I am happy to have a stamped and painted scene to share today. I often create scenic cards and panels in winter but I used liquid frisket on this panel to create a summer vista seen through a frame of birches. I teamed up with Grafix , used their liquid frisket kit and filmed the process.
With a technique like this it would be easy to make a card for any season. The birches could frame a snow scene, autumn foliage or even some mountains in the distance.
Painting the sky was fun, you can see in the video I painted the whole sky area in blue then added all the clouds by dabbing colour away with a kleenex tissue.
You can see in the video I stamped the house and trees with archival ink first then built up colour, depth and shadow with distress inks for the watercolour look. Because the Dr Ph Martin inks used on the sky are permanent once dry I was able to stamp and blend over the house and trees without affecting the sky at all and of course over the masked trees too.
More than once I have created cards that inspire me to make art journal pages. This time it was the other way around; I created an art journal page that inspired this card. Perhaps I should be showing you the journal page first but it contains as yet unreleased stamps so I have to keep it under wraps for a little while longer. (just in case you hadn’t seen them yet, Jill has been sharing some sneak peeks of new PB products over on the PB blog). The panel is stamped on cold pressed watercolour paper. I kept it in the stamp positioner so I could add some detail once all the paint was completed.
I stamped PB ‘Springtime Sigh’ in antique linen distress ink then painted the flowers with Sennelier watercolour paints. To keep the panel cohesive I used the same red and blue paints to create a variety of reds and burgandies for the four large flowers. The blue showed up in the purple flowers and the green stems. Once all the painting was finished I partially stamped the rose with ‘aged mahogany’ distress ink and added little details to the other flowers with a chipped sapphire distress marker and a black soot marker.
The combination of antique linen outline and faded burgandy petals gave the painted flowers a vintage look so I filled the rest of the panel with the same image stamped in antique linen, then chose crimson red versafine to stamp the sentiment from PB ‘special sentiments’.
I am hanging out on the Foiled Fox blog today sharing a Darkroom Door project. I’m pretty happy to tell you Foiled Fox is carrying some Darkroom Door stamps now. I’m always happy when my favourite products come to my favourite stores! Today’s card features the DD ‘warm wishes’ set with it’s pretty clover flowers and sweet sentiments.
Before stamping I traced a circle on a piece of hot pressed watercolour paper then painted masking fluid around the edge of the circle to mask off the area inside. I also splattered some dots of masking fluid inside the circle. I used two distress inks to paint the background starting by smooshing the inks on my glass mat and adding a little water so I had a diluted ink to pick up with my paintbrush. I painted broken china ink on the top section of the circle and bundled sage on the bottom blending them together a little while keeping the centre of the circle lighter than the edges. Once the background was dry I placed the panel in my misti so I could stamp the flowers multiple times if necessary. The flower heads are a mix of worn lipstick and spiced marmalade distress inks and the stems are stamped in forest moss distress ink.
I splattered a few water droplets over the finished panel and dabbed them away with a paper towel to leave watermarks. With all the stamping and painting complete I removed the masking fluid (so satisfying) and popped up the panel on a piece of foam before attaching to a luxe white textured card base. Make sure you pop over to the Foiled Fox blog and store today to see the other Darkroom Door products in stock.
I keep returning to these lovely stamps because they handle watercolour effects so well. My other examples are more defined than this one but I like both techniques. I worked on cold pressed watercolour paper for this one and started by wetting the panel so I could stamp a pale washy background. I used only three distress inks, shaded lilac, blueprint sketch and mowed lawn. I inked the stamp with mostly shaded lilac and mowed lawn, spritzed it with water then stamped on the wet panel. The result is the pale disappearing images you see in the background.
I dried the panel before doing another impression with the lilac stamp, this time I added a few drops of water onto the panel and a spritz of water to the stamp. The ink blended on the stamp and pooled a little on the panel. My last impression was the more defined print on the right hand side. For this one the panel was dry but the stamp still got a spritz of water to move the ink.
I chose an area of stamping with very little definition as the spot for my sentiment stamped in versafine imperial purple.
Are your lilacs blooming? Mine are along with the first iris and some lupins so the blues and pinks are currently well represented in my garden. Yay!
I have a simple design for you today and I turned on the camera while I was doing it. It’s probably something you have tried before but might be new to a few readers. I used washi tape to mask off a frame on a one layer hot pressed watercolour card base then created a watercolour background with distress inks and salt.
The stamps are some of my favourite silhouette stamps from the Darkroom Door ‘wildflowers vol 1’ set with a sentiment from a recent set ‘warm wishes’.
It was fun creating a one layer card again; some of you will remember when I was part of the ‘One Layer Wednesday’ challenge and ‘One Layer Simplicity’ challenge a few years back.
Let me know if you try this technique, I’d love to hear or see what you came up with.
This watercoloured panel stamped with the PB ‘alluring’ stamp has been sitting around for a long time. I’ve been trying to come up with a slightly different way to turn it into a card. I create a great many cards with one large stamped and painted panel and little else so I wanted to mix things up a little with this one. I finally decided to slice up the panel then pop it up on foam backing.
I stamped the original panel on cold pressed watercolour paper and used one of my favourite watercolour techniques. Instead of stamping in a pale water soluble ink then painting with ink or watercolour paint I ink the different parts of the scene with different inkpads or markers, spritz the ink with water then stamp. With some extra ink handy on my glass mat I use a paint brush to blend the stamped ink into the petals, leaves and other shapes adding extra ink where needed.
When slicing it up I took care to divide it unevenly while making sure some elements carried across to adjacent sections. That way the eye moves across the panel and doesn’t come to halt in the middle. I’ve listed the inks I used below, all distress inks in either ink cube or marker form. Oh and by the way have you seen the new distress colour? ‘Speckled Egg’ looks like it might be a blue green or even better a grey blue; I wonder how it compares with tumbled glass and broken china. Regardless, it’s part of the blue family so yes, I will be getting it in a few different forms. How about you?
I posted a coffee themed card using the Darkroom Door ‘coffee time’ set recently which prompted a request for a pack of coffee themed cards. These ones are on their way to Australia, and were made with the addition of the word ‘virtual’ because, well, you know why. I rarely do multiples and when I do they are never exactly the same. This time I did four of one colour scheme with the cup and saucer stamp from Darkroom Door’s ‘coffee time’ set and then four more in a different colour scheme a little more like my original coffee card featuring the take out cup from the same set.
The nice thing about making multiples is starting with a large panel to create the background. I used hot pressed watercolour paper for both sets and splattered masking fluid over the panel first. I like the addition of some random white spots and shapes from a masking fluid splatter but often I wish I’d done more when I remove it from the finished project. To create the cards above I smooshed ground espresso, salty ocean and crushed olive distress inks on my glass mat. I spritzed water over the inks until they were spread over a large area then placed the watercolour panel over the top and moved it around to soak up random coloured patterns. When I turned the panel over there were blotches of each colour along with blends and blank areas. I did some further spritzing and picking up of colour until I was satisfied with the coverage. Once the panel was dry I cut it into four pieces and used both the DD handwritten script and brick wall stencils to add pattern in the same three distress inks. I used blending brushes to apply the ink which gave me soft blends that faded away into nothing at the edges.
Next I add coffee cups and coffee stains in ground espresso ink. I blended ink inside the cup on some panels but on others I added more ink outside the cup to darken the negative space. It is hard to describe my process with the cups as I did each one differently and kept playing with the three inks until I was happy with the results. On a couple of the panels I added a partial print of the world map stamp. With all the artsy stuff done I just needed to add the ‘virtual coffee’ label. The word ‘coffee’ is part of one of the word stamps from the set so I masked, stamped and embossed then wrote the word ‘virtual’ above and embossed that. I was interested to see I could write the words with a papermate flair pen and then if I covered it with clear embossing powder straight away I could get the shiny embossed effect. I do have clear embossing pens but it is impossible to see what I’ve written with a clear pen!
I also did four more cards with the takeaway cup stamp using much the same technique and a peeled paint/scattered straw/dusty concord colour scheme. I added a few stamped coffee beans to these ones; the ‘coffee time’ set is a very cool collection of stamps.
Thanks for joining me for ‘virtual coffee’ today. I hope your week is off to a good start.
Are you missing the coffee shops? I’m sure you are missing your friends and perhaps you are missing coffee with friends. This one is for a friend of mine who loves her coffee!
I began with a piece of hot pressed watercolour paper and splattered a few drops of masking fluid over the whole thing. Once the masking fluid was dry I sprinkled sandstone brusho on my glass mat, spritzed the brusho with water and swiped this panel through it. It took a few swipes before I had an orange and brown abstract background. I added some dark brown brusho on one side and spritzed that to make it blend and spread a bit. Once I’d dried that I blended through the new Darkroom Door ‘handwritten script’ stencil with rusty hinge oxide ink.
At this point the panel was very much just an abstract background so I stamped the cup from DD ‘coffee time’ in gathered twigs distress ink and blended the stamping with some water and extra ink. The set also has a coffee cup stain stamp so I added that here and there, spritzing it to make it blurry. I stamped some postmarks from the ‘global postmarks’ set because I can’t help myself.
Unfortunately the coffee cup did not stand out enough from the background and the background itself looked incomplete. DD world map stamp and blueprint sketch distress ink came to the rescue. I stamped the world map several times on the panel in gathered twigs ink and then, to break up the orange and brown monopoly, I added some blueprint sketch ink in just a few places. I found some blue cardstock that matched the blue and stamped ‘friendship’ and ‘you’re the best’ from the DD ‘friendship’ strip of sentiments to finish the card. Oh, and I added a thin strip of brown cardstock separating the blue from the patterned panel.
I’m glad I didn’t give up on this panel; it is just the thing for my friend who I will enjoy a coffee with again one day.
I got together with some friends a while back for a crafting afternoon, seems like an age ago now! While there I stamped the two panels you see here. For a while they were forgotten as I was working on other projects then I fiddled around to create two quite different cards. The basic technique is the same for both panels and involves stamping and restamping without reinking in between impressions. The card above began as a vintage looking panel stamped in antique linen ink. I smooshed some antique linen distress ink on my glass mat, spritzed with water then swiped my panel through it to pick up inky stains. I dabbed some areas with paper towel which makes them dry a more yellowy colour. I partially inked the Penny Black script background stamp in antique linen and stamped on one side.
Once the background was dry I used the PB stamp, ‘exhilaration’ to stamp some coloured flowers. I inked the flowers with a Papertrey Americana ink cube and chipped sapphire distress ink then the stems with a gathered twigs distress marker. I wiped ink off the stamp in some areas so the image would be patchy on purpose, spritzed then stamped on the panel. I did both the left hand side and right top corner then, without cleaning the stamp spritzed it again and stamped paler images which immediately appear to be in the background. I stamped a sentiment on an ‘antiqued’ scrap in versafine vintage sepia ink, added a twine bow and popped it up on some foam tape.
Now that I have described my process for the first card you can probably see that I used the same technique for the blue card but only used one colour, Papertrey ink ‘blueberry sky’. I didn’t start by making a vintage style background, I just jumped right on in with the first stamping. I spritzed the stamp and did another print, then another and one more very pale one and that was it! I added some splatters but nothing more to this pretty blue panel. It was very quick and probably took longer to find a matching cardstock. Once I found a co-ordinating blue I stamped part of a sentiment from the PB ‘sentiment’ set and embossed in alabaster powder. I finished the sentiment by stacking three die cut ‘amazings’ from the PB OMG die set.
I love this technique for adding depth and dimension to flat stamped panels. I have a video coming next week demonstrating a similar process so stay tuned!
Thanks for visiting here today, I hope you are safe and well where you are and thanks again if you are on the front lines taking care of health, food and safety needs. You are nothing short of amazing!