I’m back with a simpler take on the ‘first blush’ stamp. Sunday’s card incorporated masking and several colours, this one is the single stamped image inked and painted in two inks. I started with different inks at opposite ends of the stamp but once I started blending colour I decided to blend the blue and green over the whole image. I inked the stamp with peacock feather and salty ocean distress inks then painted inside the outline with water and a little additional distress stain. I have received a few questions recently asking why I use stain instead of ink. Painting with stain is like painting with liquid watercolour paints, the stains blend well with each other and with water. The ink refills are more concentrated and would need diluting before being used as paint. I often stamp with stain and blend the stamped image on the watercolour paper. I have a video showing the technique here
I found some co-ordinating cardstock to frame the panel and added a black sentiment.
I`m happy to have some more colouring to share and another new PB stamp. I haven`t managed daily colouring for Kathy Racoosin’s 30day colouring challenge but I am enjoying it whenever I get the chance.
To begin this panel I splattered spun sugar and old paper distress stains over a piece of hot pressed watercolour paper, spritzed it, then dried it. Next I flicked droplets of spun sugar distress stain over the panel and dried them. I was after a vintage, slightly stained look. I used vintage photo distress ink to stamp the branch from the ‘garden charmers set’ then painted the flowers and leaves with the distress stains listed below. The vintage photo ink mixed with the pink and green stains to make it look aged. I then stamped the branch again but with second generation stamping to get paler images around the painted one. Finally I stamped and embossed the 1 Corinthians verse from the ‘All Great Things’ set.
I finished the card with a dark brown mat and a piece of French hemp twine from the 1800’s!
Stamps: Garden Charmers, All Great Things(PB)
Inks: vintage photo distress ink, spun sugar, old paper & worn lipstick distress stains (Ranger) vintage sepia versafine ink (Tsukineko)
Cardstock: Hot pressed Fabriano watercolour paper, Olive Green cardstock
Also: clear embossing powder, vintage hemp twine
Back in January I was honoured to be ‘top pick’ of the CAS watercolour challenge. Today I am excited to be back as a guest designer for their March challenge.
Apparently spring has sprung in some places! I don’t expect to see tulips for a couple more months but that didn’t stop me from using the new ‘first waltz’ stamp from Penny Black to create my CAS project for the challenge.
This tulip panel was created at the end of a morning of experiments. I wasn’t particularly happy with any of them but before I moved on to a different stamp I tried again with some second and third generation stamping and came up with these soft pink impressions. I inked my stamp with distress markers then stamped it on a piece of paper. Without reinking I spritzed the stamp and pressed it onto a hot pressed watercolour panel, again without reinking I spritzed and stamped again. The spritz of water was enough to dampen the ink remaining on the stamp and create a soft watery image. I did keep the original ‘first generation’ stamped image so that might turn up on the blog another day.
Make sure you check out the CAS Watercolour design team ‘Spring’ cards and you have 24 days to add one yourself
Stamps: First Waltz, Spiritual Snippets(PB)
Inks: worn lipstick, spiced marmalade, peeled paint, ground espresso distress markers (Ranger) versafine Spanish Moss (Tsukineko)
Cardstock: neenah natural white cardstock, fabriano hot pressed watercolour paper
I’m playing with layers in today’s card, both layers of stamping and layers of painting. I used a couple of colours of distress stain to create the background on hot pressed watercolour paper. I painted with both chipped sapphire and stormy sky, keeping the colour dark on the left and pale on the right. After I had done one layer I dried it then painted another layer. While the second layer was still wet I stamped the ‘a little secret’ stamp in chipped sapphire ink, taking care as I inked it to leave the birds uninked. I let that dry and stamped again in chipped sapphire to get an image which didn’t soften and bleed. With the panel dry I dropped some water droplets onto the painted background then after a minute or so dried them with paper towel. The watermark left behind looks like light or a moon in the distance. To finish I stamped the full stamp in versafine onyx black ink.
You can see the deckled edge in the close up above. I buy quite a bit of hot pressed watercolour paper in large sheets and each sheet has two deckled edges which occasionally I incorporate into my projects. I mounted the panel on a white card base and left it without a sentiment.
Thanks for dropping by.
Stamps: a little secret (PB)
Inks: chipped sapphire, stormy sky distress stains and inks(Ranger), versafine onyx black (Tsukineko)
Paper: Fabriano hot pressed watercolour paper
I am having fun creating with the new brushstroke stamps from Penny Black. This one is called ‘effulgent’; I checked the definition and think my colour choices help it live up to its name. The combination of red and orange make it ‘shine forth brilliantly’.
I used a stamp positioner for this panel but you could just as easily create it without. The trick to this design is in the re-stamping. I inked the stamp with distress markers, spiced marmalade and festive berries on the flowers, forest moss on the branch and old paper where the branch meets the flower. I spritzed the stamp to help the colours blend and dropped water here and there on the watercolour panel before stamping. After stamping once I used a brush to blend parts of the image then moved the panel, spritzed the stamp again and stamped a second generation, or paler image. Again I blended on the watercolour panel with a small brush then repeated the process, each time repositioning the panel and spritzing the stamp but not re-inking it.
I chose not to add a sentiment but found some co-ordinating textured cardstock to finish the design.
Stamps: Effulgent (PB)
Ink: forest moss, old paper, festive berries, spiced marmalade distress markers (Ranger) (Tsukineko)
Paper: hotpressed 100% cotton watercolour paper, textured coral and brown card stock
I’m still having fun with the African stamps from Darkroom Door, this time combining a loose watercoloured background with a sharp silhouetted tree in the foreground. I stamped the ‘tribal’ background first on watercolour paper in several colours of distress ink. Once the whole pattern was stamped I painted over it with water and the colours blended from into each other.
I let the background dry completely before dropping some water strategically here and there. When water comes in contact with distress ink it reacts and dilutes the ink. By letting the water sit for a minute then dabbing it up with a paper towel I was able to create light patches which look a bit like lights in an already abstract sky.
I stamped the tree over the ‘sky’ once it dried then painted the ground with black soot distress stain. My sentiment, inspired by the ‘watermark lights’ was handwritten in McCaffery’s Penmans black ink.
Stamps: Tribal, African Trees (Darkroom Door)
Inks: Distress wild honey, spiced marmalade, fired brick inks, black soot distress stain (Ranger) versafine onyx black (Tsukineko)
Cardstock: neenah natural white cardstock, neenah epic black cardstock, fabriano hot pressed watercolour paper
Writing ink: Mc Caffery’s Penman’s ink black
Nib holder: Exclusive handmade from Foiled Fox
With fond memories of the One Layer Simplicity challenge I decided to make a one layer card for the current Case This Sketch challenge.
I masked my card base and stamped the ‘tribal’ stamp from Darkroom Door in distress inks. I stamped one colour after another just inking part of the pattern each time. With the mask still in place I sponged over the stamping in the colours listed below. Next I repositioned my first mask and added a second mask to reveal a thin strip of cardbase above the pattern then sponged with fired brick distress ink. To complete the design I stamped an elephant and a sentiment in fired brick ink.
Some goals are reached with much elephant-like plodding rather than the speed of a gazelle!