The fun continues around here with pearlescent paints and black watercolour paper. I just wish the photos would show better how pretty the shimmery paints are. The Foiled Fox sent me some yummy new paints from Coliro, I used the ‘ocean’ and the ‘vintage’ sets for this card. I also tried out the ‘penny’ embossing powder from Brutus Monroe. It is a copper colour which worked nicely with the paints I chose. I embossed part of the Penny Black ‘floral medley’ stamp in one corner of my black watercolour paper panel then flipped the panel and moved the stamp around a little before stamping more flowers on the other corner. I paired up a couple of stamps from the PB ‘strength’ sentiment set to emboss a sentiment in between the florals.
Coliro (or Finetec) paints are full of shimmer and look amazing on dark paper but can also be used on light or white paper for more subtle effects. I have painted them on neenah black cardstock before, the colours looked great but I like the way watercolour paper gives me more flexibility with blending from dark to light. When attempting light and dark areas on black paper I have to think about the direction of my blending. On white watercolour paper I paint strong colour then blend it with water to decrease the intensity and so end up with a lighter area. On dark paper I paint an area in bright pearlescent paint and then dilute it with water to get a darker or shadow area. Shading isn’t really necessary of course, the colours look great painted as solid sections without shading.
To finish off the card I die-cut a frame from copper coloured shimmer paper. I have two frame dies from the PB ‘square frames’ set still linked together so I get a plain frame when I run the two decorative dies through the machine together.
I am teaching a ‘Watercolour on Black’ workshop in Ottawa at the end of March where we will be playing with these lovely shimmer paints and creating stamped and painted panels that really shine. Click over to my upcoming classes page for more details.
I’ve been playing with pretty paper again and have the Foiled Fox to thank for this lovely Alexandra Renke design. Make sure you pop over to the Foiled Fox blog where I’m sharing my process in making today’s cards. I believe I said it last time I worked with AR papers, the colours and patterns are so lovely I really don’t want to add much over the top.
For both cards I covered the whole front with AR ‘Autumn Plant Rose’ paper. The delicate floral design covers most of the paper so I didn’t want to add too much that would clash with the paper. I chose instead to die-cut cream flowers and birds as focal images, keeping them cream coloured and stacked made them stand out from the background pattern. The tall flower die is from Penny Black and is called ‘shall we dance’. I like the way the long thin stems mimic the thin lines of the paper’s design.
Adding the same die cut on the inside of the card was a must and simple to do after first adding stick it adhesive to the back of the patterned paper.
I used the same design idea and stacked three bird die-cuts for the second card and added a single patterned die-cut on the inside of the card. The die is called ‘the sweetest song’ and is another PB one.
I debated whether or not to add any sentiments and ended up deciding on one with and one without.
I will be doing more with this lovely paper and a pink abstract paper also by AR. I’ve linked the papers and supplies below and look forward to sharing more designs with you soon. Make sure you click over to the Foiled Fox and check out all the Alexandra Renke papers.
I don’t often use patterned paper on my projects but when I saw these Alexandra Renke designs from The Foiled Fox I wanted to make ALL THE THINGS and cover them with this paper! To be honest I just wanted to stick pieces of this ‘autumn dragonfly’ paper on the front of cards and call them done! The blue background is beautiful; the dragonflies are delicate and pretty and there are little gold lines here and there. What more do you need on a card front?
I did add a few of my own touches to the cards in the end but I might still make dragonfly paper card fronts which are simple and unadorned. Because of the little bits of gold here and there on the dragonfly wings I chose gold cardstock and embossing powder for my added elements. I swiped a versamark along edges of the dragonfly panels then embossed them with gold powder.
I used a co-ordinating Alexandra Renke paper on both card fronts. It’s called ‘autumn wild dark blue’ and it looks like a painted page. I popped up the dragonfly pieces on foam and added a gold embossed sentiment plus letters or words die cut from gold shimmer cardstock. I used the PB …birthday die paired with part of a sentiment from PB ‘good wishes’ set. I did all the lining up of panels with the help of the Wendy Vecchi art staytion. The board is metallic and has a magnetic ruler which can hold a panel in place while lined up with the grid lines on the board. It has saved me quite a bit of time and fidddling!
I think this paper would look good as a notebook cover and maybe as the background for an art journal page. What do you create with your prettiest papers?
This lovely background stamp from MFT is brilliant for trapping colour. My first choice would be to colour it with paint powder like brusho or colourburst but a quicker and less messy technique is to rub distress ink cubes across the embossed panel randomly. I embossed ‘roses all over’ on hot pressed watercolour paper with silver embossing powder then randomly rubbed fossilized amber and candied apple distress inks over the panel. Because of the embossing the ink didn’t saturate the whole panel but it did leave some colour in all the sections.
Next I liberally spritzed the panel so the inks would dilute, blend and fill the petals. This technique is one a friend of mine affectionately calls ‘drowning’. The ink mixed pretty well by itself but I did use a paintbrush here and there to make sure the whole panel was coloured. I dried it, trimmed it and added a band of vellum so my sentiment strip and die-cut would not have to fight with the busy background.
I stamped part of a MFT ‘anything but basic’ sentiment on an Avery Elle simple sentiment strip. I use those sentiment strips all the time; I have a stash cut and ready on my desk for every third card! I cut the PB ‘wonderful’ twice from red cardstock (with ‘stick it double sided adhesive’ on the back) and stacked them on the vellum.
I enjoyed reading your comments about the black watercolour paper and I’m happy some of you are inspired to pull out your own to do a little experimenting. You’ll definitely be seeing it again here.
I have seen this stamp on quite a few cards lately, just pop over to the Penny Black blog if you want to see some other colour schemes and techniques. I have surprised myself with this colour scheme and also by choosing a large heart motif in the first place. I don’t usually make Valentine’s day cards so when I decided to ink this stamp it was always going to be for a versatile friendship card.
I worked on hot pressed watercolour paper in the stamp positioner and inked one flower at a time. It is easier to ink a single flower with a marker but when I don’t have the colour marker I need I use an inkpad and just wipe excess ink off the stamp. Each time I stamped a flower or leafy section I blended the ink with a paintbrush and added extra ink if necessary by picking it up off my glass mat. On some of the flowers blending the colour resulted in loss of definition so I restamped after all the colouring was done. That’s the beauty of keeping it in the stamp positioner.
The distress inks I used were carved pumpkin, barn door, mermaid lagoon and peeled paint; I’m pretty sure I’ve never used that combo before. I added centres to the flowers with a black marker.
I chose a die-cut sentiment that spans the heart and chose orange cardstock to stand out against the background. Even though the sentiment was over the top of mainly red and turquoise flowers it got a little lost so I cut a black layer as well and stacked two orange over a slightly offset black.
On my last post ‘Creating in Colors’ commented, ‘...I love it when you design cards for which I have the stamps and/or stencils! I’m inspired to try these.‘ I was so pleased to read that. It makes me happy when that happens; its always good to get a fresh idea for supplies we already have.
This is the last of the three colour panels I did with sandstone, lemon and ost blue brusho. I think this one might be my favourite because of the sky behind the poppy. Of course I was not really responsible for that pretty sky, it was the magic of brusho! I embossed the PB ‘poppy time’ stamp in gold powder on hot pressed watercolour paper first. Next I sprinkled the three colours of brusho on craft mat and spritzed it with water. I didn’t sprinkle too much powder; it is easier to add more colour than to take it away. I swiped the panel through the wet activated brusho and set it flat to dry. I can’t remember if I dabbed colour away or moved some with a paintbrush (I made this card a while ago)
With the background taken care of I mixed some green from the sandstone & ost blue and painted the bud, stems and seed pod. I the petals with sandstone and lemon from a palette then sprinkled salt on top to get some texture.
Once again I used a sentiment from MFT ‘fluttering friends’; I really like the clean lines of the font and the size too. The sentiments fit perfectly in strips cut with the Avery Elle simple sentiment strips.
Thanks for joining me in this mini series on using a limited palette. I have enjoyed reading your comments and hope you are trying it yourself. Please let me know if you do. If you just joined me today here are the other two cards made with this simple colour scheme.
Above is the second of my three colour cards painted with only ost blue, sandstone and lemon brusho. The first card displayed some of the texture and blending which is easily achieved with brusho, in this card it is easier to see the three basic colours plus a couple of the colours I mixed myself. As with the first card I mixed the brusho powders with water in a palette but for this card didn’t sprinkle any brusho directly on the watercolour panel.
The PB bouquet ballet stamp is stamped in black ink on cold pressed watercolour paper; I used a stamp positioner as cold pressed watercolour paper has texture which prevents me from getting a perfect impression first go. The small poppy is painted in lemon brusho, the large flower with sandstone and the multi-headed flower in ost blue. On each one I dropped in more colour for extra depth. The small trumpet shaped flowers to the right are also painted in ost blue but a diluted coat. The stems and leaves are painted in a mix of blue and lemon. The centre of the flowers I painted in brown which was a mix of blue and sandstone brusho. I did use a black marker to colour the little flower centre thingies, but we are not going to count black as a fourth colour!
Happily I found a blue cardstock in my stash to create a sentiment strip and a frame. I embossed the sentiment from MFT fluttering friends in gold powder and popped it up over the panel. The frame is cut using PB square frames and glued on using on point glue because of the tiny tip on the glue bottle. I have one more card to show you in this miniseries and I think it might be my favourite. Check back soon.