There is a lovely new clear set of silhouette stamps in the latest Penny Black release. I’ve used it to create a set of co-ordinated cards in a simple clean style.
I chose some of my favourite distress inks to create slightly blended prints.
All the stamped images are from ‘soulful silhouettes’ and the sentiments are from the ‘trust me builder’ set.
I used hot pressed watercolour for all the stamped panels and white luxe textured cardstock for all the bases.
After inking the silhouette stamps for each design I gave the stamp a very light spritz of water, just enough so there would be blends and watermarks on the stamped image. I couldn’t predict how each would turn out so there are some dryer areas with no blending and some parts where ink has bled into the adjacent ink quite distinctly.
I often pop up my stamped or painted panels on pieces of foam but this time they are raised on just one piece of cardstsock cut a little smaller than the main panel.
The ‘trust me builder’ set is designed so we can make sentiments that begin with the words ‘trust me…’ then finish with one of seven different phrases. I kept the sentiments short using only the endings which are in a smaller simpler font.
Groovy greenery is the name of this set; it’s full of cute plants and pots, seven of each that you can mix and match.
I stamped all the plants and containers with Papertrey ink cubes. I mixed and matched with four different greens making sure I used a combination of two greens in each plant. I stamped the greenery in one ink then blended the inside of the leaves with the stamping ink plus one other. I did some basic masking with post it notes so I could have leaves overlap the leaves of the plant beside and some leaves overlap the pots.
The pots are all narrower at one end than the other so they are designed to be tall not wide but I decided to have some looking a little wonky and wide, kind of like I might have made them myself.
The sentiment is from the new PB ‘trust me builder’ set. There is a large ‘trust me’ stamp and seven phrases to finish the sentence. I just used one of the phrases. I stamped the sentiment in dark green and matted the panel to match.
Just a reminder to enter the giveaway I am hosting with Foiled Fox right now. You need to go back to Monday’s blog post and leave a comment letting me know what you are doing for refreshment these days. Thank you everyone who already let me know, I enjoyed reading all your refreshing tips and past times, some of them are exactly the same as mine and there are a few involving sitting by the water that I wish were mine!
This washtub full of flowers is called ‘barrel of blooms’ and it’s a beauty from the new PB release. I worked on cold pressed watercolour paper in a stamp positioner so I could ink a section, stamp it, blend that section, wipe the stamp then ink another section.
I stamped colour by colour, inking with distress ink cubes and markers. Once I’ve stamped a section I blend it with a paintbrush pulling out the ink of the outline and adding extra where necessary. I used a couple of different green inks for the leaves, candied apple, spiced marmalade and dried marigold for the flowers then a mix of brown and grey for the barrel. All the inks are listed below. Because I do all the stamping and painting with the panel in the stamp positioner I am able to re-stamp a section after I’ve painted to add some of the detail back in.
To ground the image I painted some faded jeans and hickory smoke ink around the base and behind the barrel. I used a dark blue inktense pencil and the Wendy Vecchi stay-tion + ruler to add the look of wood wall behind then matted the panel with co-ordinating blue cardstock.
I don’t have a barrel tub like this one for my flowers but I have three old galvanised tin tubs filled with herbs and they are thriving in the current summer weather.
I’m excited to show you some new summery plant goodness from Penny Black and it’s happening here and on the Foiled Fox blog! I used the new cling stamp ‘illustrious‘, a stamp from the clear set ‘soulful silhouettes‘ and a sentiment from the ‘just like you‘ mini set.
The new release is called ‘Refreshing’ so I have teamed up with Shauna from the Foiled Fox to provide a little refreshment through a giveaway!
All you need to do to enter is comment on this post telling me what you like to do for refreshment these days.
I used distress inks and cold pressed watercolour for this card. I definitely seem to be drawn to blues and greens right now; they’re a little cooler than my oft used pinks and orange combo. You can read more about my process on the Foiled Fox blog but let me say the MISTI was very helpful in creating this leafy panel. I worked on the large leaves first, inking them in mowed lawn then painting them with bundled sage. I moved onto the fern shaped plant which I inked with mowed lawn and faded jeans then did the tiny flowers last in candied apple and hickory smoke.
The illustrious stamp is stamped once on the left then partially stamped on the right and to fill the top edges I just inked and stamped the tip of the fern a few times. I used one stamp from the soulful silhouettes set as filler in bundled sage ink.
I would love to hear some of your most refreshing ideas or past times. Do you have a recipe, a book recommendation, a past time or favourite get away? We are still staying close to home here in Ottawa but I am enjoying my hammock in the backyard, oodles of audio books and the occasional iced coffee or tea.
I am happy to have a stamped and painted scene to share today. I often create scenic cards and panels in winter but I used liquid frisket on this panel to create a summer vista seen through a frame of birches. I teamed up with Grafix , used their liquid frisket kit and filmed the process.
With a technique like this it would be easy to make a card for any season. The birches could frame a snow scene, autumn foliage or even some mountains in the distance.
Painting the sky was fun, you can see in the video I painted the whole sky area in blue then added all the clouds by dabbing colour away with a kleenex tissue.
You can see in the video I stamped the house and trees with archival ink first then built up colour, depth and shadow with distress inks for the watercolour look. Because the Dr Ph Martin inks used on the sky are permanent once dry I was able to stamp and blend over the house and trees without affecting the sky at all and of course over the masked trees too.
What better subject for shimmer on black than a shiny little scooter. ‘The Ride’ is a PB rubber stamp. Once again I had trouble catching the real shine on camera but there is shimmer and shine in real life when the light catches it. I embossed with alabaster embossing powder from Brutus Monroe and made sure I kept the heat tool moving while I embossed so as to not buckle the craft plastic.
I used the new black craft plastic from Grafix to show off the little scooter and painted with pearlescent paints from the Finetec Artist Mica Watercolor Pearlescent paint set.
Painting on the craft plastic is very smooth and particularly straightforward with an embossed image. I also did some detail on the tires and black sections with a grey pencil but it was hard to capture that in my photo.
I wanted to highlight the little orange flowers so cut a mat and a sentiment strip from orange cardstock. The words are from the MFT ‘All About You’ set.
I completed another page in my art journal a few days ago; not the one that inspired a recent card, that one is still to come. This one I started, stopped and restarted again.
You can see there are some shadowy flowers in the background. They are the first flowers I stamped and painted straight on the journal page. The journal isn’t watercolour paper so diluting and painting with ink didn’t work well. I tried to fix it by drawing black outlines and then white gel pen highlights but that didn’t look good either. I like to think of the art journal as a place I can try techniques but sometimes those experiments don’t end up looking pretty.
When I’ve wanted to paint on other pages I have prepped the pages with absorbent ground first; it makes the surface more conducive to ink and water blending. Adding one layer of absorbent ground covered the surface but not the images underneath. When it dried though, I liked the misty images in the background and decided not to do another layer. Instead I proceeded to stamp again with the same inks (listed below) and this time blending the inks with water was more successful. To stamp on the uneven book pages I used acrylic blocks and the Wendy Vecchi ‘perfect stamp positioner’.
Once I finished stamping and painting the PB floral stamps ‘unfolding’ and ‘dainty whispers’ I stamped the delicate ‘a little secret’ stamp repeatedly in old paper distress ink to fill in some grass. I blended broken china ink directly onto the pages to fill the sky area and splattered water over it to break up the flat blue expanse.
Finally I chose the quote from a favourite author, C.S. Lewis and used the C&9 ‘simple serif’ alphabet stamps and some tiny stamps I bought long ago at Hanji gifts in Toronto. I’ve since found out C.S. Lewis did not say this; I guess I should have done a fact check before stamping it all in my journal.
I do like the effect of coloured images under a layer of white. I might do it on purpose next time!
I have another hand painted watercolour today paired with a sweet little stamp from the new Penny Black set ‘trust me builder’. I used my Sennelier half pan watercolours on Fabraino cold pressed watercolour paper. I am still learning how to arrange elements in my paintings but I know for a random pattern (is that an oxymoron?) it is best to do the largest elements first, then the next biggest and so on, in this panel ending with the small splatters and dots.
Unless you are after a symmetrical design odd numbers of elements are usually more pleasing to the eye so I have three large flowers then three medium sized flowers but I slipped up on the berry clusters, there are four not five and I can see where I should have painted another!
I painted this design on a larger panel and then cropped it to make it look more balanced. I used a rectangle die to choose the part of the panel I wanted but you can do the same with two pieces of ‘L’ shaped cardstock held on opposite sides of a panel and moved to ‘frame’ the design. I popped up my painted panel on foam and my stamped sentiment on one extra piece of cardstock.
Introductions are necessary, I have a new crafting surface to share with you. Opaque black craft plastic has just been released by Grafix and I found it to be a perfect base for pearlescent paint. It was tricky to photograph but I think you can see the shimmer in the both the paint and the gold card base. Here is a video of my process.
The craft plastic also comes in white which I’ve used successfully with alcohol inks. I can’t wait to try the new Ranger Alloy inks on the black.
Grafix gave me the opportunity to try the black craft plastic and I had fun with the alcohol inks and paint markers as well as the pearlescent paints shown here. I’ll be sharing more projects in the future and I will be asking my favourite stores if they can carry this new product.
More than once I have created cards that inspire me to make art journal pages. This time it was the other way around; I created an art journal page that inspired this card. Perhaps I should be showing you the journal page first but it contains as yet unreleased stamps so I have to keep it under wraps for a little while longer. (just in case you hadn’t seen them yet, Jill has been sharing some sneak peeks of new PB products over on the PB blog). The panel is stamped on cold pressed watercolour paper. I kept it in the stamp positioner so I could add some detail once all the paint was completed.
I stamped PB ‘Springtime Sigh’ in antique linen distress ink then painted the flowers with Sennelier watercolour paints. To keep the panel cohesive I used the same red and blue paints to create a variety of reds and burgandies for the four large flowers. The blue showed up in the purple flowers and the green stems. Once all the painting was finished I partially stamped the rose with ‘aged mahogany’ distress ink and added little details to the other flowers with a chipped sapphire distress marker and a black soot marker.
The combination of antique linen outline and faded burgandy petals gave the painted flowers a vintage look so I filled the rest of the panel with the same image stamped in antique linen, then chose crimson red versafine to stamp the sentiment from PB ‘special sentiments’.