My coloured pencils feature more often in my projects these days. To create this card I stamped the Penny Black floral stamps in delicata white shimmer ink then coloured with my Faber Castell polychromos pencils. The feature image is from a 2-stamp set called ‘appreciation’ and the background image from a floral set called ‘ebulliant’.
I used a white pencil to lightly colour the flowers and leaves before adding other colours over the top. I also coloured over the border and sentiment with a sharp white pencil to make them pop a little more.
The delicata shimmer white ink definitely has shimmer to it and the overall effect of the pencils and ink on black is a bit like a printed fabric
The zigs & zags stencil has popped up again today as a background for this die cut and watercoloured flower. I applied deco transfer gel directly to my card base (neenah solar white 110lb) then ran it through my minc with white foil. The result is a subtle chevron background. I wanted my flower to match the white card base exactly so I used the same neenah solar white which meant I did not add much water at all when blending my zig pens after stamping. I used a mix of blue, pink and purple and a blue/green combo on the leaves and stem then just a damp brush to blend with water. I made sure the blending was dry before stamping the black centre several times then used the co-ordinating die to cut out the flower plus a white foam one to pop it up over the background.
The little black banner was die cut with one of the dies from the PB ‘pocket full’ die set. I have pulled out all my little label, banner and tag dies from different sets and grouped them together so I can quickly cut the right size for a sentiment. This sentiment from the handy ‘banner sentiments’ set is embossed in white powder.
Stamps: belle, banner sentiments
Die: belle cut out, a pocket full
Stencil: zigs & zags
Paper: neenah solar white, neenah epic black
Markers: kuretake zig clean color real brush pens pink, blue, violet, cobalt blue, green, black
Also: transfer gel, white foil, foam, minc, white embossing powder
I have a tried and true colouring method for you today. I know I have shared this technique before but it’s a favourite of mine so here it is again! I even have a video where I demonstrate this technique with a different stamp.
I stamped the ‘flower perch’ image in vintage photo and did all the painting with watercolour pencils. I used a damp brush to pick up colour from the pencil leads. When I paint onto the stamped image the colour from the pencils mixes with the vintage photo ink giving everything a brown tinge.
After I had completed the bird and branch I decided to add the script stamp to the back ground. I avoided the bird by placing post it notes here and there and by only pressing part of the stamp onto the panel each time. I can’t remember if I had taped the panel down at the beginning or whether I did it just before adding the script. Either way I had tape around the edges which enabled me to mask a plain frame around the panel when I sponged the border and splattered vintage photo ink here and there. I even remembered to stamp an envelope to match!
Stamps: flower perch 40-593, script 40-470
Paper: hot pressed watercolour paper
Ink: vintage photo distress ink, vintage sepia versafine ink
Pencils: Faber-Castell Albrecht Dürer watercolour pencils (178, 190, 191, 195, 131, 187, 174, 141, 233)
It’s been flowers, flowers and more flowers this week, all part of the new Nature’s Art release from Penny Black
To wrap up the week I have a card that features the ‘garden gems’ rubber cling stamp and was coloured with distress stains, just four colours applied to the stamp one by one then spritzed to get a loose watercolour look.
I used fired brick and carved pumpkin stains on the flowers then forest moss and peeled paint stains on the leaves. By using the stamp positioner I was able to stamp the lighter colour first then dab the darker stain on the stamp and print again adding some shadow and variety to leaves and petals. I drew the black centres straight onto the panel with a black marker and added a sentiment in black also.
Even though it meant losing some of the design I cropped the panel to a square, backed it with foam and attached to a square card base.
Stamps: garden gems 40-591, smile today 30-461 (PB)
Stains: fired brick, carved pumpkin, forest moss, peeled paint distress stains
Marker: black soot
Ink: nocturne versafine clair
Paper: hot pressed watercolour paper
Also: foam sheet
Yes, I’ve got more flowers to share today from the new Penny Black release, ‘Nature’s Art‘. This one is a large rubber cling outline stamp. I decided to try a combination I’ve heard about numerous times but never attempted: zig clean color real brush pens on bristol paper. I work on watercolour paper a lot of the time as you know but I’ve heard that blending the zig pens is easier on bristol. Well, it is. I embossed the image with clear powder on bristol paper then used five different colours to fill in the flowers and leaves. I started with purple pen at one end of each petal and tea rose at the other end (in this case the end closest to the centre of the flower). I blended the two colours together with a damp brush then added orange dots down the centre of the petals. I added a small amount of brown to the centre of the flower also.
I coloured the leaves in green then added brown here and there before blending with a damp brush.
As a finishing touch I die cut the ‘scrolls half edger’ decorative piece out of purple cardstock which had double sided adhesive on the back. I matted the panel in the same purple then snipped pieces of the die-cut to lay over the base of the panel.
I’m looking forward to seeing irises pop up in my snow-free garden before too long; there is no snow on it now!
Stamps: summer glow 40-610 (PB)
Die: scrolls half edger 51-446
Markers: zig clean colour real brush pens (tea rose, brown, green, violet, orange)
Paper: bristol, neenah solar white, purple
Also: clear embossing powder, double sided adhesive sheet
Today I am featuring the new brushstroke stamp, ‘ravishing’. I have chosen to colour it with distress inks and markers in a couple of my favourite colours. Once again I worked in a stamp positioner so I could add one colour at a time. First I inked the petals of ‘ravishing’ stamp with tumbled glass distress ink and stamped. Next I added dusty concord ink to parts of the petals, spritzed them then stamped. The centre I inked with a mustard seed distress marker, spritzed and stamped then finally added some black details on the stamp with a black soot marker. Once all the ink dried I drew some more details on the panel with the black soot marker.
For a sentiment I die-cut ‘fantastic’ twice from purple cardstock backed with double sided adhesive. I stacked the die cuts together and attached them over the stem. I pulled out an older but very handy set called ‘word express’ and stamped a few words in black ink on watercolor paper. I popped them up with adhesive to create an encouraging message for a mother I know.
I cut the floral panel to exactly the size of my card base so it appears to be almost a one layer card.
Stamps: ravishing 40-589 (PB), word express 30-106
Die: fantastic thank you 51-427 (PB)
Paper: hot pressed watercolour, purple cardstock
Ink: nocturne versafine clair
Distress inks & markers: mowed lawn & forest moss inks, tumbled glass, dusty concord, black soot and mustard seed markers
Also: double sided adhesive sheets, foam adhesive, stamping platform
There are an unusual amount of processes involved in today’s card and I will say there are definitely ways to cut corners and get the same effect. It’s a bit like my approach to cooking; if I look at a recipe and the list of ingredients is more than 10, I’m reluctant, if there are multiple processes then I’m not interested! I’m very much a fan of the ‘one pot dinner’. My husband, on the other hand, will create all manner of elements from scratch before even starting the main recipe.
In the case of this card you might happen to have some black and white chevron cardstock to add to the card front. I did not, so I made my own with the Penny Black zigs & zags stencil. My chevron does have the bonus features of texture and shine. I taped my stencil on watercolour paper ( the same type I used for the floral panel) and spread transfer gel over it. I let that dry then lay black foil over it and ran it through the minc. I also ran some adhesive tape over a strip of cardstock and added black foil to that too so I would have a bold strip to position between the chevron and flower panels.
To create my bright and breezy flower panel I put the Penny Black ‘flower field’ stamp in my stamping platform and worked one colour at a time with zig clean color real brush pens. (I remember last time I posted about these pens I hinted that I might just need a few more colours. When I was in Toronto a couple of weeks back I picked up a few more.) I coloured directly onto the flowers with the pens and was able to add colour over colour as the brush tips are easy to clean off by drawing on a piece of scrap paper. I did spritz the stamp a little before stamping on the hot pressed watercolour paper so the images would be soft and blended. I added some black to the centres while the panel was still damp but dried it before adding fine details with a pigma micron pen.
My little sentiment strip is embossed white on black to tie in with the zigs & zags.
Thank you for dropping in.
Stamps: flower field 40-594, radiant 30-481
Stencil: zigs & zags (PB)
Markers: kuretake zig clean color real brush pens (violet, pink, olive green, carmine red, green, yellow, black), black pigma micron .01
Paper: hot pressed watercolour, natural white, black
Also: transfer gel, black foil, white opaque embossing powder
Tools: minc, stamping platform