I had some fun with small stamps and a stamp positioner to create this simple card. Darkroom Door has two ‘Brushed Christmas’ sets containing stamps with the brushed look you see in these images. There are big trees and little trees, bit and little stars and baubles as well. It was easy enough to stamp one image, slide my cardstock along and stamp the next and so on to reach across the panel. I centred the trees by starting with the middle tree but I wasn’t quite so particular with the stars or baubles.
The ribbon across the panel is velvet and the laser cut letters are left over from a mixed media class I did a while back. I think it’s cute that the ‘o’ on the velvet looks like a buckle on Santa’s belt (totally unplanned ofcourse)
Memento Inks: desert sand, rhubarb stalk
Papers: neenah natural white, burgandy cardstock
Tools: MISTI stamp positioner
Also: velvet ribbon, laser cut letters, memento rhubarb stalk marker
Brusho skies and stazon flowers. I have had fun playing with brusho on photo paper and it is one of the techniques we’ll be using in my upcoming autumn leaves class.
I used warm colours for the panel above then stamped the flowers several times in a burgandy and a yellow ink before framing with co-ordinating cardstock.
My colour scheme for the second card is a bit more dramatic as I played with two primary colours and ended up with the secondary purple for a dramatic sky and black silhouetted flowers.
There are so many ways to colour backgrounds then turn them into cards with some simple foreground florals. If you are looking for a gorgeous way to create a background, check out Kathy Rac’s beautiful underwater background here and get inspired to join in her Daily Marker 30 day coloring challenge.
Stamps: Wildflowers vol 2 Thank you (Darkroom Door)
Inks: claret, orange zest, jet blackStazon ink (Tsukineko)
Paper: Neenah solar white, Kirkland glossy photo, burgandy & blue cardstock
Paint: brusho (Colourcraft)
This peaceful wilderness path is a scenic stamp from Darkroom Door. I’ve used it in three different ways to create some seasonal backgrounds. For the card above I created an alcohol ink background on yupo in the blues and greens of summer. I stamped the path stamp over the alcohol ink panel in stazon jet black ink. I hand wrote the little sentiment with a fine micron pen.
To create my golden fall scene I used distress oxide inks on glossy photo paper. I pressed the orange and yellow inks onto a craft mat, spritzed them and swiped my photo paper panel through the ink. Most of the colour soaked into the paper immediately but I set it aside to dry for a while and found there was a chalky residue that stayed on top. I wiped that off and was left with a background to which I stamped over with stazon jet black ink.
My chilly winter scene was created using brusho powders on a craft mat. I sprinkled some blue and purple on the mat, spritzed it then swiped some photo paper through the colour. The first print is usually quite intense so I think the one below must have been a second impression.
These cards are also on the Darkroom Door blog today so pop over there for all the complete supply list.
I have a couple more cards that came out of my session with the Darkroom Door Wildflowers vol 2 stamps recently. I began by making blue watercolour backgrounds with brusho paints on hot pressed watercolour paper. Rather than apply the paint directly to the paper, I sprinkled it on a craft sheet, spritzed, then pressed the paper into the paint. I was able to pick up paint that was almost in crystal form as well as soft blended sections.
In the Wildflowers vol 2 set there is a large and a small version of the same flower so I used the small stamp on the panel above to create a base of flowers in chipped sapphire and stormy sky distress inks. I shook water droplets onto the panel to create pale watermarks here and there. Once the panel was dry I wiped an anti-static powder pillow across it and embossed the flowers and a sentiment from Bright Blossoms vol 1 in silver over the top of the blue. The silver catches the light depending on the angle but is tricky to capture with the camera.
On my second card I created the painted background the same way then stamped the flower three times in different distress stains. Once again I embossed over the top with silver, this time using a partial stamping of the French Script background stamp. I framed both panels in silver cardstock and added silver thread around the second panel before attaching to white card bases.
Stamps: Wildflowers vol 2 , French Script, Bright Blossoms vol 1 (Darkroom Door)
Inks: chipped sapphire, stormy sky distress inks & blueprint sketch, seedless preserves, aged mahogany distress stains (Ranger) versamark (Tsukineko)
Paper: Neenah solar white, hot pressed watercolour paper, brushed silver cardstock
Paint: prussian blue, cobalt brusho (Colourcraft)
Also: silver cord, silver embossing powder
Here is another ‘wildflower’ card from the bunch I made last week. Sometimes it is fun to get out one set of stamps and play around with colours and techniques to create a range of looks. The flower is from the Darkroom Door ‘Wildflowers vol. 2″ set and the sentiment from the DD “Happy Birthday” set. I created this background with brusho paints on glossy photo paper using an impermeable mat. I sprinkled some turquoise and violet brusho on the mat, spritzed it, then swiped the photo paper through the paint to pick up the colour.
I chose a grey ink rather than black to stamp but after the final result after a few impressions looks almost black.
Stamps: Wildflowers vol 2 Happy Birthday (Darkroom Door)
Inks: Cloudy Sky Stazon ink (Tsukineko)
Paper: Neenah solar white, Kirkland glossy photo, texture blue cardstock
Paint: violet, turquoise brusho (Colourcraft)
I made a bunch of cards with the Wildflowers Vol 2 set from Darkroom Door the other day. I had my distress oxide inks out and some brusho and alcohol ink backgrounds on hand to add flowers to. For this card I began with a soft brusho background of yellow and green then added distress ink flowers over the top. I spritzed after stamping to blur the images into each other.
Once the coloured stamping dried I added black silhouettes to the foreground and sides to frame the panel, some dark green splatter and a black mat to finish it off.
Because the colours reminded me of a country scene I wrapped some rustic hemp twine around the panel before attaching it to a natural coloured card base.
Stamps: Wildflowers vol 2 (Darkroom Door)
Inks: wild honey distress ink (Ranger), versafine onyx black ink (Tsukineko)
Paper: hot pressed watercolour paper (Fabriano)
Paint: yellow, leaf green brusho (Colourcraft)
Also: hemp twine
As I have said before, you can never have too many tree stamps! The African trees set from Darkroom Door not only has four lovely tree stamps but also five animals and a flock of birds. It’s a beautiful set that I am really enjoying trying with different colours and mediums. This time I wanted the feeling of dusk around the waterhole. I almost added an African deer to this scene but I had achieved the look I was after and didn’t want to risk spoiling it at the last minute (as I did with a new card yesterday. grrr)
The scattering of stars was created with by splattering masking fluid on hot pressed watercolour paper before I started painting. Once it was dry I painted the sky and water in chipped sapphire, broken china and tumbled glass distress stains. I kept the panel wet so I could blend from colour to colour but dabbed up excess liquid at the sides. While the panel was still damp I painted two areas of grass with forest moss distress stain. I let the panel dry a bit more but not too much before stamping the reflections of both trees. To achieve the mirror stamped image I stamped it on a piece of acetate then pressed it onto the damp panel. When I was happy with all my soft edge images I dried the panel completely before adding the trees and grass that I wanted sharp. I used a stamp positioner to stamp the trees several times in forest moss distress ink then painted grass with a fine tipped brush.
Lastly I removed the masking fluid to reveal the little stars then mounted my panel on a piece of natural coloured cardstock.
Stamps: African Trees (Darkroom Door)
Inks: Distress tumbled glass, broken china, forest moss stains and inks (Ranger)
Cardstock: hot pressed watercolour paper
Also: Pebeo masking fluid