When I posted a card stamped with the PB ‘quietude’ stamp recently I mentioned I would be making a more wintery looking version. Today I have two different colour schemes featuring snow and an extra tree from the tannenbaum trio set.
In this snowscape inspired by my friend Liz’s love for all things purple, I used speckled egg, dusty concord and black soot distress inks to paint a sky, a lake and snowbank shadows. I stamped the top of the scene first in speckled egg so I would know where to paint the sky then used a paintbrush and smooshed ink to fill the area above the horizon. I dried that then painted the lake area with speckled egg and dusty concord before stamping the trees in dusty concord and black soot inks.
For the colour scheme below I again used speckled egg but with pine needles and chipped sapphire distress inks.
The falling snow on both cards is a result of splattered masking fluid on hot pressed watercolour paper. I splattered it ahead of time and did all the stamping and painting before rubbing it off to reveal all the white dots.
If you have been reading this blog for a while you will know I have participated in the Dressember campaign in the past to raise awareness and funds to fight human trafficking. I’ve signed up again and will be wearing a dress every day in December while I share information about the work being done around the world to end modern day slavery. To support this cause please visit my fundraising campaign page https://dressemberijm-2020.funraise.org/fundraiser/heather-telford where you can donate. I will be posting the daily dresses on my instagram account with occasional updates here on the blog. (Please note I have signed up with Dressember Canada this time so tax receipts will be sent to Canadian donors only.)
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This scenic stamp from Penny Black is called Quietude and I think it is aptly named don’t you? I would be happy to wander along the shore of this lake today. It is getting cold, just on the edge of beginning to freeze but not there yet. The plants have died off but they are goldy brown colour, so still eye catching against the steely blue water. Okay, that’s enough waxing poetic for me. I plan to stamp and paint this as a winter scene soon but I enjoyed turning it into a late fall scene first.
I used a combo of archival and distress inks to create the scene and made a video of the process. To give you a little glimpse behind the scenes I made one panel in these tones and liked it so much I decided to film it. It took four attempts before I got this one! Don’t let that put you off trying it. It just goes to show things don’t always go to plan!
Speaking of winter scenes, I happen to have a new online class available that is all about winter scenes: the night skies, the snowy landscapes, the frosty branches; it’s all in my new class WINTER WONDER. I would love you to join me.
Apparently we are in for a mild end to the year here in Ottawa. That is just fine with me. This lake can stay unfrozen and for as long as it likes.
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This cute cabib is another new stamp from Penny Black; the set is called ‘Cozy Cabin’ and it includes this tree shadowed cabin plus an extra tree not shown on this card. Once again I enjoyed bringing this scene to life with splattered masking fluid and distress inks.
I used a stamp, paint, stamp, paint process to build up the colour and definition of the cabin. I had my glass mat at hand so I could smoosh inks then pick up colour with a paintbrush.
When we go cross country skiing in Gatineau Park we come across cabins that look a little like this. There are several scattered across the park for the use of skiers, complete with a wood stove, tables and benches so we can warm up, eat our snacks, and rest a little before heading back out in the snow.
I’m in no hurry for the snow to come but I do have new skis and boots after years of hand-me-downs so the pressure will be on this year to make good use of them!
This lovely blue wheelbarrow filled with pumpkins is one of the new autumn products from Penny Black. It’s called ‘pumpkin season’ and I paired it with an older PB scenic stamp, ‘homeward’.
I worked on the wheelbarrow first while keeping it in my stamp positioner. I stamped the barrow in faded jeans archival ink, the base in hickory smoke archival and the pumpkins in fossilized amber archival. That gave me a base print to add to with distress inks which I could blend with water and a paintbrush. Still with the stamp in the positioner I inked different section with distress ink cubes and markers to build up the colours bit by bit. Once I was sure I didn’t have to stamp any more on the barrow I removed the panel, stamped the barrow on masking paper and masked the barrow in order to finish my scene.
With the panel back in the positioner and the barrow masked I stamped the ‘homeward’ scenic stamp over the top with ground espresso, spiced marmalade, barn door , peeled paint and wild honey inks. I blended the grass area immediately after stamping so I could extend the ground with peeled paint ink to fill the space around the wheel and base of the barrow.
I built up the colour of the tree with repeat stampings spritzed with water. Once the stamping and blending was complete I painted some shadows under the barrow with peeled paint ink and added some extra definition to the pumpkins with watercolour pencils. I blended the sky around the tree with stormy sky ink and a blending brush.
We harvested most of our tomatoes yesterday even though they are still green so now I am looking up green tomatoes recipes. The fried ones sound appealing (just like in the Fanny Flagg book) and a zucchini and green tomato relish could be good too.
Even though I am in denial about summer ending my card making would disagree. I have seen leaves changing colour and there is a nip in the air. I’m not against autumn; I know everyone loves it, I just don’t like to see summer go! This little autumn scene combines the Penny Black stamps, ‘the good life’ and ‘pumpkin patch’.
I worked in the stamp positioner for this one and there was masking involved too. I lightly stamped just the barn first, cut a mask for the roof then stamped an extra tree behind the barn. I also painted the back field in peeled paint and wild honey before returning to the trees and barn. I used the ink, stamp & blend process to build up the scene. I made sure I didn’t stamp the fence or track leading to the barn as I was planning to stamp something in the foreground. It turned out to be pumpkins which also needed to be masked before I added the fence and track.
If you know your distress inks you could probably make some pretty accurate guesses as to the line up used on this panel. I added a bit of pencil colouring to the pumpkins and some little leaves along side them.
This card was inspired by @jenny_illustrations a watercolour artist I follow on instagram. She painted her scene but I used a selection of Darkroom Door stamps and some wet into wet techniques.
I worked on a panel of hot pressed watercolour paper splattered with liquid frisket. I wasn’t necessarily wanting the look of snow, more the interest or vintage look of little dots over the panel. It could be snow, an early snow or a first snow but that is not something I am thinking about right now. Not for a minute am I wishing summer away, I would never do that. Summer is definitely my favourite season and it is still officially summer for another 18 days!
But back to the card. I taped it down to my glass mat which I also used as a palette where I squished my distress inks to provide me with ink to paint with. I spritzed the whole panel with water then painted weathered wood and faded jeans distress ink in the sky then tea dye and gathered twigs distress ink in the foreground. It was not meant to be gathered twigs; the lid said ‘fossilized amber’! The lid was wrong but the colour, surprisingly worked maybe even better than amber would have giving me a gradation from light to dark brown.
While the whole panel was wet I stamped the large mountain stamp from DD ‘majestic mountains’ in faded jeans ink then, after a pause, the small trees from the same set in ‘hickory smoke’ then. after a longer pause, in ‘black soot’ ink. I used a small floral stamp from DD ‘wildflowers vol 1’ to stamp and restamp flowers in the foreground, first in ‘tea dye’ then in ‘gathered twigs’. I dried the panel rather than wait and finished it off with tea dye and gathered twigs splatter.
I was pleased to see my taping sealed the edges well resulting in no leaks. I am trying a different painter’s tape so it scored points on this project. I’m not sure why but this panel needed to be a side fold card. It has a little sentiment from DD ‘nature walk’ that says ‘ walk through the wildflowers’; you might not be able to read it but the recipient will.
I’ve done very few scenic cards lately so I enjoyed the process and result. I am pondering my next online class… scenic cards or Christmas cards? Feel free to weigh in with your thoughts.
I am happy to have a stamped and painted scene to share today. I often create scenic cards and panels in winter but I used liquid frisket on this panel to create a summer vista seen through a frame of birches. I teamed up with Grafix , used their liquid frisket kit and filmed the process.
With a technique like this it would be easy to make a card for any season. The birches could frame a snow scene, autumn foliage or even some mountains in the distance.
Painting the sky was fun, you can see in the video I painted the whole sky area in blue then added all the clouds by dabbing colour away with a kleenex tissue.
You can see in the video I stamped the house and trees with archival ink first then built up colour, depth and shadow with distress inks for the watercolour look. Because the Dr Ph Martin inks used on the sky are permanent once dry I was able to stamp and blend over the house and trees without affecting the sky at all and of course over the masked trees too.
I haven’t done scenic stamping for a while so ‘beloved view’ from Penny Black called out to me. I decided to stamp it two ways, that way you can see the versatility and I will have two more birthday cards. To begin I smooshed some mermaid lagoon and weathered wood distress inks on a glass mat, diluted the ink with water then swiped the watercolour paper through the inks to create the look of a cloudy sky. I dried the panel then put it in a stamp positioner so I could build up the scene a colour at a time. First I inked the fence in gathered twigs and ground espresso distress inks then, after stamping, blended the browns with a brush and water. Next I inked the foliage of the tree in peeled paint and forest moss inks, spritzed and stamped. I let that dry a little then used a brown marker to ink some of the branches before stamping again. For the foreground foliage I used a mix of pine needles distress ink along with peeled paint. I did a bit more blending with a paint brush then dried the whole panel.
I switched to blending brushes to add the rest of the detail including brown ink along the lower edge and mermaid lagoon around the edge of the sky. I added two hills by blending over the edge of a torn post it note first in weathered wood ink then on the right with hickory smoke ink.
The sentiment is from PB ‘special sentiments’ and is stamped in versafine vintage sepia ink. Now I’m sure this never happens to you but as I was stamping the sentiment a second time I got it slightly off set. Several unappealing fixes popped into my head but I decided to keep stamping the sentiment so with extra ink the two ‘prints’ would join together. This would not have been totally successful if I had left them only stamped but once I embossed with clear powder the text no longer appeared to be a double image! Phew, crisis averted.
On my second card I created an abstract background first then, once dry, I stamped ‘beloved view’ over the top in versafine clair nocturne ink to create a silhouette,
The ‘impressionistic’ background was painted with distress stains, salty ocean, chipped sapphire, vintage photo and peeled paint. I spritzed water and painted them without trying to create a scene other than keeping the brown stain in vertical strips a bit like trees. Once I had the background covered I sprinkled salt over the wet panel to add some texture.
Once the salt dried I rubbed it off and did the silhouette stamping. The paper is hot pressed watercolour so it has a little texture; to get a solid image of the foreground scene I had to stamp several times in black and the stamp positioner made that possible. The sentiment from PB ‘heartfelt’ is also stamped in nocturne ink. I trimmed the panel so the card base would create a very narrow frame all around.
My stash is always a little short on masculine cards so these two are sure to come in handy. And by the way, my cards are now for sale in two Ottawa locations, A Curated Nest on Wellington Street and Crop A While on St Joseph Boulevard. Thanks for dropping by today
This peaceful scene from Penny Black is called snow blanket and such scenery will be welcome in a month and a half but right now my back yard could aptly be named leaf blanket! I mowed less than a quarter of the leaves yesterday before the rain set in. The leaves have been incredibly vibrant this year; every where I’ve turned has been a treat for the eyes.
As you can imagine the stamp positioner was my friend for this scene, I worked on the tree first, then the fence and finally the background trees. I inked only the large tree to start with; I used a versafine clair nocturne ink for the centre and finished off the extremities with an embossing marker. I embossed in black powder then put the panel back in the corner of the stamp positioner so it would line up again for the rest of the inking. I stamped the whole scene with stormy sky ink so I could see all the elements and add colours over the top. With the tree complete it was time to add a mask for the moon; I used frisket film which is waterproof then I painted the whole sky in stormy sky, weathered wood and chipped sapphire distress stains. Once that was dry I used ground espresso and black soot distress markers to stamp the fence and the same colour inks on my glass mat to paint over the stamping to get solid coverage and blended colour. Painting blue shadows over the snow was a little tricky but the stamped image has lines to show piles of snow on the fence so I used them as my guide and left the snow untouched. Finally I stamped the background trees in forest moss ink.
I decided against a sentiment but can add one on the inside if needed. I’ll be back tomorrow to chat about another Christmas tradition. Thanks for dropping by.
If you are new around here you might not know that I love tree stamps, tree scenes and wintry tree scenes in particular. ‘You can never have too many tree stamps’ are words I live by! So it will come as no surprise to see four different but similar tree cards today. All four are on hot pressed watercolour paper and all had masking fluid splattered on the panels before I began.
To create these first two cards I used the same method, stamping first, spritzing with water second. I stamped the PB ‘winter tree’ stamp in chipped saphpire, shabby shutters and pine needles distress inks then spritzed water generously over the panel so the colours bled into each other. Any where the ink and water was pooling too much I dabbed away with a paper towel. Once the panel was dry I stamped PB fragile branches around the edges to so it appeared that we were looking through to a clearing.
I used the same method for this card but used iced spruce, stormy sky and forest moss distress ink before spritzing with water. After the panel had dried a little but not totally I stamped a foreground tree in forest moss (or maybe a different ink, I’m not sure). After the panel was completely dry I added the fragile branches in black archival ink and in a stamp positioner so I could stamp a few times for a bold impression.
For these last two cards I used the same stamps but switched to a magic ink! Yes, it’s truly a magic ink; on the two cards below I used only one ink (other than the black for sentiment and fragile branches.) The dark green, pale blue, olive green and brown tones all come from the magic ‘northern pine’ memento ink from Tsukineko.
On the panel above I stamped the trees repeatedly in northern pine getting first, second and third generation images then I spritzed the panel so the ink would separate and bleed into the rest of the panel.
On the panel below I wet the panel first and then stamped the trees in northern pine memento ink. The result is blurrier images but beautiful blends of green, brown and blue.
Once the panel above was dry I stamped the tree again in northern pine ink in the right hand corner. One ink, one magic ink!
Once all the panels were totally dry I rubbed off the masking fluid to reveal the snow falling, you can use your fingers or an adhesive eraser. I added the sentiments from PB sets (linked below) in black archival ink.
Thanks for dropping by; make sure you come back tomorrow to see what the Foiled Fox and I have dreamed up for you.