Alcohol Ink Flowers – Video

Last week I posted a video showing my method for abstract alcohol ink backgrounds. This week’s video is less abstract. In it I show you how I created the purple flower in the card above. I’ve been experimenting with creating flowers and sometimes have more success than other times. I’ve included four cards in this post but there are several panels that I will probably wipe clean.Did you know you can wipe your yupo or craft plastic clean with rubbing alcohol? I don’t always get the panels back to pristine white but so close it doesn’t matter.

To create this rose I used only two alcohol inks, eggplant and gilded alloy along with plenty of isopropyl alcohol. You can see my process in the video below.

The next flower is on black craft plastic, messier and more experimental but a similar process of moving the inks towards the centre leaving rims of gilded and indigo ink as I went.

On the panel below I used Ranger flamingo and gilded alloy inks. The pattern is a bit lopsided but it’s definitely floralish. I added a gold mat and gold die cut from the PB set ‘celebrations’.

Have you tried alcohol ink flowers? Do you think you might?

Supplies

(Compensated affiliate links used when possible)


Moving Alcohol Inks with Air – Video

I’ve had the alcohol inks out recently and spent some time trying to get soft wavy patterns on craft plastic. I have seen several artists who do this technique beautifully but I am very much still a beginner with it. I have a few cards to share today along with a video showing my process for two of the panels. I worked on white craft plastic from Grafix which is heavyweight and totally opaque. For most of the panels featured today I used only two alcohol inks plus plenty of 99% rubbing alcohol; each panel was created with a metallic and a non-metallic ink.

This first panel was made with turquoise AI and gilded alloy AI; I love the range of blues when diluted with rubbing alcohol. The ‘for you’ Penny Black die cut is two layers of turquoise cardstock topped with one layer of pale gold.

This warm toned card was made with honeycomb AI and mined alloy AI then die cut with a WaffleFlower square nesting die. I used the WaffleFlower additional square dies to cut a larger copper square then added the PB ‘light as a feather’ die cut and a PB birthday sentiment embossed in Brutus Monroe penny embossing powder.

You can see the process for both cards above in the video below.

As I am working on alcohol ink panels I am evaluating my process and working out what I want to try next. I just bought a cheap lazy susan to work on the blown flowers and I’m pretty sure I don’t need to use as much coloured ink when I make the initial drops. You can be sure I will let you know what I discover.

I have a couple more cards made off camera using the same technique shown in the video. The card above features juniper AI and statue alloy AI with the PB ‘many thanks’ die cut from antique gold cardstock and stacked twice.

When this panel was finished it reminded me of photos of the artic and far north where the icebergs and glaciers are made up of beautiful shades of blue. It’s kind of a cross section perspective where we can see below and above the ice the bears are walking on. I did use two blue inks plus a silver for this one, ranger turquoise and stream with pinata silver. The bear die is ‘polar bears’ from Penny Black.

We’ve been watching Cecilia Blomdahl’s youtube channel about her life on Svalbard, an island off the north coast of Norway. She lives in the world’s northern most town. Polar bears are definitely around so you don’t wander outside the village without your weapon!

Supplies

(Compensated affiliate links used when possible)

Snowflake Skies – Video

I teamed up with Grafix to create a couple of snowy projects on their Duralar plastic films. The card you see on the left and below was inked on white craft plastic, also know as DuraBright white. It is totally opaque and has a bit of weight to it. For the votive wrap I used Dura-Lar matte film which is lighter weight and has a frosted transparent appearance which was what I wanted so the light from a votive would shine through.

I used stream and denim alcohol inks and felt to apply the inks to the plastic films. To create the snowflake patterns I die-cut a Penny Black snowflake from felt and stuck it to the wooden back from a old stamp. You can see the whole process in the video below.

I cut the Penny Black neighborhood border from Dura-Bright white for both the votive and the card.

You can see in the video and the photo above how the colours in the votive surround look different with a light inside; I guess it would depend too whether your battery votive candle was a white one or more of a yellow glow.

I’m really enjoying working with the Dura-bright white for alcohol ink projects and will be trying more techniques on the Dura-Lar matte in the future. If you are looking for the bright white remember it also goes by the name white craft plastic. Crop A While might have some and Deserres does carry it.

I’ve been working on a few different alcohol ink techniques so there will be more cards to share and another video next week.

Supplies

(Compensated affiliate links used when possible)

Cabin by the lake

I’ve been trying to make some smaller panels and one layer cards over the last few days as I still need quite a few cards so how exactly did this happen!? Not smaller and not quicker but definitely satisfying. I was thinking about some of the scenic cards released by Penny Black this year and wanted to combine them into new scenes. I made the left side of ‘quietude’ + ‘cosy cabin’ + 1/3 ‘tannenbaum trio’ = a cabin by a frozen lake.

I worked on hot pressed watercolour paper with masking fluid splattered on it and began by stamping the small trees and horizon from the quietude stamp in iced spruce, forest moss and chipped sapphire. I blended over the trees with a paint brush but came back to them later to do more. I stamped the cozy cabin stamp next, forest moss and chipped sapphire on the trees, hickory smoke and black soot on the cabin. I remembered to colour inside the windows with a mustard seed marker before I got carried away with blending this time so it looks cozy inside. To add more trees behind the house I made a cabin post-it mask then stamped one of the tannenbaum trio stamps twice on the right hand side of the cabin.

Before adding the sky I made sure everything was dry then positioned a frisket film circle mask over the trees. I used speckled egg distress stain to paint the sky initially then when I had covered it all dropped in some chipped sapphire. Green ink did bleed out of the stamped trees but I kept a paper towel on hand to dab it dry before it could move too far.

The lake area is mainly iced spruce and stormy sky to keep it paler and frozen looking but I added chipped sapphire and forest moss at the bottom where the lake is in shadow behind the snowbank. The snowbank looked too large and stark in the left hand corner so I stamped just the tips of the branches from the single tree in the cozy cabin set to look like a bit of foreground foliage. ( hot tip for my Ottawa people, all three sets featured on this card are listed in the Crop A While online store, just saying…)

Quick update on Dressember: my card making friends keep pushing the fundraising total higher and I am so very appreciative. As I write this it has reached $1190.25. Thank you so much. Here is a photo from day 12 as I decorate gingerbread. Decorating the gingerbread is my favourite part of the process or maybe equal first place with eating it. This first batch unfortunately spread while baking to such an extent that the tree and mitten shapes were unrecognizable so the decorating was the only clue to what they were meant to be!

Supplies

(Compensated affiliate links used when possible)

Cozy Cabin video

This cute cabib is another new stamp from Penny Black; the set is called ‘Cozy Cabin’ and it includes this tree shadowed cabin plus an extra tree not shown on this card. Once again I enjoyed bringing this scene to life with splattered masking fluid and distress inks.

I used a stamp, paint, stamp, paint process to build up the colour and definition of the cabin. I had my glass mat at hand so I could smoosh inks then pick up colour with a paintbrush.

When we go cross country skiing in Gatineau Park we come across cabins that look a little like this. There are several scattered across the park for the use of skiers, complete with a wood stove, tables and benches so we can warm up, eat our snacks, and rest a little before heading back out in the snow.

I’m in no hurry for the snow to come but I do have new skis and boots after years of hand-me-downs so the pressure will be on this year to make good use of them!

Supplies


Masked Snowscape

I teamed up with Grafix to create some videos this year. My first project was very definitely a summer scene, but this one, as you can see is not! We have had a few snowfalls already but currently are enjoying a reprieve and a few really nice mild days. Grafix makes a wide range of art plastics and films; I used their extra tack frisket film to mask the snowbanks and moon on this card and splattered Grafix liquid frisket to create the falling snow.

I worked on hot pressed watercolour paper and painted the sky and shadows with Sennelier watercolours. The trees and deer are stamped with the ever useful versafine clair nocturne ink. The video below shows my whole process.

If you are keen to create cards featuring the beauty of a northern winter I am working very hard on a new project that might interest you. Can’t wait to share more soon.

Supplies


The Good Life

I am happy to have a stamped and painted scene to share today. I often create scenic cards and panels in winter but I used liquid frisket on this panel to create a summer vista seen through a frame of birches. I teamed up with Grafix , used their liquid frisket kit and filmed the process.

With a technique like this it would be easy to make a card for any season. The birches could frame a snow scene, autumn foliage or even some mountains in the distance.

Painting the sky was fun, you can see in the video I painted the whole sky area in blue then added all the clouds by dabbing colour away with a kleenex tissue.

You can see in the video I stamped the house and trees with archival ink first then built up colour, depth and shadow with distress inks for the watercolour look. Because the Dr Ph Martin inks used on the sky are permanent once dry I was able to stamp and blend over the house and trees without affecting the sky at all and of course over the masked trees too.

Supplies


Poppy birthdays

 

When I pulled out the MFT ‘poppies background’ stamp my intention was to do some loose watercolour with splashes and dabs here and there. As you can see I didn’t manage that; I stayed inside the lines. It was not a fiddly job though, painting this panel. I was surprised at how quickly I was able to get it done. I put the stamp in the stamp positioner along with a piece of cold pressed watercolour paper. Using the papertrey ink cubes I was able to ink the flowers in ‘scarlet jewel’ and the buds, stems and pods in ‘ripe avocado’. If the inks ended up on the wrong section I either wiped it off or let it be because a little green in the flowers or red in the stems doesn’t matter.

I blended one petal at a time which sounds time consuming but they are large petals so it wasn’t bad. As I finished blending the ink into one petal I picked up a little bit of ‘blueberry sky’ ink and dropped it into the wet petal at the inner edge. When I came to the poppy centres I got mixed up and did the centres black and the surrounding dots in yellow so to fix it I went over the yellow with little black dots then went over the black center with a gold gel pen to turn it yellowish! Adding a sentiment took me an age, not because it was too fiddly but because I couldn’t decide how to arrange it and my embossing game was definitely off. I ended up with ‘you’ from Pink Fresh ‘phrase builder: you’ set overlaid with a sentiment from MFT ‘YAY for you’ set.

The second panel definitely involved more slap dash watercolouring but I still managed to stay inside the lines. I stamped the whole image in distress peeled paint which blends very easily with water. As I wanted some depth of colour in the centres of the flowers I smooshed faded jeans and chipped sapphire distress inks on my glass mat and picked up ink to paint shadows on the petals. I inked up the centres of the poppies with a chipped sapphire marker then chose a dark blue (not black) cardstock to die-cut the letters for the sentiment.

The die-cut letters got a little lost when placed straight on the busy background panel so I attached them to a piece of vellum first. To line them up I perfectly magnets held the vellum in place on my Wendy Vecchi magnetic board and, because it was vellum I was able to see a whole grid of lines to get them straight vertically and horizontally. I was pretty happy with this arrangement and might just have to do all my sentiments on vellum to experience the same satisfaction! I put ‘stick it’ adhesive on the back of the dark blue cardstock before I cut the letters so I would not have to deal with glue or tiny bits of tape for each letter. That would not have given me any satisfaction at all!

Even though green poppies are a bit of an oddity I think that one ended up being my favourite.

In other news make sure you pop over to the Penny Black blog to enter their giveaway; you have until March 1. I will be sharing plenty of new PB product in the weeks to come.

Supplies