The emboss resist method creates pretty backgrounds especially when painted in a rainbow of colour. I used three primary colours overlapping them to end up with the yellow, orange, red, purple, blue and green. I stamped the peacock feather pattern in versamark and embossed in clear powder on watercolour paper and the slight texture of the watercolour paper combined with the very fine detail of the stamp meant that I did not get a perfect impression. Once I added the colour over the top I noticed that it looks very much like a batik fabric print.
I trimmed the panel then used the heart string die to cut the piece in two. With the same die I cut a string of red hearts then attached the panel to a card base inlaying the red hearts but attaching the die cut word on top of the panel.
Stamps: Peacock Feather (PB)
Dies: heart string, love expression (PB)
Ink: versamark (Tsukineko)
Paint: yellow, prussian blue, crimson brusho (Colourcraft)
Paper: hotpressed 100% cotton watercolour paper, red cardstock, Neenah solar white cardstock
Also: WOW clear embossing powder
…by the chimney with care. This is the last of my Winter Warmth series and the one that almost didn’t make the cut because I misjudged the size of the stocking! I created the whole background panel then pulled out the die to add the stocking only to find it was a tad larger than I’d remembered. My children assured me some stockings are so large they cover half the fireplace so I continued with the design.
I created the background by stamping on cold pressed watercolour paper with distress inks. I first masked a space where the fireplace would be and a positioned a post-it across the panel where the mantel would end up. I stamped the brick wall stamp in brown and added darker tones with an elegant writer before blending with water. Above the mantel I stamped ‘diamond pattern and softened it with water. When I removed the post-it from the fireplace I used yellow, orange and black brusho to paint my ‘fire’. The lantern was done in two pieces just like I did on the ‘lakeside card‘ and yellow ink was added on the panel behind to make it glow.
The swag over the mantel is a strip of watercolour paper painted with green brusho then dotted with siren smooches ink. I attached it over a strip of painted brown paper cut to look like a mantelpiece. The stocking was cut with one of the ‘Christmas Stocking’ dies then stamped with a texture stamp so it looked like fabric. This one had a higher fiddliness factor than most of my cards which increased my respect for those of you who create far more intricate die-cut cards on a regular basis.
Thanks for visiting this week as I shared my Winter Warmth cards. I’ll be back next week with some more snowscapes.
Stamps: brick wall, textures, diamond pattern, season’s gifts (PB)
Dies: winter lantern, Christmas stockings, little ornaments (PB)
Ink: vintage photo, fired brick, blueprint sketch, scattered straw, spiced marmalade distress inks (Ranger)
Paper: hot pressed watercolour paper, cold pressed watercolour paper, black cardstock
Paint: scarlet, ost blue, yellow, gamboge, black, dark brown, emerald green brusho powder, Finetec Artist Mica watercolour paint
Also: elegant writer pen, siren smooches ink
It is over a year ago since I completed a page in my art journal so it was a good thing when I was asked to create an art journal video for the Penny Black blog. The latest release from PB, Artistic Endeavors includes some beautiful stamps designed with journaling in mind. The page I created last year was a Narnia page so I decided to stick with the literary theme and make another book inspired page. My inspiration this time is ‘A Girl of the Limberlost’ by Gene Stratton-Porter. I read the book quite a few years ago but really enjoyed it and could see the butterfly and figure stamp working well on such a page.
The main character, Elnora, catches moths to sell to collectors in order to support herself through high school. She lives on the edge of the Limberlost, a forested and swampy region where she finds the moths she later sells. I know these stamps depict butterflies but I chose to exercise some artistic license.
Because I wanted to watercolour both the butterflies and the girl I stamped them on watercolour paper, painted them, then cut them out so I could attach them to the page.
To add texture to the background I glued torn strips of tissue paper all over it then did partial stamping with a script stamp and a leafy stamp.
Journal pages take me a long time so despite the fact that I sped up just about all the footage, it is still on the lengthy side. I hope you enjoy it and, maybe like me, get inspired to pull out a neglected art journal. Or perhaps you’ll go and check the book out of the library…
Edited to add: In the video I mentioned learning a lot from Vicky Papaioannou; her videos are here:https://www.youtube.com/user/vickypgr
Stamps: Muse, Script, Verdure, Butterfly trio (PB)
Art Journal: Fabriano 24cm x 15.5cm
Art supplies: Faber-Castell gel medium , Tsukineko Versafine Onyx Black ink , clear embossing powder, Ken Oliver Colorburst powders (merlot, violet, ultramarine blue), Ken Oliver liquid metals (platinum, verdi gris, ultramarine blue), Faber-Castell Stampers big brush pen, lead pencil, Pigma 0.3 micron pen, Faber-Castell Albrecht Durer watercolour pencils (medium flesh, brown ochre, juniper green, ochre, burnt ochre, venetian red, delft blue, warm grey 3), tissue paper, Dr Ph Martin Hydrus liquid watercolours (Hansa yellow light, phthalo blue, phthalo green, carbon black) Art glitter designer dries clear adhesive, Ranger distress micro glaze.
It’s time to break the blog silence with some emboss resist and a pretty filigree tree. I created this card quite some time ago and it has been sitting around waiting its turn. The filigree tree was embossed with clear embossing powder on watercolour paper. The surrounding colour is distress stain painted on and tilted to blend. Once it was dry I added some clear wink of stella to the central sections of the tree for a little sparkle. I then ironed the panel which both flattened it and melted the embossing powder into a piece of printer paper. It doesn’t look that different to an embossed image but surface is smooth so it looks deceivingly clever 😉 To complete the card I added a white mat and a purple border. I also used a large Christmas word background to stamp a tone on tone pattern on the purple cardstock.
If you have been thinking about Christmas cards already you might be interested in participating in the Caring Hearts Card drive. You can find the relevant details here. There are contact details for getting involved in USA, Canada and Australia on Vera Yate’s blog.
Thanks for dropping in; have a great weekend.
Stamps: Filigrees, Christmas Story (PB)
Inks: Salty Ocean, Pine Needles, Dusty Concord distress stains inks (Ranger) Versafine ink (Tsukineko)
Cardstock: Canson 100% cotton hot pressed watercolour paper, Neenah solar white, purple cardstock
Also: clear embossing powder, clear wink of stella
The other day when I was happily stamping background stamps over papers sprinkled with bister powder I made this print with ‘floral tapestry’. I can’t remember exactly what I used to stamp. I think it was mainly water on the stamp and mahogany and yellow bister on the dry watercolour paper. I may have used a pale distress stain; I’m not sure. I was using the Misti so I did stamp multiple times in order to spread the water over the whole panel. Sadly you can’t see it in the photo but the water had some pearl-ex powder mixed in so the pattern has a pretty sheen to it. While trying not to make the panel too busy I did want to have something more defined in the foreground so I stamped several flowers with brown inks and coloured them with watercolour markers using pearl-ex water to blend so they too have a shimmery sheen.
Dina Kowal posted an informative video this week with so much inspiration for using different watercolour powders. She also has two posts on her blog, one about the powders and the other about papers to use with the powders. Dina is a fabulous artist and has compared, tested and created with the powders. Now we can all benefit from all her research. Thanks, Dina.
Stamps: Floral Tapestry, Snippets, Enamor (PB)
Inks: Versafine Crimson Red (Tsukineko) Vintage Photo, Gathered Twigs Distress stains (Ranger)
Cardstock: Neenah Classic Crest Natural White 110lb smooth , Canson 100% cotton hot pressed watercolour paper
Also: Zig clean color real brush markers
This is one of those cards I began without a clear plan of where I was going. I had a piece of natural white cardstock with masking fluid already splattered on it. I inked several of the leaf stamps from the ‘Lush & Lavish’ set with distress stains, spritzed them and stamped them on the panel randomly. I then sponged Wild Honey, Spiced Marmalade and Vintage Photo distress inks over almost all the panel leaving a patch of light near the middle. I splattered a little ink around too. At this point it didn’t look finished so I stamped the branch from ‘Lush and Lavish’ twice then removed the masking fluid.
I decided to add only part of a sentiment stamp; I can stamp the rest of the sentiment inside the card. I was fairly happy with it after making the dark leaves the feature but it still wasn’t quite there. When a panel “isn’t quite there” there is one stamp I always reach for: Letter background! That was all it needed. I matted with a rust coloured card stock then attached it to a natural white base. I am surrounded by autumn inspiration at present; I’ve been out a couple of times with my camera taking photos of the gorgeous colours.
Stamps: Lush & Lavish, Letter Background, Special Wishes (PB)
Inks: Ripe Persimmon, Spiced Marmalade distress stains & Wild Honey, Spiced Marmalade, Vintage Photo distress inks(Ranger)
Cardstock: Neenah Natural White 110lb, Fabriano 100% cotton hot pressed watercolour paper, brown cardstock