As I’ve said before, you can never have too many tree stamps! This one is a beauty from Penny Black. I used three green inks plus a spritz of water on the stamp; you can’t see all the detail in the trees but the mix of solid and delicate lines makes for a lot of texture. I used forest moss, pine needles, evergreen bough distress inks stamped onto cold pressed watercolour paper which I had splattered masking fluid on earlier.
After stamping the trees I painted the sky in chipped sapphire and stormy sky stains. I painted in amongst the trees so there is some green bleeding into the blue sky. I don’t let that bother me; it adds to the loose artsy feel.
Once the panel was dry I removed the masking fluid to reveal dots of snow and added a sentiment in versafine ink.
I am thankful you stopped by today.
Stamps: pine forest 40-638(PB), Christmas sentiments 30-504(PB)
Inks: forest moss, pine needles, evergreen bough distress inks & chipped sapphire, stormy sky distress stains & Olympia green versafine ink
Paper: cold pressed watercolour paper
Also: masking fluid
In creating this card I didn’t quite follow the directions properly for a turnabout stamp. I didn’t attach my piece of watercolour paper to a 6’x6″ square of cardstock but my piece was close to 6″ so it wasn’t a waste of paper. (It is worthwhile to watch one of the Concord & 9th videos explaining how the turnabout stamps work. You know, if all else fails read the instructions, ha!) I also chose not to ink all the leaves on the turnabout stamp so as to feature the line images more than the solid ones. I inked the line images in versamark, stamped, rotated the watercolour panel and repeated. Once I had oriented the panel in all four directions I embossed all the line leaves in gold powder. I also inked some of the small leaves in forest moss distress ink. I used distress inks pressed onto my glass mat as paint to fill in all the embossed leaves.
As I hadn’t stamped all the images on the turnabout stamp I had a bit of space between leaves so I loosely painted antique linen distress stain around the leaves. I stamped one of the sentiments included in the set on a square of hot pressed watercolour paper, painted some antique linen around it and dragged the edges across a rusty hinge distress ink pad to frame the panel.
Rusty hinge is my current fave distress ink colour. I have been through a few favourites which remain in my top ten. Chipped sapphire is a long time favourite; it is deep blue after all. Spiced marmalade changed my mind about orange; I used to pick it last. Stormy sky is such a beautiful grey blue and gets along with all the colours. Forest moss tends to be the colour of all my leaves; I have to remind myself that leaves come in light green and bright green too. Seedless preserves is the prettiest deep pink around, dark or diluted it’s a winner. What are your favourite ink colours? Let me know; I might have to add to my collection.
I’m so thankful you dropped in today; take care.
Stamps: thankful leaves turnabout stamps
Inks: forest moss, dried marigold, rusty hinge distress inks, versamark
Stain: antique linen distress stain
Paper: hot pressed watercolour, neenah natural white
Tools: cutterpillar glass mat, misti stamping positioner
Also: gold embossing powder, Ken Oliver gold liquid metal
Thank you to all who joined in last week and shared what they are thankful for. It was a privilege to read your comments and to know so many of you are grateful for family, friends, our faithful God, health, safety and the joy of this hobby we share. The Foiled Fox and I are leaving the comments open on our posts from last week so you can still share what you are thankful for and be entered in the giveaway.
I posted a card made with this stamp a week or so back but have quite a different look on today’s card. The stamp is flipped around and stamped in versafine clair nocturne on hot pressed watercolour paper. I painted with brusho paints and used only three colours: rose red, gamboge and olive green. The brown leaf is a mix of olive green and rose red. The blue background is painted with stormy sky distress stain.
I matted the panel in navy and attached it to a white card base.
Stamps: grateful for everything, kindhearted (C&9th)
Inks: versafine clair nocturne & stormy sky distress stain
Paint: brusho rose red, gamboge, olive green
Paper: hot pressed watercolour paper, navy cardstock, neenah natural white
This simple card utilises only two stamps and three inks but I think it manages to convey an impression of a big winter sky. I splattered masking fluid on hot pressed watercolour paper then, after it had dried I sprayed water, stormy sky and forest moss stains over the panel. I did it fairly randomly but tilted the paper to keep one corner pale while the rest of the panel filled with colour.
When the sky was partially dry I stamped the trees with forest moss distress ink. With the trees in place I added more drops of stormy sky stain and scattered straw stain while tilting the panel upside down to make the colours bleed up into the sky like the northern lights. I blended forest moss stain into the stamped trees then let the panel dry before removing the masking fluid.
I trimmed the panel to cover the whole card front and added a sentiment from the PB ‘Christmas and love’ set. I had forgotten how much I like the look of masking fluid splatter. I use it more as snow in wintry scenes than anything else but it adds a little something to other designs also. Now I want to go and splatter masking fluid on all my watercolour paper…
Stamps: peaceful 30-511(PB), Christmas and love 30-508(PB)
Inks: forest moss distress stain, stormy sky distress stain, scattered straw distress stain olympia green versafine
Paper: hot pressed watercolour
Also: masking fluid
Thank you for the lovely comments you left on my previous post, also featuring the grevillea stamps. I love hearing from you and was very touched by your sweet words about me and my dad.
I’m sharing cards over on the Darkroom Door blog today. If you haven’t visited there you should; there is a collection of amazing artists who share their creations there. I have a couple of grevillea cards to share with you today. One of them not too realistic in colour but still bright and bold like the real thing. I stamped the grevillea in versamark twice and the foliage twice then embossed in silver embossing powder on hot pressed watercolour paper. I sprinkled brilliant red brusho around the flower heads and prussian blue brusho round the perimeter of the panel, spritzed with water and let the brusho activate before adding any more. I then played around with adding more water and tilting to make paint move. I also used a brush to pick up wet paint from panel to move it to an empty area then let it dry.
For a background I stamped mesh textures stamp four times on white card base with versamark ink (you could use mesh background stamp if you have it to fill card base) and embossed in silver. I stamped a sentiment from happy birthday sentiment strip in versamark on red cardstock and embossed it with silver powder. To complete the card I matted the grevillea panel with red cardstock and attached it to the card base.
For this more realistic colour scheme I painted a circle in wild honey distress stain on cold pressed watercolour paper and let it dry. Then I painted scattered straw distress stain over whole panel and let that dry. I inked the large grevillea flower in wild honey, ripe persimmon, spiced marmalade and forest moss distress stains, spritzed stamp then stamped on the watercolour panel. I repeated by spritzing the stamp to get a paler impression then followed the same procedure to fill the base of the panel with flowers. I inked the foliage stamp with forest moss distress ink, stamped and restamped for bold and paler images.
To finish I stamped a sentiment from ‘happy birthday’ set in rusty hinge distress ink then trimmed and attached the panel to natural white card base.
Stamps: grevilleas, happy birthday, mesh textures (DD)
Card 1 Inks: versamark
Card 2 Inks: wild honey, scattered straw, ripe persimmon, spiced marmalade, forest moss distress stains, rusty hinge distress ink
Paint: brilliant red, prussian blue brusho
Paper: hot pressed watercolour paper, neenah natural white cardstock, neenah solar white, red cardstock
Also: stamping platform, silver embossing powder
There is plenty of texture on today’s card, more than most of my projects. The pretty shimmer which is only just apparent in the photos is from Nuvo pure platinum embellishment mousse. I pressed it through the Darkroom Door mesh stencil onto watercolour paper. Once the mousse had dried I added distress stains over the mousse. It soaked into the paper but was easily polished off the mousse.
To create the butterfly panel I stamped with the same colour inks as previously used stains. After stamping the butterflies in one colour I blended with water and added drops of another colour to make them all all two tone. You can also see some dots of blue because I love a little splatter here and there.
I completed the card with a sentiment, some silver cord and co-ordinating blue mats.
Stamps: Butterflies, Thank you
Stencil: Small stencil mesh (DD)
Inks: spiced marmalade, festive berries, stormy sky distress inks
Stains: spiced marmalade, festive berries, stormy sky distress stains
Also: nuvo embellishment mousse, silver cord
I have a second grevillea card today featuring another of the flowers from the Darkroom Door ‘grevilleas’ set. (you can see my first one here) There are many different shapes, sizes and colours of grevilleas; this one I coloured to look like the ‘coastal sunset grevillea’. To get my background grevilleas I stamped ‘wet into wet’. I painted water over a piece of cold pressed watercolour paper, inked my stamps with distress stains and stamped onto the wet panel. The ink immediately bled into the surrounding area giving me a loose watery image. I blotted the panel with paper towel to stop the ink from moving too much and to soften the depth of colour. I painted a little blue stain around the edges.
I wanted the foreground images to be sharper so I dried the panel with a heat tool. In order to keep the tips of the grevillea yellow and the rest of the styles red, I stamped first in yellow then in red but I wiped red stain off the ends. I used one of the foliage stamps and inked it with two greens for a more realistic look. I spritzed ever so slightly to make the inks blend a little but not so much as to loose the definition in the detailed stamp.
Once my panel was complete, stamped with one sentiment from the new ‘happy birthday’ strip, I cut across the panel to separate the piece containing the sentiment so I could pop it up on a piece of foam.
Stamps: grevilleas, happy birthday (DD)
Inks: mowed lawn, peeled paint, scattered straw, festive berries, tumbled glass distress stains, nocturne versafine clair
Paper: hot pressed watercolour paper, neenah natural white cardstock
Also: adhesive backed foam