I think you can guess where this sweet floral came from. Penny Black has a new release, ‘Full Bloom’ and this is just one of the beauties I have to show you. As I often do with brushstroke stamps I pulled out distress inks for my first play with this stamp. I used three purple inks, milled lavender, seedless preserves and dusty concord to create variegated petals on this large flower. For the leaves I used a mix of peeled paint, forest moss and bundled sage. I would understand if you wondered whether I ever use any of the other greens, those three are definitely the first ones I reach for!
I used a stamp positioner and hot pressed watercolour paper and started by stamping the whole flower (but not the leaves) in milled lavender distress ink. On a stamp like this one it is sometimes hard to differentiate between petals and leaves when looking at the red rubber side of the stamp. I find it helpful to stamp it on scrap paper in a medium to dark ink as a reference. When doing partial inking as I did for this card, I ink all the petals then wipe off any ink that ended up on the leaves with a cloth or wet wipe. After stamping in milled lavender I inked the petals again, this time in seedless preserves ink and I did not cover all the petals. I gave the stamp a light spritz of water so the ink would blend when it layered over the previous stamping. Finally I inked it again in dusty concord keeping the ink concentrated around the centre of the flower not the edges. I then used a paintbrush and some water to blend the colours on each petal one at a time. To further define the petals I pressed the ink pads onto my glass mat so I could pick up ink with my paintbrush and add it to the edges or any areas where I wanted a strong shadow. I dried the panel before carefully inking the anthers with a black marker, unlike the rest of the image I wanted them sharp and defined rather than soft and blended. I also added distress stain drops and water drops while the panel was dry.
With the petals all finished I switched to the leaves and inked them with peeled paint and forest moss ink then blended them with water after stamping. I added a few more leaves of the same style using a stamp from the ‘Xmas sprig’ stamp set. To add them in I cut a rough post it note mask and positioned it over the petal edge before stamping the sprig in bundled sage and peeled paint inks.
To finish the card I die-cut the panel using the square from the PB ‘stitched square & circles’ die set and clear embossed a sentiment from PB ‘special sentiments’ in black ink. I framed the floral panel with a script stamped panel which I embossed with Ranger weathered white embossing powder. I have not had success with this embossing powder until now, totally user error by the way, there is nothing wrong with the product! The embossing powder is called ‘weathered white’ for a reason, when you emboss with it the effect is not glossy and it is not even. It is, as the name suggests, weathered! For a large background area like this script panel it adds texture and subtle colour. The card is quite large and fits into a 6″ square envelope. I inked the stamp in milled lavender and bundled sage ink to stamp a pale image inside the card and used the same inks to stamp the ‘sprig’ on the envelope.
I’m looking forward to inking this stamp again with different colours schemes and maybe a looser watercolour look.
Thank you for all your lovely comments about my recent art journal page. I’m glad you enjoyed it. I have a couple more pages in process in my journals which I look forward to showing you in the future. I would love to hear from other art journallers. What are some of your favourite mediums and techniques?
Today’s cards are made with my latest fave: the gelli plate! I am very much a beginner but learning as I go and watching the myriad of techniques shared on the Gelli Arts youtube channel. The panels in today’s cards were made by printing layer after layer while rearranging die cut paper butterflies and blossoms on top of each new layer of paint. The dies are Penny Black ‘monarch’ and cherry blossom’.
I wont’ try to describe my process because I don’t remember exactly what my order was or what paint colours I used. I know there was green, white, burgandy, gold and pink liquitex basic acrylics but there could have been more. Like many artistic techniques success with a layered gelli print can be knowing when to stop. Once I was happy with the one above I still had paint and pattern showing on the gelli plate so I added one more layer of paint then pulled a ghost print (I’m learning the lingo!) on patterned paper. The paper I chose was a woodgrain print from Alexandra Renke.
You can see the woodgrain print through the paint and pattern. I ended up matting both panels in burgandy cardstock then attaching them to a base panel of the same AR woodgrain paper.
It’s always hard to capture shimmer on camera but all three panels have gold shimmer on them so I added some gold accents to each one. On the top panel I stamped the PB script stamp, embossed in gold powder and matted the panel with gold cardstock. On the card above I added a gold embossed sentiment from the PB set happy snippets and stamped the same script stamp in chianti versafine clair. On the card below I stamped the script stamp in shady lane versafine clair ink and added a gold vellum die cut butterfly, the same butterfly used as a mask in the gel printing process.
I love all the texture from the gelli printing process, the paint which builds up after several layers of printing adds so much interest
Butterfly garden is a new transparent set from Penny Black with a nice mix of butterflies, leaves and flowers. I chose to watercolour the butterflies first then mask them before adding background foliage. I stamped the top butterfly in shabby shutters distress ink, the middle in broken china and the bottom one in dusty concord on hot pressed watercolour paper.
I used peerless watercolours to fill each butterfly with colour starting with a light green then blending to darker greens to fill the wings. I then added green first to the middle butterfly and blended into blue and a little bit of purple. The last one I blended from blue to purple. I stamped them again on masking paper, cut them out and covered the watercolouring before stamping leaves all over the panel in morning mist versafine clair ink. As I wanted to fill the panel with lots of stamping I used acrylic blocks so I could easily turn the stamps around to fit them in all the spaces. I drew little dots in grey marker to fill the background even more.
To finish the card I matted with purple cardstock, stamped a sentiment from the PB grateful sentiments set in monarch versafine clair, die cut it and popped it up with Gina K’s dimensional tape which adds just a little height without being too bulky.
I have yet another distress stain no-line watercolour card for you today. I have received a few questions about my recent distress stain outline cards. Readers have asked if I stamped with ink of some kind first then painted the stain. Not for this card or the previous two. I ink the stamp with stain which is much more ‘liquidy’ than ink and stamp with a stamp positioning tool on watercolour paper. The stain soaks in a little but also sits on top of the paper for a short time. I try to blend straight away so I can take advantage of the wetness of the stain.
For this panel I inked the flowers with ripe persimmon and fired brick distress stain. You can paint both onto the stamp then print or you can do one colour then the other, allowing the stains to overlap a bit for some nice blending. I inked the leaves and stems with forest moss and mowed lawn then blended the leaves after stamping. If you have stains but haven’t tried inking your stamps with them it does create some pretty blends and the only outline colours are the ones you are blending into the petals and leaves.
As with my other recent cards I added a sentiment in black ink and a simple frame cut with the square frames dies. The sentiment set is called ‘sending thanks’ and is a little set with lots of possibilities!
Thanks for dropping by this week; I’ll be back on Monday for a blog hop and other exciting news!
‘Tis the season for new floral stamps, even if it is not the season yet for new florals! I used my tried and true distress stain watercolour method for this little bunch of tulips. I inked the petals with dusty concord and festive berries distress stain. I often use a brush now and paint stain onto the stamp. That way I don’t contaminate the dauber top of my distress stains with other colours and if I’m using the spray stain I can just dip my paintbrush into the stain I have sprayed into a palette.
I try to paint straight after stamping so the stain is still wet on the watercolour paper and can be blended very easily to fill the petals and leaves.
I added some splatter around the panel as my image was confined to one corner leaving a lot of empty space elsewhere. I used the ‘negative frame’ which is a bonus when I cut the whole set of ‘square frames’ from cardstock. I have kept my new square dies joined together in pairs so I can get these ‘negative frames’ easily. I didn’t want to cover my corner flowers so I snipped off some of the frame to wrap around the image instead.
Isn’t this a sweet sentiment?
Today’s card features the ‘title stamp’ (like title track) from the new Penny Black release.This big bold rose stamp, ‘Timeless‘, is such a versatile one. I used blended distress stain for my card but it will be great for embossing, no-line colouring and pencil colouring as well.
I used my stamp positioner so I could work with a few colours at a time but it would work without a positioner. I inked the top petals in festive berries distress stain, stamped on cold pressed watercolour paper then inked the lower petals with dusty concord stain and stamped again. If you still have the daubers you can ink direct to stamp but if you have the sprays you need to paint some stain on your stamp for this technique. You could use inks or markers but I like how wet the stamped image is when I use stain. I am able to use a brush and water immediately to blend the stain to fill the petals. You can see on some of the petals I added extra stain for shadow and depth
I stamped the leaves in two green stains and blended them also. I finished the panel off with a cool new sentiment then added a frame cut with the new ‘square frames‘ dies. I have kept my dies joined together so I will get both the decorative frames and the plain frames when I run it through the machine. It does mean that I get several frames each time I use it but that’s ok; I’m keeping them in reserve.
Blue flowers might just be my favourite, so of course I chose blue for some of the new flower stamps from Penny Black. My first card features the ‘Together‘ stamp which is lovely and reminds me of the agapanthus my parents often grew in their flower gardens.
Both of today’s cards were made with distress stains either painted on or applied straight from the dauber.
I start by painting the lightest stain onto the stamp then stamping. I clean the stamp and add another colour and stamp again. To protect a detailed area like a flower centre I wipe the ink off the stamp in that spot so I can use ink or marker later. When the image has all been stamped I blend petals and leaves with a paint brush and water. For both blue floral cards I splattered some stain over the panel to complete the design then stamped a sentiment on a banner in a co-ordinating colored ink. Both sentiments are from the delightful new ‘grateful sentiments‘ set
This large blue flower stamp is called ‘Radiant‘. For this card I started by wetting the watercolor panel so when I stamped on it with milled lavender and crushed olive distress inks I would get a diluted abstract print. I dried the panel before putting it in the stamp positioner to work on the bold print. For the bold stamping I used shaded lilac, blueprint sketch, dusty concord, crushed olive and scattered straw stains. Once the stain was dry I drew the centre of the flower with a black marker.
People often ask me if distress re-inkers can be used to create the same effects as the stains. I don’t own any re-inkers so I can’t tell you. I think it is probably time I got a few and did some comparisons. Stay tuned.
I am trialing a new supply linking system right now which looks and operates a little differently from what I was using. If you click on any of the supplies pictured below you will be taken to a complete list image where another click will take you to the Foiled Fox store. Buying through my affiliate links to the Foiled Fox store does not cost you any extra but earns me a commission. Please let me know if you have any thoughts or concerns with the new system. It is a trial and I am interested to know what you think.
Thanks for dropping by today.