Not a leaf, tree or flower in sight on this journal page but it was made my me, just in case you are wondering. The day I created this page I claimed to have come over all Tim Holtzish; you can probably see the connection.
I began with a few strips of Ciao Bella rice paper glued to the left and right edges of the the journal pages. Over the rice paper I added texture paste through the Tim Holtz ‘clockwork’ stencil then filled the rest of the background with brown and black distress inks and sprays.
I cut a stack of gears from black and olive cardstock then arranged them both flat and stacked across the pages. The stars of this double page spread for me were the Finnabair metallic waxes. I applied them over the gear die-cuts and the stencilled clockfaces creating metallic edges and highlights. Adding old silver wax over black cardstock transforms it immediately.
To complete the page I cut a couple of labels from black cardstock and rubbed wax on the edges. I used some little typewriter letters stamps to stamp, ‘the wheels are always turning’. When it comes to art journal pages and creating in general, my wheels are indeed always turning. Hope you have a creative day!
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Here is another of my gel prints from last week. When I sit down to write my process for you I get a little confused as to the order I did things. With gel printing you need to do the top layer of the final print first on the plate then layer the background over the top. I don’t list the paints I use for my prints because I end up with many paints over my work surface during a printing session of several different brands. If you are wondering about paints for gel printing, use any acrylics you have and see what you like best.
I imagine I brayered blue paint on the plate first, then pressed the fiddly flower die cuts into the paint, took a print to remove all but the outlines of blue then brayered the orange and red over that. I added texture to the red layer and took the final print, I think. The grid print you see was made by pressing a textured piece of cardstock into the paint on the gel plate. I guess I need to video my process for myself as well as to share with you!
The blue prints were not as distinct as I had hoped; I’ll keep working on that. I do like the shadow flowers though and when I found an outline flower die from Penny Black I stacked two blue layers and added it over the shadows. I like its grunginess, bold colours, shadow flowers and grid texture. And those two odd white dots were made as old paint peeled off the plate. Gel printing is full of delightful surprises.