I have a simple design for you today and I turned on the camera while I was doing it. It’s probably something you have tried before but might be new to a few readers. I used washi tape to mask off a frame on a one layer hot pressed watercolour card base then created a watercolour background with distress inks and salt.
The stamps are some of my favourite silhouette stamps from the Darkroom Door ‘wildflowers vol 1’ set with a sentiment from a recent set ‘warm wishes’.
It was fun creating a one layer card again; some of you will remember when I was part of the ‘One Layer Wednesday’ challenge and ‘One Layer Simplicity’ challenge a few years back.
Let me know if you try this technique, I’d love to hear or see what you came up with.
This watercoloured panel stamped with the PB ‘alluring’ stamp has been sitting around for a long time. I’ve been trying to come up with a slightly different way to turn it into a card. I create a great many cards with one large stamped and painted panel and little else so I wanted to mix things up a little with this one. I finally decided to slice up the panel then pop it up on foam backing.
I stamped the original panel on cold pressed watercolour paper and used one of my favourite watercolour techniques. Instead of stamping in a pale water soluble ink then painting with ink or watercolour paint I ink the different parts of the scene with different inkpads or markers, spritz the ink with water then stamp. With some extra ink handy on my glass mat I use a paint brush to blend the stamped ink into the petals, leaves and other shapes adding extra ink where needed.
When slicing it up I took care to divide it unevenly while making sure some elements carried across to adjacent sections. That way the eye moves across the panel and doesn’t come to halt in the middle. I’ve listed the inks I used below, all distress inks in either ink cube or marker form. Oh and by the way have you seen the new distress colour? ‘Speckled Egg’ looks like it might be a blue green or even better a grey blue; I wonder how it compares with tumbled glass and broken china. Regardless, it’s part of the blue family so yes, I will be getting it in a few different forms. How about you?
This rustic style card features a few stamps from the Penny Black ‘country charisma’ set. The clear set includes a jug, a watering can and four floral/foliage stamps to pop in the jug. I had a rough plan in my head as I started stamping but it didn’t work quite how I had hoped. I almost quit half way through but I remembered a tip I had heard from the talented Jenna Rainey in one of her recent videos where she recommended not stopping too soon. Sometimes a painting or card can look unappealing part way through but balanced and complete when more detail, colour or texture is added.
I worked on hot pressed watercolour paper with some masking fluid splattered on it. I stamped the jug first in papertrey ink cubes ‘smokey shadow’ and ‘cocoa bean’. I blended the inks to fill the jug, adding extra ink from my glass mat where necessary. I let the jug dry before adding flowers and foliage. The leaves and flowers I inked with bright buttercup and olive twist ink cubes. I spritzed them lightly with water before stamping and did minimal blending with a very small brush on the panel. At this point it looked a little ho-hum so I took a chance and stamped another flower in ‘royal velvet’ and ‘enchanted evening’. Can we take a second to wonder how these delightful ink names are chosen? I think I would have fun with that job! The purple flowers definitely added some contrast but it was still a bit of a patchy design; it lacked depth. I ruled a line of black soot ink across the panel then blended the ink downwards adding cocoa bean and stormy sea inks I’d already used and a few drops of the buttercup and royal velvet.
With the jug grounded I felt I was almost there but the background needed a little something. Trying to watercolour around all those little leaves was not an option so I pulled out the blending brushes and blended some bright buttercup ink around the edges and a little bit over the flowers. It is possible to add a very pale layer with a blending brush which was exactly what I needed for this design. I removed the masking fluid to reveal the white blotches adding to the overall rustic look.
To finish off the card I added a very narrow mat in the purply blue colour and attached that to a new fave, ‘luxe grey cardstock’. I think I mentioned recently the lovely luxe white textured cardstock from the Foiled Fox; it’s a creamy colour that works well with my watercolour paper. The same textured cardstock comes in grey; I rarely use grey card bases but I think that might change with this lovely luxe grey.
Have a great weekend, friends.
It is a constant resolve of mine to do more painting. I love painting with stamped images but I want to improve my painting without stamps too. I spent some free time recently painting this little wreath for a friend’s birthday. I worked on Fabriano cold pressed watercolour paper (100% cotton 140lb) and used Sennelier watercolour paints. As usual I kept my palette of colours limited concentrating on the same red, blue, purple, grey and mustard paints to get different hues and tones. I began by tracing a circle with a light brown watercolour pencil knowing that I would cover most of it up and it would dilute and disappear as I painted over it.
I started by painting the large flowers then moved on to the smaller ones and leaves. I kept adding little leaves or buds thinking the circle was unbalanced but eventually had to tell myself to stop. The decision about whether to stamp, hand letter or die cut some words is still unresolved. What to do you think?
I attended a class not too long ago taught by my clever friend, Liane, where we used paint chips to make cards. Some paint chips have colours from the same family displayed but others have colour combinations that are suggestions when painting and decorating a room. I used one such card to choose the colours for this blue floral card. The paint chip featured colours called nautica, blizzard and tahini. I found similar colours on my peerless watercolour palette and did some no-line watercolour.
I started by stamping C&9 ‘meadow blossoms’ floral stamp in Gina K ‘whisper’ ink. The ink is a pale beige/grey dye ink which disappeared nicely as I painted with peerless watercolour paint over the top. I worked on non adjacent petals so the paint and water would not bleed from one area to the next. On the largest flowers I painted a dab of ‘Alice blue’ paint then blended it with water to fill the petal.
On the smaller flowers I switched the order and painted each petal with water first then dabbed in some blue paint. The second method resulted in slightly paler flowers. I painted all the leaves and stems in ‘warm sepia’ and the flower centres in ‘pearl grey’. Once all the paint was dry I used two inktense pencils to add veins and shading to the leaves and petals. I painted black dots in the flower centres then drew tiny stems to the dots with a very fine tip black pen. The black thank you die cut is from the PB ‘many thanks’ die set cut from black cardstock and stacked for extra dimension. I think it works well either side of the cute phrase from the PB ‘million thanks’ set which is stamped in nocturne black on a strip cut with the Taylored Expressions ‘simple strips’ die.
If you are stuck for a colour combo try some paint chip inspiration; I don’t think I would have thought up the blue, brown, grey combo without the inspiration on the chip. And call your bestie!
Hi there, this pretty stamp, ‘nature’s glory’ is making its second appearance on the blog and I’ve paired it up with Arteza real brush pens. I did all the inking with the brush pens and made a video to give you an idea of the process. One of the tricky steps when creating watercolour cards with stamps is when, where and how much water to add, hopefully the video will give you an idea.
You probably noticed in the video the way the brush pen bristles were able to easily get into small sections of the stamp so I could ink the flowers, berries and leaves. I spritzed the stamp before pressing onto the hot pressed watercolour paper so the inks would blend on the stamp rather than me blending them on the paper. I love the softness of the blends including the areas that get more water and the ones that look a little dry because they got less water.
The soft background leaves and flowers were all stamped with ink left on the stamp after doing the bold images. The ink is certainly intense enough that an extra spritz of water is all you need in order to stamp the pale images that appear to be further back between the branches. Dabbing these pale images with a paper towel after stamping makes them even paler and removes any liquid sitting on the surface.
I even had enough ink on the stamp to get a pale print on my envelope then finished with splatter as you know I like to do.
The card below was done with the same stamping technique but I created the soft coloured background at the beginning of my process. I scribbled the blue, yellow and green pens on my glass mat first, spritzed with water then swiped the hot pressed watercolour panel through the ink picking up sections of diluted colour which I dried before transferring the panel to my stamp positioner to do all the flowers. If you are wondering about the sentiment, it is for one of my friends who was told this by a student! When she relayed the experience to me I knew it had to become a card. I did a bit of partial stamping with MFT ‘birdie brown greeting stamps’ then cut the letters b, a, b, y from dark green cardstock (I know it looks black ) with MFT ‘little lowercase dies’.
If you are a teacher connecting with your students on line, encouraging them and trying to come up with methods that work in the current situation please know I think you are the best of the best…baby!
A while back I posted three cards all painted with the same three brusho paint colours and my Welsh friend, Karen requested a video. Well this is it, a different stamp and three different colours (Brusho sunburst lemon, prussian blue, rose red) but the same technique. Here is the one that prompted the video request.
As with the card above I embossed the outline stamp, ‘flutterby’ in gold powder then swiped up a brusho background by sprinkling brusho on my glass mat then spritzing water over it to activate the powders and turn them into liquid watercolour paint. From there I moved onto painting petals and leaves with individual colours and secondary colours. Take a look at the video and you will see what I mean.
After all the painting was done I added some extra shading in shadow areas with Faber-Castell polychromos pencils and some gold thread detail. The sentiment is from PB ‘banner sentiments’ gold embossed and die cut with a die from the PB ‘tagged’ set.
One of the things I like about this technique is the way the background works with the painted images even though the are painted right over the top of a multicoloured panel. The colours work because they are the same colours and because the background is not too bold. You can see in the tulip on the left what the true colour of the rose red brusho is, but the ones that are painted over the blue background still look red, just a deeper red perhaps in shadow not full sun.
Happy Easter my friends. Stay home, stay healthy, stay hopeful and maybe try a new art or craft technique!