Country scene

Another stamped scene, this one a little closer to home than the desert in the previous post. I paired the PB ‘arbor’ and ‘snow fence’ stamps to create a pastoral scene. I worked on hot pressed watercolour paper using distress inkpads and markers as my ‘watercolour paints’.

As the fence posts are in the foreground I stamped them first in a mix of browns, black and grey then blended on paper with water. Once the posts were dry I inked the trees in a few greens and brown avoiding the area behind the fence post. I should have masked the posts but I was feeling a bit lazy so I just inked and stamped several times getting closer each time to the post without stamping over it.

Once the trees were completed I painted a light wash of crushed olive and peeled paint inks over the ground area then used a fan brush which I’ve left untouched for years to paint grass in both forest moss and peeled paint. For a bit of interest I added blue dots to look like flowers under the trees. My stash of birthday cards is looking low so I added a partial sentiment from the birthday humor set. Are you a scenic stamper? What are your favourite techniques for bringing scenes to life.

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Desert Sky

After creating some gel printed landscapes I was inspired to return to another technique I enjoy: creating landscapes with scenic stamps. Sometimes I combine scenes to create a new landscape or stamp additional elements, other times I stamp a single complete landscape as shown in this ‘desert dreams’ stamp. It was released a few years back but this is the first time I’ve inked it. Before getting to the stamping I created the painted background which included a two tone blue sky and two toned desert floor. I smooshed distress inks on my glass mat, spritzed water over the ink and swiped the watercolour panel through to pick up colour.

Once the panel dried I did the stamping in a stamp positioner so I could build up the colour and picture bit by bit. I started by inking the cacti with crushed olive and peeled paint markers, the distant foliage with rusty hinge and the foreground foliage with peeled paint and forest moss. I spritzed the stamp but also used a paint brush and occasional spritz on the panel.

You can see my finished design doesn’t contain fine details but the overall feeling is a hot day in the desert day among some bold contrasting scenery. I finished the card with a sentiment from the PB ‘Faith.Hope.Love’ set.

To see more scenic stamping take a look at these posts: Arbors, Pumpkins, Fields of gold and Beloved view.

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Cabin by the lake

I’ve been trying to make some smaller panels and one layer cards over the last few days as I still need quite a few cards so how exactly did this happen!? Not smaller and not quicker but definitely satisfying. I was thinking about some of the scenic cards released by Penny Black this year and wanted to combine them into new scenes. I made the left side of ‘quietude’ + ‘cosy cabin’ + 1/3 ‘tannenbaum trio’ = a cabin by a frozen lake.

I worked on hot pressed watercolour paper with masking fluid splattered on it and began by stamping the small trees and horizon from the quietude stamp in iced spruce, forest moss and chipped sapphire. I blended over the trees with a paint brush but came back to them later to do more. I stamped the cozy cabin stamp next, forest moss and chipped sapphire on the trees, hickory smoke and black soot on the cabin. I remembered to colour inside the windows with a mustard seed marker before I got carried away with blending this time so it looks cozy inside. To add more trees behind the house I made a cabin post-it mask then stamped one of the tannenbaum trio stamps twice on the right hand side of the cabin.

Before adding the sky I made sure everything was dry then positioned a frisket film circle mask over the trees. I used speckled egg distress stain to paint the sky initially then when I had covered it all dropped in some chipped sapphire. Green ink did bleed out of the stamped trees but I kept a paper towel on hand to dab it dry before it could move too far.

The lake area is mainly iced spruce and stormy sky to keep it paler and frozen looking but I added chipped sapphire and forest moss at the bottom where the lake is in shadow behind the snowbank. The snowbank looked too large and stark in the left hand corner so I stamped just the tips of the branches from the single tree in the cozy cabin set to look like a bit of foreground foliage. ( hot tip for my Ottawa people, all three sets featured on this card are listed in the Crop A While online store, just saying…)

Quick update on Dressember: my card making friends keep pushing the fundraising total higher and I am so very appreciative. As I write this it has reached $1190.25. Thank you so much. Here is a photo from day 12 as I decorate gingerbread. Decorating the gingerbread is my favourite part of the process or maybe equal first place with eating it. This first batch unfortunately spread while baking to such an extent that the tree and mitten shapes were unrecognizable so the decorating was the only clue to what they were meant to be!

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Winter Quietude

When I posted a card stamped with the PB ‘quietude’ stamp recently I mentioned I would be making a more wintery looking version. Today I have two different colour schemes featuring snow and an extra tree from the tannenbaum trio set.

In this snowscape inspired by my friend Liz’s love for all things purple, I used speckled egg, dusty concord and black soot distress inks to paint a sky, a lake and snowbank shadows. I stamped the top of the scene first in speckled egg so I would know where to paint the sky then used a paintbrush and smooshed ink to fill the area above the horizon. I dried that then painted the lake area with speckled egg and dusty concord before stamping the trees in dusty concord and black soot inks.

For the colour scheme below I again used speckled egg but with pine needles and chipped sapphire distress inks.

The falling snow on both cards is a result of splattered masking fluid on hot pressed watercolour paper. I splattered it ahead of time and did all the stamping and painting before rubbing it off to reveal all the white dots.

If you have been reading this blog for a while you will know I have participated in the Dressember campaign in the past to raise awareness and funds to fight human trafficking. I’ve signed up again and will be wearing a dress every day in December while I share information about the work being done around the world to end modern day slavery. To support this cause please visit my fundraising campaign page https://dressemberijm-2020.funraise.org/fundraiser/heather-telford where you can donate. I will be posting the daily dresses on my instagram account with occasional updates here on the blog. (Please note I have signed up with Dressember Canada this time so tax receipts will be sent to Canadian donors only.)

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Quietude video

This scenic stamp from Penny Black is called Quietude and I think it is aptly named don’t you? I would be happy to wander along the shore of this lake today. It is getting cold, just on the edge of beginning to freeze but not there yet. The plants have died off but they are goldy brown colour, so still eye catching against the steely blue water. Okay, that’s enough waxing poetic for me. I plan to stamp and paint this as a winter scene soon but I enjoyed turning it into a late fall scene first.

I used a combo of archival and distress inks to create the scene and made a video of the process. To give you a little glimpse behind the scenes I made one panel in these tones and liked it so much I decided to film it. It took four attempts before I got this one! Don’t let that put you off trying it. It just goes to show things don’t always go to plan!

Speaking of winter scenes, I happen to have a new online class available that is all about winter scenes: the night skies, the snowy landscapes, the frosty branches; it’s all in my new class WINTER WONDER. I would love you to join me.

Apparently we are in for a mild end to the year here in Ottawa. That is just fine with me. This lake can stay unfrozen and for as long as it likes.

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Cozy Cabin video

This cute cabib is another new stamp from Penny Black; the set is called ‘Cozy Cabin’ and it includes this tree shadowed cabin plus an extra tree not shown on this card. Once again I enjoyed bringing this scene to life with splattered masking fluid and distress inks.

I used a stamp, paint, stamp, paint process to build up the colour and definition of the cabin. I had my glass mat at hand so I could smoosh inks then pick up colour with a paintbrush.

When we go cross country skiing in Gatineau Park we come across cabins that look a little like this. There are several scattered across the park for the use of skiers, complete with a wood stove, tables and benches so we can warm up, eat our snacks, and rest a little before heading back out in the snow.

I’m in no hurry for the snow to come but I do have new skis and boots after years of hand-me-downs so the pressure will be on this year to make good use of them!

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Pumpkin Season

This lovely blue wheelbarrow filled with pumpkins is one of the new autumn products from Penny Black. It’s called ‘pumpkin season’ and I paired it with an older PB scenic stamp, ‘homeward’.

I worked on the wheelbarrow first while keeping it in my stamp positioner. I stamped the barrow in faded jeans archival ink, the base in hickory smoke archival and the pumpkins in fossilized amber archival. That gave me a base print to add to with distress inks which I could blend with water and a paintbrush. Still with the stamp in the positioner I inked different section with distress ink cubes and markers to build up the colours bit by bit. Once I was sure I didn’t have to stamp any more on the barrow I removed the panel, stamped the barrow on masking paper and masked the barrow in order to finish my scene.

With the panel back in the positioner and the barrow masked I stamped the ‘homeward’ scenic stamp over the top with ground espresso, spiced marmalade, barn door , peeled paint and wild honey inks. I blended the grass area immediately after stamping so I could extend the ground with peeled paint ink to fill the space around the wheel and base of the barrow.

I built up the colour of the tree with repeat stampings spritzed with water. Once the stamping and blending was complete I painted some shadows under the barrow with peeled paint ink and added some extra definition to the pumpkins with watercolour pencils. I blended the sky around the tree with stormy sky ink and a blending brush.

We harvested most of our tomatoes yesterday even though they are still green so now I am looking up green tomatoes recipes. The fried ones sound appealing (just like in the Fanny Flagg book) and a zucchini and green tomato relish could be good too.

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The Good Life with pumpkins

Even though I am in denial about summer ending my card making would disagree. I have seen leaves changing colour and there is a nip in the air. I’m not against autumn; I know everyone loves it, I just don’t like to see summer go! This little autumn scene combines the Penny Black stamps, ‘the good life’ and ‘pumpkin patch’.

I worked in the stamp positioner for this one and there was masking involved too. I lightly stamped just the barn first, cut a mask for the roof then stamped an extra tree behind the barn. I also painted the back field in peeled paint and wild honey before returning to the trees and barn. I used the ink, stamp & blend process to build up the scene. I made sure I didn’t stamp the fence or track leading to the barn as I was planning to stamp something in the foreground. It turned out to be pumpkins which also needed to be masked before I added the fence and track.

If you know your distress inks you could probably make some pretty accurate guesses as to the line up used on this panel. I added a bit of pencil colouring to the pumpkins and some little leaves along side them.

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Fields of Gold

This card was inspired by @jenny_illustrations a watercolour artist I follow on instagram. She painted her scene but I used a selection of Darkroom Door stamps and some wet into wet techniques.

I worked on a panel of hot pressed watercolour paper splattered with liquid frisket. I wasn’t necessarily wanting the look of snow, more the interest or vintage look of little dots over the panel. It could be snow, an early snow or a first snow but that is not something I am thinking about right now. Not for a minute am I wishing summer away, I would never do that. Summer is definitely my favourite season and it is still officially summer for another 18 days!

But back to the card. I taped it down to my glass mat which I also used as a palette where I squished my distress inks to provide me with ink to paint with. I spritzed the whole panel with water then painted weathered wood and faded jeans distress ink in the sky then tea dye and gathered twigs distress ink in the foreground. It was not meant to be gathered twigs; the lid said ‘fossilized amber’! The lid was wrong but the colour, surprisingly worked maybe even better than amber would have giving me a gradation from light to dark brown.

While the whole panel was wet I stamped the large mountain stamp from DD ‘majestic mountains’ in faded jeans ink then, after a pause, the small trees from the same set in ‘hickory smoke’ then. after a longer pause, in ‘black soot’ ink. I used a small floral stamp from DD ‘wildflowers vol 1’ to stamp and restamp flowers in the foreground, first in ‘tea dye’ then in ‘gathered twigs’. I dried the panel rather than wait and finished it off with tea dye and gathered twigs splatter.

I was pleased to see my taping sealed the edges well resulting in no leaks. I am trying a different painter’s tape so it scored points on this project. I’m not sure why but this panel needed to be a side fold card. It has a little sentiment from DD ‘nature walk’ that says ‘ walk through the wildflowers’; you might not be able to read it but the recipient will.

I’ve done very few scenic cards lately so I enjoyed the process and result. I am pondering my next online class… scenic cards or Christmas cards? Feel free to weigh in with your thoughts.

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The Good Life

I am happy to have a stamped and painted scene to share today. I often create scenic cards and panels in winter but I used liquid frisket on this panel to create a summer vista seen through a frame of birches. I teamed up with Grafix , used their liquid frisket kit and filmed the process.

With a technique like this it would be easy to make a card for any season. The birches could frame a snow scene, autumn foliage or even some mountains in the distance.

Painting the sky was fun, you can see in the video I painted the whole sky area in blue then added all the clouds by dabbing colour away with a kleenex tissue.

You can see in the video I stamped the house and trees with archival ink first then built up colour, depth and shadow with distress inks for the watercolour look. Because the Dr Ph Martin inks used on the sky are permanent once dry I was able to stamp and blend over the house and trees without affecting the sky at all and of course over the masked trees too.

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