Garden Delight

It’s a doubly exciting day today! Not only have a I teamed up with the Foiled Fox for a giveaway, I am also sharing the first of my posts featuring new Penny Black stamps.

The new release is called ‘Delight’ and the stamp on this card is called ‘delight’! And I am delighted to tell you more about this garden card.

You can probably tell that I painted the background first; it’s a smoosh, spritz, swipe background! I smooshed broken china, worn lipstick and wild honey distress inks on my glass mat, spritzed water on the inks and the hot pressed watercolour paper then swiped the paper through the inks. I tipped and tilted the panel to get the colours to mix and move then let it dry standing on its edge.

Once it was totally dry I put the panel in a stamp positioner to do all the stamping and painting. I stamped the base of the stamp with rustic wilderness, the larger flowers with worn lipstick and the rest of the stamp with antique linen. Using the glass mat as a palette I smooshed the distress inks already mentioned so I could add water and pick up ink with a paintbrush. To create white petals on the daisies I used a white gel pen then added little white dots here and there around the panel.

The ‘delight’ stamp is fairly large so this card ended up being 6¼”x4½”. I finished the card with a sentiment from the new PB ‘thinking of you’ set stamped in twilight versafine clair ink. To enter the giveaway The Foiled Fox is hosting let me know in the comments what is on your crafty wishlist right now. I am wondering about trying some gouache paints so that is top of my list. What are you hoping and saving for?

Make sure you pop over to the Foiled Fox blog to see all the beautiful cards they have been sharing and browse around their lovely store; you might find your wish list growing while you’re there.

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Under the same sky

After pairing the cool new ‘long distance’ sentiments from Darkroom Door with a map stamp I took another look at the strip of sentiments (there are eleven) and picked out a couple that would work with planes and a sunset sky. I must admit my matchy-matchy side was pretty happy these two sentiments are in the same font and the three on my map card were also in the same font.

I taped a piece of hot pressed watercolour paper to my glass mat and painted six colours from top to bottom of the panel with plenty of water to dilute and mix the colours as I went. I used the Dr Ph Martin’s Hydrus watercolours for the sky and the colours are linked below. I put only a drop of each in wells of the palette then added three or four drops of water. Considering the paint brush was also dipped in water before picking up paint you can see these liquid watercolours are highly pigmented. I painted the whole panel twice starting with the phthalo blue each time and finishing with the gamboge. While the panel was still wet I scrunched up a tissue and dabbed paint off. You can see the tissue takes out a lot of colour bringing the dabbed area almost back to white.

Once the panel was totally dry I trimmed it and stamped two planes from DD vintage planes and two sentiments in versafine clair nocturne before embossing over the black ink in clear powder.

I was thinking about a comment my dad left on the long distance + map card about the recipient being able to return the same message to the sender on receipt of the card and I wondered about a ‘send it on’ idea. It is a bit different to what my dad suggested but instead of writing in the card I will write on a piece of loose paper inside the card and suggest the recipient remove my note and add one of their own before sending the card on to another person. For fun the senders and recipients could note their names on the back of the card. Hmmmm, perhaps I should try it with the map card and maybe this one too.

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Daisy Delight

When I have a new line-art background stamp my first choice is usually to try emboss resist with brusho paint powders. This new background stamp from Darkroom Door is called ‘daisy delight’ and has plenty of loops and lines for trapping brusho.

I embossed the stamp in clear powder on hot pressed watercolour paper. With scrap paper spread under the panel I sprinkled brusho powder over the panel, both turquoise and sea green. I spritzed water over the brusho and sat back to watch the magic happen. As the brusho diluted I saw pockets of colour appear which were exactly what I wanted. You can see different shades of blue and green as well as a few pops of yellow. There were a few blank or pale sections so I sprinkled more brusho, spritzed more water and then waited again to see what happened. Once the paint was really soaking in I took a small brush and started filling some of the petals where the colour hadn’t reached all the edges. In a few places I took bold colour from a petal and used it to fill a petal somewhere else.

I dried the panel with a heat tool then trimmed it and did a test on a trimmed scrap to see if I would like black background in amongst the flowers. I went with it and coloured in the few areas that are not part of the flowers with a black Karin brushmarker. To finish the card I wrapped white/silver twine around it and popped up some embossed words from the new DD ‘you are everything’ set.

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Long Distance

Many of us are separated from family and friends these days so when I saw this new set of sentiments from Darkroom Door I knew immediately that I could put them to good use. The set is called ‘long distance’ and is a long strip of sentiments one under the other, eleven in total. I have several sentiment strips from Darkroom Door and have not cut any of them into individual strips. Instead I tend to stamp the whole strip or a section of the strip and then snip off or die-cut the ones I want to use.

As many of you know I am originally from Australia and all my family still lives there while my husband, children and I live in Canada and have done for twenty years. When I designed this card featuring the DD ‘world map’ stamp I did so with my Australian family and friends in mind so I had to make sure both countries were still on display after I added the sentiments. I stamped the map on hot pressed watercolour paper in tea dye distress ink and acorn versafine clair, dried the inks then started painting colours over the map. I smooshed tea dye, carved pumpkin, abandoned coral, broken china and mowed lawn distress inks on my glass mat and painted loosely with no major concern for borders or accuracy. I searched ‘antique map’ for an inspiration photo to guide me.

I cie-cut the map panel with a Waffle Flower A2 additional layer die then applied vintage photo ink around the edge of the map and the sentiments with a blending brush. It’s a subtle addition but I also stamped pale postmarks on the sentiments using the DD ‘global postmarks’ stamps. I will be showing you more of the new stamps from Darkroom Door over the next few weeks but there are already several blog posts on the Darkroom Door blog featuring the new beauties so make sure you pop over there to take a look.

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Arbors in green

I can’t believe I am only just getting this beautiful tree stamp inked, especially considering my mantra, ‘you can never have too many tree stamps!’ This new stamp from Penny Black is called Arbors and I’m sure I will put it to use often. For its first inking I decided on keeping things traditional and green. We are just beginning to see grass appear here and there as the snow melts but no leaves yet.

Before I started stamping I put some speckled egg and rustic wilderness stain on my glass mat and diluted it with a few spritzes of water. I swiped a piece of cold pressed watercolour paper through the stains, dried it and then repeated the process to fill my background with blue and green.

With the stamp and panel in a stamp positioner I inked the foliage of the trees with dabs of crushed olive, mowed lawn and rustic wilderness distress inks. I spritzed the stamp lightly before stamping to get the inks mingling with each other. It took several applications to build up the coverage. After applying quite a bit of green I inked the trunks and branches with a ground espresso distress marker leaving the base below the trunks uninked so I could paint some hills in and around the trunks. To do this I spread brown ink from the trunks left and right then added diluted rustic wilderness stain and painted hill shapes across the panel. I checked to see what I was short on in my stash and added a thank you from the banner sentiments set in acorn ink.

I can’t wait to ink this one up in autumn tones, but I guess a few trees in blossom might be timely first.

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Lemon Lush

It’s a collaboration day with The Foiled Fox, so I am over on their blog and sharing here at home too. Make sure you pop over there to learn more about today’s card process and products.

Isn’t this a bright happy image? I know it’s partly the colours I chose but I think it is also the mix of lemons, leaves and flowers. It’s a glimpse of summer and that is definitely welcome! The stamp is called ‘lemon lush’ and it is a large 6″x6″ from Pinkfresh Studio. I’ve used two thirds of it for this rectangle card but I’ll be showing you the whole square image on another card soon.

I stamped the rubber stamp on hot pressed watercolour paper in raven black ink and embossed in raven powder (both from Brutus Monroe). For the watercolouring I used Peerless watercolours. I watercolour with quite a few different products so sometimes the Peerless paints sit on the shelf feeling forgotten. Once I bring them out however, I remember just how beautifully they blend and what gorgeous colours are available. If you haven’t heard of Peerless watercolours paints they are an old, old company and the paint is in pieces of thick paper. I use a wet brush to pick up paint to use on my project.

When painting the cut lemons I used a yellow and a light orange paint, for the whole lemons I used the same plus darker orange tones to get depth and shadow. I used two greens for the leaves, a blue for the tiny flowers and violet for the large flowers. To fill in the berries I switched to a purple Karin brushmarker. The sentiment is from Pinkfresh Studio’s ‘floral notes’ set stamped in monarch versafine clair. I stamped the flap of my envelope too with memento dandelion ink. If you take a close look at the second photo you will see some clear dots glued to the lemon halves, those droplets of juice might just be my favourite part of the card! Thanks for joining me today and thank you Foiled Fox for sending me this stunning stamp to create with.

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Fern Border

I was looking through my pile of possibilities recently and found some lovely brusho panels I made quite a while back at a class taught by my friend The Crafty Cigale. Instead of using brusho watercolour powders on watercolour paper we worked on photo paper. I remember the process being so much fun that I kept on making panel after panel.

I’ve chosen two of the panels as borders for today’s cards. Initially I thought I would cut into the brusho panel using the Penny Black fern border die and I tried, but using the patterned print as a background showed it off better while still featuring the delicate shape of the fern fronds.

Before die-cutting the fern border I applied double sided adhesive to the back of the card front so once cut I could easily attach it to the patterned panel. The sentiments from the banner sentiments mimicked the curve of the border die so they were an obvious choice in two versafine brown inks

The card bases are Luxe White cardstock from Foiled Fox, which is a creamy colour with a soft pebbly texture. I’ll be back tomorrow with some more birch themed pages from my bullet journal. Thanks for dropping by.

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Fern and floral art journal page

Recently when I was making a card with the new Penny Black stamps, ‘garden variety’ and ‘fresh fern’ I also began an art journal page. I really need to be braver with my art journal, I tend to reach for the same mediums that I use all the time in my cards. Today’s journal page was not particularly adventurous but I did pull out my box of pastes, gels and mixed mediums only to find several of them had dried up completely in their containers while others that used to be thick had turned to liquid. Those ones got tossed but a jar of distress collage medium came in handy along with some modelling paste. I think they might have both done the same job in the end.

I’m still working in my Fabriano art journals made up of drawing paper so I’m trying not to rely on my watercolour habits and techniques. I began as usual by taping the edges of the pages both to keep the book open and to create an attractive frame.

I inked the garden variety stamp with tangelo, northern pine and rosebud memento inks, spritzed it and stamped on the pages multiple times. I did first and second generation stamping to get both bold and pale prints. Then, feeling all brave and mixed media-ish I coloured some modelling paste with peanut brittle memento ink and applied it around the edges with a little plastic applicator (an old bank/library card would do). This step didn’t really yield the results I wanted but it was all in the spirit of experimentation so on I went.

I hadn’t used tissue paper in a while so I scrounged through our wrapping paper box and found some white, stamped the fresh fern in rich cocoa memento ink then tore it into sections before gluing it on the journal pages with collage medium. The tissue became almost transparent which gave the flowers behind a soft pearly look. I stamped the verse from 1 Corinthians on tissue too and glued it down in the same way replacing the first word, ‘love’ with a die cut.

I would love to know if you have an art journaller you admire. I am a big fan of Vicky Papaioannou and have watched many if not all her art journaling videos. I am interested to know what gels, pastes and mediums people use for what purposes. Which are best for resist effects, which are great for gluing, etc. Please share any recommendations you have.

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No-line Watercolour with Karin brushmarkers

I’m happy to be teaming up with the Foiled Fox again to bring you some more Karin brushmarker experimenting, this time I put them to work on no-line watercolour. I was pretty sure they would do a good job and I wasn’t disappointed. I also discovered that Papertrey Ink’s ‘soft stone‘ ink works well as a base stamping ink for no-line watercolour. To begin I stamped the same Penny Black poinsettia poem stamp on two pieces of hot pressed watercolour paper. On the design above I used only three Karin brush markers (red 209, teal 377 and henna 105) When colouring the leaves I inverted the red marker tip to tip with the teal before colouring to create the more browny green you see on the leaves.

I painted the petals one by one as is usually the case with no-line watercolour and I used the Red 209 marker. I used a slightly different methods for each card. On the above panel I barely touched the marker to the paper in each petal then blended the ink with water to fill the petal. On the panel below I painted a petal with water first then added a dot or two from the marker which flowed into the wet area. The effect is similar but the petals are paler where I applied water first and marker second.

On the second card I used magenta 170, lush green 228 and sepia 074. Once again I did a bit of tip to tip colour blending for the leaves and berries. It takes a bit of trial and error plus some scrap paper for testing to get the right mix of colour when doing the tip to tip blends. After adding ink to a marker tip the first strokes of colour will be the most intense and as you continue to apply ink to paper the intensity will decrease as the colour returns to its original tone. Make sure you visit the Foiled Fox blog where I provide even more detail about today’s projects.

I used a textured shimmer green cardstock to create a die-cut frame for the card at the top of the post. It is easy to cut a narrow frame by using two rectangle dies from the Waffleflower A2 layer dies. For the second card I used mulberry cardstock to create a co-ordinating mat and stamped with both versafine clair tulip red & chianti to stamp the sentiment in a matching colour. When I don’t have the exact ink colour for a sentiment I try a combination of two inks, something a stamp positioner makes quite straight forward. I stamped the sentiment on the first card with my beloved memento northern pine ink. The sentiments are from Penny Black sets, Christmas feeling and frozen vista.

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Shimmer on grey

I saw a beautiful card by Dawn Wolesagle featuring shimmer paint on a dark grey base and decided to try my own. I know mine do not have the impact of Dawn’s card but I like the simplicity of design and colour on these one layer cards. I’m going to try the technique again with an even darker background.

I used the textured grey luxe cardstock from the Foiled Fox and combined outline stamps from the Penny Black set {heart Christmas} to make a design with versafine clair nocturne ink.

I painted the leaves in moss green pearlescent paint from the Coliro ocean set and the flowers with rose from the vintage set then switched to gel pens to fill the berries with gold and dot white around the designs.

The sentiments are both from the Penny Black merry up set stamped in Brutus Monroe alabaster ink and embossed in alabaster powder.

The fundraising total on my Dressember campaign page continues to grow thanks to friends near and far including many blog readers and class participants. Thank you so much for getting involved in the fight against human trafficking. To learn more about the work being done visit the Dressember blog

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