There is a lovely new clear set of silhouette stamps in the latest Penny Black release. I’ve used it to create a set of co-ordinated cards in a simple clean style.
I chose some of my favourite distress inks to create slightly blended prints.
All the stamped images are from ‘soulful silhouettes’ and the sentiments are from the ‘trust me builder’ set.
I used hot pressed watercolour for all the stamped panels and white luxe textured cardstock for all the bases.
After inking the silhouette stamps for each design I gave the stamp a very light spritz of water, just enough so there would be blends and watermarks on the stamped image. I couldn’t predict how each would turn out so there are some dryer areas with no blending and some parts where ink has bled into the adjacent ink quite distinctly.
I often pop up my stamped or painted panels on pieces of foam but this time they are raised on just one piece of cardstsock cut a little smaller than the main panel.
The ‘trust me builder’ set is designed so we can make sentiments that begin with the words ‘trust me…’ then finish with one of seven different phrases. I kept the sentiments short using only the endings which are in a smaller simpler font.
This washtub full of flowers is called ‘barrel of blooms’ and it’s a beauty from the new PB release. I worked on cold pressed watercolour paper in a stamp positioner so I could ink a section, stamp it, blend that section, wipe the stamp then ink another section.
I stamped colour by colour, inking with distress ink cubes and markers. Once I’ve stamped a section I blend it with a paintbrush pulling out the ink of the outline and adding extra where necessary. I used a couple of different green inks for the leaves, candied apple, spiced marmalade and dried marigold for the flowers then a mix of brown and grey for the barrel. All the inks are listed below. Because I do all the stamping and painting with the panel in the stamp positioner I am able to re-stamp a section after I’ve painted to add some of the detail back in.
To ground the image I painted some faded jeans and hickory smoke ink around the base and behind the barrel. I used a dark blue inktense pencil and the Wendy Vecchi stay-tion + ruler to add the look of wood wall behind then matted the panel with co-ordinating blue cardstock.
I don’t have a barrel tub like this one for my flowers but I have three old galvanised tin tubs filled with herbs and they are thriving in the current summer weather.
I’m excited to show you some new summery plant goodness from Penny Black and it’s happening here and on the Foiled Fox blog! I used the new cling stamp ‘illustrious‘, a stamp from the clear set ‘soulful silhouettes‘ and a sentiment from the ‘just like you‘ mini set.
The new release is called ‘Refreshing’ so I have teamed up with Shauna from the Foiled Fox to provide a little refreshment through a giveaway!
All you need to do to enter is comment on this post telling me what you like to do for refreshment these days.
I used distress inks and cold pressed watercolour for this card. I definitely seem to be drawn to blues and greens right now; they’re a little cooler than my oft used pinks and orange combo. You can read more about my process on the Foiled Fox blog but let me say the MISTI was very helpful in creating this leafy panel. I worked on the large leaves first, inking them in mowed lawn then painting them with bundled sage. I moved onto the fern shaped plant which I inked with mowed lawn and faded jeans then did the tiny flowers last in candied apple and hickory smoke.
The illustrious stamp is stamped once on the left then partially stamped on the right and to fill the top edges I just inked and stamped the tip of the fern a few times. I used one stamp from the soulful silhouettes set as filler in bundled sage ink.
I would love to hear some of your most refreshing ideas or past times. Do you have a recipe, a book recommendation, a past time or favourite get away? We are still staying close to home here in Ottawa but I am enjoying my hammock in the backyard, oodles of audio books and the occasional iced coffee or tea.
I am happy to have a stamped and painted scene to share today. I often create scenic cards and panels in winter but I used liquid frisket on this panel to create a summer vista seen through a frame of birches. I teamed up with Grafix , used their liquid frisket kit and filmed the process.
With a technique like this it would be easy to make a card for any season. The birches could frame a snow scene, autumn foliage or even some mountains in the distance.
Painting the sky was fun, you can see in the video I painted the whole sky area in blue then added all the clouds by dabbing colour away with a kleenex tissue.
You can see in the video I stamped the house and trees with archival ink first then built up colour, depth and shadow with distress inks for the watercolour look. Because the Dr Ph Martin inks used on the sky are permanent once dry I was able to stamp and blend over the house and trees without affecting the sky at all and of course over the masked trees too.
More than once I have created cards that inspire me to make art journal pages. This time it was the other way around; I created an art journal page that inspired this card. Perhaps I should be showing you the journal page first but it contains as yet unreleased stamps so I have to keep it under wraps for a little while longer. (just in case you hadn’t seen them yet, Jill has been sharing some sneak peeks of new PB products over on the PB blog). The panel is stamped on cold pressed watercolour paper. I kept it in the stamp positioner so I could add some detail once all the paint was completed.
I stamped PB ‘Springtime Sigh’ in antique linen distress ink then painted the flowers with Sennelier watercolour paints. To keep the panel cohesive I used the same red and blue paints to create a variety of reds and burgandies for the four large flowers. The blue showed up in the purple flowers and the green stems. Once all the painting was finished I partially stamped the rose with ‘aged mahogany’ distress ink and added little details to the other flowers with a chipped sapphire distress marker and a black soot marker.
The combination of antique linen outline and faded burgandy petals gave the painted flowers a vintage look so I filled the rest of the panel with the same image stamped in antique linen, then chose crimson red versafine to stamp the sentiment from PB ‘special sentiments’.
I am hanging out on the Foiled Fox blog today sharing a Darkroom Door project. I’m pretty happy to tell you Foiled Fox is carrying some Darkroom Door stamps now. I’m always happy when my favourite products come to my favourite stores! Today’s card features the DD ‘warm wishes’ set with it’s pretty clover flowers and sweet sentiments.
Before stamping I traced a circle on a piece of hot pressed watercolour paper then painted masking fluid around the edge of the circle to mask off the area inside. I also splattered some dots of masking fluid inside the circle. I used two distress inks to paint the background starting by smooshing the inks on my glass mat and adding a little water so I had a diluted ink to pick up with my paintbrush. I painted broken china ink on the top section of the circle and bundled sage on the bottom blending them together a little while keeping the centre of the circle lighter than the edges. Once the background was dry I placed the panel in my misti so I could stamp the flowers multiple times if necessary. The flower heads are a mix of worn lipstick and spiced marmalade distress inks and the stems are stamped in forest moss distress ink.
I splattered a few water droplets over the finished panel and dabbed them away with a paper towel to leave watermarks. With all the stamping and painting complete I removed the masking fluid (so satisfying) and popped up the panel on a piece of foam before attaching to a luxe white textured card base. Make sure you pop over to the Foiled Fox blog and store today to see the other Darkroom Door products in stock.
I keep returning to these lovely stamps because they handle watercolour effects so well. My other examples are more defined than this one but I like both techniques. I worked on cold pressed watercolour paper for this one and started by wetting the panel so I could stamp a pale washy background. I used only three distress inks, shaded lilac, blueprint sketch and mowed lawn. I inked the stamp with mostly shaded lilac and mowed lawn, spritzed it with water then stamped on the wet panel. The result is the pale disappearing images you see in the background.
I dried the panel before doing another impression with the lilac stamp, this time I added a few drops of water onto the panel and a spritz of water to the stamp. The ink blended on the stamp and pooled a little on the panel. My last impression was the more defined print on the right hand side. For this one the panel was dry but the stamp still got a spritz of water to move the ink.
I chose an area of stamping with very little definition as the spot for my sentiment stamped in versafine imperial purple.
Are your lilacs blooming? Mine are along with the first iris and some lupins so the blues and pinks are currently well represented in my garden. Yay!
I have a simple design for you today and I turned on the camera while I was doing it. It’s probably something you have tried before but might be new to a few readers. I used washi tape to mask off a frame on a one layer hot pressed watercolour card base then created a watercolour background with distress inks and salt.
The stamps are some of my favourite silhouette stamps from the Darkroom Door ‘wildflowers vol 1’ set with a sentiment from a recent set ‘warm wishes’.
It was fun creating a one layer card again; some of you will remember when I was part of the ‘One Layer Wednesday’ challenge and ‘One Layer Simplicity’ challenge a few years back.
Let me know if you try this technique, I’d love to hear or see what you came up with.
This watercoloured panel stamped with the PB ‘alluring’ stamp has been sitting around for a long time. I’ve been trying to come up with a slightly different way to turn it into a card. I create a great many cards with one large stamped and painted panel and little else so I wanted to mix things up a little with this one. I finally decided to slice up the panel then pop it up on foam backing.
I stamped the original panel on cold pressed watercolour paper and used one of my favourite watercolour techniques. Instead of stamping in a pale water soluble ink then painting with ink or watercolour paint I ink the different parts of the scene with different inkpads or markers, spritz the ink with water then stamp. With some extra ink handy on my glass mat I use a paint brush to blend the stamped ink into the petals, leaves and other shapes adding extra ink where needed.
When slicing it up I took care to divide it unevenly while making sure some elements carried across to adjacent sections. That way the eye moves across the panel and doesn’t come to halt in the middle. I’ve listed the inks I used below, all distress inks in either ink cube or marker form. Oh and by the way have you seen the new distress colour? ‘Speckled Egg’ looks like it might be a blue green or even better a grey blue; I wonder how it compares with tumbled glass and broken china. Regardless, it’s part of the blue family so yes, I will be getting it in a few different forms. How about you?