I am sharing this card on the Foiled Fox blog today, a great place to visit if you are looking for some inspiring content or some lovely products (in their online store). I am grateful to The Foiled Fox for supporting my creative work in a variety of ways and I want to let you know my blog includes affiliate links to their online store which give me a small commission.
Yet again I used my distress stains to work with a Penny Black floral stamp. You may have heard the distress stain daubers are being discontinued but the spray stains are not so I intend to refill my daubers from my spray stains; the stain is the same in both bottles. If you don’t want to get messy and do refills you can just paint stain onto your stamp with a brush or use an ink pad and spritz your stamp for a looser, more watery look.
I started in my stamping platform by inking the flower and bud with worn lipstick stain. I stamped then cleaned the stamp so I would not contaminate the dauber of the dusty concord distress stain when I added that next. I kept the dusty concord mainly around the edges of the flower and tip of the bud but it blended into the flower a little which is what I was after.
I added a sentiment in versafine clair monarch ink then popped up the whole panel on white foam before adding it to card base.
I have been using my coloured pencils more often recently. For this card I used them to add finishing touches and details after I had painted the majority of the design with watercolours. I used my gansai tambi paints for the watercolour then polychromos pencils for the details. I even wrote down the numbers just in case you were interested but really you don’t need my choices you could just use your own favourites.
One thing I did which worked in my favour was limit my colour palette. I mixed colours I had already used rather than continually adding new ones. This helps with the cohesiveness of the finished panel. I started by stamping the ‘aviary’ stamp on hot pressed watercolour paper in versafine smokey grey. I painted the area surrounding the birdhouse first with blue and green paint. I kept it mainly blue and used a ‘wet into wet’ method, painting around edges first with water then adding paint. A medium sized brush that comes to a good point can help with this as there is a lot of space to cover but also some tricky areas to navigate. Also if your brush is too small or doesn’t hold liquid well you will be forever picking up more water or paint.
Once the background was dry I painted the flower pots in brown and added shadows with the blue I used on the sky. After that I painted the birdhouse, once again with the brown and blue then added black for some darker shadows and definition. I decided to limit the flowers to pink and purple painting the taller plant on the left with a diluted purple paint and the magnolia on the right with touches of dark pink blended out with water. I left the centre flowers to do with coloured pencil. I used the same green from the background to paint the leaves and a combination of colours already used to paint the birds.
I couldn’t decide on a colour for the foreground the pots are sitting on so I used the dirty paint water. It turned out to be a teeny bit on the purple side but mainly on the dirty side so it didn’t clash with anything else. I added shadows with black. With all the basic painting done I switched to coloured pencils to add fine details. I picked pencils that matched the paint colours and went over some outlines or added tiny details inside leaves and flowers.
Thanks for dropping by today.
The flowers continue to bloom across my blog this week and it’s making me pretty keen for spring to arrive. Today’s poppies are as realistic and detailed as you are likely to see from me! A little different from my distress stain loose and watery florals. I used a stamp positioner to stamp ‘parade of flowers’ in antique linen distress ink on cold pressed watercolour paper; because of the texture of the cold pressed paper I stamped a few times to guarantee a complete image.
All the painting was done with Dr Ph Martins Hydrus watercolours. When undiluted the colours are very vibrant so I put only a drop of each colour in a palette then added water. To keep the colour scheme muted and cohesive I limited my paint choices. The petals are painted with ‘deep red rose’ and the leaves and stems a mix of phthalo green, deep red rose and Venetian brown. The centres of the flowers are gamboge, with dark details added in ultramarine and Venetian brown.
I worked on one petal at a time painting first with water then dropping in some deep red rose paint. I blended the colour to the edges then added more paint if necessary to create shadow or deeper colour near centre of flower. While each petal dried I worked on a non-adjacent one. When all the petals were dry I added some more red here and there to create a bit more depth and when that dried I used a very fine tipped brush to paint veins on some of the petals. I wanted to stamp the sentiment on a matching panel so I painted diluted deep red rose paint on a scrap of hot pressed watercolor paper the die cut three tags using die from ‘gift card pocket’ set. With the stamp postioner I was able to stamp ‘With Love’ sentiment from ‘special wishes’ set on tags one at a time so when together they would over lap each other.
I wrapped twine around top of painted panel, attached the three sentiment tags over the top and attached the panel to a natural coloured card base.
Stamps: parade of flowers, special wishes
Die: gift card pocket
Paper: rough 100% cotton watercolour paper, hot pressed watercolour paper
Ink: antique linen distress ink, imperial purple versafine ink
Paints: deep red rose, gamboge, pthalo green, Venetian brown, ultramarine Dr Ph Martins Hydrus watercolors (soon to be available at The Foiled Fox)
Also: antique hemp twine
I am happy to be sharing all manner of sweet spring goodness here and on the Penny Black blog this week. Starting the week is this gorgeous blossom branch stamp and a video tutorial. Blossom branch is a brushstroke stamp so I was after a hand painted look on my finished project. In my previous video I used distress stains applied to the stamp. For this project I worked with distress inks and markers, once again a water-soluble medium but in a format that can be applied with more accuracy than distress stains. The result is more detail on the final image.
I worked in a stamp positioning tool so I could add one or two colours at a time, three shades of green for the leaves and several pinks for the petals. You can see my process in the video. At one point the camera cut out without me realising so you don’t see all the blending of petal. I used the same process for all the flowers though, so you can get the idea from all that was filmed. I included a tip for a quick matching envelope too.
Hope you have fun with this technique. See you tomorrow.
Stamps: blossom branch, choose happy
Inks: versafine vintage sepia, shabby shutters, crushed olive, peeled paint marker,
worn lipstick, abandoned coral, barn door marker, gathered twigs marker
Paper: hot pressed watercolour paper
Also: MISTI, gold signo gel pen
Spring is in the air at Penny Black and is beginning to feel like it here in Ottawa too. The method for this card is exactly the same as shown in my lilac video tutorial This card was stamped with distress stains, one of my favourite mediums for creating a loose watercoloury look. I have used the distress stain daubers for years now to ink my stamps but you may have heard, sadly the daubers are being discontinued. Even though I have a healthy supply of daubers I decided to use the spray stains for this card instead just to see if I could get the same effects with a paint brush. It takes an extra step but it worked and the results made me just as happy. If you have the daubers you apply stain directly to the stamp. (I will just add that the daubers are still available at the Foiled Fox right now; I intend to keep using my daubers and refill them from the spray stain bottles. To do this I just carefully lever off the dauber top and pour in some stain then press the dauber top firmly back on.)
Rather than dob stain on the stamp with the dauber I sprayed some stain into a palette and painted it on to the ‘lilacs’ stamp with a watercolour brush. I used bundled sage and forest moss on the leaves and seedless preserves and dusty concord on the petals. There are some pale lilacs in the background; I stamped them first by painting stain (bundled sage and seedless preserves) onto the stamp and stamping it on a wet piece of hot pressed watercolour paper. I just stamped randomly to spread some colour around then pressed a paper towel over the panel to remove excess water and colour. I dried the panel completely then transferred it to my stamping platform so I could stamp one colour at a time. I painted seedless preserves stain on the stamp first and stamped onto my panel. Without cleaning the stamp I added some dusty concord to a few areas on the stamp and stamped again. The stain blended both on the stamp and on the paper. I cleaned the stamp and used the same technique for the leaves, bundled sage first then forest moss in a few areas to create shadow and depth to the image.
To add another couple of flowers I repeated the process described above after repositioning the panel. I added a sentiment from the new ‘grateful heart’ set with imperial purple versafine ink.
Thanks for dropping by and thanks for all your encouragement.
Stamps: lilacs, grateful heart
Distress stains: bundled sage, forest moss, seedless preserves, dusty concord
Ink: versafine imperial purple ink
Paper: hot pressed watercolour
Also: MISTI or stamping platform
I decided to try a couple of methods for colouring a peacock feather stamp, my first experiment with the ‘Feathers’ set from Darkroom Door. I look forward to trying all of them eventually but the gorgeous colours of the peacock feather prompted me to pick that one first.The colouring on this first card was zig clean colour real brush markers directly on the stamp. I used the stamping platform so I could add one colour at a time. I blended the centre a little with a brush to get solid colour then spritzed the stamp with interference gold pearl-ex spray and stamped over the marker image. This gave everything a little shimmer and blended the colours into each other a bit. My pearl-ex spray is homemade; I add a small amount (about 1/8 tsp into a small spritzer filled with water). I stamped ‘thanks’ over the feather with majestic blue versafine then embossed with clear powder. The border panel looks black but is actually blue to co-ordinate with the centre of the feather and the sentiment.
My second colouring method was brusho. I spritzed the stamp with the same gold pearl-ex spray then stamped on hot pressed watercolour paper. I dropped a tiny amount of ultramarine brusho at the top of the feather, also a little turquoise then olive green down the shaft of the feather then stamped again to activate the brusho with pearl-ex spray. I embossed a birthday sentiment in gold and framed the panel in gold shimmer cardstock.
My final colouring method was with Sakura Koi colouring brush pens. I kept the stamp in the stamping platform so I could ink then stamp a colour at a time. The Sakura pens are very bright so I thought they were a good match for the gorgeous colours of peacock feathers.
Once again I stamped the colours one or two at a time so I could keep the centre of the feather distinct. Once I had stamped both feathers I spritzed the gold pearl-ex spray over the whole panel which ended up doing two things: the barbs softened to look a little ‘hairy’ and the droplets of spray created a pattern of watermarks over the ‘eye’ of the feather.
I ended up using majestic blue versafine ink again to add a sentiment from ‘botanical script’ set and cut a mat in the same colour. This card also has a slight shimmer to it so I added a gold cord for a finishing touch.
Stamps: Happy Birthday, Thank you, Feathers, Botanical Script
Inks: Versamark, Majestic Blue Versafine
Markers: Zig clean color real brush markers, Koi Coloring Brush Pens
Paint: Brusho (ultramarine, turquoise, olive green)
Paper: hot pressed watercolour paper, blue cardstock, gold shimmer cardstock
Also: stamping platform, gold embossing powder, clear embossing powder, gold cord, pearl-ex interference gold spray
I had a lovely time with this new photo stamp from Darkroom Door. It’s called Woodlands and was perfect for creating an autumn scene, a winter scene and a sunset. Step by step instructions and a complete list of supplies are available on the Darkroom Door blog
The autumn scene involved brayering and distress inks.
The sunset features the bright hues of colorburst powders over embossing.
The winter scene below, which might be my favourite, was painted with distress inks.
I used a cool technique with a stamp positioner to get a layer of snow on the branches; if you’re interested pop over to Darkroom Door and check it out.