I had a lovely time with this new photo stamp from Darkroom Door. It’s called Woodlands and was perfect for creating an autumn scene, a winter scene and a sunset. Step by step instructions and a complete list of supplies are available on the Darkroom Door blog
The autumn scene involved brayering and distress inks.
The sunset features the bright hues of colorburst powders over embossing.
The winter scene below, which might be my favourite, was painted with distress inks.
I used a cool technique with a stamp positioner to get a layer of snow on the branches; if you’re interested pop over to Darkroom Door and check it out.
I am very happy to be sharing these two cards over on the Darkroom Door blog today. Both cards feature a floral collage stamp from the new Botanical Script set. You can find all the instructions over at Darkroom Door. My first card is done in a vintage style with distress inks.
My second card is bolder and brighter with a sparkly blue and white colour scheme.
I layered this one by cutting out and painting an extra flower. All the steps and supplies are listed on the Darkroom Door blog. While you’re there you can see the other pretty stamps from the Botanical Script set.
I sense a bit of a theme in this week’s cards; do you think maybe I’m thinking about spring? I am surrounded by gorgeous floral stamps in my workroom but by six foot snow banks outside. So today’s card started out as just a pretty pink magnolia but ended up caught in some flurries.
My plan was to build up colour step by step, keep it controlled and neat (not loose and watery). I stamped the whole stamp in worn lipstick ink then coloured the darker areas of the petals with a festive berries marker, the sepals in forest moss marker and the twigs in gathered twigs marker. I then blended the colour with water on a small brush so it was still fairly neat.
I wanted some extra foliage in the background and that’s when things started to go a little freestyle. I masked the flowers with a post it and stamped the ‘a little secret’ stamp a couple of times in stormy sky ink. The two stamps did not really look like they belonged together so I left behind my ‘neat’ plan and started spritzing the water around. The background softened but not quite enough so I painted some stormy sky into the background also. As I painted stormy sky right up to the edge of the branch the brown bled into the blue, things got loose and watery and, in my opinion, more appealing. I added some aged mahogany ink to the the centres of the flowers and some gold gel pen highlights. Then I wanted some snow as well so I splattered white gesso over the petals. I found a co-ordinating blue to frame the panel and kept it without a sentiment for now.
Stamps: effulgent, a little secret
Distress inks and markers: worn lipstick, festive berries, forest moss, gathered twigs, stormy sky, aged mahogany
Paper: hot pressed watercolour paper,
Paint: white gesso
Also: gold gel pen
I am over on The Foiled Fox blog today sharing this vintage rose card. You have seen me work with this sort of colour scheme before; I enjoy painting with the ink from a stamped image. In this case the stamp is the Penny Black, ‘red blush’. Although I worked mainly in vintage photo distress ink, I did give it a red blush with some Ost. Red brusho watercolour paint. You can read my whole process over on the Foiled Fox blog.
Darkroom Door has a wonderful range of stencils that co-ordinate with quite a few of their stamps. I used the ferns stencil to create a soft background for the fern stamps from the ‘leaves’ set. I used neenah natural white paper and sponged with the antique linen distress ink through the stencil. I did it three times to create a few soft background images.
Over the top I stamped both the large and small ferns from the leaves set in stazon ganache ink. I have been pulling out the stazon inks whenever I’m working with the fine details of some of the Darkroom Door stamps. Initially I bought the stazon inks to pair up with my alcohol ink backgrounds but they are very good for fine detail stamping.
Once I had stamped quite a few ferns in ganache ink I stamped one large fern and one small in versamark then embossed them in gold. The sentiment and ferns on the envelope are stamped in stazon ganache. I added a narrow dark brown mat and a wider brushed gold mat also and attached it all to a natural white card base.
It’s taking me a while to get back into gear here on the blog but I have been busy planning my next class. Living as I do surrounded by winter beauty I often look a the sky or the landscape and wonder how I can turn it into a card. This is one such attempt. I looked at the sky one afternoon, because the sun sets in the afternoon around here, there is no waiting for evening! There was a pale pink glow above the horizon, a little blue then grey reaching up. I was managing to create some subtlety with this scene right up until the brusho shook out of the bottle rather more generously than intended! No matter, a lot of water and paper towel calmed things down again.
I started with a panel of hot pressed watercolour paper splattered with masking fluid. I painted some water across the panel where the horizon would be then sprinkled a little ost. red brusho above and blended it in with a paintbrush. Next I added grey brusho and blended that to fill the sky and finally some ost. blue brusho for some blue tones. I kept adding, blending and diluting until I was happy with the soft gradation of colour. While the sky was still damp I pressed just the small tree part of a landscape stamp out of the PB peaceful winter set repeatedly across the horizon inked with memento London fog ink.
I used the stamping platform to stamp and restamp the trees on the right from the PB snowy village set in black soot distress ink. As distress ink is water soluble I was able to paint over the stamping with water to make the image bolder and darker. I added a little blue brusho as I painted to give the tree some light and shadow. I dried the panel before painting another line of water, this time across the panel in line with the base of the tree trunk. Again I added the same brusho colours but got a bit more blue than I’d bargained for.
After drying that section I stamped just the left hand trees from the PB dressed in snow stamp again in black soot ink. I used a paintbrush to darken the stamped image and extend the trees a little more on the right. To finish I rubbed off the masking fluid and mounted the panel onto a white card base. All the supplies are linked below. I hope you have had a great week.
On the ninth day of Christmas I am returning to the blog. I’ve been enjoying some time with family and friends, relaxing, reading but I have not been creating cards! This panel started out as a practice for another project but I ended up turning it into a card anyway. I began with a panel of hot pressed watercolour paper with masking fluid splattered over it. I used a stamp positioner to stamp the different coloured elements of the berry branch in distress inks then embossed over the image with embossing powder. Unfortunately when you put embossing powder over masking fluid it sticks so the panel became very textured and very speckled with ‘snow’. I painted weathered wood distress stain over the background added a sentiment but was not able to remove much of the masking fluid as I had ‘glued’ it there with heat embossing!
As this was a practice panel I changed my order of operations when I made the next card, stamping and embossing first then splattering masking fluid second. I hope your 2018 is off to a great start. I have been busy keeping up with Dressember details which I will post more about later but I’ll just add a quick thank you here to all who have donated to this worthy cause; you have really encouraged me.