I pulled out the wonderful new trees from Darkroom Door’s ‘majestic mountains’ set to create today’s cards. I wanted to create two forest scenes, one on a crisp cold night, the other on a misty day. There are some similarities in the techniques and inks as well as differences which enabled me to create both looks. I began both times with cold pressed watercolour paper splattered with masking fluid. I like to have a few circles cut from frisket film on hand to mask a moon so I positioned one in the top right corner then tore a post-it note and positioned it diagonally across the panel. I stamped the two larger trees in versafine clair inks along the edge of the post-it mask so the trunks did not show and used one green for the largest tree and another green for the smaller.
Next I removed the post-it mask and painted water along the lower edge of the stamping and upwards to fill the sky. Then while the paper was wet I added weathered wood, faded jeans and old paper distress stains to fill the sky. Once I had the sky blended I used the post-it mask again as an edge to stamp more trees including one of the smaller ones from the ‘majestic mountains’ set. Again after removing the post-it mask I painted water and blended some of the three stains into the water to create shadows behind the trees and snowbanks. To finish it off I dried the panel, removed the frisket film and masking fluid then added a sentiment from the DD ‘pine cones’ set.
Although the colours and stamps are very similar I worked very much ‘wet into wet’ to create the second card. I painted water and diluted stain over most of the panel adding stripes of faded jeans, weathered wood and old paper. While it was wet I stamped the trees repeatedly with memento northern pine ink making first and second generation impressions to get dark foreground and lighter background images. Each time I inked the stamp I wiped ink off the trunk so it would not stamp, that way the trees all looked like they were in deep snow.
Believe it or not both panels started out the same size but a blot here and a mistake there meant this second one underwent some downsizing.
You might have noticed a stamped envelope in the first photo. I am going to try hard to stamp an envelope and my name on the back of the card as soon as I complete it. I have never been good at this but it makes a lot of sense to do it!
Stamps:majestic mountains, pine cones (Darkroom Door)
Inks: northern pine memento, shady lane & rain forest versafine clair
Stains: faded jeans, weathered wood, old paper
Paper: cold pressed watercolour paper, neenah natural white, dark green
Also: masking fluid, glass mat
I just cracked open this set from Darkroom Door yesterday and I’m so happy with these lovely images. The set contains three pine cones, two pine needle stamps and six sentiments yet to be inked. I worked on cold pressed watercolour paper and used distress inks to stamp and paint.
I splattered masking fluid over this panel first then, when it was dry used my MISTI for the stamping. I stamped the pine cone first with vintage photo and ground espresso distress inks (not oxides). I stamped several impressions because of the texture of the paper then stamped the pine needle stamp around the pine cone in forest moss and pine needles ink. I didn’t use careful masking but did position a post it note over the pine cone while I stamped the needles that appear to be behind the cone. With all the stamping done I blended some of the pine cone with water and spritzed over the pine needles.
To fill the background I painted shabby shutters and pine needles ink with plenty of water to dilute and move it around. After removing the masking fluid I added a sentiment from the Yuletide greetings set in shady lane versafine ink.
For the second card I switched pine needle stamps but kept the same pine cone. I stamped the needles first in mowed lawn and pine needles distress ink. Again I didn’t want to cut some fiddly masks so I did partial inking instead to position the pine cones in amongst the needles. I blended them with a fine tip paint brush then splattered some green and brown inks over the panel. I wanted a splash of gold so I embossed a sentiment from Yuletide greetings in ultra high gold embossing powder which is chunkier than some.
I also splattered some embossing fluid on the panel and tipped the same powder on to the splatter and heated it. Some of my blobs of embossing fluid were a bit big so I ended up with squishy gold dots on the panel. (definitely one for hand delivery!)
Stamps: pine cones, yuletide greetings (DD)
Inks: pine needles, forest moss, vintage photo, mowed lawn, shabby shutters & shady lane versafine clair ink
Markers: gathered twigs, ground espresso
Paper: cold pressed watercolour paper
Also: masking fluid, embossing fluid, WOW metallic gold rich ultra high powder
I have a few wintry landscapes to share today featuring stamps from the beautiful new ‘majestic mountains‘ set by Darkroom Door. This set includes three mountains, six sentiments (not featured on these cards) and – happy sigh – four trees! You can find step by step instructions on the Darkroom Door blog. I usually list all the ingredients at the end of the post but today I have included links throughout my descriptions.
On the card above I first splattered masking fluid over cold pressed watercolour paper and let it dry. I placed a torn post-it note mask across the panel then stamped the mountain several times in weathered wood distress ink so the base of the stamp overlapped the post-it. I painted the sky in dusty concord and tumbled glass distress stains then added a small amount of mustard seed stain close to mountain edges. I dried the panel then placed another torn post it note across below the base of the mountains.This was so I could stamp the trees in chipped sapphire distress ink but not have all the trunks showing. Because I was working on cold pressed watercolour paper the tree images were not solid so I used water to blend the ink. I dried the trees then painted a line of weathered wood distress stain along base of trees to create a snow bank and some shadows in the foreground. I removed the masking fluid and added a sentiment from the new Yuletide Greetings Stamp Set in chipped sapphire ink.
For this second card I once again splattered masking fluid but over hot pressed watercolour paper. Instead of using a post it note I partially inked the mountain stamp in weathered wood distress stain so the bases of the mountains were uneven, then stamped across the lower half of the wide panel. I picked a small tree and stamped repeatedly in front of the mountains in memento olive grove ink including second generation stamping to fill the space. Then I switched to large trees in olive grove ink overlapping some of the small trees.
I painted the sky in stormy sky distress stain taking care to paint to the edge of mountains and tree tops then dried it completely. I removed the masking fluid and chose another sentiment from the Yuletide Greetings to stamp in versafine olympia green ink.
On my last card I wanted a big winter moon so I cut a circle mask from frisket film and attach to a hot pressed watercolour panel then splattered masking fluid over the panel. I painted water over whole panel then added some stormy sky distress stain keeping the colour darkest in the top half. While panel was still damp I stamped a large tree in memento northern pine ink repeatedly using first and second generation stamping for dark and lighter images. I removed the moon mask and stamped one more tree to overlap the moon. I dried the panel completely then removed the masking fluid. I used another sentiment from the Yuletide Greetings Stamp Set in versafine olympia green ink.
This is going to be another of those lovely year round sets but I think it will be all wintry scenes from me for a while. I love having new trees to play with and those mountain stamps make it easy to fill in a simple background. Even though it is still October it has been snowing for the last 24 hours! It’s not going to stay though, definitely not!
Stamps: majestic mountains, yuletide greetings (Darkroom Door)
The rest of the supplies are linked throughout the post. I use affiliate links to the Foiled Fox online store. For no additional cost to you I receive a small commission when you use my links to shop at the Foiled Fox
I am over on the Darkroom Door blog today sharing cards made with the gorgeous new ‘Nature Walk‘ set. The flowers and foliage in this set have incredible detail; the first time I stamped them I was blown away by how delicate the images were. For their debut on my blog I wanted to make them as artsy as possible but I will be back showing them off in all their delicate simplicity another day. This first one is my favourite of the three in this post; it reminds me a little of trees in some of Sydney Long’s paintings.
To begin I splattered some masking fluid over hot pressed watercolour paper and let that dry. Next I wet most of the panel with water and repeatedly stamped the round topped wildflowers in bundled sage and iced spruce distress stain. Distress stain is a liquid so it doesn’t stamp a sharp detailed image; stamping it onto partially wet paper resulted in soft background colour with a few shadowy flower heads appearing. I let the panel dry then inked the stamp with chipped sapphire, seedless preserves and dusty concord stains then stamped it several times across the panel. When the panel dried I rubbed off the masking fluid, added a sentiment embossed in white on co-ordinating cardstock and attached the panel to a white card base.
Stamps: nature walk (DD)
Stains: bundled sage, iced spruce, chipped sapphire, dusty concord, seedless preserves (card 1)
crushed olive, rusty hinge, forest moss (card 2)
antique linen, aged mahogany, victorian velvet (card 3)
Inks: versamark & shady lane, chianti, golden meadows versafine clair,
Paper: hot pressed watercolour paper, neenah natural cardstock, burgandy cardstock, rust cardstock
Also: Cutterpillar glass mat, white embossing fluid, masking fluid, twine,
I have done some experimenting with alcohol lift ink in the past month and learnt a few things along the way. There are a couple of variables that can affect the process and results. The main thing I learnt is that it does not hurt to let things dry longer than you think might be necessary. Let me give you some examples. So far I have done all my experimentation on yupo paper with one or two colours of ink and some rubbing alcohol to help move the ink around and create colour variation. When you create an abstract background on yupo paper let it dry for at least 10 minutes but preferably longer; if it is humid weather it will need to be longer. Sometimes I have so much fun creating pretty background panels with alcohol ink I end up with a lot of ink on the yupo; the process will work best if I give all that ink plenty of time to dry.
Once the coloured panel is dry it is time to use the alcohol lift ink. The ink takes out some colour but not all the colour. You can see in the two panels below it went from dark to light. Even with a light panel the lift ink will still remove some colour but the contrast will be less and the effect more subtle. This Darkroom Door collage stamp was perfect for the technique and shows you that solid stamping and fine detail stamping both work with the alcohol lift technique. I positioned the stamp in my stamp positioner, inked it with alcohol lift ink and pressed it down onto the coloured panel. After a few seconds I lifted the stamp, removed the panel and set it aside for more waiting. While I was waiting I pressed an envelope down onto the stamp which was now covered with the ‘lifted ink’. I pressed the edge of the envelope onto one side of the stamp because I did not want the whole stamp image. You could put a piece of cardstock into the stamp positioner and stamp the whole lifted image.
After at least ten minutes of drying time I returned to my alcohol ink panel and started dabbing the lift ink off with a paper towel. Each dab picks up some colour so I kept rearranging my paper towel so I would not be dabbing colour back onto my panel. When there was no more evidence of ‘shiny’ lift ink on the panel I gently buffed the panel with a clean area of paper towel. If all the ink is dry at this point the stamped image will get clearer as you polish. If there is any wet alcohol ink or lift ink the image will blur or spread. This is why it is worth giving the panel plenty of drying time and dabbing time.
The card on the left was made with just ranger pitch black alcohol ink and rubbing alcohol; I ended up with black, pale blue and burgandy areas on the panel. The card on the right was made with ranger indigo alcohol ink and I think some cloudy blue as well but I didn’t write them down so I’m not sure. The stamp has its own frame so I just trimmed my panel close to that and attached it to a white card base.
It is worth watching a couple of alcohol lift ink videos before you try the technique. After completing a few panels I found myself wondering which stamps I would try next.
Stamps: butterfly garden, happy birthday sentiment stamp (DD)
Inks: pitch black , indigo ranger alcohol inks, ranger alcohol lift ink, distress chipped sapphire, versafine clair nocturne
Paper: yupo heavy white, neenah solar white
Tools: stamp positioner
Thank you for the lovely comments you left on my previous post, also featuring the grevillea stamps. I love hearing from you and was very touched by your sweet words about me and my dad.
I’m sharing cards over on the Darkroom Door blog today. If you haven’t visited there you should; there is a collection of amazing artists who share their creations there. I have a couple of grevillea cards to share with you today. One of them not too realistic in colour but still bright and bold like the real thing. I stamped the grevillea in versamark twice and the foliage twice then embossed in silver embossing powder on hot pressed watercolour paper. I sprinkled brilliant red brusho around the flower heads and prussian blue brusho round the perimeter of the panel, spritzed with water and let the brusho activate before adding any more. I then played around with adding more water and tilting to make paint move. I also used a brush to pick up wet paint from panel to move it to an empty area then let it dry.
For a background I stamped mesh textures stamp four times on white card base with versamark ink (you could use mesh background stamp if you have it to fill card base) and embossed in silver. I stamped a sentiment from happy birthday sentiment strip in versamark on red cardstock and embossed it with silver powder. To complete the card I matted the grevillea panel with red cardstock and attached it to the card base.
For this more realistic colour scheme I painted a circle in wild honey distress stain on cold pressed watercolour paper and let it dry. Then I painted scattered straw distress stain over whole panel and let that dry. I inked the large grevillea flower in wild honey, ripe persimmon, spiced marmalade and forest moss distress stains, spritzed stamp then stamped on the watercolour panel. I repeated by spritzing the stamp to get a paler impression then followed the same procedure to fill the base of the panel with flowers. I inked the foliage stamp with forest moss distress ink, stamped and restamped for bold and paler images.
To finish I stamped a sentiment from ‘happy birthday’ set in rusty hinge distress ink then trimmed and attached the panel to natural white card base.
Stamps: grevilleas, happy birthday, mesh textures (DD)
Card 1 Inks: versamark
Card 2 Inks: wild honey, scattered straw, ripe persimmon, spiced marmalade, forest moss distress stains, rusty hinge distress ink
Paint: brilliant red, prussian blue brusho
Paper: hot pressed watercolour paper, neenah natural white cardstock, neenah solar white, red cardstock
Also: stamping platform, silver embossing powder
My father lives not too far from Darkroom Door in NSW, Australia. When I knew he was coming to visit this summer I asked him to pick up some new stamps and bring them over. Not only did he bring what I’d ordered he also studied the stamps and came up with a challenge for me. I completed the challenge a while ago but the busyness of our summer has meant that I am only now getting this post written. Below you will see my dad’s words then I will wrap up at the end.
The Grevillea is a beautiful Australian Native Plant found across the continent and popular in many home gardens. There are many varieties from low ground hugging varieties to shrubs both small and large, sparse and thick. Their flowers are both small, individual and delicate as well as thickly clustered with the appearance of large flower heads. The bright colour of their flowers covers most of the spectrum, attracting many birds, particularly colourful parrots and lorikeets seeking nectar from their flowers and camouflage protection amongst their leaves and branches They tolerate hot seasons, have low water needs in comparison to many plants and have an extended floral season. They are very popular in home gardens as well as parks and their native bushland settings. The grevillea is frequently portrayed on Australian greeting cards and seems to be popular in all seasons. The beautiful range of colour and form seems to relate to a range of sentiments for both personal and seasonal occasions.
The sentiment stamps from Darkroom Door demonstrate that a message, be it seasonal or personal, happy or sad, celebrating or apologizing, or much more, can be expressed in a great variety of ways.
My suggestion to Heather, or was it a stampers’ challenge, was that, before she cuts either of the new stamps into individual stamps, she design a card using at least two of the grevillea images and at least half the sentiment expressions from one of her new stamps. She has agreed to the suggestion and I am confident she will rise to the challenge. What follows is Heather’s response to her dad and her explanatory notes for you, her fellow stampers.
For this first card I based my colour choices on the grevillea juniperina sulphurea . I used distress inks and markers to ink first the flowers then the tips in scattered straw, wild honey and spiced marmalade. I stamped the main image and, without re-inking, stamped pale images behind. The leaves and stem are stamped in peeled paint, again first and second generation stamping. As stated in the challenge I kept the sentiment stamps together (they still are) and stamped the strip three times across the card base in memento desert sand ink. To finish I splattered some spiced marmalade stain, matted with a mustard cardstock and added some linen twine.
The colour scheme for this second grevillea card is based on the grevillea superb. This time I aimed to keep the tips of the petals yellow while the rest was red. I inked the whole flower in love letter and rhubarb stalk ink to fill the centre of the flowers with colour. Then, to preserve the tips I wiped ink off the ends of the petals and stamped. To finish the flower I added dandelion ink to the tips of the petals and stamped again. To get background images I spritzed the stamp and got a second generation image behind. For this one the leaves and stems were stamped in memento olive grove ink.
To make one sentiment stand out from the strip I first stamped the whole strip in dandelion ink then placed tape either side of the target words on the panel. I inked again with olive grove ink on the smaller section and stamped over the yellow.
I chose an olive cardstock to frame the panel and finish the card.
I hope you enjoyed my response to my dad’s challenge. If you have kept stamps together for projects rather than separate them I would love to hear about or see your designs. I am also interested to see more colour schemes for the grevilleas. I’ve taken inspiration from a few different grevillea so far and have another couple of approaches to share later in the week!
Stamps: grevilleas, happy birthday (DD)
Card 1 Inks: scattered straw, peeled paint, wild honey, spiced marmalade distress inks & markers, desert sand memento ink
Card 2 Inks: dandelion, love letter, rhubarb stalk, olive grove memento inks & markers
Paper: hot pressed watercolour paper, neenah natural white cardstock, green cardstock, mustard cardstock
Also: stamping platform, linen twine