Thank you for the lovely comments you left on my previous post, also featuring the grevillea stamps. I love hearing from you and was very touched by your sweet words about me and my dad.
I’m sharing cards over on the Darkroom Door blog today. If you haven’t visited there you should; there is a collection of amazing artists who share their creations there. I have a couple of grevillea cards to share with you today. One of them not too realistic in colour but still bright and bold like the real thing. I stamped the grevillea in versamark twice and the foliage twice then embossed in silver embossing powder on hot pressed watercolour paper. I sprinkled brilliant red brusho around the flower heads and prussian blue brusho round the perimeter of the panel, spritzed with water and let the brusho activate before adding any more. I then played around with adding more water and tilting to make paint move. I also used a brush to pick up wet paint from panel to move it to an empty area then let it dry.
For a background I stamped mesh textures stamp four times on white card base with versamark ink (you could use mesh background stamp if you have it to fill card base) and embossed in silver. I stamped a sentiment from happy birthday sentiment strip in versamark on red cardstock and embossed it with silver powder. To complete the card I matted the grevillea panel with red cardstock and attached it to the card base.
For this more realistic colour scheme I painted a circle in wild honey distress stain on cold pressed watercolour paper and let it dry. Then I painted scattered straw distress stain over whole panel and let that dry. I inked the large grevillea flower in wild honey, ripe persimmon, spiced marmalade and forest moss distress stains, spritzed stamp then stamped on the watercolour panel. I repeated by spritzing the stamp to get a paler impression then followed the same procedure to fill the base of the panel with flowers. I inked the foliage stamp with forest moss distress ink, stamped and restamped for bold and paler images.
To finish I stamped a sentiment from ‘happy birthday’ set in rusty hinge distress ink then trimmed and attached the panel to natural white card base.
Stamps: grevilleas, happy birthday, mesh textures (DD)
Card 1 Inks: versamark
Card 2 Inks: wild honey, scattered straw, ripe persimmon, spiced marmalade, forest moss distress stains, rusty hinge distress ink
Paint: brilliant red, prussian blue brusho
Paper: hot pressed watercolour paper, neenah natural white cardstock, neenah solar white, red cardstock
Also: stamping platform, silver embossing powder
I have ‘Butterflies – Two Ways’ to serve up to you today. The butterflies in the both cards are from the Darkroom Door set, ‘Butterflies’. As the stamps from Darkroom Door arrive uncut I decided to stamp the whole sheet of butterflies a few times before I cut it into thirteen separate butterflies. I stamped it in versamark then embossed in clear powder on watercolour paper to make this card.
All the colour for this emboss resist design is from my beloved brusho paints. I mixed them in a palette rather than sprinkle and spritz and built up the colour with several layers. Working with prussian blue, yellow, rose red and orange brusho I was able to create some bold contrasts between the primary colours as well as with the white embossing. After completing the painting I dropped some water over the panel, let it sit then dabbed it up with a paper towel. The result is pale odd shaped watermarks. I also splattered some white gesso over the panel to break up the background colour a bit.
To finish the card I popped up a blue banner with a white embossed sentiment from the ‘Thank You’ set.
Then I went all minimal for my second card made once the set was cut into individual stamps. I have seen similar paintings and cards all over pinterest featuring three watercolour butterflies in a vertical arrangement. I decided to use zig clean color real brush pens to create the watercolour effect. The pens are pretty juicy so I had no trouble applying enough colour to blend nicely on the stamps and panel.
I limited my choice to light green, cobalt blue, blue and olive green, however as I write this post and look at the finished card I wonder if I actually used the light green. If I did I think it got overwhelmed by the darker colours. I applied the ink directly to the stamps, spritzed and stamped. That is it. I wanted the blending to occur on the stamp rather than spritzing the watercolour panel after stamping so the butterflies would keep their clean edges. I debated blending inside the butterflies but the white space in the wings looked pretty so I told myself I don’t need to blend everything.
I trimmed the panel so it was ¼” smaller than the card base and once again added an embossed sentiment on a popped up banner.
Which do you prefer, colour & paint everywhere or a simple neat little butterfly trio?
Paint: brusho prussian blue, yellow, rose red, orange (bold card)
Markers: light green, cobalt blue, blue, olive green Kuretake Zig clean color real brush markers (CAS card)
Paper: hot pressed watercolour paper, dark blue cardstock, green cardstock
Also: white ep, dimensional tape, MISTI
The first card I made using this lovely rose stamp from My Favorite Things featured bister powder; this one was done with a couple of brusho colours. I used the same technique for both and have been asked several times about the amount of powder and the amount of water. I hope to do a video soon showing my method with paint powders.
I used two colours on this panel, a red and a yellow. You can see there are some specs of blue also, I think they were on the surrounding scrap paper and just transferred to my panel. I embossed the roses all over stamp with clear powder on hot pressed watercolour paper then sprinkled red brusho in the centre and yellow brusho on the edge of the panel. I spritzed with water then tilted the panel to activate the powder. Where there was too much water or colour I used either a paper towel or a ‘thirsty brush’ to sop it up. (A thirsty brush is a paintbrush dipped in water then squeezed or dabbed dry so that it can absorb water or paint from the painting.)
I cut three layers of the rusty red cardstock with the ‘bloom magical’ die and stacked them. The sentiment from the PB ‘friendship flowers’ set works perfectly with the die so I stamped in black and slipped it under the stacked die cut.
Have a wonderful day.
Stamps: roses all over (MFT) friendship flowers 30-223 (PB)
Dies: bloom magical 51-420(PB)
Paper: hot pressed watercolour paper, neenah natural white, red cardstock
Ink: versamark, versafine onyx black
Does that background look a little skewed to you? It’s that exact feature that made me use it for an ‘eye sight’ themed card, something you might have to look at with your head on the side.
I taped the zigs & zags stencil from Penny Black onto a piece of hot pressed watercolour paper then spread deco transfer gel over. I carefully removed the stencil and let the gel dry. Once dry I lay a piece of white foil over the panel and ran it through my minc foiling machine. The result was a white on off-white chevron panel. Because I had created it on watercolour paper I was able to use brusho and a spritzer to make a multicoloured pattern. Once the panel dried and I decided on the ‘spectacle & eyesight’ theme. I wanted the die cut glasses to look a little fancy so I added adhesive sheet to the back of black cardstock then cut three pairs of glasses. I was just going to emboss them with clear powder but thought sparkly clear powder might be even better. After adhering the three die cuts together in a stack I pressed the top layer onto my versamark ink then dipped it in WOW clear sparkle powder. Even though the powder is clear it ended with a slight green sparkle to it. It looks a little different depending what base colour you emboss over. I pressed the glasses onto my versamark again and embossed in clear powder over the top of the sparkle.
My sentiment is just one of the eyesight themed sentiments in the ‘perspective’ transparent set from Penny Black. To complete the card I matted the zig zag panel in a co-ordinating colour, attached the sentiment then the glasses and attached it all to a white card base. Not my usual style but I had a lot of fun putting it together.
Dies: glasses (PB), 2″ square die
Stencil: zigs & zags (PB)
Paint: colorburst turquoise, olive green, ultramarine
Paper: hot pressed watercolour, neenah epic black, neenah solar white, olive green
Also: clear sparkle embossing powder, clear embossing powder, double sided adhesive sheets, MINC, white foil, deco transfer gel
This week I have a couple of painted die cut cards to share. To create this one I first sprinkled leaf green, sunburst yellow and rose red brusho over a piece of hot pressed watercolour paper and spritzed with water to activate the paint. The colours did blend together a little but I was able to keep some distinct red, yellow and green areas. Once dry I used the ‘bodacious’ die from Penny Black to cut several flowers. I also cut white flowers with the same die. When creating my layout I glued down a few white diecut flowers first then coloured ones over the top. I trimmed stems and buds so I could arrange the flowers at different heights and facing different directions.
I embossed a sentiment from the ‘smile today’ set in platinum, trimmed the white background panel and attached it to a white card base.
Here are some more blooms to spur on the spring feelings. I worked on an abstract brusho background, one of the panels I mentioned back in an earlier post created with some sprinkled and spritzed brusho. I took my colour cues from the brusho and stamped the stems and leaves in forest moss distress ink and petals in spiced marmalade.
Next I sprinkled very small amounts of gamboge brusho in the tulips and activated it with a damp brush. I did one petal at a time to stop them all just blending into the same shade. I made sure some areas stayed dark and others were more diluted and light. I did the same thing for the stems and leaves but used turquoise and olive green brusho.
The panel is cold pressed watercolour paper so there is some texture to it. Have you tried stamping over a brusho background? I enjoyed the way the brusho dictated the colour scheme for me but didn’t take over the whole panel.
Stamps: tulip bouquet, smile today!
Paper: cold pressed watercolour paper, neenah natural white
Inks: spiced marmalade distress ink, forest moss distress ink, olympia green versafine ink
Paints: gamboge, turquoise, olive green brusho
Tools: Stamping platform
I decided to try a couple of methods for colouring a peacock feather stamp, my first experiment with the ‘Feathers’ set from Darkroom Door. I look forward to trying all of them eventually but the gorgeous colours of the peacock feather prompted me to pick that one first.The colouring on this first card was zig clean colour real brush markers directly on the stamp. I used the stamping platform so I could add one colour at a time. I blended the centre a little with a brush to get solid colour then spritzed the stamp with interference gold pearl-ex spray and stamped over the marker image. This gave everything a little shimmer and blended the colours into each other a bit. My pearl-ex spray is homemade; I add a small amount (about 1/8 tsp into a small spritzer filled with water). I stamped ‘thanks’ over the feather with majestic blue versafine then embossed with clear powder. The border panel looks black but is actually blue to co-ordinate with the centre of the feather and the sentiment.
My second colouring method was brusho. I spritzed the stamp with the same gold pearl-ex spray then stamped on hot pressed watercolour paper. I dropped a tiny amount of ultramarine brusho at the top of the feather, also a little turquoise then olive green down the shaft of the feather then stamped again to activate the brusho with pearl-ex spray. I embossed a birthday sentiment in gold and framed the panel in gold shimmer cardstock.
My final colouring method was with Sakura Koi colouring brush pens. I kept the stamp in the stamping platform so I could ink then stamp a colour at a time. The Sakura pens are very bright so I thought they were a good match for the gorgeous colours of peacock feathers.
Once again I stamped the colours one or two at a time so I could keep the centre of the feather distinct. Once I had stamped both feathers I spritzed the gold pearl-ex spray over the whole panel which ended up doing two things: the barbs softened to look a little ‘hairy’ and the droplets of spray created a pattern of watermarks over the ‘eye’ of the feather.
I ended up using majestic blue versafine ink again to add a sentiment from ‘botanical script’ set and cut a mat in the same colour. This card also has a slight shimmer to it so I added a gold cord for a finishing touch.
Stamps: Happy Birthday, Thank you, Feathers, Botanical Script
Inks: Versamark, Majestic Blue Versafine
Markers: Zig clean color real brush markers, Koi Coloring Brush Pens
Paint: Brusho (ultramarine, turquoise, olive green)
Paper: hot pressed watercolour paper, blue cardstock, gold shimmer cardstock
Also: stamping platform, gold embossing powder, clear embossing powder, gold cord, pearl-ex interference gold spray