I’m hanging out on the Foiled Fox blog today, one of my favourite places to be. They have a bunch of lovely new stamps & dies from Penny Black; if you haven’t had a chance to browse their new arrivals, you really should. Christmas berries is one of the new rubber cling stamps and I have filled out my panel with extra branches from a handy set called ‘winter branches‘.
I used a stamp positioner so I could work on berries separately from leaves and twigs. I stamped the berries in ‘festive berries’ ink (imagine that) and blended on the paper with a paint brush. I let the ink dry before painting some ‘aged mahogany’ onto the shadowed areas of the berries.
I inked the leaves with pine needles distress ink at one end and peeled paint at the other. After stamping I blended the two colours together with a damp brush. I stamped all the branch and twiggy bits with ground espresso distress ink which is a nice dark brown and used the same colour to paint details onto the berries. I used the ‘Winter Branches’ stamps to fill out the design but first I stamped the Christmas berries stamp on post-it notes so I could cut some masks to cover the berries while I stamped the branches over the top in the ground espresso ink.
I switched to versafine vintage sepia ink for the sentiment because it prints fine detail so well. To make the colour closer to the depth of ground espresso I just stamped several times in the stamp positioner.
Stamps: Christmas berries 40-626(PB), winter branches 40-637, Joyful wishes 30-434
Inks: pine needles, peeled paint, festive berries, aged mahogany, ground espresso distress inks & vintage sepia versafine ink
Paper: hot pressed watercolour
Also: stamping platform
This simple card utilises only two stamps and three inks but I think it manages to convey an impression of a big winter sky. I splattered masking fluid on hot pressed watercolour paper then, after it had dried I sprayed water, stormy sky and forest moss stains over the panel. I did it fairly randomly but tilted the paper to keep one corner pale while the rest of the panel filled with colour.
When the sky was partially dry I stamped the trees with forest moss distress ink. With the trees in place I added more drops of stormy sky stain and scattered straw stain while tilting the panel upside down to make the colours bleed up into the sky like the northern lights. I blended forest moss stain into the stamped trees then let the panel dry before removing the masking fluid.
I trimmed the panel to cover the whole card front and added a sentiment from the PB ‘Christmas and love’ set. I had forgotten how much I like the look of masking fluid splatter. I use it more as snow in wintry scenes than anything else but it adds a little something to other designs also. Now I want to go and splatter masking fluid on all my watercolour paper…
Stamps: peaceful 30-511(PB), Christmas and love 30-508(PB)
Inks: forest moss distress stain, stormy sky distress stain, scattered straw distress stain olympia green versafine
Paper: hot pressed watercolour
Also: masking fluid
I am sharing floral cards this week here and on the Penny Black blog. This particular one makes me happy. It took me an age to complete but I think it’s bright and sunny. I’ve been wanting to create a card where the design continues across the back and front; my next challenge is one where the design covers back, front and inside!
I used the large floral stamp from the transparent set ‘radiant’; it’s part of the new Nature’s Art release from Penny Black. I used my stamping platform and antique linen ink to stamp three prints across the panel. I wanted them to fit nicely together but not look like a repeat pattern so I changed the direction each time. If I had been really diligent I would have masked the first before I stamped the next but I just let them overlap a little. When it came to adding colour I decided which petals or leaves would be in front and painted accordingly. You can’t tell now can you?
I used quite a few colours but I mixed and matched a bit. Basically I chose a yellow and orange for the large flowers, a peach and a pink for the medium flowers then did some smaller flowers with the orange and the pink (not new colours) I added a purple to the mix but shaded with the pink used earlier. On each flower I painted the lighter colour first then dropped in some of the darker one where I wanted shadow. I painted half the leaves with green and the other half with blue green then added shading to all with a darker green. When the same colour pops up in a few different mixes on your design it keeps things cohesive and visually appealing. Once all the painting was completed I used coloured pencils here and there to darken shadows and add more definition
The set includes solid centres in two sizes for the flowers so I stamped them in black and created my die cut stacked sentiment in black also. And I almost forgot to mention I stamped and painted a couple of flowers inside too.
I’ll be back with more bright and breezy florals tomorrow.
Stamps: radiant 30-481 (PB)
Die: congratulation 51-439 (PB)
Inks: antique linen distress ink, nocturne versafine clair
Paint: Peerless watercolours
Paper: hot pressed watercolour, neenah black
Pencils: Faber-Castell polychromos pencils
I am sharing this card on the Foiled Fox blog today, a great place to visit if you are looking for some inspiring content or some lovely products (in their online store). I am grateful to The Foiled Fox for supporting my creative work in a variety of ways and I want to let you know my blog includes affiliate links to their online store which give me a small commission.
Yet again I used my distress stains to work with a Penny Black floral stamp. You may have heard the distress stain daubers are being discontinued but the spray stains are not so I intend to refill my daubers from my spray stains; the stain is the same in both bottles. If you don’t want to get messy and do refills you can just paint stain onto your stamp with a brush or use an ink pad and spritz your stamp for a looser, more watery look.
I started in my stamping platform by inking the flower and bud with worn lipstick stain. I stamped then cleaned the stamp so I would not contaminate the dauber of the dusty concord distress stain when I added that next. I kept the dusty concord mainly around the edges of the flower and tip of the bud but it blended into the flower a little which is what I was after.
I added a sentiment in versafine clair monarch ink then popped up the whole panel on white foam before adding it to card base.
I have been using my coloured pencils more often recently. For this card I used them to add finishing touches and details after I had painted the majority of the design with watercolours. I used my gansai tambi paints for the watercolour then polychromos pencils for the details. I even wrote down the numbers just in case you were interested but really you don’t need my choices you could just use your own favourites.
One thing I did which worked in my favour was limit my colour palette. I mixed colours I had already used rather than continually adding new ones. This helps with the cohesiveness of the finished panel. I started by stamping the ‘aviary’ stamp on hot pressed watercolour paper in versafine smokey grey. I painted the area surrounding the birdhouse first with blue and green paint. I kept it mainly blue and used a ‘wet into wet’ method, painting around edges first with water then adding paint. A medium sized brush that comes to a good point can help with this as there is a lot of space to cover but also some tricky areas to navigate. Also if your brush is too small or doesn’t hold liquid well you will be forever picking up more water or paint.
Once the background was dry I painted the flower pots in brown and added shadows with the blue I used on the sky. After that I painted the birdhouse, once again with the brown and blue then added black for some darker shadows and definition. I decided to limit the flowers to pink and purple painting the taller plant on the left with a diluted purple paint and the magnolia on the right with touches of dark pink blended out with water. I left the centre flowers to do with coloured pencil. I used the same green from the background to paint the leaves and a combination of colours already used to paint the birds.
I couldn’t decide on a colour for the foreground the pots are sitting on so I used the dirty paint water. It turned out to be a teeny bit on the purple side but mainly on the dirty side so it didn’t clash with anything else. I added shadows with black. With all the basic painting done I switched to coloured pencils to add fine details. I picked pencils that matched the paint colours and went over some outlines or added tiny details inside leaves and flowers.
Thanks for dropping by today.
The flowers continue to bloom across my blog this week and it’s making me pretty keen for spring to arrive. Today’s poppies are as realistic and detailed as you are likely to see from me! A little different from my distress stain loose and watery florals. I used a stamp positioner to stamp ‘parade of flowers’ in antique linen distress ink on cold pressed watercolour paper; because of the texture of the cold pressed paper I stamped a few times to guarantee a complete image.
All the painting was done with Dr Ph Martins Hydrus watercolours. When undiluted the colours are very vibrant so I put only a drop of each colour in a palette then added water. To keep the colour scheme muted and cohesive I limited my paint choices. The petals are painted with ‘deep red rose’ and the leaves and stems a mix of phthalo green, deep red rose and Venetian brown. The centres of the flowers are gamboge, with dark details added in ultramarine and Venetian brown.
I worked on one petal at a time painting first with water then dropping in some deep red rose paint. I blended the colour to the edges then added more paint if necessary to create shadow or deeper colour near centre of flower. While each petal dried I worked on a non-adjacent one. When all the petals were dry I added some more red here and there to create a bit more depth and when that dried I used a very fine tipped brush to paint veins on some of the petals. I wanted to stamp the sentiment on a matching panel so I painted diluted deep red rose paint on a scrap of hot pressed watercolor paper the die cut three tags using die from ‘gift card pocket’ set. With the stamp postioner I was able to stamp ‘With Love’ sentiment from ‘special wishes’ set on tags one at a time so when together they would over lap each other.
I wrapped twine around top of painted panel, attached the three sentiment tags over the top and attached the panel to a natural coloured card base.
Stamps: parade of flowers, special wishes
Die: gift card pocket
Paper: rough 100% cotton watercolour paper, hot pressed watercolour paper
Ink: antique linen distress ink, imperial purple versafine ink
Paints: deep red rose, gamboge, pthalo green, Venetian brown, ultramarine Dr Ph Martins Hydrus watercolors (soon to be available at The Foiled Fox)
Also: antique hemp twine
I am happy to be sharing all manner of sweet spring goodness here and on the Penny Black blog this week. Starting the week is this gorgeous blossom branch stamp and a video tutorial. Blossom branch is a brushstroke stamp so I was after a hand painted look on my finished project. In my previous video I used distress stains applied to the stamp. For this project I worked with distress inks and markers, once again a water-soluble medium but in a format that can be applied with more accuracy than distress stains. The result is more detail on the final image.
I worked in a stamp positioning tool so I could add one or two colours at a time, three shades of green for the leaves and several pinks for the petals. You can see my process in the video. At one point the camera cut out without me realising so you don’t see all the blending of petal. I used the same process for all the flowers though, so you can get the idea from all that was filmed. I included a tip for a quick matching envelope too.
Hope you have fun with this technique. See you tomorrow.
Stamps: blossom branch, choose happy
Inks: versafine vintage sepia, shabby shutters, crushed olive, peeled paint marker,
worn lipstick, abandoned coral, barn door marker, gathered twigs marker
Paper: hot pressed watercolour paper
Also: MISTI, gold signo gel pen