Today’s card and video feature two products made for each other: black watercolour paper and pearlescent paint. The black background makes the already beautiful shimmery paint even more vibrant.
I chose the MFT ‘loosely line flowers’ background stamp to fill a large black square of black coldpressed watercolour paper. The paper has some texture to it but that didn’t cause any problems when I stamped and embossed this very detailed stamp.
The video shows my process making this multicoloured card using the Coliro ‘earth’ and ‘ocean’ sets of pearlescent paints. The Foiled Fox introduced me to the Coliro sets and sent some my way and I’m so glad they did. The colours are beautiful and the combinations in the sets make me happy.
When I was planning the card and video tutorial I tried the technique with only colours from the ‘ocean’ set first. The result is in the card above. I think it’s lovely but I find the contrasts in the first card are even more eye catching. If you have some black watercolour paper be sure to try it with some pearlescent or metallic paints, powders or markers. Similarly if you have some metallic or pearlescent products you are wondering what to do with, get some black watercolour paper and have some fun.
Can you believe this is my twelfth video this year? That is definitely a record for me and the year isn’t even over yet. Hope you enjoy this one.
These sweet and quirky flowers are from the My Favorite Things set, ‘fine line floral’. I’m sharing this card and process over on the Foiled Fox blog today and hope you will join me there.
There is a lot of fine line detail (as the name suggests) in the flower heads so they look good stamped with a detail ink. I decided to do some pencil colouring first but was able to add detail over the top with some stamping after all the colouring was done.
All three flowers are part of one stamp so I stamped in antique linen ink on kraft cardstock to do some no-line pencil colouring. I used inktense pencils which are water-soluble but can be used without water too. All the petals are coloured with a mix of white and a colour, blending the two with white to soften the transitions. I kept the panel in my stamp positioner the whole time I was colouring which made it possible to stamp the fine detail over the top. To add the fine detail I used distress markers and just shaded lightly on the stamp towards the base of the petals and at the top. I was pleasantly surprised to see how the detailed lines popped with just that extra bit of stamping.
I did some shading around the flowers to lift them a little and then added a sentiment from the MFT ‘Anything but basic friendship’ set with some twine to match the stems.
All the bits and pieces to create this card are available in the delightful Foiled Fox online store and their blog is overflowing with inspiration. See you over there!
This is a card which changed shape and style several times before it turned into the design you see above. The watercoloured flowers and the green stamped flowers are from the same MFT ‘magnolia blossoms’ set.
I almost didn’t keep making the video as I made mistakes and alterations but the point of the video was the no-line colouring not the card layout so I kept going. I used Gina K’s ‘barely there’ amalgam ink to stamp the flowers; the ink is a pale peach colour which almost disappeared with both the purple and the green watercolouring. I used Derwent Inktense pencils for the no-line watercolour shading an area lightly and minimally before blending the ink to fill the petal or leaf.
My initial layout for the painted panel involved both stamps from the set but you see in the video a series of unfortunate events caused me to slice up the first panel, add another flower and come up with the layout you see below.
One thing I didn’t initially plan was the simple green stamping behind the coloured panel but I’m glad I tried it. These stamps are definitely stunning when left uncoloured in their simple outline beauty.
I have teamed up with the Foiled Fox again to bring you these pretty purple blooms made with My Favorite Things, ‘magnolia blossoms’ stamp set. The set contains two stamps; I have used one, stamped three times. To hide one bloom behind another I stamped a mask first on masking paper. I worked on hot pressed watercolour paper, stamped in versafine clair nocturne and embossed in clear powder.
I painted both the sky and the flowers with Dr Ph Martin’s Hydrus watercolour paints. They are highly pigmented so I added a droplet of each colour to a palette then added water. I describe the whole process on the Foiled Fox blog today so pop over there to learn more and take a look around.
The sentiment is also from a MFT set, ‘brushstroke expressions’ stamped in nocturne and embossed in clear for a little shine. See that little pop of yellow in the centre of the blooms, it’s what I call a booster in my new ‘Colour Clues’ class. If you want to know more, click here.
These loosely lined flowers cover a large background stamp, new from My Favorite Things. I chose three colorburst powders and kept the painting loose and funky as well!
After embossing the large stamp on hot pressed watercolour paper in white I sprinkled cerulean blue, lemon yellow and terre verte powder sparingly on the panel. I tried to be a little strategic in my placement of the colours, as much as you can with something as unpredictable and airborne as a paint powder! I sprinkled blue in the half flowers, green and blue in the full flowers and yellow in the spaces. ‘Really?’, I hear you say! I know colorburst powders don’t always stay in their lanes but I was happy with all the pretty blends and patterns anyway.
There are some little anthers coming out of a few flowers which I coloured with a gold gel pen. I used three sentiments from another MFT set, ‘all about you’, embossed in white on black then popped them up down the side of my panel. You’ll be seeing more of this pretty stamp; it’s a fun one! Thank you Foiled Fox for sending it my way.
I have been waiting for some time to get the gel press out again and it has finally happened. A gel press session needs a decent amount of time and space otherwise I barely remember what to do before I have to pack up again. I find when I am working with the gel press my first prints or ‘pulls’ are very uninteresting as I get back into the process and build up some interesting colour and texture on the gel plate. That was definitely the case yesterday when I got started. The squares above did not come from a gel print. I cut them all from the cardstock off to the side where I was cleaning off my brayer!
Maybe you can guess from the squares that I was using dark blue, dark green and deep violet acrylic paint. The reason most of the squares look softer and more pastel is because I also used white paint each time I rolled some colour onto the plate. I may not use any of the gel prints I made yesterday but the scrap sheet for cleaning my brayer was perfect for making a card inspired by ‘Dear Paperlicious’. I am often inspired by Joan; I’m sure you will be too if you take a look at her blog or instagram. Her cards are clever and cool, just like her!
I cut all my squares using one of the dies from the Waffle Flower color combos die set then popped them up on craft foam and added a sentiment from MFT. Hopefully you will see some actual gel printing in the days to come but until then don’t discount the usefulness of a pretty piece of scrap paper!
Don’t forget to check out my new online class about cards, colour and making pretty things!
What better subject for shimmer on black than a shiny little scooter. ‘The Ride’ is a PB rubber stamp. Once again I had trouble catching the real shine on camera but there is shimmer and shine in real life when the light catches it. I embossed with alabaster embossing powder from Brutus Monroe and made sure I kept the heat tool moving while I embossed so as to not buckle the craft plastic.
I used the new black craft plastic from Grafix to show off the little scooter and painted with pearlescent paints from the Finetec Artist Mica Watercolor Pearlescent paint set.
Painting on the craft plastic is very smooth and particularly straightforward with an embossed image. I also did some detail on the tires and black sections with a grey pencil but it was hard to capture that in my photo.
I wanted to highlight the little orange flowers so cut a mat and a sentiment strip from orange cardstock. The words are from the MFT ‘All About You’ set.
When I pulled out the MFT ‘poppies background’ stamp my intention was to do some loose watercolour with splashes and dabs here and there. As you can see I didn’t manage that; I stayed inside the lines. It was not a fiddly job though, painting this panel. I was surprised at how quickly I was able to get it done. I put the stamp in the stamp positioner along with a piece of cold pressed watercolour paper. Using the papertrey ink cubes I was able to ink the flowers in ‘scarlet jewel’ and the buds, stems and pods in ‘ripe avocado’. If the inks ended up on the wrong section I either wiped it off or let it be because a little green in the flowers or red in the stems doesn’t matter.
I blended one petal at a time which sounds time consuming but they are large petals so it wasn’t bad. As I finished blending the ink into one petal I picked up a little bit of ‘blueberry sky’ ink and dropped it into the wet petal at the inner edge. When I came to the poppy centres I got mixed up and did the centres black and the surrounding dots in yellow so to fix it I went over the yellow with little black dots then went over the black center with a gold gel pen to turn it yellowish! Adding a sentiment took me an age, not because it was too fiddly but because I couldn’t decide how to arrange it and my embossing game was definitely off. I ended up with ‘you’ from Pink Fresh ‘phrase builder: you’ set overlaid with a sentiment from MFT ‘YAY for you’ set.
The second panel definitely involved more slap dash watercolouring but I still managed to stay inside the lines. I stamped the whole image in distress peeled paint which blends very easily with water. As I wanted some depth of colour in the centres of the flowers I smooshed faded jeans and chipped sapphire distress inks on my glass mat and picked up ink to paint shadows on the petals. I inked up the centres of the poppies with a chipped sapphire marker then chose a dark blue (not black) cardstock to die-cut the letters for the sentiment.
The die-cut letters got a little lost when placed straight on the busy background panel so I attached them to a piece of vellum first. To line them up I perfectly magnets held the vellum in place on my Wendy Vecchi magnetic board and, because it was vellum I was able to see a whole grid of lines to get them straight vertically and horizontally. I was pretty happy with this arrangement and might just have to do all my sentiments on vellum to experience the same satisfaction! I put ‘stick it’ adhesive on the back of the dark blue cardstock before I cut the letters so I would not have to deal with glue or tiny bits of tape for each letter. That would not have given me any satisfaction at all!
Even though green poppies are a bit of an oddity I think that one ended up being my favourite.
In other news make sure you pop over to the Penny Black blog to enter their giveaway; you have until March 1. I will be sharing plenty of new PB product in the weeks to come.
I don’t often use patterned paper on my projects but when I saw these Alexandra Renke designs from The Foiled Fox I wanted to make ALL THE THINGS and cover them with this paper! To be honest I just wanted to stick pieces of this ‘autumn dragonfly’ paper on the front of cards and call them done! The blue background is beautiful; the dragonflies are delicate and pretty and there are little gold lines here and there. What more do you need on a card front?
I did add a few of my own touches to the cards in the end but I might still make dragonfly paper card fronts which are simple and unadorned. Because of the little bits of gold here and there on the dragonfly wings I chose gold cardstock and embossing powder for my added elements. I swiped a versamark along edges of the dragonfly panels then embossed them with gold powder.
I used a co-ordinating Alexandra Renke paper on both card fronts. It’s called ‘autumn wild dark blue’ and it looks like a painted page. I popped up the dragonfly pieces on foam and added a gold embossed sentiment plus letters or words die cut from gold shimmer cardstock. I used the PB …birthday die paired with part of a sentiment from PB ‘good wishes’ set. I did all the lining up of panels with the help of the Wendy Vecchi art staytion. The board is metallic and has a magnetic ruler which can hold a panel in place while lined up with the grid lines on the board. It has saved me quite a bit of time and fidddling!
I think this paper would look good as a notebook cover and maybe as the background for an art journal page. What do you create with your prettiest papers?
This lovely background stamp from MFT is brilliant for trapping colour. My first choice would be to colour it with paint powder like brusho or colourburst but a quicker and less messy technique is to rub distress ink cubes across the embossed panel randomly. I embossed ‘roses all over’ on hot pressed watercolour paper with silver embossing powder then randomly rubbed fossilized amber and candied apple distress inks over the panel. Because of the embossing the ink didn’t saturate the whole panel but it did leave some colour in all the sections.
Next I liberally spritzed the panel so the inks would dilute, blend and fill the petals. This technique is one a friend of mine affectionately calls ‘drowning’. The ink mixed pretty well by itself but I did use a paintbrush here and there to make sure the whole panel was coloured. I dried it, trimmed it and added a band of vellum so my sentiment strip and die-cut would not have to fight with the busy background.
I stamped part of a MFT ‘anything but basic’ sentiment on an Avery Elle simple sentiment strip. I use those sentiment strips all the time; I have a stash cut and ready on my desk for every third card! I cut the PB ‘wonderful’ twice from red cardstock (with ‘stick it double sided adhesive’ on the back) and stacked them on the vellum.
I enjoyed reading your comments about the black watercolour paper and I’m happy some of you are inspired to pull out your own to do a little experimenting. You’ll definitely be seeing it again here.