So many of the stamps from the ‘Be Merry’ release are suitable for seasons other than winter and occasions other than Christmas. For this card I used the ‘under the trees’ stamp, masked out the little critters, snowflakes and gift and chose a warm colour scheme to make an autumn card. I stamped the ‘under the trees stamp in versafine vintage sepia ink. I cut a little post-it mask to protect the area where the critters and hanging snowflakes were as well as wiping ink off the circles in the sky so they wouldn’t stamp either. I left the stamp in the stamp positioning tool for re-stamping later. I began by paint a pale wash of tumbled glass distress stain over the whole piece of hot pressed watercolour paper keeping the edges darker than the centre. I added some forest moss, crushed olive, mustard seed, spiced marmalade painting around the trees and ground as well as painting some loose background trees into the damp panel.
I dried the panel before painting the wooden fence so the distress stains would not bleed out of the stamped image as in the background area. I used gathered twig and vintage photo distress stains to paint the fence then dried the panel again so I could restamp in the stamp positioner. By the time I had added all the blended colour the original stamped trees and bushes were less prominent so I inked them with a ground espresso marker and re-stamped and then painted over until they stood out once more.
To finish it off I stamped a sentiment from Penny Black’s ‘happy wishes’ set in fossilised amber distress ink then versafine vintage sepia several times over the top.
This little bird and its snowy perch are all part of one stamp. It took me a bit of playing to work out how I wanted to colour the stamped image. I have another card to share where I took a slightly different approach. I started by stamping the whole stamp with antique linen distress ink. Using a pale ink with a detailed stamp helps me see the whole image so I can add colours one by one using a stamp positioning tool. I coloured with both a mix of inks added to the stamp and watercolour pencils added to the stamped image. I inked the branch and twig sections of the stamp with several brown inks (listed below) and blended the stamping with water.
I used a wet paintbrush to pick up colour from watercolour pencils to apply colour to the bird, berries and leaves. By working wet into wet I was able to paint a lighter colour first then add either a darker colour or more of the same colour to darken a shadowed area. You can see I added a lot more water to the leaves on the right hand side so they appeared less prominent and more suitable as a background for the sentiment. Once all the colouring was finished I used a fine tip black pen to make sure the eye stood out. I trimmed the panel then popped it up on craft foam.
Thanks for dropping by.
Stamps: snowy perch, sweetest moments
Inks: antique linen, vintage photo distress inks (Ranger), versafine vintage sepia, espresso truffle memento marker (Tsukineko), black micron pen (Pigma)
Paper: 100% cotton hot pressed watercolour paper (Fabriano)
Pencils: juniper green, sap green, dark carmine, light orange, black & cold greyIV Faber Castell Albrecht Durer watercolour pencils
I have yet more snow on the blog today with this wintry berry branch over a snow dusted sentiment. The look is a little vintage again but with muted colours rather than lots of brown. I have some old Christmas cards of my mothers tucked away somewhere I should pull them out because this look reminds me of some of them.
I began with a splattering of masking fluid over a piece of hot pressed watercolour paper. Once dry, I positioned the panel in a stamp positioning tool and stamped the ‘tree & greeting stamp’ from ‘A Festive Season’ set in memento northern pine ink. I removed the panel from stamp positioner but left the stamp in place. In the top left corner I stuck a circle of frisket film to mask a moon shape then painted over the whole panel with water. Colour bled out of the northern pine ink and started filling the panel; I added faded jeans distress stain so I could cover the whole piece with diluted blue/green colour. Once the panel was dry I removed the mask and placed the panel back in the stamp positioner away from the ‘tree & greeting’ stamp so I could place the ‘berry speckled’ stamp to overlap some of the moon. I inked and stamped one colour at a time with the following markers: berries – candied apple distress marker, needles – northern pine memento marker, and branch & twigs – espresso truffle and rich cocoa memento markers.To soften the look of the branch I spritzed it and let some colour bleed into the surrounding area. When dry I added shadows on the berries with the bullet tip of the candied apple marker.
I have a sweet little snowy scene to share today, done in a vintage style with distress products. Distress inks are designed to react with water so they are perfect for this type of project. I did all the stamping in vintage photo distress ink then blended afterwards. Even if the ink has dried you can still blend and dilute it with water. To create this little scene I used two stamps. The foreground trees on the left hand side are part of the ‘dressed in snow’ stamp. I inked the trees and the edge of the snowbank with vintage photo ink, made sure I wiped away ink that ended up on any other parts of the stamp then stamped it on hot pressed watercolour paper. I then positioned the house scene from the ‘snow covered’ set further up the panel on the right and stamped that in vintage photo also.
My plan in painting this scene was to blend the brown along with some blue and black into the areas that were not snow covered and leave the snow with little or no blended colour. I pressed some broken china, vintage photo and black soot distress inks onto an acrylic block to use as watercolor paint. I used a round watercolour brush with a good point and painted water along the top of the roofs and trees so that some brown ink bled out of the lines. I painted water into the whole sky area adding some extra brown and blue inks to fill the sky. I also painted over the dark areas on the evergreen trees and added a little black ink but left the ‘snow’ untouched. While the sky area was still damp I dropped in some brown ink to look like trees in the background. I used a small round watercolour brush to paint the houses, using water to blend the stamped ink but also adding a little extra brown or even black for shadows and extra depth. To add extra snow banks and extend the stamped ones I used the bullet tip of the vintage photo marker then blended more colour above the lines for shadows.
I always like to send a few snowy scenes to my Australian friends and family who are enjoying a summer Christmas so I chose an appropriate sentiment from the ‘joy & happiness’ set.
This branch, ‘berry speckled’, is definitely one of my favourites from the new Penny Black release ‘Be Merry‘. It is pretty on its own but will combine well with other Christmas foliage I’m sure. I decided to watercolour with it, and used a stamp positioning tool to help me add colours one at a time. I worked on hot pressed watercolour paper with masking fluid lightly splattered over it. First I inked the berries in festive berries distress stain and stamped them, next I did the pine needles in peeled paint distress stain and finally the twigs in gathered twigs distress marker. I dried all the initial stamping then added the background blue by painting water close to the edges of the stamping then adding stormy sky distress stain to the wet areas.
Once all the ink and stain was dry I added definition to the berries with a candied apple distress marker. I removed the masking fluid to reveal little white dots, added the sentiment in smokey gray versafine ink and matted the panel in red.
Stamps: berry speckled, peace & love (PB)
Inks: festive berries, peeled paint, stormy sky distress stains & candied apple, gathered twigs distress markers (Ranger) smokey gray versafine (Tsukineko)
Paper: hot pressed watercolour paper, red cardstock
Also: masking fluid
I have a couple more cards that came out of my session with the Darkroom Door Wildflowers vol 2 stamps recently. I began by making blue watercolour backgrounds with brusho paints on hot pressed watercolour paper. Rather than apply the paint directly to the paper, I sprinkled it on a craft sheet, spritzed, then pressed the paper into the paint. I was able to pick up paint that was almost in crystal form as well as soft blended sections.
In the Wildflowers vol 2 set there is a large and a small version of the same flower so I used the small stamp on the panel above to create a base of flowers in chipped sapphire and stormy sky distress inks. I shook water droplets onto the panel to create pale watermarks here and there. Once the panel was dry I wiped an anti-static powder pillow across it and embossed the flowers and a sentiment from Bright Blossoms vol 1 in silver over the top of the blue. The silver catches the light depending on the angle but is tricky to capture with the camera.
On my second card I created the painted background the same way then stamped the flower three times in different distress stains. Once again I embossed over the top with silver, this time using a partial stamping of the French Script background stamp. I framed both panels in silver cardstock and added silver thread around the second panel before attaching to white card bases.
Stamps: Wildflowers vol 2 , French Script, Bright Blossoms vol 1 (Darkroom Door)
Inks: chipped sapphire, stormy sky distress inks & blueprint sketch, seedless preserves, aged mahogany distress stains (Ranger) versamark (Tsukineko)
Paper: Neenah solar white, hot pressed watercolour paper, brushed silver cardstock
Paint: prussian blue, cobalt brusho (Colourcraft)
Also: silver cord, silver embossing powder
I made a bunch of cards with the Wildflowers Vol 2 set from Darkroom Door the other day. I had my distress oxide inks out and some brusho and alcohol ink backgrounds on hand to add flowers to. For this card I began with a soft brusho background of yellow and green then added distress ink flowers over the top. I spritzed after stamping to blur the images into each other.
Once the coloured stamping dried I added black silhouettes to the foreground and sides to frame the panel, some dark green splatter and a black mat to finish it off.
Because the colours reminded me of a country scene I wrapped some rustic hemp twine around the panel before attaching it to a natural coloured card base.
Stamps: Wildflowers vol 2 (Darkroom Door)
Inks: wild honey distress ink (Ranger), versafine onyx black ink (Tsukineko)
Paper: hot pressed watercolour paper (Fabriano)
Paint: yellow, leaf green brusho (Colourcraft)
Also: hemp twine