This new set, ‘Woodsy’ from Penny Black will be fabulous for winter scenes but before I put it to work in the snow I decided to create an autumn vista with the three trees.
Hoping to create the colour mass I see when the trees are at their best I pulled out a few brusho powders. I didn’t come close to the beauty outside right now but the brusho powders did not disappoint. If you have used brusho you will know they are unpredictable. I had a scene in mind and hoped the brusho would play its part.
First I stamped the three trees in ‘fallen leaves’ versafine clair ink and embossed in clear powder on hot pressed watercolour paper. To preserve the white tree trunks I used a clear embossing marker to cover the length of each trunk and embossed in clear powder again. With distress inks and blending brushes I blended speckled egg ink in the sky area and fossilized amber and brushed corduroy on the ground. I used simple post-it note masks to suggest hills and horizon.
Before sprinkling brusho over the panel I lay a paper mask over the sky at the top of the panel and ground at the bottom of the panel. I sprinkled sandstone brusho over the middle area then spritzed from 10″ inches above. I watched and waited as the colours began to appear and spread then added a little more brusho and water. I dried it with a heat tool before repeating the process. You have to be patient with brusho; if you add too much water too soon you will not have spots and dots of colour. Sandstone brusho is made up of several colours so I saw yellow, red, orange and brown appear, even a few blue dots too.
Once I had some nice patterns appearing I added a bit of yellow brusho and a tiny sprinkle of terracotta then left the panel alone while I ate lunch. After drying the panel thoroughly I blended more ink with the same post-it masks I had used at the beginning.
When I stopped I couldn’t decide if the scene was artsy or just messy. I set it aside and tried a few other approaches for a brusho autumn scene but kept coming back to this one, the messy, artsy, woodsy one!
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When I have a new line-art background stamp my first choice is usually to try emboss resist with brusho paint powders. This new background stamp from Darkroom Door is called ‘daisy delight’ and has plenty of loops and lines for trapping brusho.
I embossed the stamp in clear powder on hot pressed watercolour paper. With scrap paper spread under the panel I sprinkled brusho powder over the panel, both turquoise and sea green. I spritzed water over the brusho and sat back to watch the magic happen. As the brusho diluted I saw pockets of colour appear which were exactly what I wanted. You can see different shades of blue and green as well as a few pops of yellow. There were a few blank or pale sections so I sprinkled more brusho, spritzed more water and then waited again to see what happened. Once the paint was really soaking in I took a small brush and started filling some of the petals where the colour hadn’t reached all the edges. In a few places I took bold colour from a petal and used it to fill a petal somewhere else.
I dried the panel with a heat tool then trimmed it and did a test on a trimmed scrap to see if I would like black background in amongst the flowers. I went with it and coloured in the few areas that are not part of the flowers with a black Karin brushmarker. To finish the card I wrapped white/silver twine around it and popped up some embossed words from the new DD ‘you are everything’ set.
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I was looking through my pile of possibilities recently and found some lovely brusho panels I made quite a while back at a class taught by my friend The Crafty Cigale. Instead of using brusho watercolour powders on watercolour paper we worked on photo paper. I remember the process being so much fun that I kept on making panel after panel.
I’ve chosen two of the panels as borders for today’s cards. Initially I thought I would cut into the brusho panel using the Penny Black fern border die and I tried, but using the patterned print as a background showed it off better while still featuring the delicate shape of the fern fronds.
Before die-cutting the fern border I applied double sided adhesive to the back of the card front so once cut I could easily attach it to the patterned panel. The sentiments from the banner sentiments mimicked the curve of the border die so they were an obvious choice in two versafine brown inks
The card bases are Luxe White cardstock from Foiled Fox, which is a creamy colour with a soft pebbly texture. I’ll be back tomorrow with some more birch themed pages from my bullet journal. Thanks for dropping by.
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After my son and I finished filming the stop animation intro for my Winter Wonder online class I didn’t know what to do with the painted background and all the die cuts we’d used. They lay on a tray still in their snowy formation for a few months gathering dust until I realised I could keep the scene if I transferred it to my art journal.
The initial spread was bigger than art journal page so I cut down the watercoloured background panel, cut new snowdrifts out of lighter weight cardstock and added ink blending to help them stand out. I saved the trees, sled, skis, mitts, snowflakes and bird all cut using the Penny Black dies listed below and glued them on. Yes the gluing almost finished me but I persevered and even glued the outline letters from Pink Fresh studio. I found that I do have a glue pen that works if you are patient and take note that enough glue if coming out.
If you haven’t scene the stop motion animation it is part of the promo for my WINTER WONDER class which teaches my methods for making cards with a northern winter theme. I’ll include the promo below just for fun and in case you’re new around here.
The scene shown in the journal page is mirrored outside right now; we have plenty of snow, we’ve been skiing and enjoying winter wonder all around us. Back in October-November when we filmed the class there was little to no snow!
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I’ve done some more playing with watercolours and clingwrap. Quite a lot of playing actually; it’s addictive. I don’t even remember if the panel above was painted initially with brusho powders or pan watercolours or both. I do know I started with a large piece of cold pressed watercolour paper taped to a glass mat. I wet the panel then added the paint and let it move around and blend a little before I placed the cling wrap on top. I did remember to take a photo of the panel after it had dried and I’d removed the cling wrap. The card above which looks a bit like some hydrangea flowers was painted on the bottom right corner below.
The butterfly card below was made from the top left corner of the large panel and the flower card was made from the top right corner. I did work on the bottom left corner but didn’t end up liking what I’d made.
For the butterfly card I used a stamp from Darkroom Door ‘wings’ set and stamped it on the panel in blueprint sketch distress ink. After stamping I blended the ink plus some pearlescent paint from a finetec palette to fill the butterfly’s wings. It’s not obvious in the photo but the wings shimmer.
Once the butterfly was dry I did some water stamping using a fern stamp from the DD ‘leaves ‘ set.
The flowers are from the DD ‘tall flowers’ set and were stamped in festive berries, mowed lawn and wild honey distress inks. I also added gold paint to the flower centre. You can see some more water stamped ferns and some second generation stamping with the flowers also. The little circles on all three cards were made just by adding some droplets of water, letting them sit on the panel then dabbing them up with a paper towel.
The card above with the purple flowers doesn’t feature any stamping, the patterns made by the cling wrap made me think of a hydrangea flower head so I painted a bunch of little flowers using a purple watercolour pencil to draw centres then a paintbrush and water to blend the pencil into petals. While the petals were still wet I used the pencil again to add some darker areas in the centres.
The red shape on the left hand side looked a bit like a flower so again I used a watercolour pencil to add a bit more colour and followed the lines left by the cling wrap.
Whether painting or stamping over the panel, I love the patterns and play of light and dark in the background; I think it creates atmosphere. Have I finished with this technique now I hear you ask? No, definitely not. Have you tried it?
Before we talk about the freestyle, abstract floral above I want to direct you to CeeCee, the inspiration for today’s post. Her website is CreationsCeeCee and I’ll link to her youtube further down in this post.
As the title suggests this panel was created with brusho paints and cling wrap plus a few pencils and pens in the second half of the process.
This painting was inspired by a beautiful painting CeeCee Creations did recently. I watched her video which you can see here. She used watercolour paints and cling wrap to create a pattern then used coloured pencils to add shading. I loved her process and end result and have been playing with the technique for the last couple of days.
I taped some watercolour paper to my glass mat, wet the whole panel then scattered brusho over it. I just used two colours of brusho, olive green and violet and I tried to keep them a bit separate. I spritzed the panel lightly to keep the paint moving then lay a piece of cling wrap over the panel and scrunched it over the whole area. The wet paint sticks to the clink wrap creating coloured areas. Where the cling wrap is raised and bunched together there are gaps in the paint. It’s hard to explain but CeeCee’s video gives you the idea. The covered panel takes a long time to dry but once it has you remove the cling wrap to reveal intersecting lines and spaces. I studied my panel and instead of the purple flowers with green leaves I was hoping to see I saw the suggestions of green flowers and purple ‘things’. The idea is to enhance the lines and patterns made by the cling wrap rather than draw whole new patterns. I wish I had taken a photo before I did any colouring that would have given you a better idea.
I used watercolour pencils to turn some of the cling wrap patterns into flowers and shapes and then blended the pencil with water. (CeeCee used polychromos pencils so my shading ended up looking slightly different to hers.) I used a purple and two green Albrecht Dürer watercolour pencils then once my shading and shaping was done I highlighted the centres of the green ‘flowers’ with white and black gel pens.
I’m not sure which way is up so I’ve posted photos of both a portrait and a landscape orientation. What do you think? Does it matter?
It is a long time since I had my gel plate out for monoprinting; I’m definitely keen, but for the last few months my time has been taken up by an exciting new project I’ll be sharing with you soon. I decided to go through prints from previous gel print adventures to make a few cards with Darkroom Door stamps.
Most often I use acrylic paints on my gel plate but to make this natural coloured background I used water colour powders. I can’t remember which paint colours I used, possibly only one like sandstone which can give a range of browny orange tones. To turn the monoprints into cards I used stamps from DD sets ‘leaves’, ‘butterflies’ and ‘global postmarks’. I also used the small ‘mesh’ texture stamp.
I stamped in ‘vintage sepia’ versafine ink, brushed corduroy and rusty hinge distress inks. Initially I stamped the sentiments from the ‘friendship’ sentiment strips on watercolour paper scraps but they looked too stark and clean so I splattered and swiped some ink on them so they blended into the background a bit more.
I also added some linen thread which worked with the natural tones and the postal images. I popped up the panels with a couple of cardstock layers on white luxe textured card bases.
Are you missing the coffee shops? I’m sure you are missing your friends and perhaps you are missing coffee with friends. This one is for a friend of mine who loves her coffee!
I began with a piece of hot pressed watercolour paper and splattered a few drops of masking fluid over the whole thing. Once the masking fluid was dry I sprinkled sandstone brusho on my glass mat, spritzed the brusho with water and swiped this panel through it. It took a few swipes before I had an orange and brown abstract background. I added some dark brown brusho on one side and spritzed that to make it blend and spread a bit. Once I’d dried that I blended through the new Darkroom Door ‘handwritten script’ stencil with rusty hinge oxide ink.
At this point the panel was very much just an abstract background so I stamped the cup from DD ‘coffee time’ in gathered twigs distress ink and blended the stamping with some water and extra ink. The set also has a coffee cup stain stamp so I added that here and there, spritzing it to make it blurry. I stamped some postmarks from the ‘global postmarks’ set because I can’t help myself.
Unfortunately the coffee cup did not stand out enough from the background and the background itself looked incomplete. DD world map stamp and blueprint sketch distress ink came to the rescue. I stamped the world map several times on the panel in gathered twigs ink and then, to break up the orange and brown monopoly, I added some blueprint sketch ink in just a few places. I found some blue cardstock that matched the blue and stamped ‘friendship’ and ‘you’re the best’ from the DD ‘friendship’ strip of sentiments to finish the card. Oh, and I added a thin strip of brown cardstock separating the blue from the patterned panel.
I’m glad I didn’t give up on this panel; it is just the thing for my friend who I will enjoy a coffee with again one day.
A while back I posted three cards all painted with the same three brusho paint colours and my Welsh friend, Karen requested a video. Well this is it, a different stamp and three different colours (Brusho sunburst lemon, prussian blue, rose red) but the same technique. Here is the one that prompted the video request.
As with the card above I embossed the outline stamp, ‘flutterby’ in gold powder then swiped up a brusho background by sprinkling brusho on my glass mat then spritzing water over it to activate the powders and turn them into liquid watercolour paint. From there I moved onto painting petals and leaves with individual colours and secondary colours. Take a look at the video and you will see what I mean.
After all the painting was done I added some extra shading in shadow areas with Faber-Castell polychromos pencils and some gold thread detail. The sentiment is from PB ‘banner sentiments’ gold embossed and die cut with a die from the PB ‘tagged’ set.
One of the things I like about this technique is the way the background works with the painted images even though the are painted right over the top of a multicoloured panel. The colours work because they are the same colours and because the background is not too bold. You can see in the tulip on the left what the true colour of the rose red brusho is, but the ones that are painted over the blue background still look red, just a deeper red perhaps in shadow not full sun.
Happy Easter my friends. Stay home, stay healthy, stay hopeful and maybe try a new art or craft technique!
This is the last of the three colour panels I did with sandstone, lemon and ost blue brusho. I think this one might be my favourite because of the sky behind the poppy. Of course I was not really responsible for that pretty sky, it was the magic of brusho! I embossed the PB ‘poppy time’ stamp in gold powder on hot pressed watercolour paper first. Next I sprinkled the three colours of brusho on craft mat and spritzed it with water. I didn’t sprinkle too much powder; it is easier to add more colour than to take it away. I swiped the panel through the wet activated brusho and set it flat to dry. I can’t remember if I dabbed colour away or moved some with a paintbrush (I made this card a while ago)
With the background taken care of I mixed some green from the sandstone & ost blue and painted the bud, stems and seed pod. I the petals with sandstone and lemon from a palette then sprinkled salt on top to get some texture.
Once again I used a sentiment from MFT ‘fluttering friends’; I really like the clean lines of the font and the size too. The sentiments fit perfectly in strips cut with the Avery Elle simple sentiment strips.
Thanks for joining me in this mini series on using a limited palette. I have enjoyed reading your comments and hope you are trying it yourself. Please let me know if you do. If you just joined me today here are the other two cards made with this simple colour scheme.