Today’s card features the ‘title stamp’ (like title track) from the new Penny Black release.This big bold rose stamp, ‘Timeless‘, is such a versatile one. I used blended distress stain for my card but it will be great for embossing, no-line colouring and pencil colouring as well.
I used my stamp positioner so I could work with a few colours at a time but it would work without a positioner. I inked the top petals in festive berries distress stain, stamped on cold pressed watercolour paper then inked the lower petals with dusty concord stain and stamped again. If you still have the daubers you can ink direct to stamp but if you have the sprays you need to paint some stain on your stamp for this technique. You could use inks or markers but I like how wet the stamped image is when I use stain. I am able to use a brush and water immediately to blend the stain to fill the petals. You can see on some of the petals I added extra stain for shadow and depth
I stamped the leaves in two green stains and blended them also. I finished the panel off with a cool new sentiment then added a frame cut with the new ‘square frames‘ dies. I have kept my dies joined together so I will get both the decorative frames and the plain frames when I run it through the machine. It does mean that I get several frames each time I use it but that’s ok; I’m keeping them in reserve.
Blue flowers might just be my favourite, so of course I chose blue for some of the new flower stamps from Penny Black. My first card features the ‘Together‘ stamp which is lovely and reminds me of the agapanthus my parents often grew in their flower gardens.
Both of today’s cards were made with distress stains either painted on or applied straight from the dauber.
I start by painting the lightest stain onto the stamp then stamping. I clean the stamp and add another colour and stamp again. To protect a detailed area like a flower centre I wipe the ink off the stamp in that spot so I can use ink or marker later. When the image has all been stamped I blend petals and leaves with a paint brush and water. For both blue floral cards I splattered some stain over the panel to complete the design then stamped a sentiment on a banner in a co-ordinating colored ink. Both sentiments are from the delightful new ‘grateful sentiments‘ set
This large blue flower stamp is called ‘Radiant‘. For this card I started by wetting the watercolor panel so when I stamped on it with milled lavender and crushed olive distress inks I would get a diluted abstract print. I dried the panel before putting it in the stamp positioner to work on the bold print. For the bold stamping I used shaded lilac, blueprint sketch, dusty concord, crushed olive and scattered straw stains. Once the stain was dry I drew the centre of the flower with a black marker.
People often ask me if distress re-inkers can be used to create the same effects as the stains. I don’t own any re-inkers so I can’t tell you. I think it is probably time I got a few and did some comparisons. Stay tuned.
I am trialing a new supply linking system right now which looks and operates a little differently from what I was using. If you click on any of the supplies pictured below you will be taken to a complete list image where another click will take you to the Foiled Fox store. Buying through my affiliate links to the Foiled Fox store does not cost you any extra but earns me a commission. Please let me know if you have any thoughts or concerns with the new system. It is a trial and I am interested to know what you think.
Thanks for dropping by today.
Penny Black has a new release; you probably saw some sneak peeks on the PB social media or maybe you saw this card as a peek on my instagram. The new release is called ‘Timeless‘ and it is full of spring and summer loveliness. To celebrate Penny Black is hosting a giveaway.
Isn’t this a cute stamp? Blooming boots! I guess boots could work as a vase if they were waterproof. I used distress stains to stamp this happy colour scheme but you could use any water soluble ink that blends well after stamping. I inked the tulips with mustard seed and spiced marmalade distress stains. Now that the daubers are discontinued I paint stain onto the stamp with a brush. After stamping the tulips I wiped the stamp and inked the leaves with mowed lawn stain. While the stamped stain was still damp I blended it with a brush and water then dried the panel.
I painted black soot stain onto the boot part of the stamp then stamped and blended to fill the boots. By drying the rest of the stamping first I prevented the black stain from bleeding into the flowers and leaves. I used the new die set ‘square frames’ to cut a green frame. As my dies are not divided up they cut not only the decorative frames but also plain rectangles and that is what I used here. I finished the card with a sentiment from the super-useful new set ‘grateful sentiments’ in black versafine ink.
I am currently enjoying not tulips but a giant amaryllis; it is 80cm tall and each one of the five flowers measures 20cm across. It is huge and beautiful!
I am excited to feature some new stamps from Darkroom Door today. The tall flowers are from the new ‘Tall Flowers’ set and the background flowers are from the delightful ‘Nature Walk’ set. I am a guest over on the Darkroom Door blog today, if you haven’t visited you definitely should check out all the inspiration shared there.
My first card features a cold pressed watercolour panel filled with one of the stamps from ‘nature walk’ set inked in iced spruce and stormy sky distress inks. I diluted the ink with a spritz of water and stamped first, second and third generation impressions. Over the top I stamped the tall daisy from ‘tall flowers’ four times with wilted violet, blueprint sketch and forest moss distress inks. Because the stems are long and thin I was able to orient them in different directions. I used a mask a couple of times to overlap the daisies. Once stamped I blended the colours with a paintbrush and water.
I used a similar process to create the orange toned daisy card but this time I did the background foliage after the foreground flowers by using stamped and cut out masks. The daisies are stamped in peeled paint and fossilized amber distress inks. I added extra colours one at a time with spiced marmalade marker, rusty hinge marker close to flower centre and finally ground espresso marker on the centre of the flower. I blended the inks with water then after it was dry stamped the centres again to add some texture back in. The background stamping is another stamp from the DD ‘nature walk’ set stamped with weathered wood and tea dye distress inks. I added some splatter because, well, why not!
On both the daisy cards I decided to add the sentiment on a vellum strip. I liked the floral scenes too much to stamp words over them so the vellum seemed like a subtle way to do it. The recipient could even snip the sentiment off and have a picture to display if they wanted to. For this tall thin panel I used the kraft card base to frame it on two sides.
The last card is a little different; I used the small flower from ‘tall flowers’ and some little leaves from ‘leaves’ set to make a wreath.
To guide my stamping I traced a circle onto my watercolour panel. I sponged fossilized amber distress ink around circle then erased the pencil line. With the sponging as a guide, I stamped the small flower heads from ‘Tall Flowers’ set round the circle in carved pumpkin ink, holding the stamp so only flower(not stem) was inked and stamped. I repeated the process with small leaves and ferns from ‘Leaves’ set in fossilized amber, peeled paint, forest moss and tea dye distress inks. You know I splattered forest moss ink over wreath because that’s what I do then matted the panel in orange cardstock, attached to a kraft card base and added a raffia bow.
I loved creating with these beautiful tall flower stamps and couldn’t help myself from using the ‘nature walk’ stamps again because they work so well together!
Stamps: tall flowers, nature walk, leaves
Inks: stormy sky, iced spruce, blueprint sketch, wilted violet, forest moss (purple flower card)
fossilized amber, peeled paint, weathered wood, tea dye & distress markers: spiced marmalade, rusty hinge, forest moss, ground espresso (orange flowers)
fossilized amber, peeled paint, carved pumpkin, forest moss, tea dye (flower wreath)
Papers: hot pressed watercolour, cold pressed watercolour, vellum, kraft
Also: stamp positioner, raffia
I really enjoy creating winter scenes and today’s card features stamps that lend themselves very well to scenic stamping. I used the PB ‘birches’ stamp and the boy from an older PB set, ‘spread cheer’. I began by embossing the large birch stamps on either side of a panel of hot pressed watercolour paper in versafine clair nocturne ink and clear powder. Next I splattered masking fluid over the panel to later look like snow.
I painted water across the panel from left to right skipping the tree trunks, added distress stains, faded jeans and barn door, then blended the colours to create a winter sky. I painted some diluted blue stain on the tree trunks for a bit of shadow then let everything dry. I stamped the boy and his dog in nocturne inks several times to get a very solid black image over the embossing and stain that was already on the panel. After the black ink dried I painted some shadow with the same stains used for the sky.
Once all the ink was dry I removed the masking fluid to reveal all the little dots of snow. I trimmed the panel to fit on a navy card base (although it looks black in the photos) and will add a white insert for writing my message inside.
Ever since I received this stamp way back when the weather was warm, I wanted to try it as a ‘white poinsettia’ rather than the traditional red. The first card I made with it was red and when I used it in my Christmas class we stamped it red but now as a Christmas thank you I’ve made it white, or to be precise a yellowish, greenish white! I am sharing it over on the Foiled Fox blog today also. Make sure you pop over there to see enjoy all the beautiful wintry cards they have shared lately. Scroll back to see three gorgeous poinsettia cards made by Shauna Todd posted during December.
To create my ‘white’ poinsettia I stamped the whole ‘Christmas Red’ stamp from Penny Black in shabby shutters distress ink on hot pressed watercolour paper (which I had splattered with masking fluid earlier). With the stamp in the MISTI I inked the outer leaves with mowed lawn distress ink and stamped again. Shabby shutters ink is a pale green to start with so when I diluted it by blending with water I was able to make it a little paler. I blended one petal at a time and dabbed it with a paper towel while it was wet to remove more colour. Before the petals dried I picked up some extra shabby shutters ink off my glass mat and added some shadow where the petals were overlapped by another. I blended the leaves with water also and when they were dry added some definition with a fine brush and mowed lawn ink. I stamped the centre with mowed lawn ink and added some gold with a wink of stella pen.
Once the flower was dry I painted around the edges with water then dropped in weathered wood distress stain and blended it to surround the whole image. I also dropped in some green ink here and there while the background painting was wet. When everything dried I removed the masking fluid and added clear wink of stella to all the petals to give them some shimmer. I stamped the ‘thank you’ from the PB ‘banner sentiments’ set in versafine clair shady lane ink. I am very happy to be making thank you cards as I have close to thirty donors to thank so far in my Dressember campaign raising money for the fight against human trafficking.
I am adding my pink and green poinsettia to the post just for interest and comparison. I used a similar process to the one described above but kept the background white as a base from some gold embossing. Thank you for dropping in today.
Stamps: Christmas Red, banner sentiments (PB)
Inks: shabby shutters ,mowed lawn distress inks, versafine clair shady lane ink
Stain: weathered wood distress stain
Paper: hot pressed watercolour paper, neenah natural white
Also: gold wink of stella, clear wink of stella, masking fluid
Tools: MISTI, glass mat
I pulled out the wonderful new trees from Darkroom Door’s ‘majestic mountains’ set to create today’s cards. I wanted to create two forest scenes, one on a crisp cold night, the other on a misty day. There are some similarities in the techniques and inks as well as differences which enabled me to create both looks. I began both times with cold pressed watercolour paper splattered with masking fluid. I like to have a few circles cut from frisket film on hand to mask a moon so I positioned one in the top right corner then tore a post-it note and positioned it diagonally across the panel. I stamped the two larger trees in versafine clair inks along the edge of the post-it mask so the trunks did not show and used one green for the largest tree and another green for the smaller.
Next I removed the post-it mask and painted water along the lower edge of the stamping and upwards to fill the sky. Then while the paper was wet I added weathered wood, faded jeans and old paper distress stains to fill the sky. Once I had the sky blended I used the post-it mask again as an edge to stamp more trees including one of the smaller ones from the ‘majestic mountains’ set. Again after removing the post-it mask I painted water and blended some of the three stains into the water to create shadows behind the trees and snowbanks. To finish it off I dried the panel, removed the frisket film and masking fluid then added a sentiment from the DD ‘pine cones’ set.
Although the colours and stamps are very similar I worked very much ‘wet into wet’ to create the second card. I painted water and diluted stain over most of the panel adding stripes of faded jeans, weathered wood and old paper. While it was wet I stamped the trees repeatedly with memento northern pine ink making first and second generation impressions to get dark foreground and lighter background images. Each time I inked the stamp I wiped ink off the trunk so it would not stamp, that way the trees all looked like they were in deep snow.
Believe it or not both panels started out the same size but a blot here and a mistake there meant this second one underwent some downsizing.
You might have noticed a stamped envelope in the first photo. I am going to try hard to stamp an envelope and my name on the back of the card as soon as I complete it. I have never been good at this but it makes a lot of sense to do it!
Stamps:majestic mountains, pine cones (Darkroom Door)
Inks: northern pine memento, shady lane & rain forest versafine clair
Stains: faded jeans, weathered wood, old paper
Paper: cold pressed watercolour paper, neenah natural white, dark green
Also: masking fluid, glass mat