Thank you for all your lovely comments about my recent art journal page. I’m glad you enjoyed it. I have a couple more pages in process in my journals which I look forward to showing you in the future. I would love to hear from other art journallers. What are some of your favourite mediums and techniques?
Today’s cards are made with my latest fave: the gelli plate! I am very much a beginner but learning as I go and watching the myriad of techniques shared on the Gelli Arts youtube channel. The panels in today’s cards were made by printing layer after layer while rearranging die cut paper butterflies and blossoms on top of each new layer of paint. The dies are Penny Black ‘monarch’ and cherry blossom’.
I wont’ try to describe my process because I don’t remember exactly what my order was or what paint colours I used. I know there was green, white, burgandy, gold and pink liquitex basic acrylics but there could have been more. Like many artistic techniques success with a layered gelli print can be knowing when to stop. Once I was happy with the one above I still had paint and pattern showing on the gelli plate so I added one more layer of paint then pulled a ghost print (I’m learning the lingo!) on patterned paper. The paper I chose was a woodgrain print from Alexandra Renke.
You can see the woodgrain print through the paint and pattern. I ended up matting both panels in burgandy cardstock then attaching them to a base panel of the same AR woodgrain paper.
It’s always hard to capture shimmer on camera but all three panels have gold shimmer on them so I added some gold accents to each one. On the top panel I stamped the PB script stamp, embossed in gold powder and matted the panel with gold cardstock. On the card above I added a gold embossed sentiment from the PB set happy snippets and stamped the same script stamp in chianti versafine clair. On the card below I stamped the script stamp in shady lane versafine clair ink and added a gold vellum die cut butterfly, the same butterfly used as a mask in the gel printing process.
I love all the texture from the gelli printing process, the paint which builds up after several layers of printing adds so much interest
I spent a delightful day learning how to use my gelli plate last week. I have had it for years and only used it once or twice so everything my friends showed me was new and exciting.
I was so happy with these feather prints, I couldn’t believe the detail using real feathers. If you want to see how it’s done check out this video on the gelli arts youtube channel.
I did a few with navy and shimmery gold paint as well as some with burgandy and gold. Half of them got sentiments but only small ones as I didn’t want to cover up the lovely detail. I had a MFT sentiment already stamped and die cut which matched the panel below. I haven’t listed or linked any of the paints because I don’t remember what brands I used or colour names. If I continue with my gelli plate (and I’m pretty sure I will!) I will let you know what paints I buy.
My favourite panel is the one at the top of the post which also has the texture of the new ‘diamonds’ stencil from Darkroom Door in the background. As I was learning and experimenting I used computer paper for most prints, not the weight of cardstock I would usually use for panels on my cards. To make sure I didn’t tear or buckle the panels with glue or narrow adhesive I covered the back of all the panels with double sided adhesive sheets.
These last two narrow panels were done on watercolour paper strips. I decided to add sentiments from the new Darkroom Door sentiment strip ‘Sympathy’
Have you used a gelli plate? I love to hear what your favourite techniques are.
It seems that mixed media doesn’t appear on this blog very often but if I make a bit more progress in my art journals that might change. The card above features the first and only use of my gelli plate. I have seen lots of wonderful creating done with gelli plates but mine is currently stranded on Mount Techniques-To-Try along with other cool stuff!
I began by laying rose die cuts on my gelli plate then brayering red printing ink over plate and roses. I removed the roses before making a print of the pattern on deli paper. Out of several prints this one showed the most detail. I was going to throw away the very messy rose die cuts but a friend who was busy creating at the same time convinced me to hold onto them. Once they were dry they made delicate details which co-ordinated with the paper. I added some text to the paper, a solid strip to ground the embellishments and some gold die cuts for the focal element.
Have you gelli-printed? I intend to get back to my plate and would love to hear your favourite way to use one.