I have a couple of distress oxide backgrounds to share today, topped with a whimsical line stamp from Penny Black. To create the backgrounds I applied spiced marmalade and worn lipstick diox inks to watercolour paper then spritzed them enough to make the colours blend but not so much as to flood the colour off the page.
I stamped the ‘happy bliss’ stamp in versafine onyx black ink over the coloured background and popped up the panels on white card bases. I die cut the little black banners and added a stamped sentiment on one and a handlettered phrase on the other.
Hope you are having a fabulous day.
Stamps: Happy Bliss (PB)
Dies: Tagged, Shades (PB)
Pens: Exclusive Calligraphy nib holder (Foiled Fox)
Ink: Spiced marmalade & worn lipstick distress oxide inks (Ranger) Versafine onyx black ink (Tsukineko)
Papers: hot pressed watercolour paper, Neenah epic black and solar white cardstock
Ink: DrPh Martins bleedproof white for calligraphy
Can you tell I like the way ‘distress oxide trials’ sounds like an significant chemical experiment? That’s why I called today’s post ‘desaturation’ rather than just ‘stamping with water! The effect does come, however, from stamping with water. I think it is my favourite technique so far. I began by blending the inks onto hot pressed watercolour paper. They do blend nicely on neenah classic crest paper but they blend even better on watercolour paper. By blending I mean sponging ink onto the paper, also called inking by some crafters.
For the these three cards I sponged three colours onto the paper and overlapped them to get nice soft blended colours. The sponging doesn’t take long, it doesn’t leave marks shaped like the edge of your applicator and it creates intense colour.
After sponging my colours over the whole panel I put the panel into my MISTI, positioned my stamp then spritzed it with water. All the stamps used for these cards are red rubber; (slapstick cling from Penny Black, names listed below) I haven’t tried with clear stamps yet. The stamp just has to hold onto the water for the technique to work.
After stamping a water print onto the blended colour, I lifted the stamp and dabbed a paper towel over the print. It left a pale image on the coloured panel.
It’s not a really sharp image but it is definitely recognisable and I love the look.
The trials are not over but if you are looking for a technique to start with try some sponging; the finish is so rich and creamy. Then if you are feeling scientific try some desaturation as well. If you have thought of a technique you’d like me to try please leave me a comment below.
Stamps: full of glee, feathery, Effulgent, stitched flowers, happy snippets (PB)
Die: tagged, omg (PB)
Inks: worn lipstick, broken china, fossilized amber, wilted violet, peeled paint distress oxide inks (Ranger) versamark, versafine onyx black & smokey gray (Tsukineko)
Papers: hot pressed watercolour paper, neenah solar white, neenah epic black, violet cardstock
Also: gold & white embossing powder, white ribbon, gold thread
The trials have begun. Shauna at The Foiled Fox sent me some distress oxide inks to try. I have been intrigued by the videos and projects I’ve seen around the place so was keen to play with them myself. I started by mixing some diluted ink on a craft mat then swiped different papers through it. I chose bristol cardstock, hot pressed watercolour paper and neenah solar white 110lb cardstock.
The card above features the bristol cardstock. It picked up the colour well, the inks blended and the watermarks from splattering made nice light patches with dark edges. I used two main colours, a pink and a blue (what a surprise!) then I splattered a little yellow at the end of my experimenting.
The panel below is made from the hot pressed watercolour piece. The results were very similar but the blending was even smoother between the colours.
I chose not to make a card from the sample on neenah solar white. It worked but the colours did not blend or spread as nicely in my opinion. These are just the beginning of my experiments of course and only three colours but there is more to come. The inks blended just as beautifully as the original distress inks but dry opaque or semi opaque, perfect for a solid background.
Stamps: delicate flowers, stitched flowers, happy snippets
Dies: flower frolic, tagged
Inks: faded jeans, worn lipstick, fossilized amber distress oxide inks (Ranger) versafine majestic blue (Tsukineko)
Papers: hot pressed watercolour paper, bristol paper, stardream blue cardstock, black cardstock
I usually whip up a few Christmas tags at the eleventh hour, simple, quick and nothing like this one. I began with a piece of watercolour paper splattered with masking fluid. The panel was larger than the tag size to give me options when choosing which part of the stamped image to use. I inked the ‘holly tweet’ stamp with with markers and stamped it twice so I would have extra leaves available to cut out. I used a waterbrush to blend the colour then let it dry before painting blueprint sketch distress stain around the stamped images. Once dry I removed the masking fluid and die cut it with the large tag die from the ‘Tagged’ set. I stamped a sentiment from ‘Believe’ in black then played around with my extra leaves. I know it probably doesn’t count as fussy cutting but snipping around the holly leaves felt like it to me! I popped some red and white twine behind the extra leaves and attach it all to the tag. To finish it off I threaded two pieces of lace through the top and tied a twine bow to hold it in place.
It’s all about tags on the PB blog this week so drop by there each day to see what the other DT members dreamed up.
Stamps: Holly Tweet, Believe (PB)
Creative Dies: Tagged (PB)
Inks: Memento teal zeal, cottage ivy, lady bug, rhubarb stalk markers, versafine onyx black (Tsukineko) black soot, stormy sky distress markers, blueprint sketch distress stain(Ranger)
Cardstock: Canson hot pressed watercolour paper
Also: Winsor & Newton masking fluid, red & white twine from Twinery, May arts lace,
The new Penny Black release, Sunshine and Smiles, is now available. Jill Foster has been sharing beautiful projects on the PB blog all week. My card today features the new stamp, Gentle Breeze. I inked the stamp with distress stains and markers, spritzed it with pearl-ex spray then stamped on watercolour paper. I did this a couple of times on a large panel and added some splatter here and there with a paint brush. When the panel was finished I couldn’t decide on the orientation or whether to add a sentiment, a die-cut or a mat; I tried several things without satisfaction. Finally I tried a curved edge cut which ended up looking no good at all but left me with a strange shaped panel from which I managed to cut two tags. I added a little texture stamping, a sentiment and ended up with a CAS card. Speaking of CAS cards make sure you check out Penny Black’s second blog, Simplicity at its best; there is all kinds of cleverness shared over there. And, before I end off, don’t forget there is the ‘Blossom’ challenge in progress at One Layer Simplicity.
Stamps: Gentle Breeze, Textures, Heartfelt (PB)
Creative Dies: Tagged (PB)
Inks: Scattered Straw, Spiced Marmalade, Forest Moss distress stains (Ranger) Northern Pine memento ink (Imagine Craft/Tsukineko)
Cardstock: Fabriano 100% cotton hot pressed watercolour paper, Neenah Natural White 110lb cardstock
Also: Twill tape
Penny Black and May Arts have been collaborating all week and today is my turn to show how easy it is to pair ribbons with stamping. I decided to make a few tags but if you are looking for more ideas check out both the Penny Black blog and the May Arts blog for all sorts of creative projects. (Instead of listing the supplies at the end of the post I have linked to them in the descriptions)
On both the tulip tag above and the poppy tag below I stamped Memento inks onto wet watercolour paper causing the colours to bleed and blend. When the paper dried a little I added foreground tulips or in the case of the poppies centre details and a blue distress stain background. As watercolour paper is rarely pure white I dyed the white cotton lace ribbon from May Arts in tea to give it a natural off white colour. The tulip tag features luxurious velvet ribbon from May Arts tied with a bow of crochet trim ribbon . The stamps are Promise Me and Special Wishes.
I used a different crochet trim ribbon to tie the versatile Faux Burlap Wired Ribbon on the poppy tag. I left the wire in the edges of the ribbon at the top of the tag so I could shape wavy edges then cut a little mat for my sentiment out of the burlap. The stamps used are Poppy Pattern and Special Wishes.
To create the Hollyhocks tag below I stamped, coloured the tiny tag and dyed the crochet trim with Victorian Velvet distress stain. I used the Hollyhocks stamp as my main image, a little bit of a sentiment from the Eloquence set on the tiny tag and the Hugs diecut from the Love Expressions set. I cut both the tiny tag and the lower rectangle using dies from the Chat Bubbles set. All large tags were cut using the large tag die from the Tagged set
On Tuesday I posted the spring and summer mini journal boards I made as part of the Penny Black collaboration with Design Memory Craft Faber Castell.
Today I have the autumn and winter boards along with a description of my creative process. Once again I relied heavily on the new creative dies from Penny Black and the gelatos from Faber Castell. I began my autumn board by creating a collage background in red and rust. I used the music background stamp, the Japanese maple stamp and some sponging. The next layers are all die cut using the Leaves dies. Some are cut from Penny Black mix & match fall festival papers; the patterned leaves are cut from a watercolour panel I created using red cherry, tangerine and chocolate gelatos and a stamp from the Floral Applique set.
Stamps: Music Background, Japanese Maple, Floral Applique (PB)
Creative Dies: Leaves (PB)
Gelatos: red cherry, tangerine, chocolate (Faber Castell)
Mini Mixed Media Journal (Faber Castell)
Inks: Potter’s Clay, Rhubarb Stalk (Tsukineko)
Last but not least, the winter board. To create the co-ordinated board and tags I cut a hill mask from two post-it notes at once so the masks were identical. I positioned one mask on the board then layered the tags on another post-it note to hold them together while positioning the second mask across the tags. Before applying any ink I flicked masking fluid onto both the board and the tags then let it dry. To create the night sky I used a combination of gelato and ink blended over the masking fluid. When the sky was complete I repositioned the hill mask on both the board and the tags to create a couple of snow banks by sponging. The berries were die cut from white cardstock then coloured with red and brown inks and the snow was added with a coconut gelato. To finish I removed the masking fluid, popped up the tags and arranged the berries across the top.