My final ‘stamping is for the birds’ card is made with the Concord & 9th ‘songbird’ stamp set. I stamped on cold pressed watercolour paper in nocturne versafine clair ink then embossed in clear powder.
I’ve been colouring with my peerless watercolours quite a bit lately so I turned to my other love, ‘brusho’ and worked with a limited palette of leaf green, cobalt blue, yellow and brilliant red. Later in my process I added some black to my palette to save me from mixing all my other colours until I had a black.
I used leaf green to paint the leaves then added some cobalt blue to get a darker green for shadow and variation. I mixed red with green to make a brown for the branch, then painted the berries red with some touches of cobalt blue. I wanted the bird to be brown and grey but ended up with purple and grey which is possibly prettier but less realistic. I created the grey by mixing purple with green from the palette I was using. I mixed some black for the tail feathers and painted the beak and feet yellow.
Because the image is embossed it was not too hard to paint the sky around the image. I started by painting water around the edges of the embossing and then dropped in blue paint which I spread out and diluted with more water. Even after the sky was painted the panel seemed a little empty so I add pine branches to the lower left and right edges to frame the scene then embossed a sentiment from the C&9 ‘very merry sentiments’ set.
I am participating as often as possible in Kathy Raccoosin’s ‘ 30 Day Colouring Challenge this month and enjoying the colouring of others as well. Let me know if you are participating.
Stamps: songbird, very merry sentiments (Concord & 9th)
Inks: versafine clair nocturne, versafine crimson red
Paper: cold pressed watercolour, neenah natural white, red cardstock
Also: clear embossing powder, clear wink of stella
I have been asked a few times for a video showing how I use brusho for emboss resist panels. It is definitely one of my favourite techniques. I have used it with picture stamps and patterns, with one colour of paint powder or several; the principles are the same. I have added a list of emboss resist cards made with paint powders at the end of this post.
One key point to remember when using brusho over embossing is not to overdo the powder or the water. A little at a time means you can see what patterns and depth of colour are developing before you add anything more. In the video I show my method for moving colour around; I often pick up paint from an area with too much pigment and paint it somewhere else.
Obviously you if you sprinkle paint powder on a panel and then spritz with water it will not stay inside all the lines but that is part of the beauty of this technique. If this is a bit too loose and artsy for you try the same technique over an embossed pattern stamp.
Other cards featuring emboss resist with paint powders
happy cacti, embossed grevillea, roses in bloom, black brusho grid, shimmery summer glow, roses all over, flower garden, happy canada day, felicity, falling florals
Thank you for dropping by today; I hope the technique in the video is something you try one day. Let me know if you do; I’d love to hear or see how it went.
Die: thankful heart
Inks: versamark, versafine clair monarch
Paper: hot pressed watercolour, purple cardstock
Paint: terracotta, leaf green, violet brusho
Also: clear embossing powder, double sided adhesive, misti
I still have a few flowers in my garden but it’s getting sparse in out there. The leaves have started falling but not with any real commitment yet. I chose an autumn colour scheme and kept my paint choices to a minimum. I used brusho ost blue, yellow and crimson brusho and did some mixing to get all the variation you see in the card.
I stamped the large floral image from the PB set ‘radiant’ in antique linen distress ink. It’s a pale water soluble ink which is perfect for watercolouring. I used a palette with my brusho paints for this card, dropping some brusho into a well then adding water. As I was using a circular palette I left spaces between the crimson, yellow and ost blue paint so I could create mixed colours in the spaces. I painted the small flowers yellow first then while the paint was wet dropped some orange (mixed from crimson and yellow brusho) onto the petals to show detail and shadow. The large flower is painted in a dark mixed orange. The leaves are painted with greens mixed from yellow and ost blue. The stamp set includes solid flower centres to be stamped after painting. I used the large one in the large flower but couldn’t find the smaller one so I dotted black ink with a marker. Later my dad found that tiny missing stamp which made me happy.
The sentiment is from the perspective set; I only inked part of it to get the exact wording I wanted. To finish off I matted with a rust cardstock and attached to a natural white card base.
Enjoy your weekend. Happy Thanksgiving, my Canadian friends.
Stamps: radiant 30-481 (PB), perspective 30-460
Inks: antique linen distress ink, versafine clair nocturne ink
Paper: cold pressed watercolour paper, neenah natural white, rust cardstock
Thank you to all who joined in last week and shared what they are thankful for. It was a privilege to read your comments and to know so many of you are grateful for family, friends, our faithful God, health, safety and the joy of this hobby we share. The Foiled Fox and I are leaving the comments open on our posts from last week so you can still share what you are thankful for and be entered in the giveaway.
I posted a card made with this stamp a week or so back but have quite a different look on today’s card. The stamp is flipped around and stamped in versafine clair nocturne on hot pressed watercolour paper. I painted with brusho paints and used only three colours: rose red, gamboge and olive green. The brown leaf is a mix of olive green and rose red. The blue background is painted with stormy sky distress stain.
I matted the panel in navy and attached it to a white card base.
Stamps: grateful for everything, kindhearted (C&9th)
Inks: versafine clair nocturne & stormy sky distress stain
Paint: brusho rose red, gamboge, olive green
Paper: hot pressed watercolour paper, navy cardstock, neenah natural white
Thank you for the lovely comments you left on my previous post, also featuring the grevillea stamps. I love hearing from you and was very touched by your sweet words about me and my dad.
I’m sharing cards over on the Darkroom Door blog today. If you haven’t visited there you should; there is a collection of amazing artists who share their creations there. I have a couple of grevillea cards to share with you today. One of them not too realistic in colour but still bright and bold like the real thing. I stamped the grevillea in versamark twice and the foliage twice then embossed in silver embossing powder on hot pressed watercolour paper. I sprinkled brilliant red brusho around the flower heads and prussian blue brusho round the perimeter of the panel, spritzed with water and let the brusho activate before adding any more. I then played around with adding more water and tilting to make paint move. I also used a brush to pick up wet paint from panel to move it to an empty area then let it dry.
For a background I stamped mesh textures stamp four times on white card base with versamark ink (you could use mesh background stamp if you have it to fill card base) and embossed in silver. I stamped a sentiment from happy birthday sentiment strip in versamark on red cardstock and embossed it with silver powder. To complete the card I matted the grevillea panel with red cardstock and attached it to the card base.
For this more realistic colour scheme I painted a circle in wild honey distress stain on cold pressed watercolour paper and let it dry. Then I painted scattered straw distress stain over whole panel and let that dry. I inked the large grevillea flower in wild honey, ripe persimmon, spiced marmalade and forest moss distress stains, spritzed stamp then stamped on the watercolour panel. I repeated by spritzing the stamp to get a paler impression then followed the same procedure to fill the base of the panel with flowers. I inked the foliage stamp with forest moss distress ink, stamped and restamped for bold and paler images.
To finish I stamped a sentiment from ‘happy birthday’ set in rusty hinge distress ink then trimmed and attached the panel to natural white card base.
Stamps: grevilleas, happy birthday, mesh textures (DD)
Card 1 Inks: versamark
Card 2 Inks: wild honey, scattered straw, ripe persimmon, spiced marmalade, forest moss distress stains, rusty hinge distress ink
Paint: brilliant red, prussian blue brusho
Paper: hot pressed watercolour paper, neenah natural white cardstock, neenah solar white, red cardstock
Also: stamping platform, silver embossing powder
I have ‘Butterflies – Two Ways’ to serve up to you today. The butterflies in the both cards are from the Darkroom Door set, ‘Butterflies’. As the stamps from Darkroom Door arrive uncut I decided to stamp the whole sheet of butterflies a few times before I cut it into thirteen separate butterflies. I stamped it in versamark then embossed in clear powder on watercolour paper to make this card.
All the colour for this emboss resist design is from my beloved brusho paints. I mixed them in a palette rather than sprinkle and spritz and built up the colour with several layers. Working with prussian blue, yellow, rose red and orange brusho I was able to create some bold contrasts between the primary colours as well as with the white embossing. After completing the painting I dropped some water over the panel, let it sit then dabbed it up with a paper towel. The result is pale odd shaped watermarks. I also splattered some white gesso over the panel to break up the background colour a bit.
To finish the card I popped up a blue banner with a white embossed sentiment from the ‘Thank You’ set.
Then I went all minimal for my second card made once the set was cut into individual stamps. I have seen similar paintings and cards all over pinterest featuring three watercolour butterflies in a vertical arrangement. I decided to use zig clean color real brush pens to create the watercolour effect. The pens are pretty juicy so I had no trouble applying enough colour to blend nicely on the stamps and panel.
I limited my choice to light green, cobalt blue, blue and olive green, however as I write this post and look at the finished card I wonder if I actually used the light green. If I did I think it got overwhelmed by the darker colours. I applied the ink directly to the stamps, spritzed and stamped. That is it. I wanted the blending to occur on the stamp rather than spritzing the watercolour panel after stamping so the butterflies would keep their clean edges. I debated blending inside the butterflies but the white space in the wings looked pretty so I told myself I don’t need to blend everything.
I trimmed the panel so it was ¼” smaller than the card base and once again added an embossed sentiment on a popped up banner.
Which do you prefer, colour & paint everywhere or a simple neat little butterfly trio?
Paint: brusho prussian blue, yellow, rose red, orange (bold card)
Markers: light green, cobalt blue, blue, olive green Kuretake Zig clean color real brush markers (CAS card)
Paper: hot pressed watercolour paper, dark blue cardstock, green cardstock
Also: white ep, dimensional tape, MISTI
The first card I made using this lovely rose stamp from My Favorite Things featured bister powder; this one was done with a couple of brusho colours. I used the same technique for both and have been asked several times about the amount of powder and the amount of water. I hope to do a video soon showing my method with paint powders.
I used two colours on this panel, a red and a yellow. You can see there are some specs of blue also, I think they were on the surrounding scrap paper and just transferred to my panel. I embossed the roses all over stamp with clear powder on hot pressed watercolour paper then sprinkled red brusho in the centre and yellow brusho on the edge of the panel. I spritzed with water then tilted the panel to activate the powder. Where there was too much water or colour I used either a paper towel or a ‘thirsty brush’ to sop it up. (A thirsty brush is a paintbrush dipped in water then squeezed or dabbed dry so that it can absorb water or paint from the painting.)
I cut three layers of the rusty red cardstock with the ‘bloom magical’ die and stacked them. The sentiment from the PB ‘friendship flowers’ set works perfectly with the die so I stamped in black and slipped it under the stacked die cut.
Have a wonderful day.
Stamps: roses all over (MFT) friendship flowers 30-223 (PB)
Dies: bloom magical 51-420(PB)
Paper: hot pressed watercolour paper, neenah natural white, red cardstock
Ink: versamark, versafine onyx black