This card is the cardmaking version of going down a rabbit hole. I know how easy that is on the interwebs, but apparently it is possible with a card as well. What started out as a vintage style two layer card became a little more than that. I just kept thinking of stamps and papers and techniques I wanted to add.
I decided an insert would be nice; I don’t usually put anything on the inside of my cards so an insert is quite the departure. An insert turned into two inserts which is more like a little book when you count both sides of the pages!
The front panel, which was initially going to be the whole deal features several Darkroom Door stamps: scratches background stamp, sheet music background stamp, global postmarks, art de fleur vol 1.
For the whole card I stuck with four Papertrey ink cubes (listed below); I used them for stamping, watercolouring, splattering and blending with a blending brush.
The inside pages are not watercolour paper but handmade paper from a Hanji gifts in Toronto. It is handmade paper with rose petals embedded in it. It was very white straight out of the packet so I smooshed some brown and pink inks on my glass mat, diluted with water then swiped the paper through the ink. This resulted in the colour I wanted but removed the sizing and wrinkled the paper. I ironed it, which did the trick then added little bits of stamping on every page. I used a couple of sentiments and some quote stamps, all from Darkroom Door and reused the same background stamps plus the floral stamps from the Art de Fleur set.
To join it all together I poked holes and used some fine twine for a little ‘book binding’. With all the ‘vintaging’ I did on the front panel and pages the card base itself looked very stark so I swiped that through some smooshed ink too so everything would co-ordinate.
I was so deep down the rabbit hole by this point I realised an ordinary envelope was just not an option so I pulled out another sheet of the handmade rose petal paper, inked it, ironed it and used my envelope punch board to create an custom envelope, which I failed to photograph. All in all a very satisfying but surprising creative project. Now, back to work!
It is a long time since I had my gel plate out for monoprinting; I’m definitely keen, but for the last few months my time has been taken up by an exciting new project I’ll be sharing with you soon. I decided to go through prints from previous gel print adventures to make a few cards with Darkroom Door stamps.
Most often I use acrylic paints on my gel plate but to make this natural coloured background I used water colour powders. I can’t remember which paint colours I used, possibly only one like sandstone which can give a range of browny orange tones. To turn the monoprints into cards I used stamps from DD sets ‘leaves’, ‘butterflies’ and ‘global postmarks’. I also used the small ‘mesh’ texture stamp.
I stamped in ‘vintage sepia’ versafine ink, brushed corduroy and rusty hinge distress inks. Initially I stamped the sentiments from the ‘friendship’ sentiment strips on watercolour paper scraps but they looked too stark and clean so I splattered and swiped some ink on them so they blended into the background a bit more.
I also added some linen thread which worked with the natural tones and the postal images. I popped up the panels with a couple of cardstock layers on white luxe textured card bases.
Are you missing the coffee shops? I’m sure you are missing your friends and perhaps you are missing coffee with friends. This one is for a friend of mine who loves her coffee!
I began with a piece of hot pressed watercolour paper and splattered a few drops of masking fluid over the whole thing. Once the masking fluid was dry I sprinkled sandstone brusho on my glass mat, spritzed the brusho with water and swiped this panel through it. It took a few swipes before I had an orange and brown abstract background. I added some dark brown brusho on one side and spritzed that to make it blend and spread a bit. Once I’d dried that I blended through the new Darkroom Door ‘handwritten script’ stencil with rusty hinge oxide ink.
At this point the panel was very much just an abstract background so I stamped the cup from DD ‘coffee time’ in gathered twigs distress ink and blended the stamping with some water and extra ink. The set also has a coffee cup stain stamp so I added that here and there, spritzing it to make it blurry. I stamped some postmarks from the ‘global postmarks’ set because I can’t help myself.
Unfortunately the coffee cup did not stand out enough from the background and the background itself looked incomplete. DD world map stamp and blueprint sketch distress ink came to the rescue. I stamped the world map several times on the panel in gathered twigs ink and then, to break up the orange and brown monopoly, I added some blueprint sketch ink in just a few places. I found some blue cardstock that matched the blue and stamped ‘friendship’ and ‘you’re the best’ from the DD ‘friendship’ strip of sentiments to finish the card. Oh, and I added a thin strip of brown cardstock separating the blue from the patterned panel.
I’m glad I didn’t give up on this panel; it is just the thing for my friend who I will enjoy a coffee with again one day.
I started today’s card by creating a colourful watery background with distress stains smooshed on my glass mat. ( I am still using up my distress stain daubers but the spray stains will work just as well). I let the panel dry then added some water droplets which sat for thirty seconds before I dabbed them off with a paper towel to create pale watermarks.
To create the collage like background I inked Darkroom Door stamps with both distress stains and distress inks (salty ocean, mustard seed, crushed olive, broken china and hickory smoke). Some stamps I inked then spritzed with water, others I stamped then spritzed the panel with water and dabbed away colour with a paper towel. To create the collage background I used the new sets ‘global postmarks’ and number medley along with ‘French script’ background stamp. The butterfly stamp is from the ‘wings’ set and was stamped three times. I didn’t re-ink between impressions but I did spritz with water so each butterfly is paler than the previous one.
I swiped some of the same inks onto a scrap of watercolour paper before stamping the sentiment from the ‘warm wishes’ set and popping it up decorated with a bit of mustard cord.
Darkroom Door has some beautiful collage stamps but if you want to make your own collage prints then the recent global postmarks and number medley are perfect. Make sure you check out the rest of the latest release and all the inspiration on the blog.
The new Darkroom Door global postmarks set features on today’s cards, and if you look closely you can see I chose several Australian postmarks but there are different shapes and sizes from all over the world. It is a very cool set and once again these cards have made me want to create an art journal page.
I’ve had my gel press out after quite a break and I’m hooked again. In any one session I always end up with some duds and some winners but the more I print, the more I like what I;m printing. One of the lessons I learnt in my latest session was the beauty of restricting my paint colours. You would think I would know that by now considering how often I restrict myself to a limited palette when watercolouring.
The prints I turned into today’s cards were made with a turquoise, dark blue, gold, beige and purple palette. The first card was just beige, gold, turquoise and a bit of dark blue left on the gel press from the previous print. To create patterns in the print I used Darkroom Door stencils and stamps.
I won’t go into my gel printing process because there are videos aplenty that will show you. I brayered acrylic paints onto the press and used the new ‘brick wall’ stencil along with the diamonds and starry night stencils. I also pressed the mesh background stamp and the wavy line postmark stamp into the paint before pulling a print.
After pulling the prints I used black archival and black versafine clair inks to stamp the flowers, sentiments and dragonfly. I stamped several of the global postmark stamps in mermaid lagoon archival ink and tiny numbers from the new ‘number medley’ set lightly in black.
The flowers on the square card are from DD ‘tall flowers’ and are stamped in nocturne versafine clair then embossed in clear powder. The black stamping on the larger card is black soot archival ink. I tried popping up the sentiments from the ‘warm wishes’ set but it didn’t look right, the beauty of a monoprint is that it looks like it has depth and texture even though it is a single layer.