Blissful blossoms

It is hard to believe I haven’t inked this pretty stamp before now. I made up for it by repeat stamping on a large panel to make into a set of cards. I put the 10″x 7″ hot pressed watercolour panel in my stamp positioning tool and ended up stamping PB ‘blissful blossoms’ four times.

Each time I stamped I followed the same order. First I inked the whole stamp in scattered straw distress ink and dabbed some wild honey and abandoned coral ink here and there on the flowers, spritzed it with water. After stamping I cleaned the stamp, then inked all the stems and leaves in peeled paint ink, spritzed and stamped again. I kept partially inking with markers, spritzing and stamping until the flowers were well coloured. Before moving the panel and stamp to do another print I blended over the stamping with a paint brush and water.

I repeated the process three more times to fill the panel. I was able to orient the stamp so the stems and flowers filled the space and looked like one big patterned panel.

Once the panel was done I had to decide how to divide it for different designs. I could have done four of the same card but no, I wanted to come up with a few options. I pulled out a pretty PB die, a PB sentiment set and some green cardstock to create a set of five cards.

The decorative die does not cut right across, it cuts out the scroll work but scores either side for folding. On several of the cards I cut on the score line for a border instead of a fold.

By double matting and popping up the panel even the last scrap became a card. All the sentiments are from the handy dandy ‘happy snippets’ set.

Supplies

Stamps: blissful blossoms, happy snippets (PB)

Dies: pop on a fold -royal swirl (PB)

Inks: scattered straw, dried marigold, abandoned coral, peeled paint, versamark, shady line versafine clair

Markers: peeled paint, dried marigold, abandoned coral, ground espresso

Cardstock: hot pressed watercolour, neenah cream, olive green

Also: Stamp positioner, white embossing powder, linen twine

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Alcohol ink trio

I created these alcohol ink panels months ago! They were the result of a primary colours experiment with pool (blue), raspberry (red) and honeycomb (yellow) alcohol inks and both heavy and light weight yupo paper. I restricted myself to the three colours to see what I could come up with and how they reacted with each other.

I was able to get very soft blends by adding rubbing alcohol and tilting the yupo around. This panel was done on light weight yupo which is translucent. When I held it up to the light the colours softened and looked like stained glass. I decided I had to cut the cardstock out behind the dragonfly ‘window’ so a light could be placed under the card to show off its soft blended colour. Not a real tealight mind you, remember this is paper crafting! I took a photo to give you an idea of the pretty stained glass effect you see with a soft light underneath.

The same colours appeared but with more lines by working the inks for longer. By that I mean that I kept adding and tilting and blending so there are more secondary and tertiary colours in the mix.

When it came to making the panels into cards I decided die cuts over the  top was all I wanted to add. I used three Penny Black dies, dragonfly frame, serenity and heartfelt thanks. For all the cards I put double sided adhesive on the back of the green cardstock before die cutting the images and words.

In the final sample I was able to keep some of each ink colour distinct as well as each secondary colour (blue+yellow=green) (yellow+red=orange) (red+blue=purple). There is also a bit of brown which is is a tertiary colour made when a primary and a secondary mix.

I created this panel by dropping the inks onto the yupo panel and letting them move and fill the space. When there was a good mix of colour patterning the whole area I switched to placing tiny drops of ink or rubbing alcohol onto the panel to create the bubble patterns. Each tiny drop expanded into a little circle or blob shape. The pattern looked very busy all on its own so I just added a small die cut word.

Supplies

Dies: serenity, dragonfly frame, heartfelt thanks (Penny Black)
Inks: pool, raspberry, honeycomb Ranger alcohol inks

Paper: yupo both light and heavy weight, neenah cream cardstock, green textured cardstock

Also: double sided adhesive, rubbing alcohol


Snow forest

Snowy scenes and thank you cards will keep on popping up on the blog. This one made with the PB stamp, ‘snow forest’, was very simple to make. I put the stamp in the stamp positioner then inked part of it in Catherine Poolers ‘icing on the cake’ ink, stamped then randomly inked in ‘over coffee’, stamped and finally the same with ‘eucalyptus’ ink. With the whole image stamped I blended the larger distinct tree trunks with water to get the watercolour effect.

I ended up painting over some areas, not all, with water also which softened the contrasts but still left light and dark areas. I pressed the three inks onto my glass mat so I could pick up ink to paint the snowy forest floor.

To complete the card I matted in dark green cardstock and die cut a banner for the sentiment. I embossed the sentiment with weathered white powder which gives an antique, and I think, snowy effect.

Supplies

Stamps: snow forest, banner sentiments

Dies: a pocketfull

Inks: eucalyptus, icing on the cake, over coffee (Catherine Pooler), versamark

Paper: hot pressed watercolour, green cardstock

Also: MISTI, weathered white embossing powder, glass mat


Tweet wreath

Appropriately my final card for the year is a thank you card. Thank you readers for dropping in here so regularly. Thank you for leaving me encouragement in the comments or by contacting me privately. Thank you to those who used my affiliate links to the Foiled Fox online store. Thank you to those who recommended my blog to a friend.  Thank you to everyone who clicked over to the classes page and signed up for one of my classes in Ottawa or Toronto; creating with you is such a treat. I have made wonderful friends through classes and through this blog.

I will be making thank you card for a few weeks yet. Donations have continued to come in for the Dressember campaign against modern day slavery and my fundraising page stays active until the end of January. I am less than $300 away from my goal!

I used Catherine Pooler inks on the ‘tweet wreath’ from Penny Black. In the stamp positioner I dabbed a green ink on the wreath, spritzed it lightly with water, stamped then dabbed a different green in random places and repeated until the wreath was all green. I dried the watercolour panel and cleaned the stamp before inking the outline leaves and berries with a versamark pen. I stamped again and embossed the versamarked lines with gold embossing powder.

I pressed the CP inks onto my glass mat so I could pick up colour with a paint brush to paint inside the outline leaves and berries. The berries are CP peppermint scrub ink. To finish off the card I added double sided adhesive sheet to the back of some shimmery red cardstock then cut out the PB ‘so many thanks’ die. The large four word die looked too much inside the wreath so I trimmed off the lower half and just used two words. To add some shimmer to the berries I coloured over them with clear wink of stella pen. I matted the panel with the same shimmery red cardstock and, because it needed a little something, I added a gold cord bow.

Happy New Year!

Supplies

Stamps: tweet wreath

Dies:

Inks: eucalyptus, green tea, spruce, peppermint scrub inks (Catherine Pooler), versamarker


Paper: hot pressed watercolour, shimmer red

Also: MISTI, metallic gold rich embossing powder, clear wink of stella pen, glass mat, stick-it adhesive


Paint pouring or string painting?

I have seen a little bit of chat in comments about my recent paint pouring panels. Are they what we know as paint pouring or are they string painting? I am a newbie at this so I’m not the best one to ask. I do have one more string painting panel for you today along with what is known as a ‘dirty pour’. I thought both turned out rather nice and this is just adding to my desire to try all these methods again plus a few more techniques I have found on the interwebs.

The string paint pouring panel above was completed with just the two colours, a base of deep pink paint on a yupo panel then a piece of string dipped in white paint, laid in twists and turns on the wet panel then carefully dragged off leaving a trail of paint behind it.

This second panel is a ‘dirty pour’ created when several colours are poured into a cup together, cup is turned upside down onto the yupo panel then lifted to let the paint escape in all directions. A little tilting this way and that can change the size and shape of the pattern but really I didn’t do much; the magic just happened. I also didn’t do much to turn the panels into cards, a tiny sentiment stamped in monarch versafine clair ink on the top card and a stacked die-cut sentiment on the second card.

I know I keep mentioning this but I would like to thank my card making, blog reading friends for supporting me in the Dressember campaign this year. I am wearing a dress every day this month and my fundraising total is steadily moving towards the $1800 goal I have set for myself. Readers of this blog have blown me away with their involvement. The money raised world wide will be given in grants to organizations doing amazing work in the locating, rescuing and empowering of human trafficking victims. If you would like to give to this life changing work visit my campaign page here.  If you would like to check and see the daily dresses, I’m posting them on Pinterest and Instagram. I’m sending out cards to all my donors so one of today’s cards could be yours!!

Supplies

Paper: heavy weight yupo (legion), neenah solar white cardstock, purple cardstock

Stamp: snippets (PB)

Die: deco frame (PB)

Also: stick it adhesive sheets (for the little die-cut)


A little more paint pouring

Yes, I have more from my paint pouring adventure to share! This one was done with metallic paints as you can see. When you pour or in this case ‘drag’ them onto the base colour the metallics don’t look very shiny but as they dry, well, you can see how lovely they are. To turn this one into a card I searched through my gold cardstock to find a match with the gold paint. I am a bit fussy with gold cardstock, some is too coppery, some too brown, too yellow, too light, too dark; you get the idea. The one that matched the best this time is a textured gold made by Tonic and it has a white back so I turned it into the card base. I also die-cut a ‘thank you’ from the same cardstock.

As I mentioned yesterday I won’t go into the how-to of paint pouring this time around but if I keep doing it I will definitely share what I learn. For those of you who have done some paint pouring this one was done by dipping some crochet thread in coloured paint, laying it on a base of black paint and gently pulling it through the black paint and off the panel.

I’m not sure of the brand of paints as I don’t own any (yet) but the matte colours came from a dollar store and the metallics from an art store. I was pleasantly surprised to find how many of the supplies could be bought from a dollar store or hardware store.

I have another paint pourer to recommend today and as I said yesterday be prepared to disappear into youtube land for quite some time! Mixed Media girl’s paintings are also mesmerising.

Supplies

Yupo Paper Pad – White, HEAVY – 5″ x 7″
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Tonic Studios Craft Perfect Luxury…
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Penny Black Many Thanks Die Set
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Ken Oliver Stick It Adhesive Sheets…
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https://linkdeli.com/widget.js?1549439153802

Paper: heavy weight yupo (legion), gold satin cardstock (tonic)

Die: many thanks (PB)

Also: stick it adhesive sheets (for the little die-cut)


A little paint pouring

I did some paint pouring yesterday with some friends who had done it before and had skills they were willing to share. I was excited to go and try it but fairly certain it would just be a fun experiment rather than a new passion. Not so sure anymore!! It is very addictive, a bit like alcohol inks and the way they keep moving and doing magical things.

I did several pours on heavy yupo and a couple of little canvases. They take a while to dry so I have turned only one into a card so far. I won’t go into detail about the technique or supplies; I’m too much of a newbie. If you want to learn about paint pouring then look up Myriam’s Nature on youtube and prepare to give up the rest of your day being mesmerized by her beautiful panels. My base for this design was white paint then I dipped threads into blue paint and gold paint and dragged them across the panel to create these pretty patterns.

I’ve turned this panel into a thank you card with a Penny Black die and a MFT sentiment. I am so happy to be sending out thank yous to people who have donated to my Dressember campaign raising money to help fight human trafficking. I am excited that so many of my donations so far have come from people I know through card making, some I’ve met at classes, others read my blog. It is a privilege to be part of such a caring, giving community. Thank you for getting involved. If you would like to donate please visit my campaign page. If you would like to see if I’ve been wearing the dresses each day I’m posting on Pinterest and Instagram.

I will show you more of my paint pouring panels in future posts. Thanks for dropping by.

Supplies

Paper: heavy weight yupo

Stamp: YAY for you (MFT)

Die: wishes (PB)