildflowers vol 2 stamps recently. I began by making blue watercolour backgrounds with brusho paints on hot pressed watercolour paper. Rather than apply the paint directly to the paper, I sprinkled it on a craft sheet, spritzed, then pressed the paper into the paint. I was able to pick up paint that was almost in crystal form as well as soft blended sections.
In the Wildflowers vol 2 set there is a large and a small version of the same flower so I used the small stamp on the panel above to create a base of flowers in chipped sapphire and stormy sky distress inks. I shook water droplets onto the panel to create pale watermarks here and there. Once the panel was dry I wiped an anti-static powder pillow across it and embossed the flowers and a sentiment from Bright Blossoms vol 1 in silver over the top of the blue. The silver catches the light depending on the angle but is tricky to capture with the camera.
On my second card I created the painted background the same way then stamped the flower three times in different distress stains. Once again I embossed over the top with silver, this time using a partial stamping of the French Script background stamp. I framed both panels in silver cardstock and added silver thread around the second panel before attaching to white card bases.
Stamps: Wildflowers vol 2 , French Script, Bright Blossoms vol 1 (Darkroom Door)
Inks: chipped sapphire, stormy sky distress inks & blueprint sketch, seedless preserves, aged mahogany distress stains (Ranger) versamark (Tsukineko)
Paper: Neenah solar white, hot pressed watercolour paper, brushed silver cardstock
Paint: prussian blue, cobalt brusho (Colourcraft)
Also: silver cord, silver embossing powder
Here is another ‘wildflower’ card from the bunch I made last week. Sometimes it is fun to get out one set of stamps and play around with colours and techniques to create a range of looks. The flower is from the Darkroom Door ‘Wildflowers vol. 2″ set and the sentiment from the DD “Happy Birthday” set. I created this background with brusho paints on glossy photo paper using an impermeable mat. I sprinkled some turquoise and violet brusho on the mat, spritzed it, then swiped the photo paper through the paint to pick up the colour.
I chose a grey ink rather than black to stamp but after the final result after a few impressions looks almost black.
Stamps: Wildflowers vol 2 Happy Birthday (Darkroom Door)
Inks: Cloudy Sky Stazon ink (Tsukineko)
Paper: Neenah solar white, Kirkland glossy photo, texture blue cardstock
Paint: violet, turquoise brusho (Colourcraft)
I made a bunch of cards with the Wildflowers Vol 2 set from Darkroom Door the other day. I had my distress oxide inks out and some brusho and alcohol ink backgrounds on hand to add flowers to. For this card I began with a soft brusho background of yellow and green then added distress ink flowers over the top. I spritzed after stamping to blur the images into each other.
Once the coloured stamping dried I added black silhouettes to the foreground and sides to frame the panel, some dark green splatter and a black mat to finish it off.
Because the colours reminded me of a country scene I wrapped some rustic hemp twine around the panel before attaching it to a natural coloured card base.
Stamps: Wildflowers vol 2 (Darkroom Door)
Inks: wild honey distress ink (Ranger), versafine onyx black ink (Tsukineko)
Paper: hot pressed watercolour paper (Fabriano)
Paint: yellow, leaf green brusho (Colourcraft)
Also: hemp twine
Wildflowers again today because I love the way this stamp creates such a pretty image when wet and blurred. I left the blue out of the mix this time and stuck with purples. Before stamping the flowers I painted a pale sky on my watercolour panel by adding broken china distress stain to one end of a piece of wet hot pressed watercolour paper then tilting it so the colour drained down into the panel. This technique made some areas blue and others pale like clouds.
Once the sky was dry I inked only the tops of the flower stalks in milled lavender stain, added a few dabs of dusty concord and stamped half way up the panel. I inked again and stamped further down, then to fill the bottom of the panel I inked with the purples and green on the stems. I spritzed both the stamp and the paper lightly before stamping.
To finish it off I added a handlettered sentiment.
Stamps: Wildflowers vol 2 (Darkroom Door)
Inks: milled lavender, dusty concord, forest moss distress stains (Ranger)
Paper: hot pressed watercolour paper (Fabriano)
Pens or pencils: handmade nib holder (Foiled Fox)
I have a couple more wildflower cards today using stamps from the Darkroom Door set, Wildflowers vol 2. I did some wet into wet watercolour stamping to create backgrounds which give the impression of more plants behind the ones featured in the foreground.
I dropped peeled paint, scattered straw and spiced marmalade distress stain onto a wet watercolour panel and let it move around and blend. When it was still damp I inked one of the wildflower stamps in spiced marmalade and peeled paint stain and stamped it on the panel. The image blurred a little but still looked like flowers. I let the panel dry completely before stamping similar but larger flowers in the same stains but with added rusty hinge stain at the base of the flower head.
To give the panel an aged look I added images from the ‘Correspondence‘ set in vintage sepia ink with water drops and splatters of stain over the top. I tied some vintage linen thread around the panel and matted with brown to finish it off.
Although I used some of the same techniques for the cattails card I didn’t add any vintage elements so it has a cleaner more modern look over all. I still started with a watery blend of distress stains (broken china, scattered straw and spiced marmalade) over the whole watercolour panel. I stamped the cattails stamp a couple of times into the damp background which gave it a bit of depth and movement I think. Once the stamping was dry I stamped again over the top to get sharper foreground images.
Thanks for dropping in today.
Stamps: Wildflowers vol 2 , Correspondence (Darkroom Door)
Inks: Spiced Marmalade, Peeled Paint, Rusty Hinge, Scattered Straw, Vintage photo, Broken China distress stains (Ranger)
Paper: hot pressed watercolour paper (Fabriano) brown cardstock
Also: vintage linen thread