Today’s misty muted scene is brought to you by ‘The Distress Oxide Trials’. This one was one of my early experiments involving stamping over stamping. The effect might be a bit messy for some but I like the way lighter colours over darker colours give something of a skeletal look. I used the ‘feathery’ stamp and inked it with peeled paint first, spritzed then stamped, did the same with vintage photo, and finished with broken china.
You can see the blue over the brown shows up as a x-ray type image. On the right hand side there was an area without much brown so I decided to soften it even more with water to create the look of light coming through.
To finish the card I matted with both brown and blue cardstock then added a sentiment in brown.
Stamps: Feathery, snippets (Penny Black)
Inks: vintage photo, peeled paint, broken china distress oxide inks (Ranger) versafine vintage sepia (Tsukineko)
Paper: hot pressed watercolour paper, blue cardstock, brown cardstock
Can you tell I like the way ‘distress oxide trials’ sounds like an significant chemical experiment? That’s why I called today’s post ‘desaturation’ rather than just ‘stamping with water! The effect does come, however, from stamping with water. I think it is my favourite technique so far. I began by blending the inks onto hot pressed watercolour paper. They do blend nicely on neenah classic crest paper but they blend even better on watercolour paper. By blending I mean sponging ink onto the paper, also called inking by some crafters.
For the these three cards I sponged three colours onto the paper and overlapped them to get nice soft blended colours. The sponging doesn’t take long, it doesn’t leave marks shaped like the edge of your applicator and it creates intense colour.
After sponging my colours over the whole panel I put the panel into my MISTI, positioned my stamp then spritzed it with water. All the stamps used for these cards are red rubber; (slapstick cling from Penny Black, names listed below) I haven’t tried with clear stamps yet. The stamp just has to hold onto the water for the technique to work.
After stamping a water print onto the blended colour, I lifted the stamp and dabbed a paper towel over the print. It left a pale image on the coloured panel.
It’s not a really sharp image but it is definitely recognisable and I love the look.
The trials are not over but if you are looking for a technique to start with try some sponging; the finish is so rich and creamy. Then if you are feeling scientific try some desaturation as well. If you have thought of a technique you’d like me to try please leave me a comment below.
Stamps: full of glee, feathery, Effulgent, stitched flowers, happy snippets (PB)
Die: tagged, omg (PB)
Inks: worn lipstick, broken china, fossilized amber, wilted violet, peeled paint distress oxide inks (Ranger) versamark, versafine onyx black & smokey gray (Tsukineko)
Papers: hot pressed watercolour paper, neenah solar white, neenah epic black, violet cardstock
Also: gold & white embossing powder, white ribbon, gold thread