Three colours – Poppy time

This is the last of the three colour panels I did with sandstone, lemon and ost blue brusho.  I think this one might be my favourite because of the sky behind the poppy. Of course I was not really responsible for that pretty sky, it was the magic of brusho! I embossed the PB ‘poppy time’ stamp in gold powder on hot pressed watercolour paper first. Next I sprinkled the three colours of brusho on craft mat and spritzed it with water. I didn’t sprinkle too much powder; it is easier to add more colour than to take it away. I swiped the panel through the wet activated brusho and set it flat to dry. I can’t remember if I dabbed colour away or moved some with a paintbrush (I made this card a while ago)

With the background taken care of I mixed some green from the sandstone & ost blue and painted the bud, stems and seed pod. I the petals with sandstone and lemon from a palette then sprinkled salt on top to get some texture.

Once again I used a sentiment from MFT ‘fluttering friends’; I really like the clean lines of the font and the size too. The sentiments fit perfectly in strips cut with the Avery Elle simple sentiment strips.

Thanks for joining me in this mini series on using a limited palette. I have enjoyed reading your comments and hope you are trying it yourself. Please let me know if you do.  If you just joined me today here are the other two cards made with this simple colour scheme.

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Three colours – Bouquet Ballet

Above is the second of my three colour cards painted with only ost blue, sandstone and lemon brusho. The first card displayed some of the texture and blending which is easily achieved with brusho, in this card it is easier to see the three basic colours plus a couple of the colours I mixed myself. As with the first card I mixed the brusho powders with water in a palette but for this card didn’t sprinkle any brusho directly on the watercolour panel.

The PB bouquet ballet stamp is stamped in black ink on cold pressed watercolour paper; I used a stamp positioner as cold pressed watercolour paper has texture which prevents me from getting a perfect impression first go. The small poppy is painted in lemon brusho, the large flower with sandstone and the multi-headed flower in ost blue. On each one I dropped in more colour for extra depth. The small trumpet shaped flowers to the right are also painted in ost blue but a diluted coat. The stems and leaves are painted in a mix of blue and lemon. The centre of the flowers I painted in brown which was a mix of blue and sandstone brusho. I did use a black marker to colour the little flower centre thingies, but we are not going to count black as a fourth colour!

Happily I found a blue cardstock in my stash to create a sentiment strip and a frame. I embossed the sentiment from MFT fluttering friends in gold powder and popped it up over the panel. The frame is cut using PB square frames and glued on using on point glue because of the tiny tip on the glue bottle. I have one more card to show you in this miniseries and I think it might be my favourite. Check back soon.

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Snowy flight

This sweet little bird shivering on a branch is called ‘snowy flight’, it’s a recent stamp from Penny Black. I started by painting and stamping the whole stamp on a larger panel but ended up zooming in with a circle die. I have framed it with a tartan or plaid panel stamped with Concord & 9th’s ‘plaid’ stamp set. I was in two minds about the patterned framing but I like how warm and cozy the plaid looks, a bit of a contrast to the little bird I’m afraid!

Both the bird and the plaid I stamped on hot pressed watercolour paper that I had splattered with masking fluid earlier. Before stamping the bird I splashed and splotched some diluted ‘chipped sapphire’ distress ink over the panel to create a bit of sky. I added more at the end when I had finished painting the bird, branches and berries. I kept the stamp and panel in the stamp positioner so I could ink the stamp with distress markers, stamp it then blend with a paintbrush. The branches are ground espresso or gathered twigs, the berries and bird’s breast are ‘festive berries’ and the rest of the bird is hickory smoke and black soot.

To create the plaid background (does anybody else call it ‘tartan’?) I stamped the large stamp in hickory smoke ink then blended over it with water to soften the look and cover any white areas. Once that was dry I added the red lines with festive berries ink. I definitely did this one in the stamp positioner so I could move the panel and keep the line stamp in one place. Removing the masking fluid is always very satisfying, it revealed tiny white flecks on the plaid and bigger ‘snowflakes’ on the bird panel.

Thank you for dropping by today, you will find all the supplies linked below and if you look closely you will see I provide two options for some products. If you purchase through my links to either the Foiled Fox in the US or Scrap n Stamp in Canada I receive a commission at no extra cost to you. Thank you for supporting my creative endeavours in this way.

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Poppy background watercoloured

I did not plan to post this stamp two days in a row but it was there on the desk within reach and you have to admit it is perfect for no line watercolour because the outlines are so clear. So, instead of working on my to do list I painted on this card.

I stamped on hot pressed watercolour paper with antique linen distress ink for a pale but easily seen outline image. I decided to use my sennelier watercolours because they are lovely to work with. I used a red, a yellow, and a green. To make brown I mixed the red and green, then to make the black I added more red and green. The green I used for the stems and buds was not straight from the pan I mixed in a little red first to make it more olive toned. Once again I was happy with the results from sticking to a limited palette. You can definitely try the same approach with whatever watercolours you have on hand. If your green is a little bright, as mine was, add in a bit of red.

I painted the petals one at a time with diluted red and while each was wet I added more red where I wanted depth or shadow. I paid attention this time to whether I was painting buds or pods. I painted the buds with green blended into red and painted the pods in browns. I added a little of the mixed green to my yellow before painting the poppy centres and used my red+green=almost-black to paint the little black dots around the poppy centres.

After all the painting was done I added a bit more shading and veins on petals with polychromos coloured pencils.

I decided to use another of the lovely little sentiments from my new Ink to Paper ‘tagged’ sentiments set. To achieve a matching olive green on the sentiment I stamped with versafine clair shady lane ink but I stamped on a scrap first so I could get a pale ‘second generation’ print.

I hope you see how versatile this stamp is; it worked beautifully with the loose distress stain watercolour and the more precise no-line watercolour. I have an idea for a third look too.

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Poppy Background split

While I was a way this lovely MFT poppy background stamp arrived. (Thank you Foiled Fox) It has lovely detail which I will try to paint more realistically later but I thought I’d start with some emboss resist loose colour.

I embossed the large stamp on hot pressed watercolour paper with versamark and clear embossing powder. Next I sprayed some tattered rose, scattered straw and spun sugar distress stains on my glass mat then spritzed some homemade gold shimmer spray (interference gold pearl-ex mixed with water) to blend the three colours. I swiped my panel through the stains and discovered the spun sugar was not showing so I added more tattered rose and swiped again. Once it dried I had a panel with patches of blended colour, some yellow some pink, some blends of the two.

I painted all the poppies and buds by picking up undiluted stain from my glass mat with a paint brush. I did a few layers letting them dry in between coats so I could see how dark they were. I used frayed burlap to paint the stems, buds and pods and splattered a few dots of tattered rose over the finished panel.

Rather than make a big square card I cut the panel in two pieces and paired them with some blush coloured cardstock and cream card bases. The sentiments are from an ‘Ink to Paper’ set called ‘tagged’. It is a sweet little set featuring several different fonts and nine sentiments. To make my sentiments match my watercoloured panel I stamped them first in versafine clair golden meadow but it was too yellow so I stamped over the top with tattered rose until it was a little more peachy. I think these new stamps are peachy don’t you?

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Inky floral background

I’m still in yellow-orange-red mode, quite unusual for me. I can assure you the blues and pinks will return! I’ve been wanting to ink up the lovely floral background from The Stamp Market again ever since I gave it the rainbow treatment. With the stamp in the MISTI I stamped first with Catherine Pooler shea butter ink on hot pressed watercolour paper. Next I did partial inking with CP samba ink. As you can see I wasn’t particularly accurate with the second colour but I did try to apply it to flowers not leaves. I spritzed the stamp and stamped again. I switched over to leaves and inked them with CP eucalyptus ink, spritzed and stamped again.

I had managed to catch a lot of the leaves with the ink pad but not all so I switched techniques and pressed the eucalyptus ink onto an acrylic block and picked ink up with a brush to apply to the smaller leaves and stems on the stamp. This worked really well so I pressed the ‘rockin red’ ink on the acrylic block also and used a paintbrush to apply it to the centres of the flowers. There is quite of bit of bleed from one flower or leaf to the next but the overall effect is semi realistic.

I added black centres to the flowers with a black fine tip marker and they popped nicely so I decided on a black embossed sentiment too, it’s from MFT brushstroke expressions. When I embossed the black sentiment in clear powder it also stuck to the flower centres which I wasn’t expecting, giving them a little shine. At this point I was almost happy but not convinced the design was finished. It needed…a frame! I pulled out my new ‘stay-tion’ magnetic board and the black fine tip marker. Lining up frames and borders like this is one of the reasons I really like the new magnetic board. I lined up my panel with the grid on the board, held the panel in place with magnets then positioned the magnetic ruler across the panel ¼” from the edge. I was able to line up the ends of the ruler with the ¼” grid on the board and ruled a thin black line on each side. So satisfying to not mess that up!

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He is risen

 

He is risen indeed. Jesus came to earth; he gave his life and he rose from the dead. It was because of his great love for us.

Although much snow has disappeared this week there are not many signs of life in my garden, definitely no tulips yet. I will look forward to the real ones while I create gardens with the stamped ones! Here in Ottawa we enjoy the Tulip Festival each May and in Canberra where I lived for many years, Floriade is held each September. Both festivals feature massed flowers some in blocks of colour, others mixed like confetti. It was the blocks of coloured tulips that inspired this card. I’ve added a photo from each festival below.

I began by taping hot pressed watercolour paper to my glass mat and spritzing water over the whole panel. First I stamped the yellow tulips from MFT’s ‘painted prints’ set in Catherine Pooler’s shea butter ink. Because the paper was wet the ink bled into the surrounding area but still hinted at tulips shapes especially when I stamped the second layer of the tulip in the same colour. I chose a different tulip and stamped a row in CP bellini ink underneath and finally CP ‘rockin robin’ ink for the foreground row. The paper was slowly drying as I did this so the foreground tulips, stems and leaves were more distinct than the background (first) ones.

I die cut my words from the painted panel and popped them up on three layers of die-cut white cardstock letters. I put stick-it adhesive on the back of the cardstock before I cut all my little letters but forgot to put it on the back of the painted panel so I used a Lawn Fawn glue pen. The marvy jewel picker also came in handy as did some teeny tweezers; fiddly jobs like small stacked die cut letters tend to take me a while but I am finding it easier using tools rather than fumbling with my fingers. Jennifer McGuire did a fabulous video with stacked letters a couple of weeks ago and referred to this technique as the ‘eclipse’ technique. I think that sounds rather classy and clever so I will now use that terminology too.

Here is the real thing, above in Canberra, below in Ottawa.

Hope you have a blessed Easter.

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