I’m a guest over at The Foiled Fox today sharing these die cut roses. This really was an easy card to make because the ‘pop out rose‘ die creates the lovely petals and brusho powders create the pretty colours. I used three different red brusho powders on watercolour paper and some leaf green brusho for the leaves. While the paper was still damp I sprinkled some salt over the panel to get subtle patterns.
The partial cuts in the roses make it possible to lift petals so I folded some up and kept others glued down when I attached the roses to the background panel. To make the background panel I stamped the ‘script’ stamp from Penny Black on cold pressed watercolour paper in tea dye distress ink then painted over the top with water. The result is a softly blurred background with splatters of ink to add to the aged look. Pop over to the Foiled Fox blog for more details and to see the products I have used on this card.
Thank you to the wonderful Foiled Fox team for having me back again; it’s always a pleasure.
The emboss resist method creates pretty backgrounds especially when painted in a rainbow of colour. I used three primary colours overlapping them to end up with the yellow, orange, red, purple, blue and green. I stamped the peacock feather pattern in versamark and embossed in clear powder on watercolour paper and the slight texture of the watercolour paper combined with the very fine detail of the stamp meant that I did not get a perfect impression. Once I added the colour over the top I noticed that it looks very much like a batik fabric print.
I trimmed the panel then used the heart string die to cut the piece in two. With the same die I cut a string of red hearts then attached the panel to a card base inlaying the red hearts but attaching the die cut word on top of the panel.
Stamps: Peacock Feather (PB)
Dies: heart string, love expression (PB)
Ink: versamark (Tsukineko)
Paint: yellow, prussian blue, crimson brusho (Colourcraft)
Paper: hotpressed 100% cotton watercolour paper, red cardstock, Neenah solar white cardstock
Also: WOW clear embossing powder
…by the chimney with care. This is the last of my Winter Warmth series and the one that almost didn’t make the cut because I misjudged the size of the stocking! I created the whole background panel then pulled out the die to add the stocking only to find it was a tad larger than I’d remembered. My children assured me some stockings are so large they cover half the fireplace so I continued with the design.
I created the background by stamping on cold pressed watercolour paper with distress inks. I first masked a space where the fireplace would be and a positioned a post-it across the panel where the mantel would end up. I stamped the brick wall stamp in brown and added darker tones with an elegant writer before blending with water. Above the mantel I stamped ‘diamond pattern and softened it with water. When I removed the post-it from the fireplace I used yellow, orange and black brusho to paint my ‘fire’. The lantern was done in two pieces just like I did on the ‘lakeside card‘ and yellow ink was added on the panel behind to make it glow.
The swag over the mantel is a strip of watercolour paper painted with green brusho then dotted with siren smooches ink. I attached it over a strip of painted brown paper cut to look like a mantelpiece. The stocking was cut with one of the ‘Christmas Stocking’ dies then stamped with a texture stamp so it looked like fabric. This one had a higher fiddliness factor than most of my cards which increased my respect for those of you who create far more intricate die-cut cards on a regular basis.
Thanks for visiting this week as I shared my Winter Warmth cards. I’ll be back next week with some more snowscapes.
Stamps: brick wall, textures, diamond pattern, season’s gifts (PB)
Dies: winter lantern, Christmas stockings, little ornaments (PB)
Ink: vintage photo, fired brick, blueprint sketch, scattered straw, spiced marmalade distress inks (Ranger)
Paper: hot pressed watercolour paper, cold pressed watercolour paper, black cardstock
Paint: scarlet, ost blue, yellow, gamboge, black, dark brown, emerald green brusho powder, Finetec Artist Mica watercolour paint
Also: elegant writer pen, siren smooches ink
It is over a year ago since I completed a page in my art journal so it was a good thing when I was asked to create an art journal video for the Penny Black blog. The latest release from PB, Artistic Endeavors includes some beautiful stamps designed with journaling in mind. The page I created last year was a Narnia page so I decided to stick with the literary theme and make another book inspired page. My inspiration this time is ‘A Girl of the Limberlost’ by Gene Stratton-Porter. I read the book quite a few years ago but really enjoyed it and could see the butterfly and figure stamp working well on such a page.
The main character, Elnora, catches moths to sell to collectors in order to support herself through high school. She lives on the edge of the Limberlost, a forested and swampy region where she finds the moths she later sells. I know these stamps depict butterflies but I chose to exercise some artistic license.
Because I wanted to watercolour both the butterflies and the girl I stamped them on watercolour paper, painted them, then cut them out so I could attach them to the page.
To add texture to the background I glued torn strips of tissue paper all over it then did partial stamping with a script stamp and a leafy stamp.
Journal pages take me a long time so despite the fact that I sped up just about all the footage, it is still on the lengthy side. I hope you enjoy it and, maybe like me, get inspired to pull out a neglected art journal. Or perhaps you’ll go and check the book out of the library…
Edited to add: In the video I mentioned learning a lot from Vicky Papaioannou; her videos are here:https://www.youtube.com/user/vickypgr
Stamps: Muse, Script, Verdure, Butterfly trio (PB)
Art Journal: Fabriano 24cm x 15.5cm
Art supplies: Faber-Castell gel medium , Tsukineko Versafine Onyx Black ink , clear embossing powder, Ken Oliver Colorburst powders (merlot, violet, ultramarine blue), Ken Oliver liquid metals (platinum, verdi gris, ultramarine blue), Faber-Castell Stampers big brush pen, lead pencil, Pigma 0.3 micron pen, Faber-Castell Albrecht Durer watercolour pencils (medium flesh, brown ochre, juniper green, ochre, burnt ochre, venetian red, delft blue, warm grey 3), tissue paper, Dr Ph Martin Hydrus liquid watercolours (Hansa yellow light, phthalo blue, phthalo green, carbon black) Art glitter designer dries clear adhesive, Ranger distress micro glaze.
It’s time to break the blog silence with some emboss resist and a pretty filigree tree. I created this card quite some time ago and it has been sitting around waiting its turn. The filigree tree was embossed with clear embossing powder on watercolour paper. The surrounding colour is distress stain painted on and tilted to blend. Once it was dry I added some clear wink of stella to the central sections of the tree for a little sparkle. I then ironed the panel which both flattened it and melted the embossing powder into a piece of printer paper. It doesn’t look that different to an embossed image but surface is smooth so it looks deceivingly clever 😉 To complete the card I added a white mat and a purple border. I also used a large Christmas word background to stamp a tone on tone pattern on the purple cardstock.
If you have been thinking about Christmas cards already you might be interested in participating in the Caring Hearts Card drive. You can find the relevant details here. There are contact details for getting involved in USA, Canada and Australia on Vera Yate’s blog.
Thanks for dropping in; have a great weekend.
Stamps: Filigrees, Christmas Story (PB)
Inks: Salty Ocean, Pine Needles, Dusty Concord distress stains inks (Ranger) Versafine ink (Tsukineko)
Cardstock: Canson 100% cotton hot pressed watercolour paper, Neenah solar white, purple cardstock
Also: clear embossing powder, clear wink of stella