Thank you for your lovely feedback about yesterday’s flower lanterns. Today’s card features a different stamp from the Penny Black ‘Poetic’ release but a similar technique. Although I love working with distress stains, at times I go for the markers instead because I can apply colour to smaller sections with more accuracy. I used markers today beginning with a picked raspberry distress marker for the petals and buds and stamped on hot pressed watercolour paper using a stamp positioning tool. I blended the raspberry ink with water, let it dry then stamped again with raspberry but only where I wanted darker shading. To add even darker areas I painted seedless preserves distress stain directly on the roses and buds.
Once the roses were dry I switched to forest moss distress marker and inked the stems and leaves. After stamping I once again blended with water and added extra ink for definition and shading. Finally I stamped the rosehips with candied apple distress ink and blended them.
After completing one complete stamped image I decided to add more roses but this time leave out the rosehips and leaves. A stamp positioner makes this straightforward as I was able to ink only the parts I wanted to stamp and again build up my colour and shading in the same way as for the first roses.
To finish the panel I splattered a mix of picked raspberry and seedless preserves ink over the panel then added a sentiment. I have mentioned before how important colour matching is to me and I wanted a forest moss coloured sentiment but I wanted to use the crisper versafine pigment ink to achieve it. Using the stamp positioner yet again I stamped congratulations in Spanish moss versafine then over the top in vintage sepia versafine and ended up with just the right shade of green.
I will be back tomorrow with some more brushstroke beauty from Penny Black’s Poetic release
Stamps: lustrous, banner sentiments (PB)
Inks: picked raspberry, seedless preserves, forest moss, candied apple distress markers and stains (Ranger) Spanish moss & vintage sepia versafine ink (Tsukineko)
Paper: hot pressed watercolour paper, pink cardstock
Yes, it’s another emboss resist card, this time a delicate, ‘stay inside the lines’ one. I embossed the morning glory stamp from the transparent flower medley set with clear powder over black ink. I coloured with watercolour pencils, a blue and a purple for the flowers and a couple of greens for the leaves.
When I trimmed my panel I decided it need a little something in between the flowers so added some black nuvo crystal drops here and there in different sizes. Within minutes I managed to put something down on top of the panel which smeared some of the black drops! I let it finish drying then trimmed it and separated the two sections on a black card base. Now when I use nuvo crystal drops I take my panel and place it on the other side of the room where I am less likely to dump something on top of it.
Just in case you missed my last few posts I am embossing all the things at present because I have a challenge happening with The Foiled Fox right now and I would love you to get involved. You have three more days to add your emboss resist card to our link up. Hope to see it there soon.
Stamps: flower medley, delicate flowers
Paper: hot pressed watercolour paper, epic black neenah cardstock
Inks: onyx black versafine,
Paints: Albrecht Dürer watercolour pencils (Faber Castell)
Also: ebony nuvo crystal drops, clear embossing powder
I am featuring another of the new floral stamps from Penny Black’s Poetic release on today’s cards. This pretty rose stamp is called lustrous. I used the same technique to create these panels as I did for my blue daisies yesterday. I worked with distress stains and a MISTI to add one colour at a time to hot pressed watercolour paper. On the card above I started with spun sugar stain, then worn lipstick and finally some abandoned coral on the petals and buds. The leaves and stems are once again forest moss because I always reach for forest moss for foliage. I did the rosehips in coral and festive berries to make them darker than the petals.
On the birthday card above I started with scattered straw instead of spun sugar stain so the undertone would be more yellow and the end result more apricot than pink. The very pale print on the anniversary card below is second generation stamping using the stain left on the stamp after creating one of the panels above. I just spritzed lightly then stamped again.
It is not surprising that my first panels with new brushstroke stamps are done with distress stains. I love the way the stains blend on the hot pressed paper. The sentiments are all from the banner sentiments set. True to my new resolution I stamped envelopes at the same time as the panels and these three cards are already packaged and ready for the craft market on June 17!
Stamps: lustrous, banner sentiments
Inks: onyx black, satin red versafine inks (Tsukineko), versafine ink spun sugar, worn lipstick, abandoned coral, festive berries, scattered straw, forest moss distress stains (Ranger)
Paper: hot pressed watercolour paper, red cardstock
It’s been all about the colorburst and brusho powders with me lately so I thought it was past time to share the other watercolour powder in my life, bister. The concept is the same with bister; you add water and colour bursts out. The colours in the bister range are more earthy than the other brands and the crystals are, on the whole, coarser. The effects are just as magical as you can see on this panel.
I think this panel is from my initial experimenting with watercolour powders. I really liked how the colours moved on the cold pressed watercolour paper but for a long time I didn’t have a plan for the abstract panel. Eventually I realised it didn’t need a plan; it was a stand alone! I added a sentiment and popped up the panel on foam to give it a ‘shadow frame’ and that is the card. This panel shows the versatility of watercolour powders quite well. By varying the amount of water added you can get small intensely coloured shapes which I think look a bit like mosaics, you can get soft washes and some patterning in between the two extremes.
Stamps: special thoughts (Penny Black)
Paint: Bister paint powders
Ink: Versafine vintage sepia (Tsukineko)
Paper: cold pressed watercolour paper
Today’s misty muted scene is brought to you by ‘The Distress Oxide Trials’. This one was one of my early experiments involving stamping over stamping. The effect might be a bit messy for some but I like the way lighter colours over darker colours give something of a skeletal look. I used the ‘feathery’ stamp and inked it with peeled paint first, spritzed then stamped, did the same with vintage photo, and finished with broken china.
You can see the blue over the brown shows up as a x-ray type image. On the right hand side there was an area without much brown so I decided to soften it even more with water to create the look of light coming through.
To finish the card I matted with both brown and blue cardstock then added a sentiment in brown.
Stamps: Feathery, snippets (Penny Black)
Inks: vintage photo, peeled paint, broken china distress oxide inks (Ranger) versafine vintage sepia (Tsukineko)
Paper: hot pressed watercolour paper, blue cardstock, brown cardstock
The trials have begun. Shauna at The Foiled Fox sent me some distress oxide inks to try. I have been intrigued by the videos and projects I’ve seen around the place so was keen to play with them myself. I started by mixing some diluted ink on a craft mat then swiped different papers through it. I chose bristol cardstock, hot pressed watercolour paper and neenah solar white 110lb cardstock.
The card above features the bristol cardstock. It picked up the colour well, the inks blended and the watermarks from splattering made nice light patches with dark edges. I used two main colours, a pink and a blue (what a surprise!) then I splattered a little yellow at the end of my experimenting.
The panel below is made from the hot pressed watercolour piece. The results were very similar but the blending was even smoother between the colours.
I chose not to make a card from the sample on neenah solar white. It worked but the colours did not blend or spread as nicely in my opinion. These are just the beginning of my experiments of course and only three colours but there is more to come. The inks blended just as beautifully as the original distress inks but dry opaque or semi opaque, perfect for a solid background.
Stamps: delicate flowers, stitched flowers, happy snippets
Dies: flower frolic, tagged
Inks: faded jeans, worn lipstick, fossilized amber distress oxide inks (Ranger) versafine majestic blue (Tsukineko)
Papers: hot pressed watercolour paper, bristol paper, stardream blue cardstock, black cardstock