I want to thank everyone who participated in the ‘Refreshing’ giveaway I hosted with the Foiled Fox. I enjoyed reading your preferred ways to find refreshment and noticed many of you head to your garden during the cooler parts of the day, sit by the water if you have some nearby, or on your porch or patio. Some find doing something creative refreshing and there were quite a few mentions of drinks and good books. I would love to be sitting by the water these days but as that is not possible right now I am doing many of the things you are. Thanks so much for sharing those snapshots of your life. Without further ado, I would like to congratulate Martha and Kathy.
You have won a gift certificate to go shopping at the Foiled Fox online store. I am sure you can find some refreshment there! Shauna from the Foiled Fox will be in touch with more details.
Today’s card features a technique I’m going to call emboss resist masking. It involves embossing in order to resist the application of ink over the top but I wanted the finished project to look as though I masked the butterflies and flowers rather than have shiny raised images at the end. The trick is to iron off the embossing powder once the project is completed.
I know this isn’t a new technique but I was looking at some inspiration pics on pinterest and decided it was a good way to get the effect I wanted.
I stamped the PB ‘script’ background stamp in hickory smoke archival ink so the print would not attract embossing powder or be blurred when I added others inks or water. The archival ink is fast drying and permanent.
I used a stamp positioner to stamp a flower and some butterflies from the PB ‘soulful silhouettes’ set in versamark then I embossed in clear powder. To cover the panel with colour I chose four Catherine Pooler inks (listed below) and applied them with blending brushes. I gave the whole panel a couple of spritzes with water which resulted in the lovely pattern you see on the finished card. I didn’t dab it with paper towel or dry it with a heat tool. I was actually patient and let it air dry on the desk because the spritz looked like rain on a window.
Once it was dry I got some scrap paper and lay the panel face down on the scrap paper and ironed it without steam. I changed the scrap paper several times because the embossing powder transfers to the scrap. Eventually there is none left on the original panel. I chose a couple of sentiments from the million thanks set and stamped them in CP spruce ink.
These lovely blooms are new from the Stamp Market and I’ve paired them with the Stamp Market floral background stamp. I experimented with some new to me cardstock and my Catherine Pooler inks to create this design. The cardstock is bristol smooth from Koh-I-Noor and even though this is only my first card with it I am impressed. As you can probably see I subjected it to a decent amount of water. I didn’t flood it but I did spritz each solid stamp before stamping all the petals so the paper had to be able to take a little water. It didn’t respond in the same way as watercolour paper does but it did let the water sit on top and blend as it dried rather than soaking through the instant it got wet. This made it possible for me to get some blurs, blends and watermarks on each flower.
I stamped all the outline stamps first, the larger ones in juniper mist and the smaller ones in daydream CP inks. I then stamped the matching solid stamps in the same colours but spritzed each stamp before pressing it down to fill the outline shape. I love the watermarks and variation of shades I achieved by doing this. I’m not sure if there is a recommended order for stamping outline and fill stamps but I think I have more success when I try to put the filler inside the outline rather than the other way round. As you can see they aren’t exactly lined up but that was intentional.
I stamped little centres on the flowers and embossed in silver powder then cut them all out with the co-ordinating dies. I arranged them to flow across a white panel but decided I wanted a little bit of non-distracting interest in the background panel. Clear embossing the ‘flower background’ stamp was enough, it looks a bit like a white damask table cloth. I glued the dark flowers directly to the background panel and popped the lighter flowers up on dimensional tape. The little sentiment is from the Ink to Paper set ‘tagged’.
Have a beautiful weekend.
I’m still in yellow-orange-red mode, quite unusual for me. I can assure you the blues and pinks will return! I’ve been wanting to ink up the lovely floral background from The Stamp Market again ever since I gave it the rainbow treatment. With the stamp in the MISTI I stamped first with Catherine Pooler shea butter ink on hot pressed watercolour paper. Next I did partial inking with CP samba ink. As you can see I wasn’t particularly accurate with the second colour but I did try to apply it to flowers not leaves. I spritzed the stamp and stamped again. I switched over to leaves and inked them with CP eucalyptus ink, spritzed and stamped again.
I had managed to catch a lot of the leaves with the ink pad but not all so I switched techniques and pressed the eucalyptus ink onto an acrylic block and picked ink up with a brush to apply to the smaller leaves and stems on the stamp. This worked really well so I pressed the ‘rockin red’ ink on the acrylic block also and used a paintbrush to apply it to the centres of the flowers. There is quite of bit of bleed from one flower or leaf to the next but the overall effect is semi realistic.
I added black centres to the flowers with a black fine tip marker and they popped nicely so I decided on a black embossed sentiment too, it’s from MFT brushstroke expressions. When I embossed the black sentiment in clear powder it also stuck to the flower centres which I wasn’t expecting, giving them a little shine. At this point I was almost happy but not convinced the design was finished. It needed…a frame! I pulled out my new ‘stay-tion’ magnetic board and the black fine tip marker. Lining up frames and borders like this is one of the reasons I really like the new magnetic board. I lined up my panel with the grid on the board, held the panel in place with magnets then positioned the magnetic ruler across the panel ¼” from the edge. I was able to line up the ends of the ruler with the ¼” grid on the board and ruled a thin black line on each side. So satisfying to not mess that up!
I finally got my act together enough to enter a challenge and not even in the last few minutes it was open! I just hosted a challenge with the Foiled Fox and we will be announcing winners in the next few days. I enjoyed visiting all the entries and was inspired by each card. Today’s card was inspired by the ‘Ombre’ challenge at CAS Mix Up and I will be entering it in the ‘Calm’ challenge at Casology as well.
Before I talk about this calm and clean and simple and ombre card I just want to thank those who joined the conversation on Monday about ‘bunchies’. I posted a photo on Monday of myself, aged 6, with my hair in ‘bunchies’ and asked what others called the two ponytail style. I was surprised to read they were known as ‘dog ears’ and ‘dust mops’ as well as the more common ‘pigtails’. One reader called them ‘bunches’ which is practically the same as me so I was not alone with that tag.
Back to the feather, I used the solid feather stamp from the C&9 Feathered set and Catherine Pooler inks to create the watercolour ombre look. The coverage and blending is just what I was after. Like some dye inks the colours continue to soak in and smooth out after stamping with the CP inks which is exactly what I needed for this look. I inked the whole stamp in ‘shea butter’ ink, stamped then inked two thirds in ‘bellini’ ink, spritzed and stamped, then finished by inking the tip in ‘rockin red’ ink, spritzed and stamped. The little spritz over the ink spread the ink on the stamp so there were no hard lines where one ink stopped or started.
I dry embossed the whole panel with the snowfall/speckles texture fade folder for a bit more visual interest and popped up the sentiment from the same stamp set. Did you know embossing folders are enjoying a rise in popularity these days? I don’t know if that is true or not, I just know they are around here! The CAS mix up challenge required ombre + stamping + my choice (embossing), so all boxes checked! There are a few metallic ombre looks featured on the challenge blog; I’ve never thought of metallic ombre but it is pretty fancy so I might have to give it a try.
My second card is not entering any challenges; it was made because I love pairing sectioned stamps with sprinkled brusho. I embossed the sectioned feather from the same C&9 set in gold three times on hot pressed watercolour paper, sprinkled sandstone and terracotta brusho powder over the top then spritzed water gently to activate the brusho. I added more brusho and spritzing several times and then moved some paint around with a paintbrush, not much just a few places so there would be a few more solid sections. I die cut the feathers then popped them up on a different dry embossed background, ‘weathered’ by Taylored Expressions. The sentiment is from the Altenew set, ‘leaf canopy’.
Click on the badges below to see what’s happening in the challenges I’m entering.