Wanderlust is the perfect name for this stamp; I would love to be walking down that lane in Provence! I have a friend with a house in Provence so I am curious to hear whether if I’ve managed to capture the look. To create this lavender themed panel I started by painting the watercolour paper in pale distress stains. I wet the whole panel then painted the bottom half in mustard seed stain. I was way too heavy handed and the result was bright yellow! I quickly whisked the panel to the sink and rinsed it off which resulted the pale yellow you see in the centre of the road. With the panel still wet I painted the sky area in broken china distress stain. I dried the panel and placed it in a stamp positioner to do all the stamping. There was a certain amount of back and forth with my stamping, blending, over-stamping etc but I will try and give you the gist of it. All the stamping is done with oxide inks on this panel so I would have more of an oil or acrylic painting look (something like this beauty by Maria Bertan). I stamped the trees and roadside grasses in peeled paint and forest moss distress oxide ink, wiping off the tips of the grasses on the right hand corner so I could ink with dusty concord oxide ink.
As I built up colour on the trees it was sometimes easiest to ink a large area with the oxide ink then wipe ink off the stamp where I didn’t want that colour. I also pressed the oxide ink pads down on my glass mat so I could pick up colour with a paint brush and apply it to the panel that way. As oxide inks are part dye ink and part pigment I was able to clear emboss over the stamping part way through the process to ‘lock’ in the colour on the foreground trees, grass and background trees. The ‘lavender field’ area is blank when stamped so I painted the rows of lavender with dusty concord and some spots of peeled paint oxide ink, the far fields in crushed olive and the road edges in diluted vintage photo. I loved the pops of purple so much I brought them into my second version also but not in the same way.
The second card is a looser watercolour look done with no oxides just the original distress inks and markers. I stamped the trees and grasses with forest moss, peeled paint and candied apple (roadside poppies). I was able to get some variety on the trees and grass by blending with a paint brush and re-stamping over the top.
The adjacent field is painted in wild honey distress ink then there is a dusty concord field further back. To get the blended effect I also spritzed my stamp not the panel so water was transferred from the stamp to the paper in certain areas not over the whole scene. While the inks were still damp I painted a tumbled glass and dusty concord sky around the tree tops and down to the hill edges. Some of the green ink bled into the sky but not too much. Finally I painted the road with vintage photo distress ink.
Have you been to Provence? Does it look a bit like this? Or, like me, do you want to go there now?
I have been creating with the new ‘Lake Wanaka‘ stamp from Darkroom Door. When I first saw this stamp I searched ‘Lake Wanaka tree’ and up came a range of inspiring images. Then I waited for the stamp to arrive so I could try to recreate some of the seasonal shots of this lake and tree in New Zealand.
For this first summer scene I worked with a hot pressed watercolour panel in my stamp positioner because I knew I was going to add inks step by step. I started by inking the lower (lake) portion of the stamp with stormy sky distress ink and the top portion of the stamp with tea dye distress ink. Next I worked with forest moss marker and ground espresso distress markers to add colour to the tree. This took a little while as the tree is made up of fine detail so I was only transferring a little ink at a time. Once the tree was defined I painted the lake with stormy sky and weathered wood ink. (smooshed onto my glass mat – I know you’ve probably got that step by now!) I switched to earth tones to paint the mountains and followed some of the definition of the stamp with rusty hinge, frayed burlap, vintage photo and tea dye inks. I painted a little stand of trees in the left corner with forest moss ink and added some reflections in the water. Once the mountains were dry I painted the sky with weathered wood, stormy sky and faded jeans ink.
For the sunset look below I used did less painting and worked with a base of one colour ink. I used faded jeans archival ink to stamp the whole image then painted more faded jeans distress ink into the shadows of the mountains, black soot ink over the foreground hills and faded jeans and spun sugar inks over the lake.
I used forest moss and ground espresso markers to ink the tree and stamp over the initial print and painted over the trunk also with ground espresso ink to make it bolder against the background. The sky is a mix of worn lipstick and spun sugar inks.
I decided to make a co-ordinating background panel by painting some worn lipstick, spun sugar and faded jeans distress stains onto my glass mat then swiping a piece of watercolour paper through it. I popped my stamped panel up on some dimensional tape.
My autumn Lake Wanaka panel features the main tree and stand of trees in fossilized amber ink. I inked most of the stamp with a stormy sky marker but avoided the tree so I could use a fossilized amber marker to ink the foliage. I wanted to leave snow on the mountain tops so I did very little to that area but painted stormy sky and chipped sapphire shadows further down the mountains. Once again I painted the foothills in black soot ink. I used diluted stormy sky ink for the lake and chipped sapphire for a bold sky. When I was stamping the tree I spritzed the stamp to help the fossilized amber ink spread further.
I finished the card off with white and navy mats and a little sentiment strip. I think you can probably guess why the sentiment is positioned right there. You’ve done the same I’m sure to cover a little bit that didn’t go the way you wanted it to!
Thank you for joining me today. I hope to be back before too long with more Lake Wanaka interpretations. Make sure you visit the Darkroom Door blog to see other creations featuring this stamp.
I have a few wintry landscapes to share today featuring stamps from the beautiful new ‘majestic mountains‘ set by Darkroom Door. This set includes three mountains, six sentiments (not featured on these cards) and – happy sigh – four trees! You can find step by step instructions on the Darkroom Door blog. I usually list all the ingredients at the end of the post but today I have included links throughout my descriptions.
On the card above I first splattered masking fluid over cold pressed watercolour paper and let it dry. I placed a torn post-it note mask across the panel then stamped the mountain several times in weathered wood distress ink so the base of the stamp overlapped the post-it. I painted the sky in dusty concord and tumbled glass distress stains then added a small amount of mustard seed stain close to mountain edges. I dried the panel then placed another torn post it note across below the base of the mountains.This was so I could stamp the trees in chipped sapphire distress ink but not have all the trunks showing. Because I was working on cold pressed watercolour paper the tree images were not solid so I used water to blend the ink. I dried the trees then painted a line of weathered wood distress stain along base of trees to create a snow bank and some shadows in the foreground. I removed the masking fluid and added a sentiment from the new Yuletide Greetings Stamp Set in chipped sapphire ink.
For this second card I once again splattered masking fluid but over hot pressed watercolour paper. Instead of using a post it note I partially inked the mountain stamp in weathered wood distress stain so the bases of the mountains were uneven, then stamped across the lower half of the wide panel. I picked a small tree and stamped repeatedly in front of the mountains in memento olive grove ink including second generation stamping to fill the space. Then I switched to large trees in olive grove ink overlapping some of the small trees.
I painted the sky in stormy sky distress stain taking care to paint to the edge of mountains and tree tops then dried it completely. I removed the masking fluid and chose another sentiment from the Yuletide Greetings to stamp in versafine olympia green ink.
On my last card I wanted a big winter moon so I cut a circle mask from frisket film and attach to a hot pressed watercolour panel then splattered masking fluid over the panel. I painted water over whole panel then added some stormy sky distress stain keeping the colour darkest in the top half. While panel was still damp I stamped a large tree in memento northern pine ink repeatedly using first and second generation stamping for dark and lighter images. I removed the moon mask and stamped one more tree to overlap the moon. I dried the panel completely then removed the masking fluid. I used another sentiment from the Yuletide Greetings Stamp Set in versafine olympia green ink.
This is going to be another of those lovely year round sets but I think it will be all wintry scenes from me for a while. I love having new trees to play with and those mountain stamps make it easy to fill in a simple background. Even though it is still October it has been snowing for the last 24 hours! It’s not going to stay though, definitely not!
Stamps: majestic mountains, yuletide greetings (Darkroom Door)
The rest of the supplies are linked throughout the post. I use affiliate links to the Foiled Fox online store. For no additional cost to you I receive a small commission when you use my links to shop at the Foiled Fox
My vintage snowy scenes continue with this new Penny Black stamp ‘winter solace’. I kept it simple once again with vintage photo ink plus some black for shadows and some blue for the sky. The technique is similar to the one I shared in my recent video but because this is a more solid stamp it is necessary to blend the ink more carefully so as not to obscure the details in the stamp. I stamped in vintage photo distress ink on cold pressed watercolour paper.
Rather than use watercolour pencils to add extra colour, I pressed black soot, vintage photo and broken china onto my glass mat to use as needed.
When blending the vintage photo ink I dabbed with a damp paintbrush instead of blending. I didn’t want the ink to cover the walls of the church uniformly, instead I left areas white and added black for shadows wherever I thought there would be some.
I added black under the eaves, under the windows and on the corners.
I used a pencil to lightly draw a roof line to give me a guide for painting blue sky. I painted right up to the pencil line and edges of building with water then added broken china ink to fill sky. I dabbed the blue ink around the edges of the trees with the point of the brush.
I blended water over the stamped sections of trees taking care to leave the white areas to look like snow.
To add some snowbanks to the foreground I painted a few lines of vintage photo ink with a fine tip brush then blended them with water.
To complete the card I added a sentiment from the new ‘Christmas sentiments’ set.
I’m looking forward to trying some other looks and colour schemes with this stamp.
I’m continuing to feature stamps from the new Penny Black release. Today I have the second of my vintage style watercolours, this one stamped with a large clear stamp from the transparent set, Snowy Cottage. You can watch the video I posted yesterday to see the technique and refer to the step by step photos below to understand my process.
I used a stamp positioning tool to make sure the detailed stamp was fully printed on my hot pressed watercolour panel. I used vintage photo distress ink but other brown distress inks can give a similar vintage appearance.
I began by using a damp brush to blend the stamped ink over all the stonework of the cottage and wall. I picked up a bit of black off a watercolour pencil to add to any shaded areas.
Next I added red to the door and blue to all the windows, again picking up colour from the tips of my watercolour pencils.
I used a darker blue to fill the sky with colour, painting first with water around the edges of the trees and roof then adding blue to the damp area so it would blend and move to fill the sky. While the sky was wet I picked up vintage photo ink on the paint brush and dropped it into the sky above the chimney.
I also blended the areas adjacent to the snow to create contrast from snow banks to shadow. I picked up colour from a green pencil to add to all the trees, taking care to leave some areas white in each tree.
Finally I used a vintage photo distress marker to redraw the lattice on the windows.
To complete the card I trimmed the panel then matted it with brown cardstock and added it to a natural white card base.
I hope you enjoyed my second vintage style scene, I’ll be back tomorrow with another.
Stamps: Tranquil Hamlet
Ink: vintage photo distress ink
Paper: hot pressed watercolour paper, brown cardstock
Pencils: Faber Castell Albrecht Dürer Watercolour pencils
Tools: MISTI, Cutterpillar Glow premium
You’ve probably heard by now there is a new Penny Black release in town! Two actually, a big beautiful Christmas release and a fun fall release. The catalogues can be viewed here. I’ll be featuring vintage style snowy scenes all week here on the blog even though the sun is shining and the grass is green outside!
This lovely stamp called ‘Tranquil Hamlet’ is stamped in vintage photo ink and coloured with Faber Castell Albrecht Dürer watercolour pencils on hot pressed watercolour paper. Watch the video to see how
Thanks for dropping by; I’ll be back tomorrow with another snowy scene.
Stamps: Tranquil Hamlet
Ink: vintage photo distress ink
Paper: hot pressed watercolour paper
Pencils: Faber Castell Albrecht Dürer Watercolour pencils (199, 159, 154, 151, 126)
Tools: stamping platform
It’s taking me a while to get back into gear here on the blog but I have been busy planning my next class. Living as I do surrounded by winter beauty I often look a the sky or the landscape and wonder how I can turn it into a card. This is one such attempt. I looked at the sky one afternoon, because the sun sets in the afternoon around here, there is no waiting for evening! There was a pale pink glow above the horizon, a little blue then grey reaching up. I was managing to create some subtlety with this scene right up until the brusho shook out of the bottle rather more generously than intended! No matter, a lot of water and paper towel calmed things down again.
I started with a panel of hot pressed watercolour paper splattered with masking fluid. I painted some water across the panel where the horizon would be then sprinkled a little ost. red brusho above and blended it in with a paintbrush. Next I added grey brusho and blended that to fill the sky and finally some ost. blue brusho for some blue tones. I kept adding, blending and diluting until I was happy with the soft gradation of colour. While the sky was still damp I pressed just the small tree part of a landscape stamp out of the PB peaceful winter set repeatedly across the horizon inked with memento London fog ink.
I used the stamping platform to stamp and restamp the trees on the right from the PB snowy village set in black soot distress ink. As distress ink is water soluble I was able to paint over the stamping with water to make the image bolder and darker. I added a little blue brusho as I painted to give the tree some light and shadow. I dried the panel before painting another line of water, this time across the panel in line with the base of the tree trunk. Again I added the same brusho colours but got a bit more blue than I’d bargained for.
After drying that section I stamped just the left hand trees from the PB dressed in snow stamp again in black soot ink. I used a paintbrush to darken the stamped image and extend the trees a little more on the right. To finish I rubbed off the masking fluid and mounted the panel onto a white card base. All the supplies are linked below. I hope you have had a great week.