So many of the stamps from the ‘Be Merry’ release are suitable for seasons other than winter and occasions other than Christmas. For this card I used the ‘under the trees’ stamp, masked out the little critters, snowflakes and gift and chose a warm colour scheme to make an autumn card. I stamped the ‘under the trees stamp in versafine vintage sepia ink. I cut a little post-it mask to protect the area where the critters and hanging snowflakes were as well as wiping ink off the circles in the sky so they wouldn’t stamp either. I left the stamp in the stamp positioning tool for re-stamping later. I began by paint a pale wash of tumbled glass distress stain over the whole piece of hot pressed watercolour paper keeping the edges darker than the centre. I added some forest moss, crushed olive, mustard seed, spiced marmalade painting around the trees and ground as well as painting some loose background trees into the damp panel.
I dried the panel before painting the wooden fence so the distress stains would not bleed out of the stamped image as in the background area. I used gathered twig and vintage photo distress stains to paint the fence then dried the panel again so I could restamp in the stamp positioner. By the time I had added all the blended colour the original stamped trees and bushes were less prominent so I inked them with a ground espresso marker and re-stamped and then painted over until they stood out once more.
To finish it off I stamped a sentiment from Penny Black’s ‘happy wishes’ set in fossilised amber distress ink then versafine vintage sepia several times over the top.
Sometimes when I am planning classes or just trying new stamps or techniques I end up with a pile of ‘experiments’ which were not what I had hoped for but were still worth saving. They often go into the ‘pile of possibility’ to be used later. From time to time the ‘pile’ gets so big I have to throw some experiments away because I know I will never actually choose to do anything with them. Today’s cards were made from panels stamped with the ‘peaceful moments’ stamp.
This thank you card was created by stamping the peaceful moments stamp over a brusho background. I sprinkled brusho on a craft mat, spritzed and swiped my watercolour paper through it. I matted and stamped the sentiment three times in a co-ordinating colour.
The order for the just because card was a little different because I needed the image stamped first before I could paint the background. I stamped in versafine onyx black ink then painted a ‘V’ of yellow, a strip of pale blue then topped that with a darker blue. Once that was dry I painted grey hills below the sky. I matted in yellow then embossed a sentiment on a thin strip of cardstock to wrap around the panel. For added texture I attached some branch die cuts to the card base.
I used the embossed offset technique (described here)to create the thinking of you card then painted hills in blueprint sketch distress stain across the background, some were diluted and blended others I kept an hard edge and strong colour.
I hope these few cards give you a few ideas for working with silhouette stamps.
Stamps: peaceful moment, snippets
Dies: winter branch
Inks: versafine onyx black, versamark, danube blue memento ink (tsukineko) scattered straw, tumbled glass, weathered wood, black soot, blueprint sketch distress stains (ranger)
Paper: hot pressed watercolour paper
Also: white embossing powder, clear embossing powder
I have yet more snow on the blog today with this wintry berry branch over a snow dusted sentiment. The look is a little vintage again but with muted colours rather than lots of brown. I have some old Christmas cards of my mothers tucked away somewhere I should pull them out because this look reminds me of some of them.
I began with a splattering of masking fluid over a piece of hot pressed watercolour paper. Once dry, I positioned the panel in a stamp positioning tool and stamped the ‘tree & greeting stamp’ from ‘A Festive Season’ set in memento northern pine ink. I removed the panel from stamp positioner but left the stamp in place. In the top left corner I stuck a circle of frisket film to mask a moon shape then painted over the whole panel with water. Colour bled out of the northern pine ink and started filling the panel; I added faded jeans distress stain so I could cover the whole piece with diluted blue/green colour. Once the panel was dry I removed the mask and placed the panel back in the stamp positioner away from the ‘tree & greeting’ stamp so I could place the ‘berry speckled’ stamp to overlap some of the moon. I inked and stamped one colour at a time with the following markers: berries – candied apple distress marker, needles – northern pine memento marker, and branch & twigs – espresso truffle and rich cocoa memento markers.To soften the look of the branch I spritzed it and let some colour bleed into the surrounding area. When dry I added shadows on the berries with the bullet tip of the candied apple marker.
I’ve employed one of my favourite techniques to create this wintry scene. I used the same technique for years to create a thin layer of snow on branches but it is so much easier now with stamp positioning tools like the misti.
If you take a close look you can see the branches have a thin white line above the black silhouette. I created that layer of snow by stamping the ‘peaceful moments’ stamp once in versamark ink (which is clear) then I move my watercolour paper panel up ever-so-slightly (no more than 1mm) and stamped it again in versafine onyx black. With the image stamped twice I then embossed in clear powder so both the clear and the black inking would resist watercolour paint when added over the top.
I painted the lowest part of the sky in a ‘V’ shape with scattered straw distress stain, blended in some worn lipstick distress stain then finally some tumbled glass and chipped sapphire stain. I let the sky dry completely before painting the mountains with a tumbled glass and chipped sapphire stains. Once that was dry I splattered a fine mist of white paint over the scene. As the stamp is tall and thin I decided to turn a horizontal sentiment into a vertical one by stamping one word at a time, another task made easier with a stamp positioning tool.
Stamps: peaceful moment, full of merriment (PB)
Paper: solar white cardstock (Neenah), hot pressed watercolour paper
Ink: versamark, versafine onyx black (Tsukineko)
Stains: scattered straw, worn lipstick, tumbled glass, chipped sapphire distress stains (Ranger)
Also: clear embossing powder, bleed proof white paint
I have some happy flowers to share today. I stamped them with distress stains for a loose watercolour look.
Using a yellow and an orange stain I inked the petals and stamped one flower at a time. To overlap the flowers so that one appeared in front of the other I wiped stain off parts of the stamp before stamping next to the previous image. While the stain was still a little damp on the paper I inked only the centres of the flowers in brown and the stems in green then stamped over the yellow and orange. That way I was able to get soft blends but not lose too much definition.
You can see in my two examples I have varied the amount of colour and the amount of time between adding colours. When all the stain was dry I added some splatter around and over the flowers.
I added framed one panel with some orange cardstock and left the other filling the whole card base.
I think they are rather cheery.
This card was inspired by one included in my August class; that one was more of a lakeside silhouette where this one is a little less rustic. I began with a piece of watercolour paper splattered with masking fluid. Once it was dry I taped it down to prevent warping and painted the whole panel with distress stains. I wanted the sky to look star-filled but it could just as easily be snow-filled. I die cut birches and a picket fence and then a sad thing happened. My die cutting machine sits on top of a cube storage cabinet which is quite good because I don’t have to bend to use it and it makes me get up from my work table and move around. The cube storage cabinet houses a lot of my supplies and sits flush against the wall. Apparently not so flush that a die can’t fall down behind it. So let me just say you won’t be seeing those birch trees on a card any time soon. To retrieve the die I will need to empty a lot out of my cabinet and that’s just not going to happen right now!
Glad I got this little card made though.
Dies: picket fence, beneath the birches (PB)
Stamps: just a note (PB)
Inks: scattered straw, chipped sapphire, worn lipstick distress stains (Ranger) versafine onyx black (Tsukineko)
Paper: hot pressed watercolour paper (Fabriano), epic black & solar white cardstock (Neenah)
I have new tree stamp to introduce to you today. You know how I feel about tree stamps. I kept the technique quite straightforward for this card but I’m looking forward to trying a few more of my favourite mediums ie. distress stains, inks and markers, memento inks and my new favourite for photo paper – stazon. On this sunlit panel I used versafine onyx black with a clear embossing powder. Embossing the image first made it possible to keep all the trees are dark silhouettes when I painted the sunset behind. I used distress stains and a wet on wet technique to blend yellow into pink then blue. I kept the foreground white for snow then painted some shadows loosely on the watercolour paper.
The stamp is called ‘winter’s forest’ but I know it will be just as handy as spring, summer and autumn’s forest! I had a very relaxing time away last week and enjoyed painting a few pages from Kristy Rice’s Summer Cutting Garden watercoloring book. None of the pages are quite finished but I plan to share them with you soon.
Stamps: winter’s forest (Penny Black)
Inks: broken china, scattered straw, worn lipstick distress stains (Ranger) versafine onyx black (Tsukineko)
Cardstock: hot pressed watercolour paper, aqua cardstock
Also: clear embossing powder