My second gilded card also features dragonflies, this time little silver ones. In my previous post I shared a card gilded in both gold and silver flakes; this time I just used silver because I think silver and blue look so very pretty together. I used stick it adhesive once again to attach the gilding to the watercolour panel and colorburst powders to create the background panel.
I sprinkled three colours of colorburst powder on watercolour paper then sprinkled with water. Once the colours were blending nicely I used a brush to spread the colour to the edges of the panel. I dried it with a heat tool then added droplets of water a few at a time and dabbed some of them up with a paper towel. I dried the panel in between each batch of water droplets so I could get a mass of water marks. I die-cut three dragonflies from stick it adhesive then applied them to the watercolour panel, removed the backing paper and rubbed silver gilding flakes on top. I burnished with a plastic scrubby pad to remove the excess flakes. It’s finished with a frame of silver spiderweb fabric that comes from France and happens to match the gilding flakes perfectly.
The star of today’s cards is the pretty cattails clique die from Penny Black. I cut it as a silhouette out of black cardstock for my dawn card and painted it for my dusk card later on in this post.
To create my dawn background I taped down some rough watercolour paper. More often than not I use hot pressed(smooth) watercolour paper but I decided this time to let the texture of rough paper add to my project. I taped across the panel about two thirds of the way down so I could paint the sky first. I used the wet into wet technique and painted first mustard seed, then worn lipstick, spiced marmalade and dusty concord distress stains onto the panel. In some places I blended the colours into each other but left one area lighter and more yellow to represent the sun. When that was dry I removed the tape and positioned it over the top section to reveal the lower section. I painted again with the same colours but blended it more to represent the reflection of the sky in the water.
I applied a double sided adhesive to black cardstock then die cut the ‘cattails clique’ out of it and attached it to the watercolour panel and added a sentiment in black ink.
For my dusk card I used cold pressed watercolour paper but this time started by splattering masking fluid over it. I then painted stormy sky and faded jeans distress stain over the panel diluting it with water towards the bottom. On separate pieces of cold pressed watercolour paper I painted gathered twigs distress stain across the top of each panel and mowed lawn distress stain over the bottom of the panel. Once they were dry I cut two more ‘cattails’ pieces to layer over my sky panel.
Before assembling the card I rubbed all the masking fluid off the blue painted panel to reveal ‘stars’ in the evening sky. I layered and offset my cattail die cuts, attached them at the bottom of the panel and matted the scene in dark blue cardstock.
I love creating scenes with stamps and dies so the cattails die makes me happy.
Stamps: Spiritual snippets (PB)
Dies: Cattail Clique (PB)
Inks: mustard seed, worn lipstick, spiced marmalade, dusty concord, stormy sky, faded jeans, mowed lawn, gathered twigs distress stains, versafine onyx black ink
Paper: rough & cold pressed watercolour paper, black cardstock, blue cardstock
Also: masking fluid, double sided adhesive sheets
I’m playing with layers in today’s card, both layers of stamping and layers of painting. I used a couple of colours of distress stain to create the background on hot pressed watercolour paper. I painted with both chipped sapphire and stormy sky, keeping the colour dark on the left and pale on the right. After I had done one layer I dried it then painted another layer. While the second layer was still wet I stamped the ‘a little secret’ stamp in chipped sapphire ink, taking care as I inked it to leave the birds uninked. I let that dry and stamped again in chipped sapphire to get an image which didn’t soften and bleed. With the panel dry I dropped some water droplets onto the painted background then after a minute or so dried them with paper towel. The watermark left behind looks like light or a moon in the distance. To finish I stamped the full stamp in versafine onyx black ink.
You can see the deckled edge in the close up above. I buy quite a bit of hot pressed watercolour paper in large sheets and each sheet has two deckled edges which occasionally I incorporate into my projects. I mounted the panel on a white card base and left it without a sentiment.
Thanks for dropping by.
Stamps: a little secret (PB)
Inks: chipped sapphire, stormy sky distress stains and inks(Ranger), versafine onyx black (Tsukineko)
Paper: Fabriano hot pressed watercolour paper
So far this week I have shared three new brushstroke stamps from Penny Black and three different techniques for ‘painting’ with them. I say painting because that really is what I do with brushstroke stamps; I choose a water soluble medium and apply colour in such a way as to create the look of watercolour painting. Today’s card was done using my ‘stamping with water’ technique. I put the pretty, new stamp, A Moment in Time, in my MISTI and painted water on it. As I applied the water with a paint brush I noticed it was beading rather than spreading over the rubber. I realised it was a brand new stamp and needed a little bit of prepping before I used it. I don’t always do this because sometimes the first coat of ink will do the prep for me. I keep a piece of fine sandpaper on hand (it is very fine and has been used many times so it does not damage the stamp at all) to rub gently across the surface of the rubber, then I simply clean with some stamp cleaner. Another way to prep the surface is to use an eraser to rub all over the stamp before cleaning with stamp cleaning solution.
Once I had prepped the surface of the stamp I was able to coat it with water and stamp it on a piece of hot pressed watercolour paper. I could see the watery poppy image on my panel so it was simple to sprinkle brusho powder in the right place, gamboge over the flower head and leaf green over the stem. I watched and waited as the brusho activated then added more water to the stamp and stamped again. I moved my panel so I could stamp another poppy and followed the same procedure. Once the brusho powder stopped reacting I dried the panel with a heat tool, tapped off excess brusho powder and used a paint brush to fill in a few petals. I added a leaf using the same technique then a few droplets of water in the centre of the poppies and some black brusho where I had made it damp. I dried the whole panel before creating a sky by sprinkling some turquoise brusho then spritzing it. I wanted to protect the poppies from coming in contact with too much water so I painted water around the edges then pulled the turquoise colour into the water keeping some areas light while letting others be more intense.
I finished the card off with the ‘wonderful’ die cut and some handlettering to complete my sentiment. I have received some lovely comments in the last week or so and I want you to know how much I appreciate them. I have read the requests for videos also and hope to get onto some as soon as my class prep is up to date. Thank you for visiting, commenting and making my day!
Stamps: A moment in time (PB)
Pens: Fudenosuke brush pen hard tip (Tombow)
Paint: gamboge, leaf green, black & turquoise brusho (Colourcraft)
Die: Awesome (PB)
Paper: hot pressed watercolour paper (Fabriano) orange cardstock, neenah natural white cardstock
Between Christmas and New Year I did some major re-organising in my work room and changed the way I store my stamps. I am still working out a few details and wondering the best way to store my wood block stamps but other than that the new system seems to be working well. One benefit of doing some serious sorting was re-acquainting myself with my supplies. I pulled out a stamp from a few years ago and my Koi watercolour travel set to make this card.
The stamp is a bouquet of flowers in a vase but as you can see I left the vase out of the picture and just worked with the flowers to create a border. With masking I could have positioned the flowers even more closely but I was hoping to finish this card fairly quickly so I just stamped the flower part of the stamp with the MISTI then moved my watercolour panel and stamped again. I used distress ink to stamp so I could blend it while painting. To keep it simple I used two colours of paint on the petals switching back and forth between a pink and a pale orange. I painted olive green into the leaves but then went around the edges and over the stems with a marker. To complete the flowers I painted black dots and yellow centres.
It really was a fairly quick panel to paint, the time consuming part ended up being the way I mounted it between a strip of pink and a die-cut edge of pink. I should have just attached it over the top of a pink panel but I made it less bulky but more fiddly by cutting both the watercolour panel and the pink cardstock with the edge die then aligning them on the card base. The Happy Little Stampers challenge this month is watercolour with an optional twist of die-cutting, so I’m popping over to add this one in.
As I write this I am sitting beside an amaryllis which looks like it might just burst out in bloom today. It is a gift from one of my artsy accomplices and it has been growing very steadily since the new year. It’s nice to have a real flower inside when all outside is snow and ice!
Stamps: Centerpiece, words of kindness (PB)
Creative Dies: stitched edges (PB)
Inks: abandoned coral distress ink (Ranger) Olive grove memento marker, versafine Spanish moss (Tsukineko)
Cardstock: Fabriano 100% cotton hot pressed watercolour paper, Neenah Natural White 110lb cardstock, pink cardstock
Also: Koi watercolor field sketch travel kit (Sakura)
These cute little dies are part of a set called Neighborhood love; I love the little house and building dies Penny Black has brought out even though they challenge my fear of the fiddly factor. I started this card by positioning a frisket film circle mask on a piece of watercolour paper. I sprinkled ultramarine blue powder and a tiny bit of merlot over the panel and spritzed it lightly from above. I spritzed only until I could see some patterns appearing but stopped before all the spots of colour started joining together. I used a heat tool to dry it, pointing the tool down at the panel not from the side to reduce the chance of the wet paint moving across the panel. It reminds me of a mosaic.
I painted another small piece of watercolour paper with merlot colorburst powder then die cut the buildings from the piece and attached them across the bottom of the panel.
I removed the mask then wanted to hand letter a sentiment inside the moon; I ended up not being game and chose this sweet sentiment from the ‘forever & always’ set.
Stamps: Forever & Always (PB)
Die: Neighborhood Love (PB)
Paints: Merlot & Ultramarine Blue Colorburst powders (Ken Oliver)
Inks: Versafine onyx black ink (Tsukineko)
Cardstock: hot pressed watercolour paper, neenah epic black cardstock
Also: Grafix frisket film