Are you a wee bit surprised to see a journal page here? I’m surprised myself, surprised but pleased. I really enjoyed dreaming it up and making it. It didn’t end up looking as I imagined but that is the way with journal pages is it not?
This art journal is a Fabriano journal; the paper is nice and thick but not watercolour paper so I painted over it with absorbent ground first. Then I grabbed a bunch of stamps from Darkroom Door along with three light coloured oxide inks and stamped mesh, stone and woodgrain texture stamps over the background. I spritzed it with water to soften the edges of the stamped images and dabbed some out too to make it subtler. Even after adding some water it was still bolder than I wanted so I painted another thin layer of absorbent ground over it.
I filled the bottom of the page with repeat stampings of flowers from the Darkroom Door ‘tall flowers‘ set in distress inks then blended some of the big flowers with water. They don’t blend as well as they do on watercolour paper but the effect is still nice.
I added grass and flowers from the DD ‘ nature walk‘ set, also in distress ink then a border with the mesh texture stamp in black soot oxide ink. It was a bit bolder than I wanted so I spritzed then dabbed with a paper towel ( as you can see I’m a fan of the ‘spritz and dab’ ). I splattered wild honey, forest moss and dusty concord diluted ink over the whole spread and it ended up looking like confetti. To boost a few of the flowers I outlined them with fine tipped black markers.
I wrote psalm 18:36 with a brush pen leaving a space to stamp the word ‘steps’ with the DD alphabet medley stamps. I find choosing words for a journal page tricky, which words and how to add them. But the beauty of a journal page is the experimental nature of it. If I don’t like something on this page, I’ll try something different on another. Once the ink had dried I sealed the large flowers and the lettering with distress micro glaze.
Do you have any art journallers you would recommend for inspiration? I already follow Rachel Greig from Darkroom Door, Julie Fei-Fan Balzer, Vicky Papaioannou and Maremi SmallArt who all have different styles and inspiring journal pages.
I’m hoping to create in my journals more often and will share pages here if possible. Even if you are not an art journal person the designs can usually be converted to a card and sometimes start out as cards anyway!
Art Supplies (all Darkroom Door stamps are linked in description)
These pretty blooms represent my first experiment with an Altenew layering floral stamp set; this one is called ‘Angelique’. I clearly remember my Stampin’ Up days with the 2-step stamping but I haven’t done any in a while. I don’t think the layering sets are necessarily designed for watercolour styles but you know that’s how I like to do things. I experimented with a few processes, stamping then spritzing and spritzing then stamping, spritzing the paper not the stamp, the stamp not the paper and spritzing everything!
I think, but I’m not exactly sure, I mainly spritzed the stamp for this panel with maybe a tiny spritz after stamping on that left hand flower. I started by stamping the largest layer in spun sugar distress stain. Next layer I stamped in worn lipstick distress ink with a spritz of water to dilute it, the final detail layer I stamped in festive berries distress ink. Because I started with stain and spritzed the ink before stamping the image was wet enough to soften and blend a bit. I did a bit with a paint brush too but I didn’t want to lose the detailed layers.
The leaves I did in a similar manner with bundled sage, mowed lawn and forest moss. The sentiment from Altenew’s Leaf Canopy set is embossed in white on a red cardstock strip and popped up on dimensional foam tape.
The second panel was stamped with less spritzing during the stamping process, just a little in fact on layer number two. Instead I waited until all the stamping was done and spritzed in one direction to make the petals feather out then the other direction to balance things. This time I used abandoned coral, fired brick and aged mahogany inks for the roses, milled lavender and dusty concord for the little flowers and old paper, shabby shutters and peeled paint for the leaves. Even though it looks like black, I matted the panel with purple cardstock and added an embossed sentiment also on purple and cut it out with the Avery Elle sentiment dies that are making me neat and happy right now.
You might be wondering why I don’t just stamp these very pretty floral stamps with out adding any spritzes of water?? Sorry I just don’t think I can do it…
Today’s card features two new brushstroke stamps from Penny Black. The pink flowers in two corners of my panel are from a vase + flowers set called ‘painter’s vase’. I just used the flower stamp but there is a vase stamp I’ll use another day.
I used my stamp positioning tool (MISTI) and placed the flower stamp overlapping one corner of the hot pressed watercolour panel. I stamped the whole image in worn lipstick distress ink knowing the forest moss ink would be bold enough to cover the pink later. Without moving stamp or panel I inked centres and edges of the flowers with candied apple distress ink, stamped then blended the two pinks with water. I then added black soot ink to the flower centres, stamped and let the panel dry. I coloured in the flower centres with a sun yellow inktense pencil and shaded some of the flower centres and edges with poppy red. Then I flipped the panel 180° and repeated the whole process.
To add a background I had to mask the flowers so I stamped them on masking paper, cut them out and covered my completed corners while I stamped ‘a floral twist‘ stamp in weathered wood distress ink and added a few splatters too. All that was left was to add a sentiment; I decided on something small from ‘grateful sentiments’ on a little die cut label with the edges sponged in worn lipstick ink.
Thanks for dropping by today; it is great to be blogging with a bit of regularity again.
I am excited to feature some new stamps from Darkroom Door today. The tall flowers are from the new ‘Tall Flowers’ set and the background flowers are from the delightful ‘Nature Walk’ set. I am a guest over on the Darkroom Door blog today, if you haven’t visited you definitely should check out all the inspiration shared there.
My first card features a cold pressed watercolour panel filled with one of the stamps from ‘nature walk’ set inked in iced spruce and stormy sky distress inks. I diluted the ink with a spritz of water and stamped first, second and third generation impressions. Over the top I stamped the tall daisy from ‘tall flowers’ four times with wilted violet, blueprint sketch and forest moss distress inks. Because the stems are long and thin I was able to orient them in different directions. I used a mask a couple of times to overlap the daisies. Once stamped I blended the colours with a paintbrush and water.
I used a similar process to create the orange toned daisy card but this time I did the background foliage after the foreground flowers by using stamped and cut out masks. The daisies are stamped in peeled paint and fossilized amber distress inks. I added extra colours one at a time with spiced marmalade marker, rusty hinge marker close to flower centre and finally ground espresso marker on the centre of the flower. I blended the inks with water then after it was dry stamped the centres again to add some texture back in. The background stamping is another stamp from the DD ‘nature walk’ set stamped with weathered wood and tea dye distress inks. I added some splatter because, well, why not!
On both the daisy cards I decided to add the sentiment on a vellum strip. I liked the floral scenes too much to stamp words over them so the vellum seemed like a subtle way to do it. The recipient could even snip the sentiment off and have a picture to display if they wanted to. For this tall thin panel I used the kraft card base to frame it on two sides.
The last card is a little different; I used the small flower from ‘tall flowers’ and some little leaves from ‘leaves’ set to make a wreath.
To guide my stamping I traced a circle onto my watercolour panel. I sponged fossilized amber distress ink around circle then erased the pencil line. With the sponging as a guide, I stamped the small flower heads from ‘Tall Flowers’ set round the circle in carved pumpkin ink, holding the stamp so only flower(not stem) was inked and stamped. I repeated the process with small leaves and ferns from ‘Leaves’ set in fossilized amber, peeled paint, forest moss and tea dye distress inks. You know I splattered forest moss ink over wreath because that’s what I do then matted the panel in orange cardstock, attached to a kraft card base and added a raffia bow.
I loved creating with these beautiful tall flower stamps and couldn’t help myself from using the ‘nature walk’ stamps again because they work so well together!
Stamps: tall flowers, nature walk, leaves
Inks: stormy sky, iced spruce, blueprint sketch, wilted violet, forest moss (purple flower card)
fossilized amber, peeled paint, weathered wood, tea dye & distress markers: spiced marmalade, rusty hinge, forest moss, ground espresso (orange flowers)
fossilized amber, peeled paint, carved pumpkin, forest moss, tea dye (flower wreath)
Papers: hot pressed watercolour, cold pressed watercolour, vellum, kraft
Also: stamp positioner, raffia
I have mentioned before how beautiful these Darkroom Door ‘nature walk’ images are but have I mentioned how easy it is to create pretty cards with them. Each card today features just one image, stamped twice over a quick watercolour background.
I created the backgrounds with my glass mat and some distress inks. I squished the ink pads down on the mat side by side (three or four colours at a time), spritzed with water then swiped my hot pressed watercolour panel through the diluted ink a few times until there was good coverage on the panel. I dried the panel with a heat tool before sponging one or two of the distress inks through a section of stencil then added splots of water for some added texture. The panels were all different, all pretty and done within minutes.
I used the MISTI for stamping because the texture of the watercolour paper makes it necessary to stamp a few times to get a solid image. I used versafine clair nocturne ink which always gives me a crisp print. Once the ink was dry I splattered gold paint from the gansai tambi starry colours palette. The gold splatter might just be my favourite part of these cards; unfortunately it’s not very obvious in the photos.
To draw more attention to the gold splatter I matted with gold and stamped the sentiments either on gold cardstock or with embossed in gold powder. The sentiments are from Darkroom Door’s new sentiment strips. The sentiments are in list format and I have kept the stamp uncut. I stamp on a cardstock panel and cut out the sentiment I want. I now have a handy die set from the Foiled Fox which neatly cuts out the smaller fonts and I always love sentiments in small fonts! The set is called ‘simple sentiments’ and it has ten lengths of sentiment strip dies.
In putting together the cards I used one more happy new product. I am always searching for textured white cardstock. Today’s cards feature a linen texture with enough depth to be seen by the camera. It is in 8½ “x11” sheets so one sheet did four card fronts, no waste. This is the first time I’ve used it so there will be more testing to come with dies, inks etc but so far, so good.
Thanks for listening to me prattle on about this and that. I hope you are enjoying some ‘nature walks’ even if they are of the snowy variety! While we have been experiencing extreme cold followed by loads of snow, friends and family on the other side of the world are experiencing extreme heat and flooding!
Stamps: nature walk, (DD)
Stencils: mesh, boxes 12 up
Dies: Simple Sentiment (Avery Elle)
Distress inks: crushed olive, pine needles, blue print sketch, milled lavender, stormy sky, mermaid lagoon, wilted violet, worn lipstick
Inks: versamark, nocturne versafine clair,
Paint: gansai tambi starry colours
Paper: hot pressed watercolour paper, snowbound textured white cardstock, gold cardstock, neenah solar white
Also: Cutterpillar glass mat, MISTI, gold embossing powder
It is hard to believe I haven’t inked this pretty stamp before now. I made up for it by repeat stamping on a large panel to make into a set of cards. I put the 10″x 7″ hot pressed watercolour panel in my stamp positioning tool and ended up stamping PB ‘blissful blossoms’ four times.
Each time I stamped I followed the same order. First I inked the whole stamp in scattered straw distress ink and dabbed some wild honey and abandoned coral ink here and there on the flowers, spritzed it with water. After stamping I cleaned the stamp, then inked all the stems and leaves in peeled paint ink, spritzed and stamped again. I kept partially inking with markers, spritzing and stamping until the flowers were well coloured. Before moving the panel and stamp to do another print I blended over the stamping with a paint brush and water.
I repeated the process three more times to fill the panel. I was able to orient the stamp so the stems and flowers filled the space and looked like one big patterned panel.
Once the panel was done I had to decide how to divide it for different designs. I could have done four of the same card but no, I wanted to come up with a few options. I pulled out a pretty PB die, a PB sentiment set and some green cardstock to create a set of five cards.
The decorative die does not cut right across, it cuts out the scroll work but scores either side for folding. On several of the cards I cut on the score line for a border instead of a fold.
By double matting and popping up the panel even the last scrap became a card. All the sentiments are from the handy dandy ‘happy snippets’ set.
Stamps: blissful blossoms, happy snippets (PB)
Dies: pop on a fold -royal swirl (PB)
Inks: scattered straw, dried marigold, abandoned coral, peeled paint, versamark, shady line versafine clair
Markers: peeled paint, dried marigold, abandoned coral, ground espresso
Cardstock: hot pressed watercolour, neenah cream, olive green
Also: Stamp positioner, white embossing powder, linen twine
Ever since I received this stamp way back when the weather was warm, I wanted to try it as a ‘white poinsettia’ rather than the traditional red. The first card I made with it was red and when I used it in my Christmas class we stamped it red but now as a Christmas thank you I’ve made it white, or to be precise a yellowish, greenish white! I am sharing it over on the Foiled Fox blog today also. Make sure you pop over there to see enjoy all the beautiful wintry cards they have shared lately. Scroll back to see three gorgeous poinsettia cards made by Shauna Todd posted during December.
To create my ‘white’ poinsettia I stamped the whole ‘Christmas Red’ stamp from Penny Black in shabby shutters distress ink on hot pressed watercolour paper (which I had splattered with masking fluid earlier). With the stamp in the MISTI I inked the outer leaves with mowed lawn distress ink and stamped again. Shabby shutters ink is a pale green to start with so when I diluted it by blending with water I was able to make it a little paler. I blended one petal at a time and dabbed it with a paper towel while it was wet to remove more colour. Before the petals dried I picked up some extra shabby shutters ink off my glass mat and added some shadow where the petals were overlapped by another. I blended the leaves with water also and when they were dry added some definition with a fine brush and mowed lawn ink. I stamped the centre with mowed lawn ink and added some gold with a wink of stella pen.
Once the flower was dry I painted around the edges with water then dropped in weathered wood distress stain and blended it to surround the whole image. I also dropped in some green ink here and there while the background painting was wet. When everything dried I removed the masking fluid and added clear wink of stella to all the petals to give them some shimmer. I stamped the ‘thank you’ from the PB ‘banner sentiments’ set in versafine clair shady lane ink. I am very happy to be making thank you cards as I have close to thirty donors to thank so far in my Dressember campaign raising money for the fight against human trafficking.
I am adding my pink and green poinsettia to the post just for interest and comparison. I used a similar process to the one described above but kept the background white as a base from some gold embossing. Thank you for dropping in today.
Stamps: Christmas Red, banner sentiments (PB)
Inks: shabby shutters ,mowed lawn distress inks, versafine clair shady lane ink
Stain: weathered wood distress stain
Paper: hot pressed watercolour paper, neenah natural white
Also: gold wink of stella, clear wink of stella, masking fluid
Tools: MISTI, glass mat