I have yet more snow on the blog today with this wintry berry branch over a snow dusted sentiment. The look is a little vintage again but with muted colours rather than lots of brown. I have some old Christmas cards of my mothers tucked away somewhere I should pull them out because this look reminds me of some of them.
I began with a splattering of masking fluid over a piece of hot pressed watercolour paper. Once dry, I positioned the panel in a stamp positioning tool and stamped the ‘tree & greeting stamp’ from ‘A Festive Season’ set in memento northern pine ink. I removed the panel from stamp positioner but left the stamp in place. In the top left corner I stuck a circle of frisket film to mask a moon shape then painted over the whole panel with water. Colour bled out of the northern pine ink and started filling the panel; I added faded jeans distress stain so I could cover the whole piece with diluted blue/green colour. Once the panel was dry I removed the mask and placed the panel back in the stamp positioner away from the ‘tree & greeting’ stamp so I could place the ‘berry speckled’ stamp to overlap some of the moon. I inked and stamped one colour at a time with the following markers: berries – candied apple distress marker, needles – northern pine memento marker, and branch & twigs – espresso truffle and rich cocoa memento markers.To soften the look of the branch I spritzed it and let some colour bleed into the surrounding area. When dry I added shadows on the berries with the bullet tip of the candied apple marker.
I think this quiet little scene is going to be a popular one this Christmas. It looks so peaceful and pretty, just like it does around here after a fresh snowfall (which will be welcome in four months time and not before!) I kept my colour scheme simple for this one and stamped first in Paris Dusk memento ink. I then did some blending with a wet brush over the scene to solidify the image a bit before adding black ink. I did some partial inking of the stamp to get shadows on parts of the trees and houses.
I wasn’t sure about the navy blue die cut sentiment because it does get a bit lost. In real life however it is popped up on a couple of white layers and sparkled with a clear wink of stella pen so I let it stay!
Stamps: Santa’s visit (PB)
Die: Blessed night (PB)
Inks: Paris dusk, Tuxedo black memento inks (Tsukineko)
Cardstock: hot pressed watercolour paper (Fabriano), navy cardstock
Also: clear wink of stella brush pen, stick it adhesive
Yes, it’s a snow scene, which means there are new Christmas stamps in the house! Penny Black is showing off their new collection ‘Be Merry’ over the next few weeks and giving away gift certificates to celebrate the new products. This lovely scene is a single stamp and I have inked it in a simple colour to show how easy it is to create a pretty snow scene.
I’ve mentioned before how much I like memento ‘northern pine’ ink for wintry tree scenes; when you add water to it, it separates into a teal blue and a brown. One colour becomes three and gives you green foliage, brown bark and the look of blue snow or sky. I stamped the large image on hot pressed watercolour paper with the help of a stamp positioner then spritzed carefully over the trees on the left and far right.
I wanted to preserve some white areas so I spritzed from quite a distance and covered the some areas with my hand as I did it so that I wouldn’t lose the look of snow on the lower branches. To finish off the scene I matted with dark green cardstock and attach to a white card base. I know I’ll be working with this stamp again!
Stamp: Dressed in Snow (PB)
Ink: Memento Northern Pine (Tsukineko)
Paper: Hot pressed watercolour paper (Fabriano)
I think brusho paints are the perfect medium for autumn leaves. The variation in colour from even one little tub of brusho reminds me of the beautiful variation in autumn leaves. Brusho can be blended for smooth transitions from light to dark or left unblended which ends up looking like the blemishes found on many leaves. When deciding how to paint the new leaf stamp, Poetic, I knew brusho would help me achieve the look I wanted.
I started by stamping the leaf three times on hot pressed watercolour paper in Morocco memento ink. I overlapped the leaves but without re-inking the stamp so I ended up with one dark leaf (foreground) and two paler leaves as my guides for painting. I painted the leaves from left to right adding one colour of brusho to one leaf at a time. I sprinkled dark brown on the first leaf and used a waterbrush to blend it out to the edges of the leaf keeping some areas variegated. I dried the leaf completely before starting on the second one with terracotta brusho and following the same process. Again I dried the panel completely before doing the final leaf in sandstone.
After I had painted all the leaves I sprinkled a little of each colour of brusho over the corresponding leaf and spritzed with water from above. The result was some extra texture on the leaves and some colourful splatter over the edges. To add realism I used a fine brush to paint some veins on the leaves. Finally I created a stacked die cut of the word Grateful and matted in dark brown and the same rust as for the die cut.
Stamp: Poetic (PB)
Die: words of gratitude (PB)
Cardstock: hot pressed watercolour paper, natural white cardstock (Neenah) dark brown and rust cardstock
Ink: Morocco memento ink (Tsukineko)
Paint: dark brown, terracotta, sandstone brusho (Colourcraft)
I love to use distress stains applied with the sponge dauber so I had to try them with this stamp from Darkroom Door. I tried two other techniques shown further down in the post and taught a couple more techniques in my most recent class. For the card above I used a stamp positioner so I could add one colour at a time. I inked the Roses stamp with Victorian velvet and stamped on hot pressed watercolour paper. I then dabbed the Aged Mahogany stain on the centres of the Roses in the stamp and and stamped again. The colours blended as both were wet. I chose to make all the accents black, adding an embossed sentiment from Bright Blossoms vol 1, a black mat, b&w gingham ribbon and three dots of black crystal drops.
I stuck with the same two distress stains for the next card but adding them over the embossed image created the negative of the one above.
I painted Victorian velvet stain over the whole embossed image then added aged mahogany with a paintbrush here and there to create darker roses or just darker accents. I finished it off again with a ribbon and embossed sentiment, framing the sentiment by swiping the crimson red ink around the edges of the panel then embossing in clear powder.
My third technique was done with Memento ink but would work well with any dye based water soluble ink. I covered the stamp with memento love letter ink then darkened the centres of the roses with a rhubarb stalk marker, spritzed the stamp lightly and stamped it on hot pressed watercolour paper.
I used a small round watercolour brush (or water brush, can’t remember) to blend the stamped ink. This gave the petals a soft pink colour, left the stamped areas as dark shadows and in a few places where I didn’t blend at all there are some contrasting white areas.
I finished it off with gold accents running the versamark pad around the edges of the sentiment panel, rose panel and card front then embossing those edges in gold powder.
The stamp itself is very detailed so it doesn’t need too much in the way of colouring but I was happy to come up with techniques that gave me the option of sharper images or softer blended images.
Stamps: Roses, Bright Blossoms vol 1 & 2 (Darkroom Door)
Inks: versamark, versafine onyx black & crimson red, memento love letter ink, memento rhubarb stalk marker (Tsukineko) Victorian Velvet & Aged Mahogany distress stains (Ranger)
Papers: hot pressed watercolour paper, neenah solar white & epic black cardstock
Also: gold & clear embossing powder, gingham ribbon, burgandy satin ribbon, nuvo black ebony crystal drops, gold cord
Penny Black has added more lovely brushstroke stamps to their collection including this beauty, Magnolia Rhapsody. I have several techniques I use with my brushstroke stamps; for this card I used memento markers, blending colour both on the stamp and on the paper. Using a stamp positioner I started by stamping the whole image in angel pink memento ink; this gave me a reference image which helped me apply the darker inks in the right places on the stamp. Next I inked all the petals with an angel pink marker then added lilac posies ink to the flower centres and petal tips. I spritzed lightly before stamping so the colour would mix a little then blended further on the paper with a damp brush. After finishing the petals I inked and stamped the leaves, then the branch and twigs.
To give a bit of a bokeh look to the scene I stamped again around the main image without applying more ink. The result was pale pink and green petals and leaves in the background. I tried out the morning dew Nuvo crystal drops on petals and leaves; you might be able to see my little dew drops in the photo below. I added a thin strip of cardstock to the bottom of the card base and balanced it with bit of sponged green at the top.
Thanks for dropping in today.
Stamps: magnolia rhapsody, stitched flowers (PB)
Ink: angel pink, lilac posies, pistachio, olive grove, espresso truffle, tuxedo black memento markers & versafine onyx black ink (Tsukineko)
Also: Nuvo ‘morning dew’ crystal drops
Paper: hotpressed 100% cotton watercolour paper, olive textured cardstock
This iris card is a project from last year; it features one of my favourite techniques for brush stroke stamps: inking with memento markers. You could use any water soluble markers I imagine, it is easy to apply colour to the stamp with them and their water solubility makes it possible to get nice colour blends. I stamped on a piece of hot pressed watercolour paper which I had splattered some masking fluid over.
I began with some drips of water on the watercolour paper panel. I inked the stamp with the markers listed below, spritzed the stamp and used the MISTI to stamp on the panel. Wherever the stamp hit the water droplets it bled into the surrounding area. I also blended the ink with a paint brush and water. When the panel was almost dry I stamped again in purple and green to get some extra definition on the leaves and petals. To frame the iris I painted some very diluted northern pine ink around the background then waited for it to dry again before adding some splatter.
I remember when I did made this panel I ended up stamping several at the same time; some ended up darker and more defined, others were pale and looser. It all depended on how much ink and water I applied to the stamp.
Thanks for dropping in; I’ll be back tomorrow with brand new stamps from Penny Black!
Stamps: Pure Iris(PB)
Inks: Memento Cantaloupe, Grape Jelly, Sweet Plum, Olive Grove, Pistachio (Tsukineko)
Cardstock: Hot pressed Fabriano watercolour paper, Olive Green cardstock
Also: masking fluid