I have a new glass mat on my work table and it’s been fun trying some of my favourite techniques on the glass surface. To create the backgrounds for these two cards I swiped distress oxide inks on the glass, spritzed some water over the ink then swiped hot pressed watercolour paper through it.
For this card the oxide inks were wild honey and lucky clover. I topped the panel with the scrolls half edger die cut and a stacked sentiment. I backed the white cardstock with adhesive sheet first before cutting to make it easier to attach.
The second background was made by swiping watercolour paper through wild honey, lucky clover and abandoned coral oxide inks then splattering some more ink and water over the top.
This one I decorated with the ‘floral half’ die cut edger. Both decorative dies cut all the intricate detail on one side and leave the opposite edge uncut
The cutterpillar glass mat worked beautifully for smooshing ink onto. I managed to spill half a bottle of glue on it while putting these cards together and ended up leaving it to dry for a day or two then peeled it off with ease. I have linked to the glass mat below so you can take a look (in the photo it is shown on top of the Cutterpillar Glow light pad). I really like the size as I can complete inky-painty projects on it but it doesn’t take over my whole work table. I will share more about it as I put it through its paces with other techniques.
I’m collaborating with the Foiled Fox team today so you can read more about these cards on their blog. These are my first cards created with Art Impressions ‘Watercolor’ stamps. The stamps are designed for creating scenes; there are a lot of little stamps depicting stems, branches, foliage and flowers. The stamper can combine them however they wish, use a water soluble ink then blend with a little water to turn all the stamping into ‘watercolor paintings’.
I used a combination of foliage and flower sets to decorate two cards featuring doors from the Art Impressions ‘Door’ set. It was fun to create little scenes around the doors. One ended up being a rustic cabin type door and the other a simple white door at the end of a garden path.
I chose frayed burlap distress ink to stamp one of the doors and grey zig clean color real brush marker to ink the other door. I also used the zig markers for the floral and foliage stamps. I learnt on the Art Impressions youtube channel that the best way to stamp the flowers and leaves is to ink them, then stamp several times just slightly offset each time. That way you create more volume and variety in colour. After you have done your stamping (with watersoluble inks like distress and zig clean color) you can blend all the images with a damp brush to create the watercolour look.
I added some elements with the zig markers and watercolour pencils to fill out the scenes. front path, bricks and planks around the doors and a hand drawn window. Pop over to the Foiled Fox blog to read about my method in more detail.
I really enjoyed playing with these stamps to create my own scenes. The stamps are tiny but you can fill a garden quickly by stamping a mass of flowers and foliage then blending it every so lightly with water. I would love to hear from you in the comments below if you have already done some creating with the Art Impressions watercolour stamps or if you are feeling inspired to give it a try. I will definitely be back with more scenes.
Art Impressions Stamps: WC Foliage set 3, WC Flower set 3, WC door set, WC Foliage set 1, Flower
MFT Stamps: Anything but Basic Friend set
Inks: frayed burlap distress ink, versafine sepia, versafine olympia green
Dies: Penny Black border edgers
Papers: cold pressed watercolour paper, neenah natural white, green cardstocks
Also: zig clean color real brush pens, watercolor pencils
The zigs & zags stencil has popped up again today as a background for this die cut and watercoloured flower. I applied deco transfer gel directly to my card base (neenah solar white 110lb) then ran it through my minc with white foil. The result is a subtle chevron background. I wanted my flower to match the white card base exactly so I used the same neenah solar white which meant I did not add much water at all when blending my zig pens after stamping. I used a mix of blue, pink and purple and a blue/green combo on the leaves and stem then just a damp brush to blend with water. I made sure the blending was dry before stamping the black centre several times then used the co-ordinating die to cut out the flower plus a white foam one to pop it up over the background.
The little black banner was die cut with one of the dies from the PB ‘pocket full’ die set. I have pulled out all my little label, banner and tag dies from different sets and grouped them together so I can quickly cut the right size for a sentiment. This sentiment from the handy ‘banner sentiments’ set is embossed in white powder.
Stamps: belle, banner sentiments
Die: belle cut out, a pocket full
Stencil: zigs & zags
Paper: neenah solar white, neenah epic black
Markers: kuretake zig clean color real brush pens pink, blue, violet, cobalt blue, green, black
Also: transfer gel, white foil, foam, minc, white embossing powder
I hope you have enjoyed my alcohol ink projects this week. I could have happily continued playing with colour combinations and different techniques but other projects beckoned.
Once again I used a colour combination curated by Ranger; this one is called ‘Cottage Path’ and includes slate, currant and meadow. I worked on the heavyweight yupo paper and dropped inks randomly over the panel to begin. Once there was plenty of coverage I used a small cheap paintbrush (plastic bristles) to flick rubbing alcohol as well as the ‘cottage path’ inks over the panel. The result is very fine circles over the top of the larger blobs of colour.
I matched my cardstock to the ink colours and die cut a tree from green using the Penny Black ‘branching out’ die then matted my panel with the same colour. On the other card I cut a couple of ‘cherry blossom’ die cuts plus a sentiment.
Yes, I’ve got more flowers to share today from the new Penny Black release, ‘Nature’s Art‘. This one is a large rubber cling outline stamp. I decided to try a combination I’ve heard about numerous times but never attempted: zig clean color real brush pens on bristol paper. I work on watercolour paper a lot of the time as you know but I’ve heard that blending the zig pens is easier on bristol. Well, it is. I embossed the image with clear powder on bristol paper then used five different colours to fill in the flowers and leaves. I started with purple pen at one end of each petal and tea rose at the other end (in this case the end closest to the centre of the flower). I blended the two colours together with a damp brush then added orange dots down the centre of the petals. I added a small amount of brown to the centre of the flower also.
I coloured the leaves in green then added brown here and there before blending with a damp brush.
As a finishing touch I die cut the ‘scrolls half edger’ decorative piece out of purple cardstock which had double sided adhesive on the back. I matted the panel in the same purple then snipped pieces of the die-cut to lay over the base of the panel.
I’m looking forward to seeing irises pop up in my snow-free garden before too long; there is no snow on it now!
Stamps: summer glow 40-610 (PB)
Die: scrolls half edger 51-446
Markers: zig clean colour real brush pens (tea rose, brown, green, violet, orange)
Paper: bristol, neenah solar white, purple
Also: clear embossing powder, double sided adhesive sheet
Today I am featuring the new brushstroke stamp, ‘ravishing’. I have chosen to colour it with distress inks and markers in a couple of my favourite colours. Once again I worked in a stamp positioner so I could add one colour at a time. First I inked the petals of ‘ravishing’ stamp with tumbled glass distress ink and stamped. Next I added dusty concord ink to parts of the petals, spritzed them then stamped. The centre I inked with a mustard seed distress marker, spritzed and stamped then finally added some black details on the stamp with a black soot marker. Once all the ink dried I drew some more details on the panel with the black soot marker.
For a sentiment I die-cut ‘fantastic’ twice from purple cardstock backed with double sided adhesive. I stacked the die cuts together and attached them over the stem. I pulled out an older but very handy set called ‘word express’ and stamped a few words in black ink on watercolor paper. I popped them up with adhesive to create an encouraging message for a mother I know.
I cut the floral panel to exactly the size of my card base so it appears to be almost a one layer card.
Stamps: ravishing 40-589 (PB), word express 30-106
Die: fantastic thank you 51-427 (PB)
Paper: hot pressed watercolour, purple cardstock
Ink: nocturne versafine clair
Distress inks & markers: mowed lawn & forest moss inks, tumbled glass, dusty concord, black soot and mustard seed markers
Also: double sided adhesive sheets, foam adhesive, stamping platform
I am sharing floral cards this week here and on the Penny Black blog. This particular one makes me happy. It took me an age to complete but I think it’s bright and sunny. I’ve been wanting to create a card where the design continues across the back and front; my next challenge is one where the design covers back, front and inside!
I used the large floral stamp from the transparent set ‘radiant’; it’s part of the new Nature’s Art release from Penny Black. I used my stamping platform and antique linen ink to stamp three prints across the panel. I wanted them to fit nicely together but not look like a repeat pattern so I changed the direction each time. If I had been really diligent I would have masked the first before I stamped the next but I just let them overlap a little. When it came to adding colour I decided which petals or leaves would be in front and painted accordingly. You can’t tell now can you?
I used quite a few colours but I mixed and matched a bit. Basically I chose a yellow and orange for the large flowers, a peach and a pink for the medium flowers then did some smaller flowers with the orange and the pink (not new colours) I added a purple to the mix but shaded with the pink used earlier. On each flower I painted the lighter colour first then dropped in some of the darker one where I wanted shadow. I painted half the leaves with green and the other half with blue green then added shading to all with a darker green. When the same colour pops up in a few different mixes on your design it keeps things cohesive and visually appealing. Once all the painting was completed I used coloured pencils here and there to darken shadows and add more definition
The set includes solid centres in two sizes for the flowers so I stamped them in black and created my die cut stacked sentiment in black also. And I almost forgot to mention I stamped and painted a couple of flowers inside too.
I’ll be back with more bright and breezy florals tomorrow.
Stamps: radiant 30-481 (PB)
Die: congratulation 51-439 (PB)
Inks: antique linen distress ink, nocturne versafine clair
Paint: Peerless watercolours
Paper: hot pressed watercolour, neenah black
Pencils: Faber-Castell polychromos pencils