I have a few wintry landscapes to share today featuring stamps from the beautiful new ‘majestic mountains‘ set by Darkroom Door. This set includes three mountains, six sentiments (not featured on these cards) and – happy sigh – four trees! You can find step by step instructions on the Darkroom Door blog. I usually list all the ingredients at the end of the post but today I have included links throughout my descriptions.
On the card above I first splattered masking fluid over cold pressed watercolour paper and let it dry. I placed a torn post-it note mask across the panel then stamped the mountain several times in weathered wood distress ink so the base of the stamp overlapped the post-it. I painted the sky in dusty concord and tumbled glass distress stains then added a small amount of mustard seed stain close to mountain edges. I dried the panel then placed another torn post it note across below the base of the mountains.This was so I could stamp the trees in chipped sapphire distress ink but not have all the trunks showing. Because I was working on cold pressed watercolour paper the tree images were not solid so I used water to blend the ink. I dried the trees then painted a line of weathered wood distress stain along base of trees to create a snow bank and some shadows in the foreground. I removed the masking fluid and added a sentiment from the new Yuletide Greetings Stamp Set in chipped sapphire ink.
For this second card I once again splattered masking fluid but over hot pressed watercolour paper. Instead of using a post it note I partially inked the mountain stamp in weathered wood distress stain so the bases of the mountains were uneven, then stamped across the lower half of the wide panel. I picked a small tree and stamped repeatedly in front of the mountains in memento olive grove ink including second generation stamping to fill the space. Then I switched to large trees in olive grove ink overlapping some of the small trees.
I painted the sky in stormy sky distress stain taking care to paint to the edge of mountains and tree tops then dried it completely. I removed the masking fluid and chose another sentiment from the Yuletide Greetings to stamp in versafine olympia green ink.
On my last card I wanted a big winter moon so I cut a circle mask from frisket film and attach to a hot pressed watercolour panel then splattered masking fluid over the panel. I painted water over whole panel then added some stormy sky distress stain keeping the colour darkest in the top half. While panel was still damp I stamped a large tree in memento northern pine ink repeatedly using first and second generation stamping for dark and lighter images. I removed the moon mask and stamped one more tree to overlap the moon. I dried the panel completely then removed the masking fluid. I used another sentiment from the Yuletide Greetings Stamp Set in versafine olympia green ink.
This is going to be another of those lovely year round sets but I think it will be all wintry scenes from me for a while. I love having new trees to play with and those mountain stamps make it easy to fill in a simple background. Even though it is still October it has been snowing for the last 24 hours! It’s not going to stay though, definitely not!
Stamps: majestic mountains, yuletide greetings (Darkroom Door)
The rest of the supplies are linked throughout the post. I use affiliate links to the Foiled Fox online store. For no additional cost to you I receive a small commission when you use my links to shop at the Foiled Fox
My vintage snowy scenes continue with this new Penny Black stamp ‘winter solace’. I kept it simple once again with vintage photo ink plus some black for shadows and some blue for the sky. The technique is similar to the one I shared in my recent video but because this is a more solid stamp it is necessary to blend the ink more carefully so as not to obscure the details in the stamp. I stamped in vintage photo distress ink on cold pressed watercolour paper.
Rather than use watercolour pencils to add extra colour, I pressed black soot, vintage photo and broken china onto my glass mat to use as needed.
When blending the vintage photo ink I dabbed with a damp paintbrush instead of blending. I didn’t want the ink to cover the walls of the church uniformly, instead I left areas white and added black for shadows wherever I thought there would be some.
I added black under the eaves, under the windows and on the corners.
I used a pencil to lightly draw a roof line to give me a guide for painting blue sky. I painted right up to the pencil line and edges of building with water then added broken china ink to fill sky. I dabbed the blue ink around the edges of the trees with the point of the brush.
I blended water over the stamped sections of trees taking care to leave the white areas to look like snow.
To add some snowbanks to the foreground I painted a few lines of vintage photo ink with a fine tip brush then blended them with water.
To complete the card I added a sentiment from the new ‘Christmas sentiments’ set.
I’m looking forward to trying some other looks and colour schemes with this stamp.
I’m continuing to feature stamps from the new Penny Black release. Today I have the second of my vintage style watercolours, this one stamped with a large clear stamp from the transparent set, Snowy Cottage. You can watch the video I posted yesterday to see the technique and refer to the step by step photos below to understand my process.
I used a stamp positioning tool to make sure the detailed stamp was fully printed on my hot pressed watercolour panel. I used vintage photo distress ink but other brown distress inks can give a similar vintage appearance.
I began by using a damp brush to blend the stamped ink over all the stonework of the cottage and wall. I picked up a bit of black off a watercolour pencil to add to any shaded areas.
Next I added red to the door and blue to all the windows, again picking up colour from the tips of my watercolour pencils.
I used a darker blue to fill the sky with colour, painting first with water around the edges of the trees and roof then adding blue to the damp area so it would blend and move to fill the sky. While the sky was wet I picked up vintage photo ink on the paint brush and dropped it into the sky above the chimney.
I also blended the areas adjacent to the snow to create contrast from snow banks to shadow. I picked up colour from a green pencil to add to all the trees, taking care to leave some areas white in each tree.
Finally I used a vintage photo distress marker to redraw the lattice on the windows.
To complete the card I trimmed the panel then matted it with brown cardstock and added it to a natural white card base.
I hope you enjoyed my second vintage style scene, I’ll be back tomorrow with another.
Stamps: Tranquil Hamlet
Ink: vintage photo distress ink
Paper: hot pressed watercolour paper, brown cardstock
Pencils: Faber Castell Albrecht Dürer Watercolour pencils
Tools: MISTI, Cutterpillar Glow premium
You’ve probably heard by now there is a new Penny Black release in town! Two actually, a big beautiful Christmas release and a fun fall release. The catalogues can be viewed here. I’ll be featuring vintage style snowy scenes all week here on the blog even though the sun is shining and the grass is green outside!
This lovely stamp called ‘Tranquil Hamlet’ is stamped in vintage photo ink and coloured with Faber Castell Albrecht Dürer watercolour pencils on hot pressed watercolour paper. Watch the video to see how
Thanks for dropping by; I’ll be back tomorrow with another snowy scene.
Stamps: Tranquil Hamlet
Ink: vintage photo distress ink
Paper: hot pressed watercolour paper
Pencils: Faber Castell Albrecht Dürer Watercolour pencils (199, 159, 154, 151, 126)
Tools: stamping platform
It’s taking me a while to get back into gear here on the blog but I have been busy planning my next class. Living as I do surrounded by winter beauty I often look a the sky or the landscape and wonder how I can turn it into a card. This is one such attempt. I looked at the sky one afternoon, because the sun sets in the afternoon around here, there is no waiting for evening! There was a pale pink glow above the horizon, a little blue then grey reaching up. I was managing to create some subtlety with this scene right up until the brusho shook out of the bottle rather more generously than intended! No matter, a lot of water and paper towel calmed things down again.
I started with a panel of hot pressed watercolour paper splattered with masking fluid. I painted some water across the panel where the horizon would be then sprinkled a little ost. red brusho above and blended it in with a paintbrush. Next I added grey brusho and blended that to fill the sky and finally some ost. blue brusho for some blue tones. I kept adding, blending and diluting until I was happy with the soft gradation of colour. While the sky was still damp I pressed just the small tree part of a landscape stamp out of the PB peaceful winter set repeatedly across the horizon inked with memento London fog ink.
I used the stamping platform to stamp and restamp the trees on the right from the PB snowy village set in black soot distress ink. As distress ink is water soluble I was able to paint over the stamping with water to make the image bolder and darker. I added a little blue brusho as I painted to give the tree some light and shadow. I dried the panel before painting another line of water, this time across the panel in line with the base of the tree trunk. Again I added the same brusho colours but got a bit more blue than I’d bargained for.
After drying that section I stamped just the left hand trees from the PB dressed in snow stamp again in black soot ink. I used a paintbrush to darken the stamped image and extend the trees a little more on the right. To finish I rubbed off the masking fluid and mounted the panel onto a white card base. All the supplies are linked below. I hope you have had a great week.
I’m a guest over at the Foiled Fox blog today; you know that is one of my favourite places to share my cards. With less than a week until Christmas I have switched to making thank you cards. This one combines several Penny Black stamps, one from this year and others from Christmasses past. All the snow falling is the effect created when painting over splattered masking fluid. After the painting has dried I rub off the masking to reveal little white dots – snow! The black stamping is done with pigment inks to preserve the sharp defined edges of the trees and deer. The soft tree shapes in the background are stamped in distress inks to enable blending and bleeding into the watercolour sky.
The whole process is described in detail on the Foiled Fox blog and supplies are listed below.
Stamps: snowy village, nature’s friends, woodland beauty, happy snippets
Inks: versafine onyx black, evergreen bough distress ink
Distress Stains: salty ocean, faded jeans, evergreen bough
Hot pressed watercolor paper
Also: masking fluid, stamping platform
As I have said before, you can never have too many tree stamps! The African trees set from Darkroom Door not only has four lovely tree stamps but also five animals and a flock of birds. It’s a beautiful set that I am really enjoying trying with different colours and mediums. This time I wanted the feeling of dusk around the waterhole. I almost added an African deer to this scene but I had achieved the look I was after and didn’t want to risk spoiling it at the last minute (as I did with a new card yesterday. grrr)
The scattering of stars was created with by splattering masking fluid on hot pressed watercolour paper before I started painting. Once it was dry I painted the sky and water in chipped sapphire, broken china and tumbled glass distress stains. I kept the panel wet so I could blend from colour to colour but dabbed up excess liquid at the sides. While the panel was still damp I painted two areas of grass with forest moss distress stain. I let the panel dry a bit more but not too much before stamping the reflections of both trees. To achieve the mirror stamped image I stamped it on a piece of acetate then pressed it onto the damp panel. When I was happy with all my soft edge images I dried the panel completely before adding the trees and grass that I wanted sharp. I used a stamp positioner to stamp the trees several times in forest moss distress ink then painted grass with a fine tipped brush.
Lastly I removed the masking fluid to reveal the little stars then mounted my panel on a piece of natural coloured cardstock.
Stamps: African Trees (Darkroom Door)
Inks: Distress tumbled glass, broken china, forest moss stains and inks (Ranger)
Cardstock: hot pressed watercolour paper
Also: Pebeo masking fluid