As I mentioned last week; I’m a seasonal stamper which shows in today’s card. I’ve included some inspiration pics taken on a walk last weekend not far from where I live.
I stamped the PB ‘birches’ first in nocturne ink on hot pressed watercolour paper then embossed them in clear. I masked them with tape then, stamped PB ‘winter’s forest’ in Papertrey ‘cocoa bean’ and ‘dark chocolate’ ink then, while still in the stamp positioner stamped again with versamark ink so I could emboss in clear powder.
With all the trees embossed I started painting dabs of autumn toned inks around the trees and on the forest floor. The inks are listed below. Once I had the look of autumn leaves around the branches and scattered on the ground I used a white gel pen to draw back in the little birch branches I had accidentally painted over.
I stamped words from PB ‘family sentiments’ and cut them out with a speech balloon die which was exactly the right size. I matted the whole panel in brown then popped up the sentiment on a couple of pieces of cardstock.
The colours are lovely around here right now and there are still plenty of leaves on the trees. We had an enormous tree removed from our yard earlier in spring so it will be interesting to see if the leaf collecting is a little easier this year. We still have four big trees plus others over the fence daring to drop their leaves in our yard too!
There is no denying it anymore, autumn is in the air and on the trees and definitely in the cards. This week the weather has been lovely, the sun has shone and the frost warnings have gone. Can’t complain.
I really am a seasonal stamper; I’m inspired by what is going on outside in the world. With a few exceptions, like Christmas card prep, I like to stamp what I see in the garden and surrounds. The leaves on my trees are beginning to turn, nothing spectacular yet and nothing to rake (yay) but the signs are there. I chose oxide inks to blend several three coloured panels which I then cut up into leaves. The process and chit chat is all in the video below.
After the video was completed I looked at the wreath and decided it needed some brighter pops of colour and luckily I had some enamel dots which matched exactly. I added them before taking the photos below.
I really enjoy arranging all the elements on die cut cards like the two I’ve shared today but the gluing drives me a little crazy. Sometimes I use double sided adhesive but if the die cuts are not going to be sitting flat that doesn’t really work. If you have any suggestions for attaching fiddly little die cuts please leave them in the comments; I’d love to know. You might notice I try not to include much gluing in the video because it doesn’t make for very entertaining viewing.
I hope you are surrounded by some fall beauty where you are or perhaps enjoying some spring sunshine in the southern hemisphere.
Despite what the title suggests this post isn’t about gel printing, it’s about using more dies on one card than I’ve ever done before. I tend to use dies sparingly, not because I don’t like them, but because they are usually called in to highlight or frame some watercolouring. This time the dies are the feature and I used some leftover pieces of gel printed paper for the pumpkins.
On the first card I built up a background for the gel print pumpkins with a row of die cut trees and then a die cut picket fence. Each pumpkin is two layer as the original cardstock used for printing was light weight. I tried to find prints in pumpkin colours and found a couple of blue/greens, some goldy browns and a pale orange; I didn’t have a strong orange in the pile. The fact that one of the prints had stars on it was definitely a bonus.
On the second card I stacked two leaf pattern die cut panels to create a textured background then layered the pumpkins on top of that. All the background die cutting and card bases are either luxe textured white cardstock or a cheap cold pressed watercolour paper that I thought was luxe textured white until I placed them side by side and had to rearrange things a bit.
All the dies are listed and linked below and I made two messages with the same ‘golden delight’ sentiment stamp. I know I have other sentiments for thanksgiving but I can’t go past this one. For the cute little sign by the pumpkin patch I stamped one word, masked, then next word, masked and then the last one and wonder of wonders, it worked first go!
The layering and adhering of dies was a labour of love because I am just not great at the whole fiddly nature of gluing die cuts. When I imagined the card in my head it was way more intricate than either of these but it’s important to know your own limits and sometimes quit while you’re ahead!
We’ve had all kinds of weather around here lately as we wait for the May long weekend before which outdoor planting is considered very risky! My daughter has been starting seeds inside so we have quite a few little plants ready for the great outdoors as well as an order of seedlings to come.
These plants are looking pretty healthy, probably because they are not relying on me remembering to water them! I used papertrey ink cubes to colour left over pieces of hot pressed watercolour paper. I swiped the ink cubes across the paper in colour groups, they are juicy little inkpads so they work well direct to paper. I did a panel of two browns, also some greens, another with purples and one with orange, yellow, green. After inking the paper I spritzed water onto it until the ink moved and blended a bit, covering more of the panel and making some light and dark areas.
Once all the panels dried I used several die sets from Penny Black featuring little plants, pots and tools (they’re all linked below). I also cut out the cute little bench die to be part of my scene. I could have cut all the elements from coloured cardstock but I love the variation of colour and depth achieved with watercolour.
I created two backdrops on hot pressed watercolour paper by swiping the spring rain ink cube back and forth to create a solid blue patch. Over the blue I arranged and rearranged my tiny die cuts until I had two little scenes. I used a jewel picker and liquid glue to attach all the elements, making a few errors in the process resulting in some more painting and die-cutting to make replacement pieces. Once everything was attached I hunted through my cardstock to find a matching blue for card bases and added a couple of sentiments from PB ‘banner sentiments’ set.
As I write this the long weekend is drawing to a close and I can report some planting has been done. A couple of readers shared on my last post their planting plans and routines; I’d love to know more plus any clues for keeping the critters away!
A while back I posted three cards all painted with the same three brusho paint colours and my Welsh friend, Karen requested a video. Well this is it, a different stamp and three different colours (Brusho sunburst lemon, prussian blue, rose red) but the same technique. Here is the one that prompted the video request.
As with the card above I embossed the outline stamp, ‘flutterby’ in gold powder then swiped up a brusho background by sprinkling brusho on my glass mat then spritzing water over it to activate the powders and turn them into liquid watercolour paint. From there I moved onto painting petals and leaves with individual colours and secondary colours. Take a look at the video and you will see what I mean.
After all the painting was done I added some extra shading in shadow areas with Faber-Castell polychromos pencils and some gold thread detail. The sentiment is from PB ‘banner sentiments’ gold embossed and die cut with a die from the PB ‘tagged’ set.
One of the things I like about this technique is the way the background works with the painted images even though the are painted right over the top of a multicoloured panel. The colours work because they are the same colours and because the background is not too bold. You can see in the tulip on the left what the true colour of the rose red brusho is, but the ones that are painted over the blue background still look red, just a deeper red perhaps in shadow not full sun.
Happy Easter my friends. Stay home, stay healthy, stay hopeful and maybe try a new art or craft technique!
The fun continues around here with pearlescent paints and black watercolour paper. I just wish the photos would show better how pretty the shimmery paints are. The Foiled Fox sent me some yummy new paints from Coliro, I used the ‘ocean’ and the ‘vintage’ sets for this card. I also tried out the ‘penny’ embossing powder from Brutus Monroe. It is a copper colour which worked nicely with the paints I chose. I embossed part of the Penny Black ‘floral medley’ stamp in one corner of my black watercolour paper panel then flipped the panel and moved the stamp around a little before stamping more flowers on the other corner. I paired up a couple of stamps from the PB ‘strength’ sentiment set to emboss a sentiment in between the florals.
Coliro (or Finetec) paints are full of shimmer and look amazing on dark paper but can also be used on light or white paper for more subtle effects. I have painted them on neenah black cardstock before, the colours looked great but I like the way watercolour paper gives me more flexibility with blending from dark to light. When attempting light and dark areas on black paper I have to think about the direction of my blending. On white watercolour paper I paint strong colour then blend it with water to decrease the intensity and so end up with a lighter area. On dark paper I paint an area in bright pearlescent paint and then dilute it with water to get a darker or shadow area. Shading isn’t really necessary of course, the colours look great painted as solid sections without shading.
To finish off the card I die-cut a frame from copper coloured shimmer paper. I have two frame dies from the PB ‘square frames’ set still linked together so I get a plain frame when I run the two decorative dies through the machine together.
I am teaching a ‘Watercolour on Black’ workshop in Ottawa at the end of March where we will be playing with these lovely shimmer paints and creating stamped and painted panels that really shine. Click over to my upcoming classes page for more details.
I’ve been playing with pretty paper again and have the Foiled Fox to thank for this lovely Alexandra Renke design. Make sure you pop over to the Foiled Fox blog where I’m sharing my process in making today’s cards. I believe I said it last time I worked with AR papers, the colours and patterns are so lovely I really don’t want to add much over the top.
For both cards I covered the whole front with AR ‘Autumn Plant Rose’ paper. The delicate floral design covers most of the paper so I didn’t want to add too much that would clash with the paper. I chose instead to die-cut cream flowers and birds as focal images, keeping them cream coloured and stacked made them stand out from the background pattern. The tall flower die is from Penny Black and is called ‘shall we dance’. I like the way the long thin stems mimic the thin lines of the paper’s design.
Adding the same die cut on the inside of the card was a must and simple to do after first adding stick it adhesive to the back of the patterned paper.
I used the same design idea and stacked three bird die-cuts for the second card and added a single patterned die-cut on the inside of the card. The die is called ‘the sweetest song’ and is another PB one.
I debated whether or not to add any sentiments and ended up deciding on one with and one without.
I will be doing more with this lovely paper and a pink abstract paper also by AR. I’ve linked the papers and supplies below and look forward to sharing more designs with you soon. Make sure you click over to the Foiled Fox and check out all the Alexandra Renke papers.
I am on the Foiled Fox blog today, one of my favourite artsy craftsy places to be. If you want to read how I created today’s cards then pop over there right now! If you want to read some of my musings and wonderings about stamps, dies and paints keep reading here and then click over there.
These roses are from a sweet little Penny Black set called ‘tenderness’ and it has co-ordinating dies. I have come a little late to the co-ordinating die game but you know I don’t like to fussy cut so it’s no surprise that I opted for the die cutting route. Another reason I haven’t used many co-ordinating dies is because I often stamp and paint directly on my panels with very few layers involved.
One of the questions with co-ordinating dies is how to deal with the white outline if you have a coloured background. I think I’m used to seeing it now so it doesn’t bug me as it once did. On the roses above I did paint outside the lines on a few of them so there is a mix of coloured edges and white edges. I don’t think it is too distracting either way.
Another thing you can do with co-ordinating dies is cut masks for layered stamping. The masks will be a bit bigger than the stamped image but it is easy to trim a little off or just position the masks to line up with the edge of the stamp that needs to be masked.
I did all the painting for these cards with peerless watercolours. Sometimes I forget about my peerless paints because they are an unassuming collection. If you haven’t heard of them before check out an earlier blog post I wrote about them. The colours blend beautifully, the range of colours is excellent and the price is pretty nice too.
I chose friendship sentiments again, one from PB ‘love language’ and one from ‘bear cuddle’. All the supplies are listed below and here’s the link to my process on the Foiled Fox blog.