I’ve done some more playing with watercolours and clingwrap. Quite a lot of playing actually; it’s addictive. I don’t even remember if the panel above was painted initially with brusho powders or pan watercolours or both. I do know I started with a large piece of cold pressed watercolour paper taped to a glass mat. I wet the panel then added the paint and let it move around and blend a little before I placed the cling wrap on top. I did remember to take a photo of the panel after it had dried and I’d removed the cling wrap. The card above which looks a bit like some hydrangea flowers was painted on the bottom right corner below.
The butterfly card below was made from the top left corner of the large panel and the flower card was made from the top right corner. I did work on the bottom left corner but didn’t end up liking what I’d made.
For the butterfly card I used a stamp from Darkroom Door ‘wings’ set and stamped it on the panel in blueprint sketch distress ink. After stamping I blended the ink plus some pearlescent paint from a finetec palette to fill the butterfly’s wings. It’s not obvious in the photo but the wings shimmer.
Once the butterfly was dry I did some water stamping using a fern stamp from the DD ‘leaves ‘ set.
The flowers are from the DD ‘tall flowers’ set and were stamped in festive berries, mowed lawn and wild honey distress inks. I also added gold paint to the flower centre. You can see some more water stamped ferns and some second generation stamping with the flowers also. The little circles on all three cards were made just by adding some droplets of water, letting them sit on the panel then dabbing them up with a paper towel.
The card above with the purple flowers doesn’t feature any stamping, the patterns made by the cling wrap made me think of a hydrangea flower head so I painted a bunch of little flowers using a purple watercolour pencil to draw centres then a paintbrush and water to blend the pencil into petals. While the petals were still wet I used the pencil again to add some darker areas in the centres.
The red shape on the left hand side looked a bit like a flower so again I used a watercolour pencil to add a bit more colour and followed the lines left by the cling wrap.
Whether painting or stamping over the panel, I love the patterns and play of light and dark in the background; I think it creates atmosphere. Have I finished with this technique now I hear you ask? No, definitely not. Have you tried it?
Before we talk about the freestyle, abstract floral above I want to direct you to CeeCee, the inspiration for today’s post. Her website is CreationsCeeCee and I’ll link to her youtube further down in this post.
As the title suggests this panel was created with brusho paints and cling wrap plus a few pencils and pens in the second half of the process.
This painting was inspired by a beautiful painting CeeCee Creations did recently. I watched her video which you can see here. She used watercolour paints and cling wrap to create a pattern then used coloured pencils to add shading. I loved her process and end result and have been playing with the technique for the last couple of days.
I taped some watercolour paper to my glass mat, wet the whole panel then scattered brusho over it. I just used two colours of brusho, olive green and violet and I tried to keep them a bit separate. I spritzed the panel lightly to keep the paint moving then lay a piece of cling wrap over the panel and scrunched it over the whole area. The wet paint sticks to the clink wrap creating coloured areas. Where the cling wrap is raised and bunched together there are gaps in the paint. It’s hard to explain but CeeCee’s video gives you the idea. The covered panel takes a long time to dry but once it has you remove the cling wrap to reveal intersecting lines and spaces. I studied my panel and instead of the purple flowers with green leaves I was hoping to see I saw the suggestions of green flowers and purple ‘things’. The idea is to enhance the lines and patterns made by the cling wrap rather than draw whole new patterns. I wish I had taken a photo before I did any colouring that would have given you a better idea.
I used watercolour pencils to turn some of the cling wrap patterns into flowers and shapes and then blended the pencil with water. (CeeCee used polychromos pencils so my shading ended up looking slightly different to hers.) I used a purple and two green Albrecht Dürer watercolour pencils then once my shading and shaping was done I highlighted the centres of the green ‘flowers’ with white and black gel pens.
I’m not sure which way is up so I’ve posted photos of both a portrait and a landscape orientation. What do you think? Does it matter?
I squeezed in a little painting the other day using Sennelier watercolours on cold pressed watercolour paper. I used only three colours, a purple, a green and a pinky purple.
I have a few lilac stamps in my stash which I really enjoy using but I wanted to try my hand at painting them myself. I painted with the stalks pointing up to start with, then at some point turned the panel around to finish it off.
The little sentiment strip is from Taylored Expressions; she has a range of sentiment stamps where you stamp all the phrases in one print then cut them into strips with her co-ordinating die. It is a clever idea. I like the fact that I then have a pile of sentiments to choose from.
I painted a simple scene recently featuring mainly grasses along with some berries and golden flowers. Unlike some of my other paintings where I have tried to make them look like a particular flower or vegetable, these plants are whimsical doodles.
I was inspired by CeeCee of Creations CeeCee; she does beautiful paintings in lovely natural colour palettes and often includes some gold or silver. I painted on cold pressed watercolour paper with Sennelier watercolours plus some gold from a Finetec pearlescent set.
As you can probably tell I began with the green leafy grasses but painted with the panel upside down. My intention was a weeping willow type of look but when I turned it around I decided to continue painting plants reaching for the sky instead. I finished it off with some fine gold splatter.
I have another hand painted watercolour today paired with a sweet little stamp from the new Penny Black set ‘trust me builder’. I used my Sennelier half pan watercolours on Fabraino cold pressed watercolour paper. I am still learning how to arrange elements in my paintings but I know for a random pattern (is that an oxymoron?) it is best to do the largest elements first, then the next biggest and so on, in this panel ending with the small splatters and dots.
Unless you are after a symmetrical design odd numbers of elements are usually more pleasing to the eye so I have three large flowers then three medium sized flowers but I slipped up on the berry clusters, there are four not five and I can see where I should have painted another!
I painted this design on a larger panel and then cropped it to make it look more balanced. I used a rectangle die to choose the part of the panel I wanted but you can do the same with two pieces of ‘L’ shaped cardstock held on opposite sides of a panel and moved to ‘frame’ the design. I popped up my painted panel on foam and my stamped sentiment on one extra piece of cardstock.
I’ve been painting again but took a break from florals. I pictured this veggie panel in my head before I sat down to paint it and realised part way through I should have been working bigger. I did the carrots first and as they were the biggest vegetable I regretted making them so small. All the rest of the veggies had to be pretty tiny to make it work.
I used Fabriano cold pressed watercolour paper and Sennelier watercolour paints. The card is one layer so I folded the piece of watercolour paper then masked the edges before I started painting. I had watched some youtube tutorials to glean hints including Jenna Rainey’s ‘farmer’s market‘ and Laurie Tsou’s ‘drawing fruits and vegetables‘.
When I had filled the panel with carrots, broccoli, beets, chiles and mushrooms it still looked unfinished so I had to include the peas. I am not a fan of peas but as you can see they are the perfect filler, for a painting mind you, not a meal. When I was a child I was required to eat the number of peas that matched my age at the time and yes my family still brings that up and amuses themselves by asking if the required number of peas are on my plate! After I’d added the peas, with a stylus not a paintbrush, I still needed more definition on the masked edges so I blended some bamboo branch memento ink lightly over the tape. The sentiment is from Altenew’s ‘leaf canopy’ set.
Stay awesome my friends and eat your veggies. Or paint them if that’s more your style. Or better yet, grow them, paint them then eat them!
I’ve been doing a bit more watercolour painting. When I started this one I didn’t intend to make all the elements so teeny tiny; it took a while to fill the square. I started by taping a square frame on a folded piece of cold pressed watercolour paper to make a one layer card.
I used my Sennelier watercolour paints and as you can imagine a fairly small round watercolour brush to fill the square with flowers and foliage. I kept the colour palette limited and added a few shimmer highlights at the end with some coliro pearlescent paint.
Peeling the tape off the paper to reveal a clean straight edge was very satisfying then I finished it off with a PB sentiment stamped on a co-ordinating green cardstock.
It is a constant resolve of mine to do more painting. I love painting with stamped images but I want to improve my painting without stamps too. I spent some free time recently painting this little wreath for a friend’s birthday. I worked on Fabriano cold pressed watercolour paper (100% cotton 140lb) and used Sennelier watercolour paints. As usual I kept my palette of colours limited concentrating on the same red, blue, purple, grey and mustard paints to get different hues and tones. I began by tracing a circle with a light brown watercolour pencil knowing that I would cover most of it up and it would dilute and disappear as I painted over it.
I started by painting the large flowers then moved on to the smaller ones and leaves. I kept adding little leaves or buds thinking the circle was unbalanced but eventually had to tell myself to stop. The decision about whether to stamp, hand letter or die cut some words is still unresolved. What to do you think?
Today’s card features a hand painted flower and a hand lettered sentiment. I am open to suggestions as to what type of flower it is; it looks like it could be a dahlia, or perhaps a peony or pink cornflower. I am also a bit hazy on what I used to paint it – sorry – again! It was just a painting exercise that turned out looking like a real flower so I decided to turn it into a card. It could be distress stain or peerless watercolours. I matted the flower panel in a teal to match the leaves then popped a handlettered sentiment on a die cut tag.
Hope you are having a delightful day.
By the way The Foiled Fox is having a St Patrick’s Day sale this weekend, go check it out. Foiled Fox kindly sent me the Peerless watercolours that may or may not have been used on this card. They also sent me the beautiful nib holder that definitely was used to write that sentiment.
In keeping with my resolve to mix up my card layouts a wee bit I have a triptych inspired card to share. I painted the roses on a piece of watercolour paper, added leaves and blue flowers (not sure what they might be) then decided to find some inspiration on my ‘sketchy’ pinterest board. I sliced my panel into three strips of the same width then trimmed the ends so each would be a different length. The sentiment fitted quite nicely in one of the white spaces. I stamped the sentiment once in green then over the top in blue which gave me the bluey-green I was after to match my paint. I think the colours are soft enough to join in with the ‘pastels’ challenge on Less is More this week.
I hope you are having a lovely day.
Stamps: Happy Snippets, (PB)
Ink: Majestic Blue, Olympia Green Versafine inks (Tsukineko)
Paint: Sakura Koi watercolours
Paper: Heavy weight water media paper (Ken Oliver), Neenah SolarWhite 110lb cardstock, green cardstock