The pearlescent paints and black watercolour paper are still on my work table so I’ve continued to experiment with them. To create this little scene I taped all four sides of a square panel with painter’s tape to mask off the area in the centre. The surface of the black watercolour paper is very soft and likely to lift when tape is removed so I press the tape against my clothing before using it so it is less tacky and when it comes to removal I heat it with a heat tool as I slowly peel it off.
I painted the snowy ground and circle moon first with silver pearl from the Finetec Artist Mica set of 12, then the foliage of the trees with blue green, moss green and midnight blue from the Coliro Ocean set of 6. The tree trunks are chocolate from the Coliro Earth set. I finished by dotting stars over the sky with Sakura gelly roll pens then wrote the words ‘thank you’ with a very fine nib and the same moss green pearlescent paint.
I hope you are having a relaxing few days as the year winds down. We are back in lockdown in Ontario so life is very quiet; I’m continuing to get the word out about the Dressember Campaign. My fundraising total has grown to $1962.10 and tomorrow, December 29 is a matching day, so if you’d like to donate, tomorrow is a great day to do it. Donations in Canada will be matched up to $50, 000 starting at 9am PT on Tuesday Dec 29.
(Compensated affiliate links used when possible)
I’ve combined a new PB stamp, ‘wreath & wings’ with a new PB die, ‘mirthful’ for simple elegant style Christmas card.
I used distress inks and markers to ink the wreath elements and birds, keeping the stamp in the positioner so I could work a bit at a time. I inked the stamp, stamped the image then did a bit of blending with a paintbrush to fill the leaves, berries and birds.
I used a gold gel pen to colour some of the berries then continued the gold highlights in the die cut word. The die has decorative diamond cut outs so I cut gold ones to add to the burgandy letters and framed the panel in the same burgandy cardstock.
For the second card I decided to use the curve of the wreath as a hanging garland. Using a centering ruler to help me with positioning I stamped half the wreath on the centre top edge of the watercolour panel, then stamped another part loop either side.
Once again I worked on hot pressed watercolour paper so I could blend the ink on the leaves. I used ocean coliro pearlescent paint on some of the leaves and berries for a little shimmer.
I wrote the sentiment for this one using the darkest blue marker from the Staedtler watercolour 36 brush pen set and matted the panel in a dark blue cardstock.
Even though I don’t like to over do my designs I’m wondering if the blue card is a bit sparsely decorated. What do you think?<
A few weeks ago I posted a floral wreath I’d painted and asked your opinion on adding a sentiment. In the end I didn’t risk stamping or writing one because I didn’t want to spoil the finished wreath with an inky mistake. So….can you guess why I have a large sentiment strip stuck across this floral circle I painted?
To create the floral circle I drew a circle in pencil on cold pressed watercolour paper then painted liquid frisket (masking fluid) to a width of about half an inch around the outside of the circle. I used my Sennelier watercolours to paint three large roses first then moved onto other flowers, leaves and berries until the circle was fairly full. With a random design like this one whether it is painted or stamped it makes sense to start with the largest images to make sure you can fit them in then finish off will little leaves, dots or tiny flowers to fill any spaces at the end.
Once the painted circle was complete I practiced a ‘happy birthday’ greeting on scraps of watercolour paper with my nib pen and some black ink until I was happy with the size and style. I had only written 2½ letters before a large blob of black ink landed on the panel where the letter ‘p’ should have been! As you probably guessed that is the reason I have a large birthday banner obscuring some of my pretty flowers.
What a treat it was to design and make this card at the request of a friend of mine. Her daughter, also a friend of mine celebrated the 20th anniversary of her adoption day yesterday so an extra special card was needed. Inspired once again by the beautiful round card made by Peet Roeven I chose the PB stamp ‘spontaneous joy’ and a red and gold colour scheme. I worked in a stamp positioner to add colour to the flowers gradually beginning with worn lipstick distress ink for the petals then candied apple distress ink for extra depth and shadow. I blended a little with a paintbrush and water but I didn’t want to lose the detail by blending over all the stamping.
I used mowed lawn and peeled paint distress ink for the stems and leaves; two greens adds interest even on those small areas. I added black dots to the centres of the flowers then some gold dots with finetec pearlescent paint. To finish it off I splattered some of the same gold paint. I have been pulling out my finetec paints quite often recently, not so much for the main elements but for details and finishing touches. I used the same gold and a pen & nib to write my own sentiment strip.
While all the inks were out I stamped a flower on a second panel of watercolour paper and on an envelope. I used a set of circle dies to cut the main panel and back panels into large circles and to cut a circle out of the centre of the front panel. I used a piece of embossed gold cardstock to cut extra circles and the number ’20’ using the PB ‘numbers’ die set.
To assemble the card I scored across the top of the the back circle, applied adhesive above the score line and attached the two panels together. Having the score line on the back panel means the front decorative panel doesn’t need to bend at all. I also sliced a very slim bit of the bottom of the back circle so the card will stand up and not roll away!
Thanks for dropping by today, I hope you have a lovely weekend.
This card is one of those rare ones where the end result is very close to the dreamed up idea.
I started by masking a piece of hot pressed watercolour paper with tape. I taped it into the stamp positioner using the grid lines as guides to get it straight and, wonder of wonders, it actually ended up straight. I stamped the pumpkins from the PB ‘autumn bliss’ set in Gina K’s jet black amalgam ink. I bought the amalgam so I could compare it to my current fave black, versafine clair nocturne. The amalgam stamped well and dried quickly but I didn’t find it superior to the versafine clair.
I wanted bold bright colours and wondered which of my watercolour mediums would give me that result. I settled on my Dr Ph Martin’s Hydrus liquid watercolours. They are definitely bold and bright! Of course they can be diluted for a softer look but I was happy to make the most of their vibrancy. Even though I put barely a drop of each colour on my palette I still ended up with more than I needed. I tried to limit my colour scheme by mixing some of my own colours. I started with gamboge and brilliant cad red for the middle pumpkin and painted all but the flowers. I then mixed the gamboge with the brilliant cad red for the left hand pumpkin and again painted all but the leaves. It was very tricky avoiding the leaves especially before I realised that I had my reading glasses on instead of my stronger ‘art glasses’. Sadly my art glasses are becoming my reading glasses so in the new year I am hoping to get some new ‘art glasses’ to help me see and paint all the fiddly bits. The right hand pumpkin is brill cad red and Venetian brown.
With my art glasses on I painted all the leaves and stalks with a green made by mixing gamboge with ultramarine. The flowers on the middle pumpkin I painted in a diluted deep red rose/ultramarine mix. I added little dots of gold to the right hand pumpkin using finetec pearlescent ink then used a rosy colour from the same set to add shimmer to the flowers. If I did the pumpkins again I think I would paint them one solid colour first with a little shadow and shading then use the pearlescent inks over the top to add all the flowers and leaves. The pearlescent inks are opaque and would not have let the underneath colour show through.
After all the pumpkin decorating, I painted the background with ultramarine. If you have masked with tape before you will know how satisfying it can be to peel back the tape to reveal crisp straight edges and also how frustrating when some paint has seeped underneath. Well, again, wonder of wonders, no seepage! Now, the last wonder of wonders is really the biggest. I occasionally do my own calligraphy sentiments, more often than not it does not end up straight, neat or the right size so I end up cutting the painted panel off and attaching it to a whole new panel in order to get rid of the messed up sentiment. This time I ruled my pencil lines, practiced the sentiment on a scrap, wrote it in pencil on the panel and finally wrote it with pointed pen in a mix of ultramarine and pearlescent ink. The next step was key; I have messed it up in the past. I left the room and went and had my lunch, that way I was not tempted to erase the pencil before the writing was dry, dry dry! I used one of those nifty battery operated erasers to gently erase all the pencil and then did a happy dance!
I hope you don’t think I am overdoing it in my satisfaction with this card, I know it’s nothing out of the ordinary, it’s just that it could have gone wrong in quite a few places but happily it didn’t.
I’m been working in one of my Fabriano Venezia art journals again experimenting with vintage style. I started by painting absorbant ground over the double page spread then stamped the PB ‘script’ stamp in tea dye and antique linen distress inks. I spritzed the inked stamp before pressing it onto the page so I would get blurred prints.
Once that dried I spread modeling paste through the PB hypnotic stencil and had to go and do something else so I wouldn’t mess it up before it was dry. Even so I still stuck my finger on it while it was wet and smudged some.
Once the paste dried I spritzed the ‘see ya latte’ shimmerz spray over the pages then wiped it off the stencilled area so it would darken the background. I am not an experienced art journaller but I am using one to try things out. On this page I was trying to create a vintage look. I stamped the ‘timeless’ rose stamp from Penny Black three times in brown distress inks then blended the ink into the petals. My journal is not watercolour paper so ink and paint don’t move on the page as easily. I didn’t like the roses enough to keep them all, instead I covered some with flowers cut from leftover Italian papers. I glued them on with matte medium and painted diluted gesso over them to decrease the contrast then added a bit of distress vintage medium for the aged tea stain look.
I did a smaller collage of flowers on the opposite corner then stamped PB winter branches over the pages with vintage photo and ground espresso distress inks. I added some pretty scroll stamping with the PB set ‘flourish borders’ in white ink and some more of the ‘script’ stamp in brown ink. Tattered rose distress stain matched the paper flowers so I splattered a decent amount of that over everything too! I mentioned on my previous journal page post how I struggle with adding words to a page. I chose a quote from Ruth Chou Simon’s book ‘Gracelaced‘ which encourages and challenges me every time I open it. I wanted to write the words with my nib pen but when I tried, the ink spread into the page and looked like a blob so I wrote on calligraphy paper, tore the words into strips and glued them over the blob. Some of the letters are blurred because I didn’t let it dry long enough. I need a bit more patience when working in my art journals…
Not exactly what I set out to create but as I said, the art journal is for playing with mediums and ideas. Have a great day
I have planted quite a few tulips in our garden over the years and over 100 daffodils. Sadly I do not get to see that many when spring rolls around. I believe the squirrels dine out on the tulips; I’m not sure if they eat the daffodils too. I do get a few red tulips each year which have been blooming ever since we moved here so I can’t take any credit for keeping them alive!
I stamped this lovely outline stamp on hot pressed watercolour paper and coloured it with peerless watercolour paints. The deckled edge is left when I cut up the large sheets of watercolour paper I buy. Sometimes it makes a nice design detail.
I used a hand lettered sentiment tied on with some hemp twine and framed it all in red to make the tulips pop.
Stamps: Tulip Queue (PB)
Dies: gift card pocket set (PB)
Inks: versafine onyx black (Tsukineko) Dr Ph Martins bleedproof white
Cardstock: fabriano hot pressed watercolour paper, red and black cardstock
Wildflowers again today because I love the way this stamp creates such a pretty image when wet and blurred. I left the blue out of the mix this time and stuck with purples. Before stamping the flowers I painted a pale sky on my watercolour panel by adding broken china distress stain to one end of a piece of wet hot pressed watercolour paper then tilting it so the colour drained down into the panel. This technique made some areas blue and others pale like clouds.
Once the sky was dry I inked only the tops of the flower stalks in milled lavender stain, added a few dabs of dusty concord and stamped half way up the panel. I inked again and stamped further down, then to fill the bottom of the panel I inked with the purples and green on the stems. I spritzed both the stamp and the paper lightly before stamping.
To finish it off I added a handlettered sentiment.
Stamps: Wildflowers vol 2 (Darkroom Door)
Inks: milled lavender, dusty concord, forest moss distress stains (Ranger)
Paper: hot pressed watercolour paper (Fabriano)
Pens or pencils: handmade nib holder (Foiled Fox)
Today’s card features a hand painted flower and a hand lettered sentiment. I am open to suggestions as to what type of flower it is; it looks like it could be a dahlia, or perhaps a peony or pink cornflower. I am also a bit hazy on what I used to paint it – sorry – again! It was just a painting exercise that turned out looking like a real flower so I decided to turn it into a card. It could be distress stain or peerless watercolours. I matted the flower panel in a teal to match the leaves then popped a handlettered sentiment on a die cut tag.
Hope you are having a delightful day.
By the way The Foiled Fox is having a St Patrick’s Day sale this weekend, go check it out. Foiled Fox kindly sent me the Peerless watercolours that may or may not have been used on this card. They also sent me the beautiful nib holder that definitely was used to write that sentiment.
I’m sharing some shimmer today. Finetec artist mica pearl watercolours are very shimmery particularly on a black base. I worked on Neenah epic black cardstock and started by embossing the new outline image ‘gladsome’ in clear powder. The finetec pearl watercolour set has twelve colours so I chose a few and a small round watercolour brush to paint inside the lines.
It is hard to capture all the shimmer and shine in a photo but the mica pearl paint looks lovely as it catches the light. This is the type of card you need to tilt back and forth to see all its prettiness. I wanted to keep my sentiment co-ordinated so I used a nib pen and the same violet paint used on the petals. This is my second card with the ‘gladsome’ stamp; I like to get a range of different looks from one stamp. I think this one will be appearing again.