I posted a clean and simple two tone card last week featuring a new Darkroom Door set, ‘warm wishes’. The detail of the stamp was very apparent in my earlier card but this time I am showing it off with a watercolour look. The set includes five flowers ( I think they are clover) of different shapes and sizes. I have used a rounder flower on this card and stamped it several times to create a blurry background then twice with detail in the foreground.
I began by taping some hot pressed watercolour paper to my glass mat then spritzing it unevenly with water. When it was fairly wet I inked the flower stamp in worn lipstick, aged mahogany and peeled paint distress inks then stamped it repeatedly over the wet panel. I re-inked the stem to stamp several times in the bottom left hand corner. To frame the design I painted some stormy sky distress stain around the edges. After the panel dried I transferred it to a stamp positioner so I could add a couple more flowers. I used the same three distress markers to ink the flower and stem then added darker green with a forest moss marker.
For some added interest I used a number stamp from another new Darkroom Door set, ‘number medley’. I know I am going to enjoy using this set to add texture and detail to a whole lot of projects. You probably wouldn’t have guessed the stamp is made up of numbers because I stamped with distress stain and did some spritzing to make the ink move a little.
To complete the card I added a sentiment from ‘warm wishes’ in faded jeans archival ink then popped up the whole panel with some white foam. I feel like transforming this design into an art journal page; what do you think?
For more inspiration with this new set head over to the Darkroom Door blog.
As you can imagine, I was thrilled when I saw this stamp. Yes it is one stamp with all these beautiful trees in a snowy clearing! It’s called wintertide and it definitely portrays what I am seeing outside these days.
I worked on hot press watercolour paper because I did plan to add a little water as I worked but the stamp is very detailed so I didn’t want added water to blur the detail and lose all the snowy white areas. There are some white splatters in the sky made by splots of masking fluid splattered on the panel before I started stamping.
I kept the stamp in a stamp positioner so I could stamp one colour at a time starting with pine needles distress ink. I added other distress greens and blues bit by bit to give definition to the trees on the right and the bushy area in the foreground. I spritzed the stamp lightly with water after inking the area left of the big tree so the greens blended with each other. Once I had built up enough colour variation I dried the panel and added a frisket film circle mask before colouring the sky. I used blending brushes to apply tumbled glass and chipped sapphire distress inks to the sky and the snowy path.
This stamp is very detailed but that does not have to mean it is difficult to use. By stamping the whole image first in a light colour you are able to see where to change colours when adding ink with markers or ink pads. When I don’t use markers I add ink to a large area with an ink pad(often a cube) then wipe it off the areas I don’t want stamped. Jill Foster has a fabulous video tutorial for this stamp so check that out if you want some ideas.
Above is the second of my three colour cards painted with only ost blue, sandstone and lemon brusho. The first card displayed some of the texture and blending which is easily achieved with brusho, in this card it is easier to see the three basic colours plus a couple of the colours I mixed myself. As with the first card I mixed the brusho powders with water in a palette but for this card didn’t sprinkle any brusho directly on the watercolour panel.
The PB bouquet ballet stamp is stamped in black ink on cold pressed watercolour paper; I used a stamp positioner as cold pressed watercolour paper has texture which prevents me from getting a perfect impression first go. The small poppy is painted in lemon brusho, the large flower with sandstone and the multi-headed flower in ost blue. On each one I dropped in more colour for extra depth. The small trumpet shaped flowers to the right are also painted in ost blue but a diluted coat. The stems and leaves are painted in a mix of blue and lemon. The centre of the flowers I painted in brown which was a mix of blue and sandstone brusho. I did use a black marker to colour the little flower centre thingies, but we are not going to count black as a fourth colour!
Happily I found a blue cardstock in my stash to create a sentiment strip and a frame. I embossed the sentiment from MFT fluttering friends in gold powder and popped it up over the panel. The frame is cut using PB square frames and glued on using on point glue because of the tiny tip on the glue bottle. I have one more card to show you in this miniseries and I think it might be my favourite. Check back soon.
The pine needles and pine cone stamps I used for this card are from Darkroom Door and I love how realistic they are. The stamps are quite large and there are several sizes and shapes of cones which makes for lovely feature images and fillers as well. I used one pine cone stamp but two of the pine needle stamps and worked on hot pressed watercolour paper which had been splattered with masking fluid. If you look at the close up below you can see large white dots as well as tiny ones; they’re all made by the masking fluid.
I stamped the pine cone three times using a stamp positioner and four different brown distress inks. A spritz of water started the browns blending and I did a little blending with a paint brush as well.
I stamped the green pine needles with forest moss and evergreen bough distress inks and the fine needles in the background with iced spruce. I added some green splatter then some gold splatter using one of the gansai tambi starry colours. I used the ‘jumbo joy’ die from Penny Black to cut out the word joy from the stamped panel and cut three layers from shimmer gold cardstock as well so I could stack them up just a little offset so the gold peeps out on the side.
I stamped the rest of the Christmas carol lyric using a stamp from Ink to Paper’s ‘season of joy’ set and some gold embossing powder. The overall pattern may be a little messy but it reminds me of what I see if I look up into the branches of the very messy pine tree in my front yard, which is currently covered with snow but not gold splatter!
I have been blessed to receive some beautiful handmade Christmas cards in the mail this week and I am enjoying them on my window ledge. I hate to say it but as yet I have not sent a single one! As I’ve said before there are twelve days of Christmas so I haven’t run out of time yet!
I have a less traditional colour scheme for you today featuring pink and purple on this pretty poinsettia stamp from Penny Black. I wasn’t set on being non-traditional when I started but it headed that way as I progressed. I started by smooshing tumbled glass and blueprint sketch distress stains on my glass mat, adding water then swiping a piece of hot pressed watercolour paper through it to create a soft background. Once it dried I used my stamp positioner to stamp and emboss the ‘poinsettia poem’ stamp in silver embossing powder.
I smooshed papertrey ink cubes onto my glass mat to use as watercolours and painted the flowers in scarlet jewel and royal velvet, the leaves in pine feather and the berries in winter wisteria. I used a gold gel pen to colour the centres. The card is not quite so bold as the photo suggests but even so I wanted some light and bright features alongside the painted panel so I framed it in silver and added some die cut holly to the white card base.
In keeping with my resolve I stamped inside the card and on the envelope with winter wisteria ink and add the sentiment in the same.
I have two more wreaths to share today; I don’t think I’ve ever made so many wreath cards. This year I did them in a class and I’ve done them here at home more than a few times with little stamps and big stamps. The fact that Penny Black came out with such beautiful wreaths this year kept the inspiration going.
The stamp above is called ‘conifer wreath’ and the stamp below ‘homespun’. I used the same technique for both. Working on hot pressed watercolour paper (psst Foiled Fox has Fabriano in stock now!!) I splattered masking fluid over the paper before I started stamping or painting so I would have dots of snow appear at the end. Once the masking fluid was dry I used my glass mat and spread some pine needles, evergreen bough and gathered twigs distress stain over the mat. I diluted it with water then swiped both panels through the stain to pick up pale green and brown blurry colour.
Once the background ink dried I used the stamp positioner to stamp the wreaths colour by colour using pine needles and forest moss distress inks for the foliage, gathered twigs and black soot for the twigs and pine cones and chipped sapphire for some added depth. I drew a few berries on the wreath below with a festive berries marker then painted over them with red from the finetec pearlescent paint set.
To add a little snow to the pine cones I used a white gel pen then splattered some green and brown ink around the wreaths. Once all the ink was dry I removed the masking fluid then added some texture to the panel with the clever SU embossing folder ‘subtle’.
To add a sentiment to the conifer wreath I die-cut a few ‘joy’ words with the PB die, ‘merry & joy’, stacked them and added them over the bottom of the wreath. Now what I really need to get done is a wreath to hang over my fireplace!
This leaf is from a PB stamp set called ‘filligree foliage. I haven’t used it for a few years but it is perfect for creating some autumn leaves. As the name suggests each leaf has a filigree pattern on it but you can’t see it on this card because I am using the stamp for its shape not its pattern. To see cards I’ve made in the past with this set click over here, here and here
I worked on hot pressed watercolour paper and moved the stamp around each time I stamped it. I used abandoned coral and frayed burlap distress inks, an odd combo, but one which seemed to work and even gave me a some purply blue in a few places. After stamping the leaf I immediately blended the ink with a paintbrush and water until I had filled the entire shape diluting all the stamped ink as I did so.
I added a double stacked sentiment die cut from olive green cardstock then ruled a thin brown frame around the edge with the help of the ‘staytion’ magnetic board and ruler. I know the ‘staytion’ was designed with stenciling in mind but it makes lining up die cut words and letters easy as well as ruling lines.
Can you believe I have another card for the current CAS watercolour challenge?