This branch has been waiting patiently for some ink so I went rather non-traditional and pulled out some purples to create this card. I splattered a few panels of hot pressed watercolour paper with masking fluid yesterday so I would have them on hand for future projects. The effect is subtle on this one but you can see little white dots in the sky and foliage if you look closely.
I used a couple of teardrop memento inks and a marker to ink the stamp. With the teardrops it is possible to apply ink somewhat strategically. I started with the lighter grape jelly ink and dabbed it here and there over the stamp. My panel was in my stamping platform so I was able to do grape jelly ink first, then add some dabs of the darker elderberry ink second. I went back and forth with the two inks and occasionally a spritz of water until I was happy with the image. I coloured the stems with a memento tuxedo black marker, stamped to complete the image then moved the panel to stamp a second branch the same way.
Once all the stamping dried I used mustard seed and salty ocean distress stain to paint the sky. I kept it fairly diluted and dabbed with a paper towel if I had too much water or stain. To finish it off I stamped the sentiment from the PB ‘sentiment collection’ set in versafine onyx black ink then matted the panel with black and attached it to a white card base.
Stamps: graceful whisper, sentiment collection
Inks: grape jelly, elderberry, tuxedo black marker
Stains: salty ocean, mustard seed
Paper: hot pressed watercolour, neenah epic black, neenah solar white
Also: masking fluid
This seems an appropriate card to post right now while the weather is oh. so. cold. For this one I used a stamp postioner to stamp one colour at a time with the ‘dressed in snow’ scenic stamp. I used memento markers to ink the evergreens in northern pine, the deciduous in tuxedo black and the fence in rich cocoa inks. After I had stamped all the elements I added a mask for the moon and then painted a tumbled glass distress stain sky.
I spritzed the trees on the left very lightly to blend the colour and painted some tiny background trees on the horizon. Winter is very beautiful where I live but currently it is also rather bleak. Please forgive me the rather brief description; I created this one a while ago and the details are a little sketchy in my memory.
Stamps: dressed in snow
Memento markers: northern pine, tuxedo black, rich cocoa
Distress stain: tumbled glass
Paper: hot pressed watercolour, olive green cardstock
Also: stamp positioner, frisket film
On the ninth day of Christmas I am returning to the blog. I’ve been enjoying some time with family and friends, relaxing, reading but I have not been creating cards! This panel started out as a practice for another project but I ended up turning it into a card anyway. I began with a panel of hot pressed watercolour paper with masking fluid splattered over it. I used a stamp positioner to stamp the different coloured elements of the berry branch in distress inks then embossed over the image with embossing powder. Unfortunately when you put embossing powder over masking fluid it sticks so the panel became very textured and very speckled with ‘snow’. I painted weathered wood distress stain over the background added a sentiment but was not able to remove much of the masking fluid as I had ‘glued’ it there with heat embossing!
As this was a practice panel I changed my order of operations when I made the next card, stamping and embossing first then splattering masking fluid second. I hope your 2018 is off to a great start. I have been busy keeping up with Dressember details which I will post more about later but I’ll just add a quick thank you here to all who have donated to this worthy cause; you have really encouraged me.
I’m a guest over at the Foiled Fox blog today; you know that is one of my favourite places to share my cards. With less than a week until Christmas I have switched to making thank you cards. This one combines several Penny Black stamps, one from this year and others from Christmasses past. All the snow falling is the effect created when painting over splattered masking fluid. After the painting has dried I rub off the masking to reveal little white dots – snow! The black stamping is done with pigment inks to preserve the sharp defined edges of the trees and deer. The soft tree shapes in the background are stamped in distress inks to enable blending and bleeding into the watercolour sky.
The whole process is described in detail on the Foiled Fox blog and supplies are listed below.
Stamps: snowy village, nature’s friends, woodland beauty, happy snippets
Inks: versafine onyx black, evergreen bough distress ink
Distress Stains: salty ocean, faded jeans, evergreen bough
Hot pressed watercolor paper
Also: masking fluid, stamping platform
Sometimes it is fun to rediscover and incorporate some techniques you haven’t used for a while. I love to splatter masking fluid over watercolour paper to create the look of falling snow but sometimes I don’t think about it in advance or just don’t want to wait long enough for the masking fluid to dry. Salt to the rescue! While salt does not create bright white dots it does make lighter areas and pretty patterns that look a little like snow or fairy lights.
You can see some pale pink and brown pattern in the background of the scene; to create this I wet the whole panel, inked the stamp with festive berries and ground espresso distress markers and stamped it onto the damp paper. I dabbed at the inky impression immediately with a paper towel so I would have soft shapes that would not overpower the foreground image.After drying the panel completely I put it in my stamping platform for all the berry work. First I inked and stamped the whole stamp with festive berries distress ink.
Next I switched to markers and added shading to the berries and darker colours to the twigs and calyx. (yes, of course I had to look that up!) I used barn door and aged mahogany to add depth and shadow to the berries. I used chipped sapphire and ground espresso to darken the stems and calyx. After I had added colour I used a small paint brush and water to blend the stamped colour. Once the panel dried I embossed the berries with versamark and clear powder which gave them a frosty, shiny look. The embossing made them waterproof so I was able to add weathered wood stain to the panel without diluting the berries. I kept the stain dark on the left and diluted it with water on the right then sprinkled salt to created the speckled effect. I decided not to add a sentiment yet as I think this one might be a winter birthday card not a Christmas card. I popped up the whole panel on some foam and added it to a natural white card base.
Stamps: berry bramble
Inks: festive berries distress ink, versamark
Distress markers: barn door, chipped sapphire, aged mahogany, ground espresso
Distress stain: stormy sky
Hot pressed watercolour paper
Also: Tonic stamping platform, WOW clear gloss superfine embossing powder, salt
I am happy to be sharing this card over on The Foiled Fox blog today. I used a combination of distress markers to colour the berry branches first then, once they were dry, I clear embossed over the top so they would resist the masking fluid I splattered and the sky I painted next. The process is described in detail over on the Foiled Fox blog so pop over and check it out.
This was definitely a project where a stamp positioner came in handy to do all the colouring first and embossing after.
So many of the stamps from the ‘Be Merry’ release are suitable for seasons other than winter and occasions other than Christmas. For this card I used the ‘under the trees’ stamp, masked out the little critters, snowflakes and gift and chose a warm colour scheme to make an autumn card. I stamped the ‘under the trees stamp in versafine vintage sepia ink. I cut a little post-it mask to protect the area where the critters and hanging snowflakes were as well as wiping ink off the circles in the sky so they wouldn’t stamp either. I left the stamp in the stamp positioning tool for re-stamping later. I began by paint a pale wash of tumbled glass distress stain over the whole piece of hot pressed watercolour paper keeping the edges darker than the centre. I added some forest moss, crushed olive, mustard seed, spiced marmalade painting around the trees and ground as well as painting some loose background trees into the damp panel.
I dried the panel before painting the wooden fence so the distress stains would not bleed out of the stamped image as in the background area. I used gathered twig and vintage photo distress stains to paint the fence then dried the panel again so I could restamp in the stamp positioner. By the time I had added all the blended colour the original stamped trees and bushes were less prominent so I inked them with a ground espresso marker and re-stamped and then painted over until they stood out once more.
To finish it off I stamped a sentiment from Penny Black’s ‘happy wishes’ set in fossilised amber distress ink then versafine vintage sepia several times over the top.