I’ve been experimenting in my journal again featuring some new and old stamps from Concord & 9th. Once again I had an idea in my head and although this does not look like my original idea, I’m very happy with the vibrant look of the massed flowers. I haven’t put any words on this page yet and possibly wont. Now if you are not an art journal type of person, hang in there, I have cards made with the new ‘fine line florals’ set coming over the next few weeks.
As I mentioned last time a couple of my journals do not have watercolour pages, this one is drawing paper. Sometimes I paint my pages with gesso or absorbant ground before I start or glue other papers to the page. I’ve also glued two pages together a few times to make sure liquids don’t soak through the page. The glued pages are very bulky and bumpy though so I don’t think I’ll keep that up. With this page I wanted to see if I could add watercolouring to an untreated page without it soaking through, breaking down the page or seeping outside the stamped images. Even though I love watercolouring with distress inks or stains I thought they might be too wet. I decided instead to used inktense pencils as I hoped to get vibrant colour with limited water. I tried picking up colour from the pencil lead with a wet brush and painting it into my stamped images as well as colouring the image with the pencil then adding the water over the top. I preferred the look of the former method. When I coloured directly on the page it was more likely that I would end up with shading lines or the colour would seep outside the stamping once I added water. I did get some paint soaking through the next page of the journal so I’ll cover that up with my next spread.
The big flowers are part of a large multiflower stamp from the new C&9 set, fine line florals. I stamped it three times on my journal double page but the page doesn’t sit flat so I was not able to get perfect prints. I was using the fiskars stamp press on the flatter right hand page but used my hand to press the stamp on the bumpy left hand page and tried to do the stamping across the centre of the two pages in two steps while masking the left then right. I kept going even with my patchy stamping and used micron pens to add in missing lines and trace over the pale stamping. I wondered whether the lines I added would be obvious but once all the colour was added it was hard to tell the difference between the stamped and the hand drawn outlines.
The other stamps in my floral explosion are a feather from the C&9 ‘feathered’ set and leaves, flowers and little sprays from the C&9 ‘songbird’ set. I did several layers of colour on the large flowers, letting it dry after each one but just one layer on the leaves, little flowers and feathers. The dots were distress inks sponged through a homemade die cut vellum stencil made with C&9 ‘dots and hearts’ die.
I also did quite a bit of splattering by flicking a wet brush across the lead of the inktense pencils. I added black outlines as I did the watercolouring but when all the painting was finished I went over the centre of the flowers drawing little circle centres with the micron pens and adding little white dots here and there with a white gel pen. To frame the spread I drew a squiggly frame with in black then added some black soot distress stain splatter here and there.
I had fun with this spread and learnt a few things along the way. Hope you are having a great day; thanks for spending some of it here on my blog.
Not what you were expecting to find here on Bits & Pieces? This is my first art journal page; well to be totally honest my second journal page but the first one completed. I have had a few art journals sitting around for over a year waiting for time and inspiration. I started a page last year but it is still in process. The inspiration for this page came from the new Dirty Dozen gallery which opens on Splitcoaststampers today. I am now in my fourth month as a member of the Dirty Dozen and each month we have created projects around a theme. Each theme has been quite a challenge for me including this one. The new gallery theme is “Imagine That” and I was without inspiration until I thought about story books, fantasy and magical story books in particular. I ended up designing five out of my six projects based on some of my favourite books. To view the Dirty Dozen gallery you have to be a fan club member which is a great idea anyway because you will have access to all sorts of extra inspiration while supporting the wonderful creative world of Splitcoaststampers.
After creating a Narnia card for the gallery I decided to expand my design into an art journal spread. I don’t have a video or even a how to for this one although that is my plan for future pages. I followed the advice of the Vicky Papaioannou, who is a very talented art journaller and I glued two pages together to make them sturdier. It has made the pages somewhat bent but I think it prevented the watercolour from seeping through to the other side.
If you know the Chronicles of Narnia by C.S. Lewis you will recognise that this scene is from the early part of ‘The Lion, the Witch and the Wardrobe’. Lucy enters a magical world where it is ‘always winter but never Christmas’.
She meets Mr Tumnus who explains that she is in ‘the land of Narnia, all that lies between Lamp-post and the great castle of Cair Paravel on the eastern sea,’ the quote I chose for my page.
I enjoyed creating this page and may use books as inspiration for future pages. If you do check out the Dirty Dozen gallery this month you will see scenes from some other favourites of mine along with the products of the rest of the team’s creative imaginations.
I used distress stains and memento inks to create my scene over pages heavily splattered with masking fluid. You should recognise the tree stamps from the Prancers set and the lamp-post from On the Town but the mountains and handwriting are all mine.