Stamps: Felicity (PB)
Dies: Dies: celebrations (PB)
Paper: hot pressed watercolour paper, Neenah solar white and red pepper cardstock, vellum
Inks: versamark (Tsukineko)
Also: white embossing powder, clear wink of stella
Yes, it’s another emboss resist card, this time a delicate, ‘stay inside the lines’ one. I embossed the morning glory stamp from the transparent flower medley set with clear powder over black ink. I coloured with watercolour pencils, a blue and a purple for the flowers and a couple of greens for the leaves.
When I trimmed my panel I decided it need a little something in between the flowers so added some black nuvo crystal drops here and there in different sizes. Within minutes I managed to put something down on top of the panel which smeared some of the black drops! I let it finish drying then trimmed it and separated the two sections on a black card base. Now when I use nuvo crystal drops I take my panel and place it on the other side of the room where I am less likely to dump something on top of it.
Just in case you missed my last few posts I am embossing all the things at present because I have a challenge happening with The Foiled Fox right now and I would love you to get involved. You have three more days to add your emboss resist card to our link up. Hope to see it there soon.
Stamps: flower medley, delicate flowers
Paper: hot pressed watercolour paper, epic black neenah cardstock
Inks: onyx black versafine,
Paints: Albrecht Dürer watercolour pencils (Faber Castell)
Also: ebony nuvo crystal drops, clear embossing powder
I love to use distress stains applied with the sponge dauber so I had to try them with this stamp from Darkroom Door. I tried two other techniques shown further down in the post and taught a couple more techniques in my most recent class. For the card above I used a stamp positioner so I could add one colour at a time. I inked the Roses stamp with Victorian velvet and stamped on hot pressed watercolour paper. I then dabbed the Aged Mahogany stain on the centres of the Roses in the stamp and and stamped again. The colours blended as both were wet. I chose to make all the accents black, adding an embossed sentiment from Bright Blossoms vol 1, a black mat, b&w gingham ribbon and three dots of black crystal drops.
I stuck with the same two distress stains for the next card but adding them over the embossed image created the negative of the one above.
I painted Victorian velvet stain over the whole embossed image then added aged mahogany with a paintbrush here and there to create darker roses or just darker accents. I finished it off again with a ribbon and embossed sentiment, framing the sentiment by swiping the crimson red ink around the edges of the panel then embossing in clear powder.
My third technique was done with Memento ink but would work well with any dye based water soluble ink. I covered the stamp with memento love letter ink then darkened the centres of the roses with a rhubarb stalk marker, spritzed the stamp lightly and stamped it on hot pressed watercolour paper.
I used a small round watercolour brush (or water brush, can’t remember) to blend the stamped ink. This gave the petals a soft pink colour, left the stamped areas as dark shadows and in a few places where I didn’t blend at all there are some contrasting white areas.
I finished it off with gold accents running the versamark pad around the edges of the sentiment panel, rose panel and card front then embossing those edges in gold powder.
The stamp itself is very detailed so it doesn’t need too much in the way of colouring but I was happy to come up with techniques that gave me the option of sharper images or softer blended images.
Stamps: Roses, Bright Blossoms vol 1 & 2 (Darkroom Door)
Inks: versamark, versafine onyx black & crimson red, memento love letter ink, memento rhubarb stalk marker (Tsukineko) Victorian Velvet & Aged Mahogany distress stains (Ranger)
Papers: hot pressed watercolour paper, neenah solar white & epic black cardstock
Also: gold & clear embossing powder, gingham ribbon, burgandy satin ribbon, nuvo black ebony crystal drops, gold cord
This panel is another I coloured while away in Toronto. I took my watercolour pencils, some brushes and several stamped panels, some embossed others just stamped in light colours to paint over. I did a ton of walking and exploring while there but also met up with my daughter in coffee shops during the day as she was working on a thesis most of the time. She sat at her laptop, I painted for a while, drunk some tea then headed out exploring again.
I have already posted a card featuring this image stamped on black cardstock. This one was not stamped on black; it was embossed on hot pressed watercolour paper. I did all the painting with my watercolour pencils filling the flowers with pinks and purples and the leaves with a few shades of green. When I had finished there were a few spaces between flowers with no colour at all. I decided to paint them black. It really did not look very good but I packed it away and moved onto something else. When I came home and took some time to turn my panels into cards I trimmed this one back so the flowers were cropped on all sides then tried several coloured mats to frame it. The black card base ended up being the best option. Those few little black sections on the coloured panel tied in with the card base nicely. I also tried a few sentiments but ended up going without. On the inside I have glued a pale pink panel to write on.
Thanks for dropping by; I’ll be back with my next distress oxide trial tomorrow, I think it is my favourite so far.
Stamps: Sweet Perfume (PB)
Pencils: Albrecht Durer watercolour pencils (Faber Castell)
Ink: Versamark ink
Paper: hot pressed watercolour paper, Neenah Epic black cardstock
Also: gold embossing powders, gold organza ribbon
I embossed this pretty new stamp from Penny Black so I could do some pencil colouring while I was away in Toronto a few weeks ago. The photo below is a little washed out on the gold embossing but I included it so you could see how the shiny gold contrasts with the pencil colouring. I used watercolour pencils as tiny palettes which is my usual method. I hold the pencil in one hand and a water brush in the other to pick up colour from the pencil lead.
My watercolour pencils are Faber Castell’s Albrecht Dürer. I’ve had a set of 36 since art school and recently I bought a bunch of colours I didn’t have. The floral wreath is embossed in gold powder after stamping in versamark.
The only other detail I added was a shadow of grey around all the embossing. I used a zig cleancolour brush marker then blended it with some water. Enjoy your day.
Stamps: flower embrace, sprinkles and smiles (PB)
Pencils: Faber Castell Albrecht Dürer watercolour pencils 172, 168, 176, 108, 126, 225, 144
Also: WOW gold metallic rich fine embossing powder, gray zig cleancolor brush pen