This washtub full of flowers is called ‘barrel of blooms’ and it’s a beauty from the new PB release. I worked on cold pressed watercolour paper in a stamp positioner so I could ink a section, stamp it, blend that section, wipe the stamp then ink another section.
I stamped colour by colour, inking with distress ink cubes and markers. Once I’ve stamped a section I blend it with a paintbrush pulling out the ink of the outline and adding extra where necessary. I used a couple of different green inks for the leaves, candied apple, spiced marmalade and dried marigold for the flowers then a mix of brown and grey for the barrel. All the inks are listed below. Because I do all the stamping and painting with the panel in the stamp positioner I am able to re-stamp a section after I’ve painted to add some of the detail back in.
To ground the image I painted some faded jeans and hickory smoke ink around the base and behind the barrel. I used a dark blue inktense pencil and the Wendy Vecchi stay-tion + ruler to add the look of wood wall behind then matted the panel with co-ordinating blue cardstock.
I don’t have a barrel tub like this one for my flowers but I have three old galvanised tin tubs filled with herbs and they are thriving in the current summer weather.
I’ve coloured these pretty ‘meadow blossoms’ from Concord & 9th a few times now, this time cutting them out with the co-ordinating die. I stamped the large spray of flowers in Gina K’s skeleton amalgam ink which is beige. I used inktense pencils for the watercolouring including the back panel of stripes. Inktense pencils are watersoluble but unlike some watercolour pencils they are permanent once dry. Many other watercolour pencils are not permanent meaning they will continue to move and dilute whenever liquid is added. One type is not better than another but they need to be used differently.
I used hot pressed watercolour paper for both layers and, although hot pressed is quite smooth it still has texture so you can see some of the pencil shading on the flowers where I first coloured with the pencils on dry paper. The pencil lines diluted once I painted over the top with water but not completely becoming part of the detail of the design. As the inktense are permanent once dry I decided to layer colour on the petals. Some I started with purple, the large one I did the base colour in red. To paint the leaves I coloured only a small amount, painted with water to fill the leaf or just picked up colour from one leaf to complete another one. I did switch to a black fineliner to do the flower centres and add some black dots. I used white paint to add some white dots.
I decided to create my own striped background for the die cut using the fuchsia pencil. Rather than drawing on the background panel directly I pulled colour from the pencil tip onto my glass mat with a wet brush and painted loose stripes on a piece of watercolour pencil using a t-ruler to keep them parallel. As sometimes happens on my work table there seemed to be some stray brusho floating around so I ended up with some random blue spots! Popping up the floral panel seemed like a good idea so I used a technique Jennifer McGuire recently suggested in one of her videos. Rather than pop up a panel on foam tape or a foam cut out just die cut a few extra layers of cardstock and stack them up. I cut two extra die-cuts each with stick-it adhesive on the back and layered them under the painted one. I played with the idea of popping up part of the sentiment but ended up stamping in two different inks instead.
The inktense pencils used: chilli red 500, leaf green 1600, red violet 610, ink black 2200, fuchsia 700
I attended a class not too long ago taught by my clever friend, Liane, where we used paint chips to make cards. Some paint chips have colours from the same family displayed but others have colour combinations that are suggestions when painting and decorating a room. I used one such card to choose the colours for this blue floral card. The paint chip featured colours called nautica, blizzard and tahini. I found similar colours on my peerless watercolour palette and did some no-line watercolour.
I started by stamping C&9 ‘meadow blossoms’ floral stamp in Gina K ‘whisper’ ink. The ink is a pale beige/grey dye ink which disappeared nicely as I painted with peerless watercolour paint over the top. I worked on non adjacent petals so the paint and water would not bleed from one area to the next. On the largest flowers I painted a dab of ‘Alice blue’ paint then blended it with water to fill the petal.
On the smaller flowers I switched the order and painted each petal with water first then dabbed in some blue paint. The second method resulted in slightly paler flowers. I painted all the leaves and stems in ‘warm sepia’ and the flower centres in ‘pearl grey’. Once all the paint was dry I used two inktense pencils to add veins and shading to the leaves and petals. I painted black dots in the flower centres then drew tiny stems to the dots with a very fine tip black pen. The black thank you die cut is from the PB ‘many thanks’ die set cut from black cardstock and stacked for extra dimension. I think it works well either side of the cute phrase from the PB ‘million thanks’ set which is stamped in nocturne black on a strip cut with the Taylored Expressions ‘simple strips’ die.
If you are stuck for a colour combo try some paint chip inspiration; I don’t think I would have thought up the blue, brown, grey combo without the inspiration on the chip. And call your bestie!
I am over on the Foiled Fox blog today sharing these pretty flowers from Concord & 9th and some no-line watercolour. Make sure you head over there for more details, then take a little stroll through the inspiration on their blog.
It wasn’t my intention to create a tropical looking card but that is absolutely what happened wouldn’t you agree? I chose three colours, geranium pink and alizarine pink from my set of Peerless watercolours and sea blue from my Inktense pencil set. All three colours ended up being bolder than I expected. I stamped flowers from the C&9th ‘meadow blossoms’ set in Gina K’s amalgam ink, ‘barely there’ which is a pale buttery colour, great for no-line watercolour.
There are various methods for no-line watercolour; here I painted water on each petal first then dropped in a little geranium pink at one end of the petal and alizarine pink at the other then blended the two. The leaves I did by colouring one end of each leaf with the inktense pencil before blending blue into the whole leaf. I also used an inktense yellow, to fill the flower centres and a pink to add veins to the petals after painting. I added little black dots to the flowers with a fine tip pen
I embossed the sentiment from the same C&9 set and did some die cutting with nesting circles to add a little interest with a co-ordinating blue cardstock. I hope you enjoyed this little taste of the tropics; as I write this post it is snowing outside. Yep, a little April snow, just to keep us guessing.
As always I love connecting with you in the comments below or over on the Foiled Fox blog.
I’ve been experimenting in my journal again featuring some new and old stamps from Concord & 9th. Once again I had an idea in my head and although this does not look like my original idea, I’m very happy with the vibrant look of the massed flowers. I haven’t put any words on this page yet and possibly wont. Now if you are not an art journal type of person, hang in there, I have cards made with the new ‘fine line florals’ set coming over the next few weeks.
As I mentioned last time a couple of my journals do not have watercolour pages, this one is drawing paper. Sometimes I paint my pages with gesso or absorbant ground before I start or glue other papers to the page. I’ve also glued two pages together a few times to make sure liquids don’t soak through the page. The glued pages are very bulky and bumpy though so I don’t think I’ll keep that up. With this page I wanted to see if I could add watercolouring to an untreated page without it soaking through, breaking down the page or seeping outside the stamped images. Even though I love watercolouring with distress inks or stains I thought they might be too wet. I decided instead to used inktense pencils as I hoped to get vibrant colour with limited water. I tried picking up colour from the pencil lead with a wet brush and painting it into my stamped images as well as colouring the image with the pencil then adding the water over the top. I preferred the look of the former method. When I coloured directly on the page it was more likely that I would end up with shading lines or the colour would seep outside the stamping once I added water. I did get some paint soaking through the next page of the journal so I’ll cover that up with my next spread.
The big flowers are part of a large multiflower stamp from the new C&9 set, fine line florals. I stamped it three times on my journal double page but the page doesn’t sit flat so I was not able to get perfect prints. I was using the fiskars stamp press on the flatter right hand page but used my hand to press the stamp on the bumpy left hand page and tried to do the stamping across the centre of the two pages in two steps while masking the left then right. I kept going even with my patchy stamping and used micron pens to add in missing lines and trace over the pale stamping. I wondered whether the lines I added would be obvious but once all the colour was added it was hard to tell the difference between the stamped and the hand drawn outlines.
The other stamps in my floral explosion are a feather from the C&9 ‘feathered’ set and leaves, flowers and little sprays from the C&9 ‘songbird’ set. I did several layers of colour on the large flowers, letting it dry after each one but just one layer on the leaves, little flowers and feathers. The dots were distress inks sponged through a homemade die cut vellum stencil made with C&9 ‘dots and hearts’ die.
I also did quite a bit of splattering by flicking a wet brush across the lead of the inktense pencils. I added black outlines as I did the watercolouring but when all the painting was finished I went over the centre of the flowers drawing little circle centres with the micron pens and adding little white dots here and there with a white gel pen. To frame the spread I drew a squiggly frame with in black then added some black soot distress stain splatter here and there.
I had fun with this spread and learnt a few things along the way. Hope you are having a great day; thanks for spending some of it here on my blog.
This little bouquet is one of my favourites from the recent Penny Black release. With its combination of flowers I thought it was perfect for wrapping up my current giveaway with the Foiled Fox. All you have to do to enter is visit my earlier post or The Foiled Fox post and leave us a comment telling use your favourite flower. We will close the comments on Sunday night and announce two winners next Tuesday.
I’m not absolutely sure what the flowers are in this bouquet, perhaps a hydrangea, a couple of poppies and some little bell shaped flowers. Once again I embossed the outline stamp with platinum powder; it’s so classy, I just keep choosing it. I stamped off the edge twice to get a border design and used Inktense pencils for the watercolouring.
I built up colour on the pink flowers and leaves in layers letting each one dry before adding another. On the blue flower I painted it all pale blue then added dots of the same blue pencil to the centres. I painted around the outside of the bouquets with a mustard pencil and blended it out to nothing with water. I added some fine splatter over the flowers using the same pencils.
Inspired by a beautiful hand lettered sentiment on of Shauna’s recent cards I used a dip pen and wrote the sentiment in gold ink on a strip of co-ordinating cardstock. I splattered some of the same champagne gold gansai tambi ink over the panel before putting the card together with a gold mat and a burgandy card base.
I am hanging out on the Foiled Fox blog today with some new Penny Black floral loveliness along with some new to me inktensity!
I have been trying out some inktense pencils lately. Friends have raved about them and Shauna from the Foiled Fox loves them and kindly sent me some to try. Inktense pencils and blocks are permanent once dry so it is possible to blend then add another layer without diluting the first layer. Some watercolours are not permanent so they blend with subsequent layers applied. I was happy to see how easy it is to ‘paint’ with these pencils.
You might not have guessed I would go for this set but I have had so much fun playing with all the possibilities. I am sharing this card and my process over on the Foiled Fox blog today so pop on over there to read about how I made it.
The set is called ‘city stacks’ and there is a matching set of dies to cut out the row of houses, the hill of trees, the collection of skyscrapers and the bank of clouds. This card is definitely a stack of layers, five to be exact including the card base, but I have made a some one and two layer cards with this set also.
When I saw all the fun that could be had with this set I decided to design a class around it so you can check that out on my upcoming classes page. To see what Laurel Beard dreamed up with this set check out her card on the Foiled Fox blog last week. Now tell me, even if this isn’t your style, can you see why I love this set so much?