What a treat it was to design and make this card at the request of a friend of mine. Her daughter, also a friend of mine celebrated the 20th anniversary of her adoption day yesterday so an extra special card was needed. Inspired once again by the beautiful round card made by Peet Roeven I chose the PB stamp ‘spontaneous joy’ and a red and gold colour scheme. I worked in a stamp positioner to add colour to the flowers gradually beginning with worn lipstick distress ink for the petals then candied apple distress ink for extra depth and shadow. I blended a little with a paintbrush and water but I didn’t want to lose the detail by blending over all the stamping.
I used mowed lawn and peeled paint distress ink for the stems and leaves; two greens adds interest even on those small areas. I added black dots to the centres of the flowers then some gold dots with finetec pearlescent paint. To finish it off I splattered some of the same gold paint. I have been pulling out my finetec paints quite often recently, not so much for the main elements but for details and finishing touches. I used the same gold and a pen & nib to write my own sentiment strip.
While all the inks were out I stamped a flower on a second panel of watercolour paper and on an envelope. I used a set of circle dies to cut the main panel and back panels into large circles and to cut a circle out of the centre of the front panel. I used a piece of embossed gold cardstock to cut extra circles and the number ’20’ using the PB ‘numbers’ die set.
To assemble the card I scored across the top of the the back circle, applied adhesive above the score line and attached the two panels together. Having the score line on the back panel means the front decorative panel doesn’t need to bend at all. I also sliced a very slim bit of the bottom of the back circle so the card will stand up and not roll away!
Thanks for dropping by today, I hope you have a lovely weekend.
I love this little stack of teacups from Darkroom Door. I have some pretty teacups that belonged to my Nanna, some from my Grandma and some from my mother. I don’t often use them because I like a much bigger cup of tea but I love having them. There are intricate details on the cups on this stamp but I have chosen not to colour the patterns individually, instead colouring each cup a different colour. I kept my colour scheme muted sticking with inks I have been using to stamp forests and trees lately.
I used a stamp positioner so I could ink one cup at a time. I kept a wet cloth handy to wipe off any ink that ended up on the adjacent cups. after stamping I blended the stamping with a damp brush to gently spread ink into the cup but not dilute the pretty patterns.
The stamp has its own frame so I trimmed with scissors right next to the frame and ran a peeled paint marker along the edge to make sure it was all inked. I chose my sentiment from another DD tea themed set, ‘Cup of tea” and cut it out with a PB tag die. I had hemp twine which exactly matched so I added a little bow to the tag. The stamped panel is popped up on adhesive backed foam on a textured cardbase.
Hope you have time for tea today, unless of course you are all about the coffee, but that’s a card for another day!
Lately I have been die-cutting poinsettias from all sorts of different cardstock. I have a poinsettia Christmas card class coming up so I’ve been playing around with lacy paper, shimmer paper, kraft paper and watercolour paper with plans to also cut up some pretty plaid paper. These two cards feature a lovely cardstock called ‘Ivory WorldWin twist’ which is a smooth ivory cardstock on one side a lace texture on the other side. I bought it at Crop A While, my local scrapbooking store. The lacy side is almost spiderwebby but in a delicate pretty way not a ‘look what’s behind the filing cabinet’ way.
The card bases are neenah cream cardstock, and so is the sentiment strip and the PB ‘diamond cut’ behind the poinsettias. I used the PB ‘layered poinsettia die set’ for this trio of poinsettias; I like the size which makes it possible to fit three on a card front. (two more cards with these dies here and here) The PB jolly holly die cuts are a dark gold cardstock. I didn’t pop anything up on dimensional tape as it was getting pretty dimensional anyway with seven layers! That must be some kind of a record for me. I used glue for the flowers, narrow double sided tape for the diamond frame and stickit adhesive on the back of the holly.
The second card features the same cardstocks but a new PB poinsettia stamp ‘scarlet season’ which has both solid and filigree flowers. I cut them once again from the lacy cardstock and layered them over a funky rectangle die from ‘Ink to Paper’ and added the PB ‘joy’.
I’m not sure if it is the lacy paper or the colour combo but these cards have a bit of a retro look to them. I think these designs would be pretty with patterned vellum too.
As always the supplies are linked below; I have added a second affiliate with my Canadian readers in mind. The store is Scrap ‘n’ Stamp in BC. If you buy through my affiliate links from either Foiled Fox or Scrap ‘n’ Stamp there is no extra cost to you but I receive a commission. Thanks for dropping by today.
I decided to let the colorburst paint powders do the colouring for me on this cute little wreath from Penny Black. I embossed the wreath in gold on hot pressed watercolour paper and embossed the sentiment at the same time.
I sprinkled four colours of Ken Oliver’s colorburst powders over the embossing then spritzed with water and watched the colours emerge and spread. I helped them out a little with a paintbrush so paint filled every nook and cranny. Once the panel was dry I die cut the wreath and trimmed the sentiment to the right size then cut a wreath from adhesive backed foam also to pop up the watercoloured one. Before I attached the wreath to the card base I looped some gold embroidery thread back and forth around the wreath letting the adhesive hold it in place.
The woodgrained card base not only has texture it also has a little bronze shimmer to it. I bought it from my local scrapbooking store but you could get the same effect with a woodgrain embossing folder.
Feeling grateful, thankful and blessed to be part of this encouraging and inspiring community.
Last weekend I spent Saturday creating with alcohol inks while learning from Kathryn Kanadian who was in Ottawa teaching a couple of classes. Kathryn is a wonderful teacher and I now have a few new tricks to try and techniques to practice. This lavender panel was created with dots of ink on an applicator; I used passion purple, rich gold (Pinata) and juniper (Ranger) along with some blending solution or isopropyl alcohol. I dabbed the applicator all over the craft plastic for quite a while and added blending solution and more ink when needed. The gold ink didn’t move much but the other two colours created a lot of pattern. These delicate flowers which look a little like lavender are cut with PB ‘tall flowers’ dies. The sentiment from the PB ‘special sentiments’ set I stamped with dusty concord archival ink. I had a section of the patterned panel left over so I was able to die cut some more flowers to pop inside the card. You can be sure I put stick-it adhesive on those panels before I cut such skinny flowers out.
The panel of browns and gold below came together as Kathryn was encouraging us to experiment with blending solution to move the ink. I used more than I usually would and was delighted with all the variation of colour I achieved, the dotted patterns and the splotches of gold here and there. I used ginger, espresso (Ranger) and rich gold (Pinata). Kathryn had samples of her wonderful work including a coffee themed card that inspired this one.
I used the Concord & 9 ‘simple serif’ alphabet dies to cut the letters from antique gold cardstock and framed the panel in antique gold also.
The daisy panel was a bit of a breakthrough for me as I had only made landscapes with alcohol inks by accident or trial and error in the past. With the introduction of a stylus and alcohol ink brushes I was able to paint some daisies and splatter a rain shower over the top of them.
I began by creating a green background with the help of some isopropyl alcohol and green ink (not sure if it was meadow or pesto??) I used a stylus to dot the centres of the flowers in copper and pitch alcohol inks (Ranger) then I used a brush to paint petals around the centres and stems and grass at the base. The splatters of isopropyl alcohol pulled the composition together.
Although it looks black the cardstock framing the panel is actually dark green. I embossed a little sentiment from the PB ‘family sentiments’ set in white powder.
I created a few more panels during the class which hopefully I will turn into cards soon. Thanks Kathryn for a wonderful class.
This leaf is from a PB stamp set called ‘filligree foliage. I haven’t used it for a few years but it is perfect for creating some autumn leaves. As the name suggests each leaf has a filigree pattern on it but you can’t see it on this card because I am using the stamp for its shape not its pattern. To see cards I’ve made in the past with this set click over here, here and here
I worked on hot pressed watercolour paper and moved the stamp around each time I stamped it. I used abandoned coral and frayed burlap distress inks, an odd combo, but one which seemed to work and even gave me a some purply blue in a few places. After stamping the leaf I immediately blended the ink with a paintbrush and water until I had filled the entire shape diluting all the stamped ink as I did so.
I added a double stacked sentiment die cut from olive green cardstock then ruled a thin brown frame around the edge with the help of the ‘staytion’ magnetic board and ruler. I know the ‘staytion’ was designed with stenciling in mind but it makes lining up die cut words and letters easy as well as ruling lines.
Can you believe I have another card for the current CAS watercolour challenge?
I have coloured this lovely flower a few times lately but I realised I hadn’t posted it all on my blog. I did some no-line colouring with the stamp which took a while due to the number of petals, but still produced a nice result which I’ll share at the end of this post. This weekend I decided to emboss the flower instead and paint it with peerless watercolours. I must say this technique was faster and less fiddly than the no-line petal by petal approach. I embossed two of them and painted them side by side with the same three paint colours. Peerless paint blends beautifully on the paper, in this case hot pressed watercolour paper, and I was able to add royal crimson over the top of flesh tint and vice versa until I was happy with the coverage and blending. The leaves were painted in olive green. I think I’ve mentioned before how much I love the quality, depth and blending of peerless watercolours.
I used the co-ordinating die to cut out both flowers then arranged them on top of a ‘snowfall/speckles’ embossing folder background. I snipped a few of the leaves off and rearranged them to balance the composition. I also glued some pieces directly to the background and popped other pieces up on dimensional foam. The sentiment is from the grateful sentiments set and is embossed and popped up also. Because my orange/pinkish combo is opposite green on the colour wheel this card is a match for the current CAS watercolour challenge, a challenge I love but rarely get my act together to enter!
Here is a similar design I completed as part of my no-line watercolour class. I stamped in antique linen distress ink and used a selection of distress inks as ‘paint’. The sentiment is from a clever Taylored Expressions stamp and die combo.