Thank you for all your lovely comments about my recent art journal page. I’m glad you enjoyed it. I have a couple more pages in process in my journals which I look forward to showing you in the future. I would love to hear from other art journallers. What are some of your favourite mediums and techniques?
Today’s cards are made with my latest fave: the gelli plate! I am very much a beginner but learning as I go and watching the myriad of techniques shared on the Gelli Arts youtube channel. The panels in today’s cards were made by printing layer after layer while rearranging die cut paper butterflies and blossoms on top of each new layer of paint. The dies are Penny Black ‘monarch’ and cherry blossom’.
I wont’ try to describe my process because I don’t remember exactly what my order was or what paint colours I used. I know there was green, white, burgandy, gold and pink liquitex basic acrylics but there could have been more. Like many artistic techniques success with a layered gelli print can be knowing when to stop. Once I was happy with the one above I still had paint and pattern showing on the gelli plate so I added one more layer of paint then pulled a ghost print (I’m learning the lingo!) on patterned paper. The paper I chose was a woodgrain print from Alexandra Renke.
You can see the woodgrain print through the paint and pattern. I ended up matting both panels in burgandy cardstock then attaching them to a base panel of the same AR woodgrain paper.
It’s always hard to capture shimmer on camera but all three panels have gold shimmer on them so I added some gold accents to each one. On the top panel I stamped the PB script stamp, embossed in gold powder and matted the panel with gold cardstock. On the card above I added a gold embossed sentiment from the PB set happy snippets and stamped the same script stamp in chianti versafine clair. On the card below I stamped the script stamp in shady lane versafine clair ink and added a gold vellum die cut butterfly, the same butterfly used as a mask in the gel printing process.
I love all the texture from the gelli printing process, the paint which builds up after several layers of printing adds so much interest
Butterfly garden is a new transparent set from Penny Black with a nice mix of butterflies, leaves and flowers. I chose to watercolour the butterflies first then mask them before adding background foliage. I stamped the top butterfly in shabby shutters distress ink, the middle in broken china and the bottom one in dusty concord on hot pressed watercolour paper.
I used peerless watercolours to fill each butterfly with colour starting with a light green then blending to darker greens to fill the wings. I then added green first to the middle butterfly and blended into blue and a little bit of purple. The last one I blended from blue to purple. I stamped them again on masking paper, cut them out and covered the watercolouring before stamping leaves all over the panel in morning mist versafine clair ink. As I wanted to fill the panel with lots of stamping I used acrylic blocks so I could easily turn the stamps around to fit them in all the spaces. I drew little dots in grey marker to fill the background even more.
To finish the card I matted with purple cardstock, stamped a sentiment from the PB grateful sentiments set in monarch versafine clair, die cut it and popped it up with Gina K’s dimensional tape which adds just a little height without being too bulky.
Blue flowers might just be my favourite, so of course I chose blue for some of the new flower stamps from Penny Black. My first card features the ‘Together‘ stamp which is lovely and reminds me of the agapanthus my parents often grew in their flower gardens.
Both of today’s cards were made with distress stains either painted on or applied straight from the dauber.
I start by painting the lightest stain onto the stamp then stamping. I clean the stamp and add another colour and stamp again. To protect a detailed area like a flower centre I wipe the ink off the stamp in that spot so I can use ink or marker later. When the image has all been stamped I blend petals and leaves with a paint brush and water. For both blue floral cards I splattered some stain over the panel to complete the design then stamped a sentiment on a banner in a co-ordinating colored ink. Both sentiments are from the delightful new ‘grateful sentiments‘ set
This large blue flower stamp is called ‘Radiant‘. For this card I started by wetting the watercolor panel so when I stamped on it with milled lavender and crushed olive distress inks I would get a diluted abstract print. I dried the panel before putting it in the stamp positioner to work on the bold print. For the bold stamping I used shaded lilac, blueprint sketch, dusty concord, crushed olive and scattered straw stains. Once the stain was dry I drew the centre of the flower with a black marker.
People often ask me if distress re-inkers can be used to create the same effects as the stains. I don’t own any re-inkers so I can’t tell you. I think it is probably time I got a few and did some comparisons. Stay tuned.
I am trialing a new supply linking system right now which looks and operates a little differently from what I was using. If you click on any of the supplies pictured below you will be taken to a complete list image where another click will take you to the Foiled Fox store. Buying through my affiliate links to the Foiled Fox store does not cost you any extra but earns me a commission. Please let me know if you have any thoughts or concerns with the new system. It is a trial and I am interested to know what you think.
Thanks for dropping by today.
Today’s card features two new brushstroke stamps from Penny Black. The pink flowers in two corners of my panel are from a vase + flowers set called ‘painter’s vase’. I just used the flower stamp but there is a vase stamp I’ll use another day.
I used my stamp positioning tool (MISTI) and placed the flower stamp overlapping one corner of the hot pressed watercolour panel. I stamped the whole image in worn lipstick distress ink knowing the forest moss ink would be bold enough to cover the pink later. Without moving stamp or panel I inked centres and edges of the flowers with candied apple distress ink, stamped then blended the two pinks with water. I then added black soot ink to the flower centres, stamped and let the panel dry. I coloured in the flower centres with a sun yellow inktense pencil and shaded some of the flower centres and edges with poppy red. Then I flipped the panel 180° and repeated the whole process.
To add a background I had to mask the flowers so I stamped them on masking paper, cut them out and covered my completed corners while I stamped ‘a floral twist‘ stamp in weathered wood distress ink and added a few splatters too. All that was left was to add a sentiment; I decided on something small from ‘grateful sentiments’ on a little die cut label with the edges sponged in worn lipstick ink.
Thanks for dropping by today; it is great to be blogging with a bit of regularity again.
I am hanging out on the Foiled Fox blog today with some new Penny Black floral loveliness along with some new to me inktensity!
I have been trying out some inktense pencils lately. Friends have raved about them and Shauna from the Foiled Fox loves them and kindly sent me some to try. Inktense pencils and blocks are permanent once dry so it is possible to blend then add another layer without diluting the first layer. Some watercolours are not permanent so they blend with subsequent layers applied. I was happy to see how easy it is to ‘paint’ with these pencils.
I really enjoy creating winter scenes and today’s card features stamps that lend themselves very well to scenic stamping. I used the PB ‘birches’ stamp and the boy from an older PB set, ‘spread cheer’. I began by embossing the large birch stamps on either side of a panel of hot pressed watercolour paper in versafine clair nocturne ink and clear powder. Next I splattered masking fluid over the panel to later look like snow.
I painted water across the panel from left to right skipping the tree trunks, added distress stains, faded jeans and barn door, then blended the colours to create a winter sky. I painted some diluted blue stain on the tree trunks for a bit of shadow then let everything dry. I stamped the boy and his dog in nocturne inks several times to get a very solid black image over the embossing and stain that was already on the panel. After the black ink dried I painted some shadow with the same stains used for the sky.
Once all the ink was dry I removed the masking fluid to reveal all the little dots of snow. I trimmed the panel to fit on a navy card base (although it looks black in the photos) and will add a white insert for writing my message inside.
I pulled out the wonderful new trees from Darkroom Door’s ‘majestic mountains’ set to create today’s cards. I wanted to create two forest scenes, one on a crisp cold night, the other on a misty day. There are some similarities in the techniques and inks as well as differences which enabled me to create both looks. I began both times with cold pressed watercolour paper splattered with masking fluid. I like to have a few circles cut from frisket film on hand to mask a moon so I positioned one in the top right corner then tore a post-it note and positioned it diagonally across the panel. I stamped the two larger trees in versafine clair inks along the edge of the post-it mask so the trunks did not show and used one green for the largest tree and another green for the smaller.
Next I removed the post-it mask and painted water along the lower edge of the stamping and upwards to fill the sky. Then while the paper was wet I added weathered wood, faded jeans and old paper distress stains to fill the sky. Once I had the sky blended I used the post-it mask again as an edge to stamp more trees including one of the smaller ones from the ‘majestic mountains’ set. Again after removing the post-it mask I painted water and blended some of the three stains into the water to create shadows behind the trees and snowbanks. To finish it off I dried the panel, removed the frisket film and masking fluid then added a sentiment from the DD ‘pine cones’ set.
Although the colours and stamps are very similar I worked very much ‘wet into wet’ to create the second card. I painted water and diluted stain over most of the panel adding stripes of faded jeans, weathered wood and old paper. While it was wet I stamped the trees repeatedly with memento northern pine ink making first and second generation impressions to get dark foreground and lighter background images. Each time I inked the stamp I wiped ink off the trunk so it would not stamp, that way the trees all looked like they were in deep snow.
Believe it or not both panels started out the same size but a blot here and a mistake there meant this second one underwent some downsizing.
You might have noticed a stamped envelope in the first photo. I am going to try hard to stamp an envelope and my name on the back of the card as soon as I complete it. I have never been good at this but it makes a lot of sense to do it!
Stamps:majestic mountains, pine cones (Darkroom Door)
Inks: northern pine memento, shady lane & rain forest versafine clair
Stains: faded jeans, weathered wood, old paper
Paper: cold pressed watercolour paper, neenah natural white, dark green
Also: masking fluid, glass mat
It’s all soft and subtle on the blog today. I have two projects featuring the beautiful Alexandra Renke cardstock the Foiled Fox recently started carrying in their store. The weight of the cardstock is somewhere between a good quality printer paper and a piece of cardstock. There is definitely enough weight to die cut nicely.
I chose the elegant ‘whirl wreath’ by Penny Black and cut one out of ‘pink dots’ cardstock. I attached it around the centre circle with adhesive but left the branches unattached ( so I will be careful putting it in a envelope) The background is ‘rose stripes’ which matches the pink dots perfectly. I cut the bow out of a piece of cardstock from my stash and layered a few together to give it some extra weight. I blended around the edge of the striped panel with tattered rose distress ink and attached everything to a cream cardbase.
I chose to add a natural twine bow to the die cut bow then had to co-ordinate the sentiment with antique linen distress ink.
For my little neighbourhood card I use three patterns of Alexandra Renke cardstock, the rose stripes, gray stripes and medium mud watercolour. I know it is hard to see the details of the die cuts in my photo but in real life the pink striped neighbourhood is clear against two lines of gray striped trees in front of a gray mud starry sky.
I have been wanting to try a white on white layered die cut scene and I probably still will but chose to try it with these pretty papers first. The neighbourhood is layered over two layers of trees cut with the ‘trees and hills’ dies which are layered over a gray piece cut with the starry sky night die attached directly to a white card base.
I featured some of the subtle colours and patterns from Alexandra Renke today but I do have some bold patterns and solids to share another day.
Have a great weekend.
Stamps: Christmas sentiments, winter days (PB)
Dies: whirl wreath, neighbourhood border, starry night die, trees & hills die set (PB)
Cardstock: Alexandra Renke medium mud watercolor, gray stripes, rose stripes & Neenah solar white, cream, pink
Inks: tattered rose, antique linen distress ink, smokey gray versafine ink
Also: hemp twine
I’m on the Foiled Fox blog today, sharing these fun and festive cards made with the Concord & 9th ‘Deck the Halls’ turnabout stamp.
It is a cool trick to create a multicoloured background by turning your stamp 90 degrees each time but that is not the coolest thing I learnt in creating these cards. It was a happy accident resulting in an unexpected colour scheme that please me most.
The beauty of the turnabout stamp is not so much the full background you create because you can do that with a background stamp. The turnabout stamp allows you to ink a different colour each turn and have four different colours even distributed across your finished panel. For the first card I was traditional in my colour choices and stamped with versamark so I could emboss in gold then the rest of my turns were versafine clair glamorous, shady lane and rainforest. The gold gives the panel a lovely pop and I ended up embossing my die cut sentiment with the same gold as I didn’t have cardstock that matched exactly. I popped up my sentiment on some red foam but you could get the same effect with a couple of layers of red cardstock. To frame the stamped panel I swiped the glamorous ink pad around the perimeter and attached the panel to a cream card base.
The second card features gold, platinum, white and black embossing. The white doesn’t show up in the photos but in real life it’s very pretty. I would never have chosen black as the fourth colour in this mix but I accidentally inked the stamp with my black nocturne stamp pad thinking I had picked up my versamark. I think the effect is bold and modern. I also added black foam under the gold sentiment to pop it up a bit.
I often use black for silhouette stamping on a Christmas card but I think this might be the first time I have stamped little decorative motifs in black. What do you think? Would you include black in a multicolour Christmas panel?
Make sure you pop over to the Foiled Fox blog for extra tips and details.
Stamps: deck the halls turnabout (Concord & 9th)
Dies: jingle bells, wreath noel (Penny Black)
Paper: hot pressed watercolour, neenah cream, shimmer gold
Inks: versamark, versafine clair glamorous, shady lane, rain forest, nocturne
Embossing powder: gold metallic rich, platinum, clear, white
Also: black foam sheet, red foam sheet
My final ‘stamping is for the birds’ card is made with the Concord & 9th ‘songbird’ stamp set. I stamped on cold pressed watercolour paper in nocturne versafine clair ink then embossed in clear powder.
I’ve been colouring with my peerless watercolours quite a bit lately so I turned to my other love, ‘brusho’ and worked with a limited palette of leaf green, cobalt blue, yellow and brilliant red. Later in my process I added some black to my palette to save me from mixing all my other colours until I had a black.
I used leaf green to paint the leaves then added some cobalt blue to get a darker green for shadow and variation. I mixed red with green to make a brown for the branch, then painted the berries red with some touches of cobalt blue. I wanted the bird to be brown and grey but ended up with purple and grey which is possibly prettier but less realistic. I created the grey by mixing purple with green from the palette I was using. I mixed some black for the tail feathers and painted the beak and feet yellow.
Because the image is embossed it was not too hard to paint the sky around the image. I started by painting water around the edges of the embossing and then dropped in blue paint which I spread out and diluted with more water. Even after the sky was painted the panel seemed a little empty so I add pine branches to the lower left and right edges to frame the scene then embossed a sentiment from the C&9 ‘very merry sentiments’ set.
I am participating as often as possible in Kathy Raccoosin’s ‘ 30 Day Colouring Challenge this month and enjoying the colouring of others as well. Let me know if you are participating.
Stamps: songbird, very merry sentiments (Concord & 9th)
Inks: versafine clair nocturne, versafine crimson red
Paper: cold pressed watercolour, neenah natural white, red cardstock
Also: clear embossing powder, clear wink of stella