I spent a delightful day learning how to use my gelli plate last week. I have had it for years and only used it once or twice so everything my friends showed me was new and exciting.
I was so happy with these feather prints, I couldn’t believe the detail using real feathers. If you want to see how it’s done check out this video on the gelli arts youtube channel.
I did a few with navy and shimmery gold paint as well as some with burgandy and gold. Half of them got sentiments but only small ones as I didn’t want to cover up the lovely detail. I had a MFT sentiment already stamped and die cut which matched the panel below. I haven’t listed or linked any of the paints because I don’t remember what brands I used or colour names. If I continue with my gelli plate (and I’m pretty sure I will!) I will let you know what paints I buy.
My favourite panel is the one at the top of the post which also has the texture of the new ‘diamonds’ stencil from Darkroom Door in the background. As I was learning and experimenting I used computer paper for most prints, not the weight of cardstock I would usually use for panels on my cards. To make sure I didn’t tear or buckle the panels with glue or narrow adhesive I covered the back of all the panels with double sided adhesive sheets.
These last two narrow panels were done on watercolour paper strips. I decided to add sentiments from the new Darkroom Door sentiment strip ‘Sympathy’
Have you used a gelli plate? I love to hear what your favourite techniques are.
I have mentioned before how beautiful these Darkroom Door ‘nature walk’ images are but have I mentioned how easy it is to create pretty cards with them. Each card today features just one image, stamped twice over a quick watercolour background.
I created the backgrounds with my glass mat and some distress inks. I squished the ink pads down on the mat side by side (three or four colours at a time), spritzed with water then swiped my hot pressed watercolour panel through the diluted ink a few times until there was good coverage on the panel. I dried the panel with a heat tool before sponging one or two of the distress inks through a section of stencil then added splots of water for some added texture. The panels were all different, all pretty and done within minutes.
I used the MISTI for stamping because the texture of the watercolour paper makes it necessary to stamp a few times to get a solid image. I used versafine clair nocturne ink which always gives me a crisp print. Once the ink was dry I splattered gold paint from the gansai tambi starry colours palette. The gold splatter might just be my favourite part of these cards; unfortunately it’s not very obvious in the photos.
To draw more attention to the gold splatter I matted with gold and stamped the sentiments either on gold cardstock or with embossed in gold powder. The sentiments are from Darkroom Door’s new sentiment strips. The sentiments are in list format and I have kept the stamp uncut. I stamp on a cardstock panel and cut out the sentiment I want. I now have a handy die set from the Foiled Fox which neatly cuts out the smaller fonts and I always love sentiments in small fonts! The set is called ‘simple sentiments’ and it has ten lengths of sentiment strip dies.
In putting together the cards I used one more happy new product. I am always searching for textured white cardstock. Today’s cards feature a linen texture with enough depth to be seen by the camera. It is in 8½ “x11” sheets so one sheet did four card fronts, no waste. This is the first time I’ve used it so there will be more testing to come with dies, inks etc but so far, so good.
Thanks for listening to me prattle on about this and that. I hope you are enjoying some ‘nature walks’ even if they are of the snowy variety! While we have been experiencing extreme cold followed by loads of snow, friends and family on the other side of the world are experiencing extreme heat and flooding!
Stamps: nature walk, (DD)
Stencils: mesh, boxes 12 up
Dies: Simple Sentiment (Avery Elle)
Distress inks: crushed olive, pine needles, blue print sketch, milled lavender, stormy sky, mermaid lagoon, wilted violet, worn lipstick
Inks: versamark, nocturne versafine clair,
Paint: gansai tambi starry colours
Paper: hot pressed watercolour paper, snowbound textured white cardstock, gold cardstock, neenah solar white
Also: Cutterpillar glass mat, MISTI, gold embossing powder
There is plenty of texture on today’s card, more than most of my projects. The pretty shimmer which is only just apparent in the photos is from Nuvo pure platinum embellishment mousse. I pressed it through the Darkroom Door mesh stencil onto watercolour paper. Once the mousse had dried I added distress stains over the mousse. It soaked into the paper but was easily polished off the mousse.
To create the butterfly panel I stamped with the same colour inks as previously used stains. After stamping the butterflies in one colour I blended with water and added drops of another colour to make them all all two tone. You can also see some dots of blue because I love a little splatter here and there.
I completed the card with a sentiment, some silver cord and co-ordinating blue mats.
Stamps: Butterflies, Thank you
Stencil: Small stencil mesh (DD)
Inks: spiced marmalade, festive berries, stormy sky distress inks
Stains: spiced marmalade, festive berries, stormy sky distress stains
Also: nuvo embellishment mousse, silver cord
Happy Australia Day! What better to feature on the blog than a card made with Australia’s own Darkroom Door designs. The fact is though, by the time I get out of bed on Australia Day the festivities over there are practically over. I am currently sixteen hours behind my family on the east coast of NSW!
I’ve been pairing stencils with a few different things lately. For today’s card I sponged through the Darkroom Door stencil, wildflowers, with black soot distress oxide ink. You can see the watermarks on the stenciled flowers, a chalky white effect particularly obvious with the oxide inks. But before I did that I began by sprinkling brusho over a panel of watercolour paper. I spritzed with water and let the patterns happen. Once that was dry I sponged the black soot oxide through the stencil then splattered some droplets of water on top. I dabbed them up fairly quickly to create the watermarks.
I cut a black mat to be a very narrow frame around the panel and added a black sentiment from the Darkroom Door Happy Birthday set.
Stamps: happy birthday
Paint: brusho paints sunburst lemon, leaf green, ost blue brusho
Ink: versafine onyx black, black soot distress oxide
Paper: hot pressed watercolour, solar white, epic black
Also: clear embossing powder
Darkroom Door has a wonderful range of stencils that co-ordinate with quite a few of their stamps. I used the ferns stencil to create a soft background for the fern stamps from the ‘leaves’ set. I used neenah natural white paper and sponged with the antique linen distress ink through the stencil. I did it three times to create a few soft background images.
Over the top I stamped both the large and small ferns from the leaves set in stazon ganache ink. I have been pulling out the stazon inks whenever I’m working with the fine details of some of the Darkroom Door stamps. Initially I bought the stazon inks to pair up with my alcohol ink backgrounds but they are very good for fine detail stamping.
Once I had stamped quite a few ferns in ganache ink I stamped one large fern and one small in versamark then embossed them in gold. The sentiment and ferns on the envelope are stamped in stazon ganache. I added a narrow dark brown mat and a wider brushed gold mat also and attached it all to a natural white card base.