AI + Stencils Blue Edition

After success with one of my detailed stencils over an alcohol ink panel I tried a few more all with a mix of blue inks. The one above features the Darkroom Door crackle stencil over a mix of cloudy blue and stream inks.

There is also a little bit of salt sprinkled on the panel where the stencil did not make consistent contact. This technique is definitely not for the impatient among us!

I am still working on Grafix white craft plastic and often starting over the top of a panel that already had ink on it. All the card bases are Neenah solar white.

The stencil above is MFT geometric stars and I positioned it over a panel of denim and stream inks with some leftover copper as well. The ‘print’ is not very consistent but I like the way a distinct line is right next to a blurry pattern.

I finished this one off with a die from the Pinkfresh Studio ‘sending’ die set.

I worked with the DD mesh stencil a couple of times because it didn’t make consistent contact on my first attempts. I found if I taped it over the alcohol ink panel onto a piece of scrap cardboard I could bend the cardboard slightly to make sure stencil stayed pressed onto the wet alcohol inks. I just popped the piece in the right sized container to keep it bent while it dried.

This one is a mix of denim, cloudy blue, silver and a tiny bit of stream down in the right hand corner. I added a sentiment from the DD ‘tall flowers’ set.

As you can see my fascination with this technique continues. I did pick up a couple more detail stencils the other day for this very purpose. I will also give it a try with some watercolour paints and paper. I’m sure the result will be different as the watercolour paints soak in but I think there could be a pretty and subtle pattern. Stay tuned!

Supplies


Beauty of the Earth journal page

I have another double page spread in the 6″x 6″ journal today. Don’t tell the others but this one seems to be getting all the attention at present!

The pages in this journal are thick watercolour paper so I wanted to take advantage of that and use watercolour techniques. Most of the pages I have completed up until now have had a base layer of gesso or acrylic paint.

As you can see I taped the edges of the pages with tape before starting. I added some stamping in black here and there using a stamp from the Darkroom Door ‘number medley’ set. Next I used the DD ‘honeycomb’ stencil and modeling paste to add a texture strip from left to right down the centre of the spread. I added a small section bottom left also. Once the paste was dry I began painting colour around the honeycomb and across both pages. I spent a while doing this so as to see the blends and build up some depth of colour.

Other than some black stamping I used only three colours of distress ink, both spray stain and from the ink pads. I took care to keep some white space; sometimes I realise too late that I have colour all over the pages. I stamped some grasses in peeled paint archival ink so they would not dilute and broken china distress ink so they would dilute. I also stamped sections of the world map in rusty hinge. Although I loved the combo of peeled paint, rusty hinge and broken china I thought a bit of metallic shine would be nice so I added some wildflowers embossed in Brutus Monroe ‘penny’ powder.

With a copper coloured gel pen I wrote the first verse of ‘For the Beauty of the Earth’ in the lower right hand corner then added the embossed word ‘beautiful’. And of course there is some copper splatter to finish it off. This is a style and look I have been hoping to create so you’ll probably see a few more like this one.

Supplies


Fine Flowers

I put some new inks and stamps to work on this card. The flower is from the Darkroom Door set, Fine Flowers vol 2 designed by my friend Godelieve (Stamping Matilda). There are six flowers in the set so this is just the beginning of the fun.

The background colour is a newish ink, speckled egg distress. I splattered masking fluid on a piece of water colour paper, smooshed speckled egg on a glass mat then added water before pressing the watercolour panel into the ink to create soft blurry blue smudges. The flowers are stamped with another new distress ink, crackling campfire. It stamps as a warm red but dilutes to more of an orange as you can see on the petals. I stamped the flowers one at a time and blended the stamped ink to fill the petals. I inked the centres with a black soot marker which blurred into the orange. To make the centres more prominent I drew dots and squiggles with a black embossing pen then embossed in black powder.

Before adding the embossed sentiment from DD ‘you are everything’ set I splattered speckled egg ink and also some water. At the risk of over dotting I also added white and black with gel pens. The stamp has its own little dots around it so adding a few more seemed fitting.

This watercolour technique is one featured in my Floral Faves online class and the colour choice is covered in my Colour Clues class. Both classes are self paced and filled with instructional videos and photo inspiration.

Supplies

(Compensated affiliate links used when possible)


If you have a garden…

The rest of the quote says, ‘… and a library you have everything you need.’ My art journal is pretty much all book or flower related pages; I guess there is room for a new inspiration. Currently with a garden that is looking promising and an online course newly launched you could say flowers are on my mind.

The background for this page was created months ago when I was making subtle backgrounds for a few cards. Instead of swiping a whole panel through waterbased inks I was inking a piece of acetate then spritzing it and swiping it on a stamped panel. I opened a spread in the art journal and swiped the acetate across the pages a few times to leave some ink there. I don’t remember the exact colours but the smooshed ink covered the lower half of the pages in blue, green, yellow and pale orange. Last week I pulled it out again and turned the page into a messy garden.

As I said the lower half of the pages is smooshed ink. The upper half is broken china distress inks applied with a blending brush. The flowers are a mix of silhouette stamps from Darkroom Door’s ‘you are everything’ and ‘wildflowers vol 2’ sets. I inked with papertrey ink cubes, spritzed the stamp and stamped on the pages. Sometimes I blended the stamped ink, other times not. To make the blue flowers stand out a bit more I painted blue gouache paint over the stamping. The gouache works well on the journal pages so you will probably see more.

Once all the flowers were added I stamped the DD ‘scratches’ background stamp in black on the lower section of the page and added black and white splatter all over. I added the quote with a black gel pen. If you are in my Floral Faves online class you might this was inspired by one of the projects in lesson 3.

Supplies

(Compensated affiliate links used when possible)


Mixed Media-ish

I have in my workroom a few new items to try but with one thing and another I haven’t had a chance. I recently bought two new pads of paper, one is rice paper and the other is mixed media paper from Fabriano, that’s the one I used for today’s cards. I’m very taken with Fabriano 100% cotton watercolour paper so I wanted to see what I thought of the mixed media.

It is quite a while since I’ve done anything with my oxide inks so I pulled them out to make a blended background. After blending I did some water-stamping with both the DD ‘daisy delight’ background stamp and the floral silhouettes from the DD ‘you are everything’ set. The paper worked brilliantly for both steps. After drying the panels I stamped again with versafine clair inks and, as I hadn’t moved the stamps, the inked images landed inside the watermark images.

I dried all the stamping with a heat tool before adding background stamps over the top for added texture. I used white ink for both the DD ‘French script’ stamp and the DD ‘scratches’ stamp. The daisy stamp ended up with a double dose of script when I embossed a white base layer with the SU ‘scripty embossing folder.

I gave both cards a little birthday label and pronounced the mixed media paper a success. Of course I will put it through it’s paces with gel printing and a few other processes but so far so good.

Supplies

(Compensated affiliate links used when possible)

Crossword

Darkroom Door added four new background stamps to their line up recently and I’ve shown you ‘handwoven‘ and ‘daisy delight‘ in previous posts. Today I have three very different cards featuring the ‘crossword’ background stamp.

On this first floral card I have used the crossword stamp as a background. I stamped it on scrap first with versafine clair morning mist ink then on a panel of watercolour paper to get a pale grey image adding interest behind the silhouette flowers stamped in different distress inks. I used the same grey ink to stamp words from the ‘you are everything’ set to pop up along the bottom of the panel.

In this second card the stamp functions as both a background and a crossword (of sorts). Although the stamped image is a solvable crossword which comes with printed clues in the packet I have populated it with coffee themed words to work on my coffee themed card. I feel like coffee and the crossword is not an uncommon past time. I stamped the background with fallen leaves versafine clair ink and stamped the sentiment and coffee cup in the same ink on a gel printed panel. I added some blending and ink splatter in both brown and gold before popping up the coffee and sentiment over some gold cord.

Although it took some time to stamp the background and foreground images the hardest part of the coffee card was definitely finding and arranging coffee themed words in the crossword!

My last card reminds me of the riddle, “what is black and white and red all over?” A newspaper!

Get it?

“Read all over!”

On both the second and third cards I used bristol cardstock for sharper stamped images as I wasn’t adding any water or waterbased inks. I stamped a strip of three different DD background stamps, blended the edges and attached them to a red panel then used the ‘alphabet medley’ set to stamp the words in versafine satin red ink. I’m thinking I can use this card for any exciting occasion and stamp another sentiment inside which is more specific.

Supplies

(Compensated affiliate links used when possible)

Vintage layers

Today’s cards developed bit by bit over a week or so. I worked on flower panels one day, middle layers another day, let them sit a few days, searched for ribbon another day and finally a week later put them together still adding stamping, splattering and blending right up until I called them finished!

I featured the silhouette floral stamps from the new Darkroom Door ‘you are everything’ set. There are four floral stamps along with eighteen word stamps I mentioned in a previous post. The flowers above are stamped on cold press watercolour paper with papertrey inks. I used pale peony and pure poppy on the petals and olive twist on the stems. I spritzed lightly before stamping then blended further with a paintbrush on the paper. I used the same technique on the purple flowers in the second card but worked on hot pressed watercolour paper.

For the vintage and collage details on the card I above I used olive twist and fine linen inks to add painted areas, stamped text, splatter and blending with a brush.

The flowers above are stamped in pale peony, royal velvet and olive twist and I stuck with fine linen and royal velvet as the inks on the layered areas also.

I’ve listed all the stamps I used to add texture and interest to the floral panel and the layers underneath. You can see some of my favourite ‘filler’ stamps including French script and global postmarks. I also splattered water and white paint for some watermarks and subtle blots!

To finish both cards I punched a couple of holes in the top to thread some fabric through. I didn’t have a cream silk or sheer ribbon so I ripped some strips of what might be silk but I can’t remember. The ripped edge worked fine with my vintage layered look.

Supplies

(Compensated affiliate links used when possible)


Handwoven

Today’s cards feature the new ‘handwoven’ background stamp from Darkroom Door it two quite different ways.

To create this first card I inked the handwoven stamp with blue and green papertrey ink cubes, spritzed the stamp then pressed it on hot pressed watercolour paper. The result was some green areas, some blue areas and some pretty blended areas where the inks overlap. The blue-green background created a pretty pattern as it was and I could have just added a sentiment and called it complete but I decided to take the risk of adding some flowers. I would understand if you wish I had left it flower free because it is a busy panel but I like the look of a patterned geometric roof or canopy over the flowers.

The flowers are from the new DD set ‘you are everything’ as are the words. The words in this set are great; there are eighteen negative space words that can be stamped and cut out to make countless sentiments. I embossed both the flowers and the words to give them more prominence over the busy background.

The second card I am planning to use as an Easter card. Filling the spaces of the handwoven pattern with pearlescent paint reminded me of a stain glass window so I looked through my sentiments and found this one in the DD ‘Christmas bush’ set and decided it works for many occasions, including Easter. I stamped the handwoven stamp on black watercolour paper in versamark then embossed in clear powder before painting all the little spaces with Coliro paints and a fine point brush. It did take a while and I didn’t do it in one sitting as the fiddliness factor was high!

I matted both the patterned circle and the sentiment in gold shimmer cardstock and embossed the front of the card base using the ‘subtle’ embossing folder from SU.

Supplies

(Compensated affiliate links used when possible)

Daisy Delight

When I have a new line-art background stamp my first choice is usually to try emboss resist with brusho paint powders. This new background stamp from Darkroom Door is called ‘daisy delight’ and has plenty of loops and lines for trapping brusho.

I embossed the stamp in clear powder on hot pressed watercolour paper. With scrap paper spread under the panel I sprinkled brusho powder over the panel, both turquoise and sea green. I spritzed water over the brusho and sat back to watch the magic happen. As the brusho diluted I saw pockets of colour appear which were exactly what I wanted. You can see different shades of blue and green as well as a few pops of yellow. There were a few blank or pale sections so I sprinkled more brusho, spritzed more water and then waited again to see what happened. Once the paint was really soaking in I took a small brush and started filling some of the petals where the colour hadn’t reached all the edges. In a few places I took bold colour from a petal and used it to fill a petal somewhere else.

I dried the panel with a heat tool then trimmed it and did a test on a trimmed scrap to see if I would like black background in amongst the flowers. I went with it and coloured in the few areas that are not part of the flowers with a black Karin brushmarker. To finish the card I wrapped white/silver twine around it and popped up some embossed words from the new DD ‘you are everything’ set.

Supplies

(Compensated affiliate links used when possible)