Over the summer I kept reaching for the blues and greens; they were refreshing in the hot weather. It appears that my fascination with them is continuing into the winter! I created this wintry panel with the Penny Black ‘bell & berries stamp and the versatile PB ‘fragile beauty’ set.
When I started this panel by stamping only the branch section of the stamp at the very top I chose only blue, grey and green inks. Choosing green over red for the berries helped to create a fresh frosty look. After stamping only the top branch I repositioned the stamp and stamped the whole image then finally a bit more branch on the right hand side. The extra twigs were added in dark blue.
I inked the leaves with papertrey ‘enchanted evening’, a dark blue and ‘stormy sea’, a grey blue. I used the olive toned ‘prairie grass’ for the berries. When I spritzed the stamp before stamping on the hot pressed watercolour paper the inks began to blend. I did further blending on the paper with a paint brush and water but didn’t blend every part of the image, some leaves and berries I kept unblended to show the texture of the paper and stamp.
The paper had spots of masking fluid splattered over it before I began which caused the white dots you see in the finished panel.
I stamped the bell in a mix of stormy sea and true black ink and also added ‘blue silver’ pearlescent paint from the Coliro ‘ocean’ set so there is a shimmer to it in real life.
I used a piece of dark blue cardstock for a card base then stamped the ‘bell & berries’ on both an insert panel and the envelope.
I woke up to the frosty look of fresh snow on autumn leaves this morning; it’s pretty but it can go now!
I have some dried Chinese lanterns in the corner of my workroom. They are lasting well, I’ve had them at least seven years, probably longer. A few have broken or fallen off the stems and the colour has faded so they are not the deep orange you see in the image on my card. I used Penny Black’s ‘flower lanterns’, ‘fragile beauty’ and ‘script background’ stamps to create this panel.
Just to mix things up a bit I pulled out memento inks for this project. There was a time when I used memento inks on every project and they are still within reach of my work table. The ‘Morocco’ browny orange is a beautiful colour so I started with that and used potter’s clay, olive grove, bamboo leaf and espresso truffle, some inkpads, some markers. I was very happy to see the ink pads are juicy as ever.
Memento inks don’t always blend once on the watercolour paper so I blend with a spritz of water to the stamp before stamping. I also smoosh some ink on my mat and pick it up with a brush if I want to add depth to a very specific area. I added some details with a gold gel pen after I had built up the lanterns and leaves with ink.
You can see some of my favourite ‘finishing touches’ on this panel: a script stamp, splatter and ink blended edges. I added two strips of co-ordinating cardstock as a half frame then balanced them with the sentiment from PB ‘banner sentiments’.
Hot off the presses and ironically cold out of my mail box here are some brand new stamps from Darkroom Door. Rachel Greig creates incredibly artistic stamps and these new flowers are no exception. The feature image and sentiment on today’s card are from the new set, ‘Warm Wishes’ which contains five flower stamps and eight sentiments.
I decided not to watercolour them this time (but you know I will), instead I chose a crisp pigment ink so you would see the incredible detail of the flower head. I created a background by stamping some fave florals from DD ‘nature walk’ and ‘wildflowers vol 1’ in memento London fog ink. It is a light enough grey to show up but not take over. On the card above I stamped the feature flower from ‘warm wishes’ in versafine clair ‘shady lane’ ink and added the sentiment in the same colour.
Both the stamped panel and the card base are neenah solar white cardstock and the panel is popped up on a piece of foam to create some subtle framing.
Make sure you pop over to the Darkroom Door blog for more inspiration with the new ‘warm wishes’ set. And check back here too because I’ll be giving these stamps the watercolour treatment very soon!
That’s right I have a Christmas card for you. I totally subscribe to the twelve days of Christmas deal; I am in no hurry to take down decorations or make resolutions. When I look at this card though, I realize it could definitely work for the new year. We woke up to a very merry & bright scene as the world is once again covered in white! Both these stamps are favourites of mine as they will be useful year round and of course, they feature trees!
No watercolour paints or techniques were used in this card, I know, it’s a bit of a departure but I love the crisp images I was able to get stamping on bristol cardstock. I stamped the winter woodland stamp with memento London fog ink on bristol then switched to versafine clair rainforest ink to stamp the ‘before the snow’ tree and the sentiment in the foreground. I matted with a co-ordinating green cardstock then a white cardbase.
I made a couple of these cards but might make a few more in preparation for next Christmas or even change the foreground image to make them suitable for year round. It’s a quick but effective design inspired by the beautiful work of Julia of Derkleineklecks blog.
Happy New Year! Thank you for spending time here on the blog with me this year; I look forward to sharing more projects in 2020. How about the neatness of that 2020; I like it!
If you are new around here you might not know that I love tree stamps, tree scenes and wintry tree scenes in particular. ‘You can never have too many tree stamps’ are words I live by! So it will come as no surprise to see four different but similar tree cards today. All four are on hot pressed watercolour paper and all had masking fluid splattered on the panels before I began.
To create these first two cards I used the same method, stamping first, spritzing with water second. I stamped the PB ‘winter tree’ stamp in chipped saphpire, shabby shutters and pine needles distress inks then spritzed water generously over the panel so the colours bled into each other. Any where the ink and water was pooling too much I dabbed away with a paper towel. Once the panel was dry I stamped PB fragile branches around the edges to so it appeared that we were looking through to a clearing.
I used the same method for this card but used iced spruce, stormy sky and forest moss distress ink before spritzing with water. After the panel had dried a little but not totally I stamped a foreground tree in forest moss (or maybe a different ink, I’m not sure). After the panel was completely dry I added the fragile branches in black archival ink and in a stamp positioner so I could stamp a few times for a bold impression.
For these last two cards I used the same stamps but switched to a magic ink! Yes, it’s truly a magic ink; on the two cards below I used only one ink (other than the black for sentiment and fragile branches.) The dark green, pale blue, olive green and brown tones all come from the magic ‘northern pine’ memento ink from Tsukineko.
On the panel above I stamped the trees repeatedly in northern pine getting first, second and third generation images then I spritzed the panel so the ink would separate and bleed into the rest of the panel.
On the panel below I wet the panel first and then stamped the trees in northern pine memento ink. The result is blurrier images but beautiful blends of green, brown and blue.
Once the panel above was dry I stamped the tree again in northern pine ink in the right hand corner. One ink, one magic ink!
Once all the panels were totally dry I rubbed off the masking fluid to reveal the snow falling, you can use your fingers or an adhesive eraser. I added the sentiments from PB sets (linked below) in black archival ink.
Thanks for dropping by; make sure you come back tomorrow to see what the Foiled Fox and I have dreamed up for you.
I pulled out the wonderful new trees from Darkroom Door’s ‘majestic mountains’ set to create today’s cards. I wanted to create two forest scenes, one on a crisp cold night, the other on a misty day. There are some similarities in the techniques and inks as well as differences which enabled me to create both looks. I began both times with cold pressed watercolour paper splattered with masking fluid. I like to have a few circles cut from frisket film on hand to mask a moon so I positioned one in the top right corner then tore a post-it note and positioned it diagonally across the panel. I stamped the two larger trees in versafine clair inks along the edge of the post-it mask so the trunks did not show and used one green for the largest tree and another green for the smaller.
Next I removed the post-it mask and painted water along the lower edge of the stamping and upwards to fill the sky. Then while the paper was wet I added weathered wood, faded jeans and old paper distress stains to fill the sky. Once I had the sky blended I used the post-it mask again as an edge to stamp more trees including one of the smaller ones from the ‘majestic mountains’ set. Again after removing the post-it mask I painted water and blended some of the three stains into the water to create shadows behind the trees and snowbanks. To finish it off I dried the panel, removed the frisket film and masking fluid then added a sentiment from the DD ‘pine cones’ set.
Although the colours and stamps are very similar I worked very much ‘wet into wet’ to create the second card. I painted water and diluted stain over most of the panel adding stripes of faded jeans, weathered wood and old paper. While it was wet I stamped the trees repeatedly with memento northern pine ink making first and second generation impressions to get dark foreground and lighter background images. Each time I inked the stamp I wiped ink off the trunk so it would not stamp, that way the trees all looked like they were in deep snow.
Believe it or not both panels started out the same size but a blot here and a mistake there meant this second one underwent some downsizing.
You might have noticed a stamped envelope in the first photo. I am going to try hard to stamp an envelope and my name on the back of the card as soon as I complete it. I have never been good at this but it makes a lot of sense to do it!
Stamps:majestic mountains, pine cones (Darkroom Door)
Inks: northern pine memento, shady lane & rain forest versafine clair
Stains: faded jeans, weathered wood, old paper
Paper: cold pressed watercolour paper, neenah natural white, dark green
Also: masking fluid, glass mat
My father lives not too far from Darkroom Door in NSW, Australia. When I knew he was coming to visit this summer I asked him to pick up some new stamps and bring them over. Not only did he bring what I’d ordered he also studied the stamps and came up with a challenge for me. I completed the challenge a while ago but the busyness of our summer has meant that I am only now getting this post written. Below you will see my dad’s words then I will wrap up at the end.
The Grevillea is a beautiful Australian Native Plant found across the continent and popular in many home gardens. There are many varieties from low ground hugging varieties to shrubs both small and large, sparse and thick. Their flowers are both small, individual and delicate as well as thickly clustered with the appearance of large flower heads. The bright colour of their flowers covers most of the spectrum, attracting many birds, particularly colourful parrots and lorikeets seeking nectar from their flowers and camouflage protection amongst their leaves and branches They tolerate hot seasons, have low water needs in comparison to many plants and have an extended floral season. They are very popular in home gardens as well as parks and their native bushland settings. The grevillea is frequently portrayed on Australian greeting cards and seems to be popular in all seasons. The beautiful range of colour and form seems to relate to a range of sentiments for both personal and seasonal occasions.
The sentiment stamps from Darkroom Door demonstrate that a message, be it seasonal or personal, happy or sad, celebrating or apologizing, or much more, can be expressed in a great variety of ways.
My suggestion to Heather, or was it a stampers’ challenge, was that, before she cuts either of the new stamps into individual stamps, she design a card using at least two of the grevillea images and at least half the sentiment expressions from one of her new stamps. She has agreed to the suggestion and I am confident she will rise to the challenge. What follows is Heather’s response to her dad and her explanatory notes for you, her fellow stampers.
For this first card I based my colour choices on the grevillea juniperina sulphurea . I used distress inks and markers to ink first the flowers then the tips in scattered straw, wild honey and spiced marmalade. I stamped the main image and, without re-inking, stamped pale images behind. The leaves and stem are stamped in peeled paint, again first and second generation stamping. As stated in the challenge I kept the sentiment stamps together (they still are) and stamped the strip three times across the card base in memento desert sand ink. To finish I splattered some spiced marmalade stain, matted with a mustard cardstock and added some linen twine.
The colour scheme for this second grevillea card is based on the grevillea superb. This time I aimed to keep the tips of the petals yellow while the rest was red. I inked the whole flower in love letter and rhubarb stalk ink to fill the centre of the flowers with colour. Then, to preserve the tips I wiped ink off the ends of the petals and stamped. To finish the flower I added dandelion ink to the tips of the petals and stamped again. To get background images I spritzed the stamp and got a second generation image behind. For this one the leaves and stems were stamped in memento olive grove ink.
To make one sentiment stand out from the strip I first stamped the whole strip in dandelion ink then placed tape either side of the target words on the panel. I inked again with olive grove ink on the smaller section and stamped over the yellow.
I chose an olive cardstock to frame the panel and finish the card.
I hope you enjoyed my response to my dad’s challenge. If you have kept stamps together for projects rather than separate them I would love to hear about or see your designs. I am also interested to see more colour schemes for the grevilleas. I’ve taken inspiration from a few different grevillea so far and have another couple of approaches to share later in the week!
Stamps: grevilleas, happy birthday (DD)
Card 1 Inks: scattered straw, peeled paint, wild honey, spiced marmalade distress inks & markers, desert sand memento ink
Card 2 Inks: dandelion, love letter, rhubarb stalk, olive grove memento inks & markers
Paper: hot pressed watercolour paper, neenah natural white cardstock, green cardstock, mustard cardstock
Also: stamping platform, linen twine
Penny Black has a selection of magnolia stamps including ‘Summer Dream’, featured on today’s card. I used a memento inkpad and distress markers to colour it, making use of a stamp positioning tool to let me add colour little by little.
I inked the whole stamp with memento angel pink ink and stamped on hot pressed watercolour paper. Angel pink is a very pale ink so it is good for layering over. I used worn lipstick, picked raspberry and aged mahogany distress markers to build up detail and shading on the flowers then peeled paint and forest moss markers to create two toned leaves. I finished off the flowers by drawing the stamen with a black marker. I added gathered twigs and black soot marker to the twigs and stems to complete the image. When I ink with dye based markers I spritz the stamp lightly before stamping so the colour begins to blend on the stamp. I sometimes use a damp brush to blend on the paper also.
The sentiment from ‘Smile today!’ is stamped in versafine clair nocturne and the panel popped up on foam over a natural coloured card base.
Stamps: summer dream, smile today
Distress markers: worn lipstick, picked raspberry, aged mahogany, gathered twigs, peeled paint, forest moss, black soot
Ink: angel pink memento, nocturne versafine clair
Paper: hot pressed watercolour paper
Also: white foam
I am happy to share another video with you today. I know…that’s three this year and it’s only April. The future is looking promising. So far the three I have posted were all filmed on the same day but rest assured there are three more in process now. The stamp on today’s card is another pretty brushstroke stamp from Penny Black. I have a few techniques I use with brushstroke stamps ranging from very detailed to very loose and watery. This card has quite a loose look but it’s still clear we are looking at poppies!
I used a combination of mememto ink pads and markers and worked in a stamp positioner so I could build the colour up step by step. Check out the video to see my whole process.
Thank you for the encouraging comments left here and on youtube about my videos. I am so happy to provide them and thrilled to hear the techniques are making sense and inspiring you to try them yourself.
Stamps: spontaneous joy, just believe
Inks: versafine onyx black, memento dandelion ink, memento tangelo, potter’s clay, espresso truffle, northern pine, olive grove markers
Paper: hot pressed watercolour paper
This branch has been waiting patiently for some ink so I went rather non-traditional and pulled out some purples to create this card. I splattered a few panels of hot pressed watercolour paper with masking fluid yesterday so I would have them on hand for future projects. The effect is subtle on this one but you can see little white dots in the sky and foliage if you look closely.
I used a couple of teardrop memento inks and a marker to ink the stamp. With the teardrops it is possible to apply ink somewhat strategically. I started with the lighter grape jelly ink and dabbed it here and there over the stamp. My panel was in my stamping platform so I was able to do grape jelly ink first, then add some dabs of the darker elderberry ink second. I went back and forth with the two inks and occasionally a spritz of water until I was happy with the image. I coloured the stems with a memento tuxedo black marker, stamped to complete the image then moved the panel to stamp a second branch the same way.
Once all the stamping dried I used mustard seed and salty ocean distress stain to paint the sky. I kept it fairly diluted and dabbed with a paper towel if I had too much water or stain. To finish it off I stamped the sentiment from the PB ‘sentiment collection’ set in versafine onyx black ink then matted the panel with black and attached it to a white card base.
Stamps: graceful whisper, sentiment collection
Inks: grape jelly, elderberry, tuxedo black marker
Stains: salty ocean, mustard seed
Paper: hot pressed watercolour, neenah epic black, neenah solar white
Also: masking fluid