There is a lovely new batch of stamps and dies available from Penny Black; you can check out the catalogue here. My card today features a couple of the new stamps, full of glee and a scripture verse from the hope shines set.
I used my stamp positioner to stamp the ‘full of glee’ image on hot pressed watercolour paper. I started by inking only the pink petals with a Victorian velvet distress stain. I stamped that much, cleaned off the stain and inked the smaller flower in dusty concord, stamped, cleaned and moved onto the leaves and stems in peeled paint stain. Once the whole image was stamped I used a small watercolour brush and water to blend colour from the stamped image into the petals and leaves to fill them. If there was not enough colour I added some stain with the paint brush.
I let all the painting dry before adding scattered straw stain to the centre of the flower. To create the background I inked the full of glee stamp with tea dye distress ink and pressed it down randomly around the image then did the same with the text stamp from the footnotes set. I blended some of the ink with a damp paintbrush and added some splatter as well.
I finished the panel off with the sentiment stamped in versafine vintage sepia ink. I often switch to versafine ink when doing my sentiments as it is a pigment ink which gives a nice sharp print and sits on the paper rather than sinking into it as dye inks tend to do. I matted the panel and attached it to a natural coloured card base.
Stamps: full of glee, hope shines, footnotes
Inks: scattered straw, peeled paint, Victorian velvet, dusty concord distress stains, tea dye distress ink (Ranger) versafine vintage sepia (Tsukineko)
Paper: hot pressed watercolour paper, brown cardstock
I’m a guest over at The Foiled Fox today sharing these die cut roses. This really was an easy card to make because the ‘pop out rose‘ die creates the lovely petals and brusho powders create the pretty colours. I used three different red brusho powders on watercolour paper and some leaf green brusho for the leaves. While the paper was still damp I sprinkled some salt over the panel to get subtle patterns.
The partial cuts in the roses make it possible to lift petals so I folded some up and kept others glued down when I attached the roses to the background panel. To make the background panel I stamped the ‘script’ stamp from Penny Black on cold pressed watercolour paper in tea dye distress ink then painted over the top with water. The result is a softly blurred background with splatters of ink to add to the aged look. Pop over to the Foiled Fox blog for more details and to see the products I have used on this card.
Thank you to the wonderful Foiled Fox team for having me back again; it’s always a pleasure.
I have featured this stamp on cards a couple of times already but it is going to be one of those stamps that I reach for again and again. The flowers are perfect for a range of colouring techniques but pretty as an outline as well and the way the branch reaches across the panel is just so lovely.
I pulled out some distress products for this design and the stamp positioner so I could build it up colour by colour. I started by stamping the flowers in Victorian velvet distress stain, then the leaves with peeled paint distress stains and finally the stems with gathered twigs distress marker. Once the design was all stamped I blended colour into the petals, some I was able to pull in from the outline stamping, but if it was too pale I picked up some stain on my brush and added it. I did the same with the leaves and used a very fine brush to paint over the stamped stems and twigs. I let everything dry thoroughly before painting the background in faded jeans distress stain ( I think ). I also splattered a little blue stain around the flowers.
I wanted a little more foliage around the branch so I inked the leafy spray from ‘delicate silhouettes’ set in mowed lawn and pressed it around the spray then softened the stamping with a wet brush. I was in two minds whether to add a sentiment or not; I’m still not sure if I should have. But to keep it subtle I added it in the same watercolour paper with just a shadow of dark blue peeping out the side. If you have blossoms where you are I’m sure you are enjoying them; mine will appear eventually, I know!
Stamps: delicate silhouettes, first blush
Inks: Victorian velvet, mowed lawn, peeled paint, mustard seed, faded jeans distress stains, gathered twigs distress marker
Die: forever friends
Paper: hot pressed watercolour paper (Fabriano), blue cardstock
I’m back with a simpler take on the ‘first blush’ stamp. Sunday’s card incorporated masking and several colours, this one is the single stamped image inked and painted in two inks. I started with different inks at opposite ends of the stamp but once I started blending colour I decided to blend the blue and green over the whole image. I inked the stamp with peacock feather and salty ocean distress inks then painted inside the outline with water and a little additional distress stain. I have received a few questions recently asking why I use stain instead of ink. Painting with stain is like painting with liquid watercolour paints, the stains blend well with each other and with water. The ink refills are more concentrated and would need diluting before being used as paint. I often stamp with stain and blend the stamped image on the watercolour paper. I have a video showing the technique here
I found some co-ordinating cardstock to frame the panel and added a black sentiment.
I`m happy to have some more colouring to share and another new PB stamp. I haven`t managed daily colouring for Kathy Racoosin’s 30day colouring challenge but I am enjoying it whenever I get the chance.
To begin this panel I splattered spun sugar and old paper distress stains over a piece of hot pressed watercolour paper, spritzed it, then dried it. Next I flicked droplets of spun sugar distress stain over the panel and dried them. I was after a vintage, slightly stained look. I used vintage photo distress ink to stamp the branch from the ‘garden charmers set’ then painted the flowers and leaves with the distress stains listed below. The vintage photo ink mixed with the pink and green stains to make it look aged. I then stamped the branch again but with second generation stamping to get paler images around the painted one. Finally I stamped and embossed the 1 Corinthians verse from the ‘All Great Things’ set.
I finished the card with a dark brown mat and a piece of French hemp twine from the 1800’s!
Stamps: Garden Charmers, All Great Things(PB)
Inks: vintage photo distress ink, spun sugar, old paper & worn lipstick distress stains (Ranger) vintage sepia versafine ink (Tsukineko)
Cardstock: Hot pressed Fabriano watercolour paper, Olive Green cardstock
Also: clear embossing powder, vintage hemp twine
Back in January I was honoured to be ‘top pick’ of the CAS watercolour challenge. Today I am excited to be back as a guest designer for their March challenge.
Apparently spring has sprung in some places! I don’t expect to see tulips for a couple more months but that didn’t stop me from using the new ‘first waltz’ stamp from Penny Black to create my CAS project for the challenge.
This tulip panel was created at the end of a morning of experiments. I wasn’t particularly happy with any of them but before I moved on to a different stamp I tried again with some second and third generation stamping and came up with these soft pink impressions. I inked my stamp with distress markers then stamped it on a piece of paper. Without reinking I spritzed the stamp and pressed it onto a hot pressed watercolour panel, again without reinking I spritzed and stamped again. The spritz of water was enough to dampen the ink remaining on the stamp and create a soft watery image. I did keep the original ‘first generation’ stamped image so that might turn up on the blog another day.
Make sure you check out the CAS Watercolour design team ‘Spring’ cards and you have 24 days to add one yourself
Stamps: First Waltz, Spiritual Snippets(PB)
Inks: worn lipstick, spiced marmalade, peeled paint, ground espresso distress markers (Ranger) versafine Spanish Moss (Tsukineko)
Cardstock: neenah natural white cardstock, fabriano hot pressed watercolour paper
I’m playing with layers in today’s card, both layers of stamping and layers of painting. I used a couple of colours of distress stain to create the background on hot pressed watercolour paper. I painted with both chipped sapphire and stormy sky, keeping the colour dark on the left and pale on the right. After I had done one layer I dried it then painted another layer. While the second layer was still wet I stamped the ‘a little secret’ stamp in chipped sapphire ink, taking care as I inked it to leave the birds uninked. I let that dry and stamped again in chipped sapphire to get an image which didn’t soften and bleed. With the panel dry I dropped some water droplets onto the painted background then after a minute or so dried them with paper towel. The watermark left behind looks like light or a moon in the distance. To finish I stamped the full stamp in versafine onyx black ink.
You can see the deckled edge in the close up above. I buy quite a bit of hot pressed watercolour paper in large sheets and each sheet has two deckled edges which occasionally I incorporate into my projects. I mounted the panel on a white card base and left it without a sentiment.
Thanks for dropping by.
Stamps: a little secret (PB)
Inks: chipped sapphire, stormy sky distress stains and inks(Ranger), versafine onyx black (Tsukineko)
Paper: Fabriano hot pressed watercolour paper