Today’s cards developed bit by bit over a week or so. I worked on flower panels one day, middle layers another day, let them sit a few days, searched for ribbon another day and finally a week later put them together still adding stamping, splattering and blending right up until I called them finished!
I featured the silhouette floral stamps from the new Darkroom Door ‘you are everything’ set. There are four floral stamps along with eighteen word stamps I mentioned in a previous post. The flowers above are stamped on cold press watercolour paper with papertrey inks. I used pale peony and pure poppy on the petals and olive twist on the stems. I spritzed lightly before stamping then blended further with a paintbrush on the paper. I used the same technique on the purple flowers in the second card but worked on hot pressed watercolour paper.
For the vintage and collage details on the card I above I used olive twist and fine linen inks to add painted areas, stamped text, splatter and blending with a brush.
The flowers above are stamped in pale peony, royal velvet and olive twist and I stuck with fine linen and royal velvet as the inks on the layered areas also.
I’ve listed all the stamps I used to add texture and interest to the floral panel and the layers underneath. You can see some of my favourite ‘filler’ stamps including French script and global postmarks. I also splattered water and white paint for some watermarks and subtle blots!
To finish both cards I punched a couple of holes in the top to thread some fabric through. I didn’t have a cream silk or sheer ribbon so I ripped some strips of what might be silk but I can’t remember. The ripped edge worked fine with my vintage layered look.
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I’ve dones some more experimenting in my art journal with Darkroom Door stencils and stamps. As with some of my previous pages I finished and wished I done a few things differently but on the whole I was happy with the bright, happy look.
I began by taping the edges of the double page with painter’s tape which helps keep the pages flattish and creates a clean frame for the design. I painted the pages with absorbant ground in case I wanted to do some watercolour techniques then, when it was dry I painted the top of the page with dylusions pure sunshine paint and the bottom of the page with a mix of dylusions lemon zest & blue lagoon.
I blended oxide inks through the new small sun stencil to make sunflowers, the small wildflowers stencil to make stems and extra flowers and the brick stencil to fill in background. I also traced inside the flower stencil with a black gel pen to make the flowers stand out a little more.
Although I worked mainly with stencils I filled the centre of the sunflowers with texture stamps, added extra leaves around the stems with a fern stamp from the ‘leaves’ set and stamped some script along the lower edge of the page. After adding all the different textures to the centre of the sunflowers, I wished I used the ticket one on all the flowers; it really does look the cutest.
I added splatters of black and white gessos over the panel and wrote the words of the ‘Irish Blessing’ along the sunflower stems. It was the line ‘may the sun shine warm upon your face’ that I thought fitted with the page but decided to include the whole blessing.
There is a collection of fabulous new stamps and stencils in the latest Darkroom Door release so pop over and check them out. You will be seeing more of them around here over the next few weeks.
It is a long time since I had my gel plate out for monoprinting; I’m definitely keen, but for the last few months my time has been taken up by an exciting new project I’ll be sharing with you soon. I decided to go through prints from previous gel print adventures to make a few cards with Darkroom Door stamps.
Most often I use acrylic paints on my gel plate but to make this natural coloured background I used water colour powders. I can’t remember which paint colours I used, possibly only one like sandstone which can give a range of browny orange tones. To turn the monoprints into cards I used stamps from DD sets ‘leaves’, ‘butterflies’ and ‘global postmarks’. I also used the small ‘mesh’ texture stamp.
I stamped in ‘vintage sepia’ versafine ink, brushed corduroy and rusty hinge distress inks. Initially I stamped the sentiments from the ‘friendship’ sentiment strips on watercolour paper scraps but they looked too stark and clean so I splattered and swiped some ink on them so they blended into the background a bit more.
I also added some linen thread which worked with the natural tones and the postal images. I popped up the panels with a couple of cardstock layers on white luxe textured card bases.
This pretty bunch of gerberas is one of the newest stamps from Darkroom Door. I would have shown it to you sooner but it arrived from Australia two days after I left to go to Australia! The inspiration for this colour scheme once again came from a simple web search. A photo popped up with pink, red, apricot and orange gerberas massed together. So that’s what I did.
I stamped in black ink and embossed in clear powder on hot pressed watercolour paper then used zig clean color real brush markers for colouring. I started each flower by colouring around the centre with the marker then blended out the colour with a brush and water. I was able to add more with the markers as needed. To give the flowers even more pizaazz I gave them all a layer of clear wink of stella. (the red and pink ones then got a coat of micro glaze because I kept touching them and getting pink and red stains on things that were not meant to be pink or red!) I wanted to mount the flowers on a background but didn’t want it to fight with the focal panel. The DD mesh stamp worked beautifully and reminds me of the decorative mesh that is sometimes wrapped around cut flowers.
I stamped a sentiment from the large DD ‘thank you’ set and threaded some sparkly black thread through the tag and round the panel. A friend gave me a stash of metallic threads recently and they are coming in handy for a little subtle sparkle.
For the second card I went with a more country style look. All the gerberas feature the same fossilized amber, vintage photo and rusty hinge colour scheme with the two brown inks used also to create a background. I stamped the whole gerbera stamp in fossilized amber distress ink first then inked the centres in rusty hinge. I blended each petal with water and did the same with the centres then inked one side of the flower centres in vintage photo to add some dimension.
I tried a woodgrain background but it was too dark. By choosing to stamp the ‘thank you’ sentiment strip several times more of the cream background showed through. I inked the sentiment strip in vintage photo and rusty hinge distress inks and spritzed it lightly before each print. The result was blended and sometimes smudgy words. I gave both the flower panel and the background the splatter treatment then popped the gerberas up on a foam rectangle.
Gerberas are pretty classy flowers I think, they always seem to stand out in a bouquet.
Are you a wee bit surprised to see a journal page here? I’m surprised myself, surprised but pleased. I really enjoyed dreaming it up and making it. It didn’t end up looking as I imagined but that is the way with journal pages is it not?
This art journal is a Fabriano journal; the paper is nice and thick but not watercolour paper so I painted over it with absorbent ground first. Then I grabbed a bunch of stamps from Darkroom Door along with three light coloured oxide inks and stamped mesh, stone and woodgrain texture stamps over the background. I spritzed it with water to soften the edges of the stamped images and dabbed some out too to make it subtler. Even after adding some water it was still bolder than I wanted so I painted another thin layer of absorbent ground over it.
I filled the bottom of the page with repeat stampings of flowers from the Darkroom Door ‘tall flowers‘ set in distress inks then blended some of the big flowers with water. They don’t blend as well as they do on watercolour paper but the effect is still nice.
I added grass and flowers from the DD ‘ nature walk‘ set, also in distress ink then a border with the mesh texture stamp in black soot oxide ink. It was a bit bolder than I wanted so I spritzed then dabbed with a paper towel ( as you can see I’m a fan of the ‘spritz and dab’ ). I splattered wild honey, forest moss and dusty concord diluted ink over the whole spread and it ended up looking like confetti. To boost a few of the flowers I outlined them with fine tipped black markers.
I wrote psalm 18:36 with a brush pen leaving a space to stamp the word ‘steps’ with the DD alphabet medley stamps. I find choosing words for a journal page tricky, which words and how to add them. But the beauty of a journal page is the experimental nature of it. If I don’t like something on this page, I’ll try something different on another. Once the ink had dried I sealed the large flowers and the lettering with distress micro glaze.
Do you have any art journallers you would recommend for inspiration? I already follow Rachel Greig from Darkroom Door, Julie Fei-Fan Balzer, Vicky Papaioannou and Maremi SmallArt who all have different styles and inspiring journal pages.
I’m hoping to create in my journals more often and will share pages here if possible. Even if you are not an art journal person the designs can usually be converted to a card and sometimes start out as cards anyway!