Today’s card features a large outline stamp from Penny Black called ‘unforgettable’. When I read the stamp name I can’t help but start singing the Nat King Cole song, even if only in my head. I positioned the stamp to cover half the card front but if used on a landscape oriented card it would almost fill the whole front. I used one of my tried and true techniques to watercolour the image with distress inks.
I worked with a panel of hot pressed watercolour paper in the stamp positioner and inked components of the design with distress inks and markers. I ink the outlines as accurately as possible with the ink colour I’m going to paint that section with. I inked some of the flowers with seedless preserves and others with wild honey. The leaves are bundled sage with some forest moss ink. When painting the petals I blended ink from the outline, and when that wasn’t enough picked up some from my glass mat where I smoosh the inkpad.
I enjoy doing no-line watercolour with a pale ink like antique linen distress but I also like this method. It can be fiddly inking each flower and leaf in different colours but if you use a mix of markers and ink cubes you can pretty good coverage. I always have a wipe or sponge on hand to wipe ink off the stamp if it’s gone out of bounds.
The sentiment is from the new ‘million thanks’ set which features two large versions of ‘thank you’ and two of ‘thanks’. The rest of the set is phrases to be paired with ‘thank you’. I have much to be thankful for right now as I am safe at home with most of my family knowing my eldest is safe at home elsewhere. We have what we need and know that isn’t the case for everyone. I hope you are staying healthy, hopeful and home!
Introducing ‘petal poetry’ from Penny Black, another floral beauty from the new release ‘Secret Garden’. This one is a brushstroke stamp which means the image is taken from a painted image. I like to stamp each brushstroke stamp I receive in a single colour, just a medium tone, nothing too light or dark, to see all the detail before I start creating with it. Having a monotone print of the image beside me when I work is very helpful. I always use a stamp positioner for this type of image so I can work on a bit at a time and I don’t feel any pressure to ink every bit in the right colour first go.
To create this panel I started by inking the flowers with shaded lilac distress ink and the leaves with peeled paint distress ink, then stamped without any spritzing. With the pale image of the peonies on my hot pressed watercolour panel I inked the edges of the petals in wilted violet distress ink and added forest moss ink to the leaves with a marker then stamped again. From this point on I added ink to the stamp with distress markers to define the petals, I had shaded lilac and dusty concord markers to help show edges and shadows. I did some spritzing of ink on the stamp but also blended the colour on the panel with a paintbrush. To see the sort of process I used check out a couple of my videos with similar stamps (blossom branch and spontaneous joy)
I kept on adding dabs of colour and blending with water until I was happy with the result. With this one I know I stopped myself from spritzing too much so the petals would still have some definition. And I didn’t even splatter! Such restraint! Once it was dry I added the centre of the flowers with a black soot distress marker and stamped a sentiment from ‘million thanks’ in versafine clair nocturne ink.
I hope you are enjoying the new floral stamps from Penny Black; there are indeed other images in the new release and I will eventually tear myself away from the florals to share some with you.
This artistic spray of flowers is a new brushstroke stamp from Penny Black called ‘nature’s glory’. As you can see it is big enough to fill a 4 ¼” x 5 ½” card front but you could use just a part of it for a smaller panel. I like the way it curves leaving me an obvious place for a sentiment. I think I’ve mentioned before I don’t always think about sentiment placement in advance so the shape of this stamp helped me out.
I stamped on hot pressed watercolour paper using a stamp positioner to enable me to build up colour and detail. I used a combination of Papertrey ink cubes and distress markers to ink sections of the stamp. I started with the harvest gold ink cube for the flowers, scarlet jewel for the berries and a few flowers and ocean tides for the leaves. I spritzed the stamp very lightly before stamping on the panel. Some of the leaves ended up with petal colours on them, some flowers ended up with a bit of blue-green and the red of the berries bled into the leaves also. To add a bit more definition to a few of the berries and flowers I switched to distress markers to ink brown centres in the flowers, green on a stem or two and orange on a couple of petals. Once again I spritzed the stamp lightly before stamping so the extra ink would blend on the stamp before hitting the paper.
The sentiment, from the new PB sentiment set ‘magical friendship’ is stamped in versafine clair ‘misty morning’ and the whole panel popped up on a piece of foam.
Thanks for dropping by.
Hot off the presses and ironically cold out of my mail box here are some brand new stamps from Darkroom Door. Rachel Greig creates incredibly artistic stamps and these new flowers are no exception. The feature image and sentiment on today’s card are from the new set, ‘Warm Wishes’ which contains five flower stamps and eight sentiments.
I decided not to watercolour them this time (but you know I will), instead I chose a crisp pigment ink so you would see the incredible detail of the flower head. I created a background by stamping some fave florals from DD ‘nature walk’ and ‘wildflowers vol 1’ in memento London fog ink. It is a light enough grey to show up but not take over. On the card above I stamped the feature flower from ‘warm wishes’ in versafine clair ‘shady lane’ ink and added the sentiment in the same colour.
Both the stamped panel and the card base are neenah solar white cardstock and the panel is popped up on a piece of foam to create some subtle framing.
Make sure you pop over to the Darkroom Door blog for more inspiration with the new ‘warm wishes’ set. And check back here too because I’ll be giving these stamps the watercolour treatment very soon!
That’s right I have a Christmas card for you. I totally subscribe to the twelve days of Christmas deal; I am in no hurry to take down decorations or make resolutions. When I look at this card though, I realize it could definitely work for the new year. We woke up to a very merry & bright scene as the world is once again covered in white! Both these stamps are favourites of mine as they will be useful year round and of course, they feature trees!
No watercolour paints or techniques were used in this card, I know, it’s a bit of a departure but I love the crisp images I was able to get stamping on bristol cardstock. I stamped the winter woodland stamp with memento London fog ink on bristol then switched to versafine clair rainforest ink to stamp the ‘before the snow’ tree and the sentiment in the foreground. I matted with a co-ordinating green cardstock then a white cardbase.
I made a couple of these cards but might make a few more in preparation for next Christmas or even change the foreground image to make them suitable for year round. It’s a quick but effective design inspired by the beautiful work of Julia of Derkleineklecks blog.
Happy New Year! Thank you for spending time here on the blog with me this year; I look forward to sharing more projects in 2020. How about the neatness of that 2020; I like it!
You know I love tree stamps so when this beauty from Penny Black appeared I had all sorts of plans for it. My first inking was to create these peaceful scenes to share here and on the Foiled Fox blog. The background stamp is called ‘winter woodland’ and the foreground stamp is from an older set ‘spread cheer’.
Both these cards were made on smooth bright white bristol cardstock which shows off the detail of the tree stamp beautifully. I made an improvement the second time I made this card so I will share my ‘better method’ with you here. I suggest stamping and embossing the child and sled first, that way any inking and blending done after will be resisted because of the embossing. When I tried just stamping in black after blending the sky there was a difference in the blackness of the child image because of the blended ink underneath.
After stamping the foreground image I positioned a torn post-it note mask over lower portion of the panel and stamped the winter woodland stamp in hickory smoke versafine ink. I love the different trees in this image; it is so like the scenes around here. I punched a small circle from masking paper and positioned it over the trees to make a moon. I used Papertrey ink and blending brushes to do the sky and a trick I learned from Jennifer McGuire. Doing blending on a glass mat makes sense because the ink you waste by starting off the panel is on the glass mat and can be picked up by the brush and transferred to the panel. I started by blending a strip of scarlet jewel ink along the horizon of one panel and an even smaller section of harvest gold ink on the other panel. I kept the blending light around the moon in blueberry sky ink and darker around the edges.
After I removed the moon mask and then horizon mask I repositioned the torn edge lower down to add some more snow banks with a pale layer of ink still in the blending brush. I finished the cards with a sentiment from PB ‘merry up’ in hickory smoke ink. Make sure you click over to the Foiled Fox blog for more tips about this card plus a blog full of inspiration from other designers.
Every year I make some snowy forest scenes, with stamps that are old favourites and with new ones destined to be favourites. These trees are from a new PB set called ‘saplings’ and they are so easy to work with!. I placed my hot pressed watercolour panel in the stamp positioner and placed a hill shaped frisket film mask across the base of the panel where I wanted to preserve white space for the snow. I could probably have used a couple of layers of masking paper as I didn’t end up getting the panel very wet.
I inked one or two trees at a time with different combinations of the following distress inks: chipped sapphire, broken china, mowed lawn, peeled paint. Before I stamped I lightly spritzed the stamp so the colours would blend nicely. I moved the panel a couple of times and moved the stamps so I could get a decent row of trees at different heights. I sponged a bit of broken china ink along the top of the mask to create a shadow behind the snow bank then moved the mask to stamp a tree in front. I then moved the mask twice sponging both times to get another couple of snowy hill shadows to appear behind the trees and a blue sky.
To create the ‘snow’ in the sky I gently splattered and strategically dropped some water on the distress sponging. The distress inks react with water so after the droplets had sat for 30 seconds I dabbed them with a paper towel which left white watermarks. To finish off I linked two stamps from the PB ‘Merry Builder’ and stamped them in majestic blue versafine ink.
Despite the appearance of a snowy scene on the blog today I am happy to report it has been sandals weather this week. Yay!
Much as I hate to admit it, things are beginning to feel distinctly autumnal. I don’t have any autumn wreaths to hang at home but if I did I think I would like one a bit like this, soft colours and delicate leaves.
I worked in my stamp positioner to create this panel on hot pressed watercolour paper but I think you could easily do it with the stamp on an acrylic block, it might even be faster. I started by tracing a circle on my panel with a pencil. Using the circle as I guide I positioned the branch stamp from Penny Black’s new ‘All Natural’ set so the base stems were on the circle. I inked with rusty hinge, stamped, moved the stamp around the circle a little, stamped in bundled sage, moved it again, stamped in frayed burlap and then repeated until I was all the way around the circle. I used a small watercolour brush to blend inside the leaves adding extra ink when necessary. I love the combination of colours; frayed burlap is new to my collection and I like the way it gets along with the other two inks. Once the blended ink was dry I stamped just a section of the berry stamp around the centre of the wreath in gathered twigs distress ink then blended it to fill the berries.
I used the same sentiment for both cards, it’s from another new and cute PB set called ‘golden delight’. I stamped both times on a little tag from the PB ‘a pocket full’ die set. To finish off the card I wrapped some twine around the panel, added a bow and popped the tag on top.
For the second card I grabbed another stamp from all natural and used the same process but needed a leaf mask cut from post-it note a couple of times where the leaves would have stamped over previous ones. This little stamp has both leaves and berries as well as a curved stem which just happened to conveniently match the curve of my traced circle. I used the same technique of blending the leaves and berries after stamping with forest moss and aged mahogany distress inks.
Both cards requested the splatter treatment and the second card wanted a olive green mat as well.
Hope the days are warm and sunny where you are.
Today’s little garden cards contain unusually small die-cuts (for me) but I had fun arranging them and love the results. While I was putting these together I had Jill Foster’s video using the same die sets on pause in front of me so I could get inspiration from all her ideas. Make sure you check out Jill’s video; she includes plenty of tips and tricks and cool layouts.
There are three ‘little garden’ sets that co-ordinate well and between them there are oodles of leaves, flowers, pots, hanging baskets and fixtures to choose from. I chose a limited palette of black, kraft and a blue/green patterned panel for all four cards. My patterned panel was a shaving cream marbled panel so I was able to get variation in colour without having to change cardstock.
My garden box, a garden and hanging planters die sets are all still joined together so I cut everything from kraft, black and patterned then proceeded to create vignettes.
Once I had an arrangement that looked balanced I used my marvy jewel picker and lawn fawn glue tube to get everything attached to cream cardstock. The jewel picker saved my arthritic thumb joint; picking up little things is not good for it!
As you might imagine I still had plenty of little elements to spare after three cards and I remembered the ‘art deco window’ and ‘window treatment’ dies I had so I arranged another couple of pots inside the window and beside the patterned curtains.
I ruled some lines on the kraft card base to make it look like wood panels on the side of a house. The window frame dies cuts a window that opens on each side which is a cute touch.
This last simple scene is created with elements from the ‘garden box die set’ along with leftovers from ‘a garden’ and ‘hanging planters’ sets.
All the sentiments are stamped in versafine clair nocturne ink and taken from the ‘grateful sentiments’ and ‘sending thanks’ sets.
I had fun creating these little scenes despite the ‘fiddliness factor’ being a little higher than I am used to. I love the end result with the strong contrast between black, cream, kraft and blue/green pattern.