Much as I hate to admit it, things are beginning to feel distinctly autumnal. I don’t have any autumn wreaths to hang at home but if I did I think I would like one a bit like this, soft colours and delicate leaves.
I worked in my stamp positioner to create this panel on hot pressed watercolour paper but I think you could easily do it with the stamp on an acrylic block, it might even be faster. I started by tracing a circle on my panel with a pencil. Using the circle as I guide I positioned the branch stamp from Penny Black’s new ‘All Natural’ set so the base stems were on the circle. I inked with rusty hinge, stamped, moved the stamp around the circle a little, stamped in bundled sage, moved it again, stamped in frayed burlap and then repeated until I was all the way around the circle. I used a small watercolour brush to blend inside the leaves adding extra ink when necessary. I love the combination of colours; frayed burlap is new to my collection and I like the way it gets along with the other two inks. Once the blended ink was dry I stamped just a section of the berry stamp around the centre of the wreath in gathered twigs distress ink then blended it to fill the berries.
I used the same sentiment for both cards, it’s from another new and cute PB set called ‘golden delight’. I stamped both times on a little tag from the PB ‘a pocket full’ die set. To finish off the card I wrapped some twine around the panel, added a bow and popped the tag on top.
For the second card I grabbed another stamp from all natural and used the same process but needed a leaf mask cut from post-it note a couple of times where the leaves would have stamped over previous ones. This little stamp has both leaves and berries as well as a curved stem which just happened to conveniently match the curve of my traced circle. I used the same technique of blending the leaves and berries after stamping with forest moss and aged mahogany distress inks.
Both cards requested the splatter treatment and the second card wanted a olive green mat as well.
Hope the days are warm and sunny where you are.
Today’s little garden cards contain unusually small die-cuts (for me) but I had fun arranging them and love the results. While I was putting these together I had Jill Foster’s video using the same die sets on pause in front of me so I could get inspiration from all her ideas. Make sure you check out Jill’s video; she includes plenty of tips and tricks and cool layouts.
There are three ‘little garden’ sets that co-ordinate well and between them there are oodles of leaves, flowers, pots, hanging baskets and fixtures to choose from. I chose a limited palette of black, kraft and a blue/green patterned panel for all four cards. My patterned panel was a shaving cream marbled panel so I was able to get variation in colour without having to change cardstock.
My garden box, a garden and hanging planters die sets are all still joined together so I cut everything from kraft, black and patterned then proceeded to create vignettes.
Once I had an arrangement that looked balanced I used my marvy jewel picker and lawn fawn glue tube to get everything attached to cream cardstock. The jewel picker saved my arthritic thumb joint; picking up little things is not good for it!
As you might imagine I still had plenty of little elements to spare after three cards and I remembered the ‘art deco window’ and ‘window treatment’ dies I had so I arranged another couple of pots inside the window and beside the patterned curtains.
I ruled some lines on the kraft card base to make it look like wood panels on the side of a house. The window frame dies cuts a window that opens on each side which is a cute touch.
This last simple scene is created with elements from the ‘garden box die set’ along with leftovers from ‘a garden’ and ‘hanging planters’ sets.
All the sentiments are stamped in versafine clair nocturne ink and taken from the ‘grateful sentiments’ and ‘sending thanks’ sets.
I had fun creating these little scenes despite the ‘fiddliness factor’ being a little higher than I am used to. I love the end result with the strong contrast between black, cream, kraft and blue/green pattern.
I’ve been enjoying some pencil colouring lately, especially on ‘Stardream’ shimmer paper. (this background is stardream lapis lazuli) Working on a dark background requires a different approach but the results can be quite eye catching. I stamped a few of the ‘wonderland’ poppies from Altenew on blue shimmer cardstock with antique linen distress oxide ink. The oxide ink ends up looking almost white on such a bold background.
My pencils are Faber Castell Polychromos but you could use whatever coloured pencils you have on hand. With a dark background it helps to lay down a light base of white before adding colours over the top. I chose two pink pencils plus a white to colour the petals and blended from white on the petal edges to dark pink at the petal base. I preserved the stamped lines where I could but occasionally coloured over them and did what repairs I could with my white pencil. I used a bright green pencil for the stems and sepals and a tiny spot of yellow in the centre of the lowest poppy.
As always it is hard to capture the shimmer of the paper on camera but I think you can see a bit of it in each photo. I stamped and embossed the sentiment on the panel but made a patchy job of it so I stamped it on cream cardstock and cut it out with the avery elle sentiment dies that are never far from my side these days! I popped the sentiment up on dimensional tape and added the panel to a cream card base.
I love that sentiment and hope you all stay awesome today, my friends!
I have a video for you today showing my process in making this simple floral card with a loose watercolour look. The foliage is from the Altenew set ‘leaf canopy’ and the flowers are from the Concord & 9th set ‘fine line florals’ (the same set I featured in a journal page last week). The flower stamp is very detailed with fine lines covering the whole stamp. Because I wanted a loose watercolour look I spritzed water on the inked stamp which meant I lost most of thefine lines. I do like the way a few of them remained giving the petals a slightly transparent look.
I tried the ink, spritz and stamp method a few times before creating this panel because it was easy to add too much water and end up with a splodge rather than a flower. The experiments only took a little time and a few pieces of watercolour paper so definitely not a waste.
In this close up you can see some of the texture of the cold pressed watercolour paper. Although I often use hot pressed I still reach for cold pressed at times because the rough texture adds interest particularly when using solid or semi solid stamps like these ones.
Like many card makers I have numerous boards on Pinterest filled with inspiration for future art and cards. I opened one such board yesterday looking for inspiration and decided to have all my flowers and foliage along the top of the card hanging down, then empty space below. I did all the painting with the flowers upside down but when I had finished it didn’t make sense to have the flowers upside down at all so here they are right side up.
Working on cold pressed watercolour paper I stamped the PB ‘unfolding’ stamp twice which involved masking a flower head in the middle of the panel so I could overlap the flowers. I inked the flowers with wilted violet and seedless preserves distress inks and the stems in bundled sage then blended all the stamping with a little water and a small paintbrush. I wanted extra colour in the petals so I pressed all three stamp pads on my glass mat so I could pick up ink for painting.
Once I had painted all the flowers I realised I would need a mask for each one so I could stamp background foliage. It didn’t take too much time to stamp and cut masks of the flower heads, I didn’t worry about masking the leaves. The foliage is PB ‘trees in bud’ stamped in iced spruce distress ink and the splatter is bundled sage. To finish the card I add a sentiment from the handy PB set, ‘banner sentiments’ in versafine clair morning mist and popped up the whole panel on foam over a hot pressed watercolour paper card base. Sometimes I want a frame around a panel but nothing as bold as a coloured mat would be so I pop the panel up creating what I call a ‘shadow frame’ simply because the small distance between panel and card base casts a subtle shadow.
Polka dots are make happy patterns in my opinion. Add rainbow colours and it’s a double happy. I created this simple card with the Concord & 9th ‘dotted fill-in stamp set’. I inked the background stamp with a rainbow of distress inks, spritzed the stamp with water to blend the overlapping colours a little then stamped on watercolour paper.
I thought a bold black sentiment would stand out so I arranged the letters from the C&9 ‘big thanks’ set across the panel and stamped in versafine clair nocturne ink. The only embellishments are little gold circles die cut with the ‘dots and hearts’ die from gold foiled cardstock and popped up over a few of the polkadots.
So simple. So dotty. So happy.
Thank you for all your lovely comments about my recent art journal page. I’m glad you enjoyed it. I have a couple more pages in process in my journals which I look forward to showing you in the future. I would love to hear from other art journallers. What are some of your favourite mediums and techniques?
Today’s cards are made with my latest fave: the gelli plate! I am very much a beginner but learning as I go and watching the myriad of techniques shared on the Gelli Arts youtube channel. The panels in today’s cards were made by printing layer after layer while rearranging die cut paper butterflies and blossoms on top of each new layer of paint. The dies are Penny Black ‘monarch’ and cherry blossom’.
I wont’ try to describe my process because I don’t remember exactly what my order was or what paint colours I used. I know there was green, white, burgandy, gold and pink liquitex basic acrylics but there could have been more. Like many artistic techniques success with a layered gelli print can be knowing when to stop. Once I was happy with the one above I still had paint and pattern showing on the gelli plate so I added one more layer of paint then pulled a ghost print (I’m learning the lingo!) on patterned paper. The paper I chose was a woodgrain print from Alexandra Renke.
You can see the woodgrain print through the paint and pattern. I ended up matting both panels in burgandy cardstock then attaching them to a base panel of the same AR woodgrain paper.
It’s always hard to capture shimmer on camera but all three panels have gold shimmer on them so I added some gold accents to each one. On the top panel I stamped the PB script stamp, embossed in gold powder and matted the panel with gold cardstock. On the card above I added a gold embossed sentiment from the PB set happy snippets and stamped the same script stamp in chianti versafine clair. On the card below I stamped the script stamp in shady lane versafine clair ink and added a gold vellum die cut butterfly, the same butterfly used as a mask in the gel printing process.
I love all the texture from the gelli printing process, the paint which builds up after several layers of printing adds so much interest
Butterfly garden is a new transparent set from Penny Black with a nice mix of butterflies, leaves and flowers. I chose to watercolour the butterflies first then mask them before adding background foliage. I stamped the top butterfly in shabby shutters distress ink, the middle in broken china and the bottom one in dusty concord on hot pressed watercolour paper.
I used peerless watercolours to fill each butterfly with colour starting with a light green then blending to darker greens to fill the wings. I then added green first to the middle butterfly and blended into blue and a little bit of purple. The last one I blended from blue to purple. I stamped them again on masking paper, cut them out and covered the watercolouring before stamping leaves all over the panel in morning mist versafine clair ink. As I wanted to fill the panel with lots of stamping I used acrylic blocks so I could easily turn the stamps around to fit them in all the spaces. I drew little dots in grey marker to fill the background even more.
To finish the card I matted with purple cardstock, stamped a sentiment from the PB grateful sentiments set in monarch versafine clair, die cut it and popped it up with Gina K’s dimensional tape which adds just a little height without being too bulky.
Blue flowers might just be my favourite, so of course I chose blue for some of the new flower stamps from Penny Black. My first card features the ‘Together‘ stamp which is lovely and reminds me of the agapanthus my parents often grew in their flower gardens.
Both of today’s cards were made with distress stains either painted on or applied straight from the dauber.
I start by painting the lightest stain onto the stamp then stamping. I clean the stamp and add another colour and stamp again. To protect a detailed area like a flower centre I wipe the ink off the stamp in that spot so I can use ink or marker later. When the image has all been stamped I blend petals and leaves with a paint brush and water. For both blue floral cards I splattered some stain over the panel to complete the design then stamped a sentiment on a banner in a co-ordinating colored ink. Both sentiments are from the delightful new ‘grateful sentiments‘ set
This large blue flower stamp is called ‘Radiant‘. For this card I started by wetting the watercolor panel so when I stamped on it with milled lavender and crushed olive distress inks I would get a diluted abstract print. I dried the panel before putting it in the stamp positioner to work on the bold print. For the bold stamping I used shaded lilac, blueprint sketch, dusty concord, crushed olive and scattered straw stains. Once the stain was dry I drew the centre of the flower with a black marker.
People often ask me if distress re-inkers can be used to create the same effects as the stains. I don’t own any re-inkers so I can’t tell you. I think it is probably time I got a few and did some comparisons. Stay tuned.
I am trialing a new supply linking system right now which looks and operates a little differently from what I was using. If you click on any of the supplies pictured below you will be taken to a complete list image where another click will take you to the Foiled Fox store. Buying through my affiliate links to the Foiled Fox store does not cost you any extra but earns me a commission. Please let me know if you have any thoughts or concerns with the new system. It is a trial and I am interested to know what you think.
Thanks for dropping by today.
Today’s card features two new brushstroke stamps from Penny Black. The pink flowers in two corners of my panel are from a vase + flowers set called ‘painter’s vase’. I just used the flower stamp but there is a vase stamp I’ll use another day.
I used my stamp positioning tool (MISTI) and placed the flower stamp overlapping one corner of the hot pressed watercolour panel. I stamped the whole image in worn lipstick distress ink knowing the forest moss ink would be bold enough to cover the pink later. Without moving stamp or panel I inked centres and edges of the flowers with candied apple distress ink, stamped then blended the two pinks with water. I then added black soot ink to the flower centres, stamped and let the panel dry. I coloured in the flower centres with a sun yellow inktense pencil and shaded some of the flower centres and edges with poppy red. Then I flipped the panel 180° and repeated the whole process.
To add a background I had to mask the flowers so I stamped them on masking paper, cut them out and covered my completed corners while I stamped ‘a floral twist‘ stamp in weathered wood distress ink and added a few splatters too. All that was left was to add a sentiment; I decided on something small from ‘grateful sentiments’ on a little die cut label with the edges sponged in worn lipstick ink.
Thanks for dropping by today; it is great to be blogging with a bit of regularity again.