This is the last of the three colour panels I did with sandstone, lemon and ost blue brusho. I think this one might be my favourite because of the sky behind the poppy. Of course I was not really responsible for that pretty sky, it was the magic of brusho! I embossed the PB ‘poppy time’ stamp in gold powder on hot pressed watercolour paper first. Next I sprinkled the three colours of brusho on craft mat and spritzed it with water. I didn’t sprinkle too much powder; it is easier to add more colour than to take it away. I swiped the panel through the wet activated brusho and set it flat to dry. I can’t remember if I dabbed colour away or moved some with a paintbrush (I made this card a while ago)
With the background taken care of I mixed some green from the sandstone & ost blue and painted the bud, stems and seed pod. I the petals with sandstone and lemon from a palette then sprinkled salt on top to get some texture.
Once again I used a sentiment from MFT ‘fluttering friends’; I really like the clean lines of the font and the size too. The sentiments fit perfectly in strips cut with the Avery Elle simple sentiment strips.
Thanks for joining me in this mini series on using a limited palette. I have enjoyed reading your comments and hope you are trying it yourself. Please let me know if you do. If you just joined me today here are the other two cards made with this simple colour scheme.
Above is the second of my three colour cards painted with only ost blue, sandstone and lemon brusho. The first card displayed some of the texture and blending which is easily achieved with brusho, in this card it is easier to see the three basic colours plus a couple of the colours I mixed myself. As with the first card I mixed the brusho powders with water in a palette but for this card didn’t sprinkle any brusho directly on the watercolour panel.
The PB bouquet ballet stamp is stamped in black ink on cold pressed watercolour paper; I used a stamp positioner as cold pressed watercolour paper has texture which prevents me from getting a perfect impression first go. The small poppy is painted in lemon brusho, the large flower with sandstone and the multi-headed flower in ost blue. On each one I dropped in more colour for extra depth. The small trumpet shaped flowers to the right are also painted in ost blue but a diluted coat. The stems and leaves are painted in a mix of blue and lemon. The centre of the flowers I painted in brown which was a mix of blue and sandstone brusho. I did use a black marker to colour the little flower centre thingies, but we are not going to count black as a fourth colour!
Happily I found a blue cardstock in my stash to create a sentiment strip and a frame. I embossed the sentiment from MFT fluttering friends in gold powder and popped it up over the panel. The frame is cut using PB square frames and glued on using on point glue because of the tiny tip on the glue bottle. I have one more card to show you in this miniseries and I think it might be my favourite. Check back soon.
I did not plan to post this stamp two days in a row but it was there on the desk within reach and you have to admit it is perfect for no line watercolour because the outlines are so clear. So, instead of working on my to do list I painted on this card.
I stamped on hot pressed watercolour paper with antique linen distress ink for a pale but easily seen outline image. I decided to use my sennelier watercolours because they are lovely to work with. I used a red, a yellow, and a green. To make brown I mixed the red and green, then to make the black I added more red and green. The green I used for the stems and buds was not straight from the pan I mixed in a little red first to make it more olive toned. Once again I was happy with the results from sticking to a limited palette. You can definitely try the same approach with whatever watercolours you have on hand. If your green is a little bright, as mine was, add in a bit of red.
I painted the petals one at a time with diluted red and while each was wet I added more red where I wanted depth or shadow. I paid attention this time to whether I was painting buds or pods. I painted the buds with green blended into red and painted the pods in browns. I added a little of the mixed green to my yellow before painting the poppy centres and used my red+green=almost-black to paint the little black dots around the poppy centres.
After all the painting was done I added a bit more shading and veins on petals with polychromos coloured pencils.
I decided to use another of the lovely little sentiments from my new Ink to Paper ‘tagged’ sentiments set. To achieve a matching olive green on the sentiment I stamped with versafine clair shady lane ink but I stamped on a scrap first so I could get a pale ‘second generation’ print.
I hope you see how versatile this stamp is; it worked beautifully with the loose distress stain watercolour and the more precise no-line watercolour. I have an idea for a third look too.
While I was a way this lovely MFT poppy background stamp arrived. (Thank you Foiled Fox) It has lovely detail which I will try to paint more realistically later but I thought I’d start with some emboss resist loose colour.
I embossed the large stamp on hot pressed watercolour paper with versamark and clear embossing powder. Next I sprayed some tattered rose, scattered straw and spun sugar distress stains on my glass mat then spritzed some homemade gold shimmer spray (interference gold pearl-ex mixed with water) to blend the three colours. I swiped my panel through the stains and discovered the spun sugar was not showing so I added more tattered rose and swiped again. Once it dried I had a panel with patches of blended colour, some yellow some pink, some blends of the two.
I painted all the poppies and buds by picking up undiluted stain from my glass mat with a paint brush. I did a few layers letting them dry in between coats so I could see how dark they were. I used frayed burlap to paint the stems, buds and pods and splattered a few dots of tattered rose over the finished panel.
Rather than make a big square card I cut the panel in two pieces and paired them with some blush coloured cardstock and cream card bases. The sentiments are from an ‘Ink to Paper’ set called ‘tagged’. It is a sweet little set featuring several different fonts and nine sentiments. To make my sentiments match my watercoloured panel I stamped them first in versafine clair golden meadow but it was too yellow so I stamped over the top with tattered rose until it was a little more peachy. I think these new stamps are peachy don’t you?
I’m still in yellow-orange-red mode, quite unusual for me. I can assure you the blues and pinks will return! I’ve been wanting to ink up the lovely floral background from The Stamp Market again ever since I gave it the rainbow treatment. With the stamp in the MISTI I stamped first with Catherine Pooler shea butter ink on hot pressed watercolour paper. Next I did partial inking with CP samba ink. As you can see I wasn’t particularly accurate with the second colour but I did try to apply it to flowers not leaves. I spritzed the stamp and stamped again. I switched over to leaves and inked them with CP eucalyptus ink, spritzed and stamped again.
I had managed to catch a lot of the leaves with the ink pad but not all so I switched techniques and pressed the eucalyptus ink onto an acrylic block and picked ink up with a brush to apply to the smaller leaves and stems on the stamp. This worked really well so I pressed the ‘rockin red’ ink on the acrylic block also and used a paintbrush to apply it to the centres of the flowers. There is quite of bit of bleed from one flower or leaf to the next but the overall effect is semi realistic.
I added black centres to the flowers with a black fine tip marker and they popped nicely so I decided on a black embossed sentiment too, it’s from MFT brushstroke expressions. When I embossed the black sentiment in clear powder it also stuck to the flower centres which I wasn’t expecting, giving them a little shine. At this point I was almost happy but not convinced the design was finished. It needed…a frame! I pulled out my new ‘stay-tion’ magnetic board and the black fine tip marker. Lining up frames and borders like this is one of the reasons I really like the new magnetic board. I lined up my panel with the grid on the board, held the panel in place with magnets then positioned the magnetic ruler across the panel ¼” from the edge. I was able to line up the ends of the ruler with the ¼” grid on the board and ruled a thin black line on each side. So satisfying to not mess that up!
He is risen indeed. Jesus came to earth; he gave his life and he rose from the dead. It was because of his great love for us.
Although much snow has disappeared this week there are not many signs of life in my garden, definitely no tulips yet. I will look forward to the real ones while I create gardens with the stamped ones! Here in Ottawa we enjoy the Tulip Festival each May and in Canberra where I lived for many years, Floriade is held each September. Both festivals feature massed flowers some in blocks of colour, others mixed like confetti. It was the blocks of coloured tulips that inspired this card. I’ve added a photo from each festival below.
I began by taping hot pressed watercolour paper to my glass mat and spritzing water over the whole panel. First I stamped the yellow tulips from MFT’s ‘painted prints’ set in Catherine Pooler’s shea butter ink. Because the paper was wet the ink bled into the surrounding area but still hinted at tulips shapes especially when I stamped the second layer of the tulip in the same colour. I chose a different tulip and stamped a row in CP bellini ink underneath and finally CP ‘rockin robin’ ink for the foreground row. The paper was slowly drying as I did this so the foreground tulips, stems and leaves were more distinct than the background (first) ones.
I die cut my words from the painted panel and popped them up on three layers of die-cut white cardstock letters. I put stick-it adhesive on the back of the cardstock before I cut all my little letters but forgot to put it on the back of the painted panel so I used a Lawn Fawn glue pen. The marvy jewel picker also came in handy as did some teeny tweezers; fiddly jobs like small stacked die cut letters tend to take me a while but I am finding it easier using tools rather than fumbling with my fingers. Jennifer McGuire did a fabulous video with stacked letters a couple of weeks ago and referred to this technique as the ‘eclipse’ technique. I think that sounds rather classy and clever so I will now use that terminology too.
Here is the real thing, above in Canberra, below in Ottawa.
Hope you have a blessed Easter.
I am over on the Foiled Fox blog today; make sure you pop over there for more details and for a browse through their recent blog posts.
I have shared cards made with ‘turnabout’ stamps before but the look on this one is a bit different. My other turnabout stamps from Concord & 9th fill the space a lot more than this starry one. ‘Star Turnabout’ is a two part stamp which means you can do a small area of stars with the centre of the stamp, a large border of stars with the the outside of the stamp or, as I did, a large square covered in stars by using both stamps at the same time. There is now a jig available which makes the turnabout process easier.
I worked on a 6″x6″ piece of cold pressed watercolour paper in my MISTI. I started by stamping in versamark and embossing in clear powder. Then after turning my panel 90° I stamped again with versamark then embossed in gold. With a turnabout stamp you turn the panel three times and stamp each time. I embossed with clear, gold, silver and lastly platinum. Once the stamping was done I taped the panel down on my glass mat to paint it. I used Altenew’s watercolour paint set, limiting myself to blues and aquas. I painted the colours randomly over the whole panel, blending them together and diluting if necessary with some water.
While the paint dried I die cut the word ‘wonderful’ using the MFT little lower case dies and some Tonic silver cardstock. C&9 have a co-ordinating star die which I used to cut a few little stars from the same silver cardstock so I could add them here and there over the panel. To complete the card I framed it with blue cardstock and stamped a small banner using a MFT sentiment set.
With the stamps and embossing powders out on my messy desk I decided to do a few more panels including this black one.
I used neenah black cardstock, silver, gold, platinum and gun metal embossing powders then added words on tonic silver and gold embossed cardstocks.
Thank you for dropping by today. All the products I used are linked below. I use affiliate links to the Foiled Fox store in my blog posts. At no extra cost to you I receive a commission when you use the links.
Stamps: star turnabout stamp set (C&9), birdie brown greetings galore (MFT)
Dies: Star Turnabout Die (C&9), little lower case letters (MFT)
Ink: versamark, versafine clair nocturne
Paints: Altenew watercolour set
Cardstock: cold pressed watercolour paper, Craft Perfect Luxury Embossed Card – Golden Satin & Silver Silk Luxury Embossed card (Tonic), Neenah black, Neenah cream, Whirlypop blue
Embossing powders: metallic gold rich embossing powder, platinum embossing powder, clear embossing powder, silver embossing powder, gun metal embossing powder
Also: MISTI, T-ruler, glass mat
I did some paint pouring yesterday with some friends who had done it before and had skills they were willing to share. I was excited to go and try it but fairly certain it would just be a fun experiment rather than a new passion. Not so sure anymore!! It is very addictive, a bit like alcohol inks and the way they keep moving and doing magical things.
I did several pours on heavy yupo and a couple of little canvases. They take a while to dry so I have turned only one into a card so far. I won’t go into detail about the technique or supplies; I’m too much of a newbie. If you want to learn about paint pouring then look up Myriam’s Nature on youtube and prepare to give up the rest of your day being mesmerized by her beautiful panels. My base for this design was white paint then I dipped threads into blue paint and gold paint and dragged them across the panel to create these pretty patterns.
I’ve turned this panel into a thank you card with a Penny Black die and a MFT sentiment. I am so happy to be sending out thank yous to people who have donated to my Dressember campaign raising money to help fight human trafficking. I am excited that so many of my donations so far have come from people I know through card making, some I’ve met at classes, others read my blog. It is a privilege to be part of such a caring, giving community. Thank you for getting involved. If you would like to donate please visit my campaign page. If you would like to see if I’ve been wearing the dresses each day I’m posting on Pinterest and Instagram.
I will show you more of my paint pouring panels in future posts. Thanks for dropping by.
Today’s cards are made with a cute set from My Favorite Things and some oxide inks. I didn’t set out to make watercolour cards but it seems I just can’t help it! I stamped the little tree skeleton stamp in versamark then embossed in clear powder. Next I inked the triangle tree stamp in peeled paint and peacock feathers oxide inks and stamped over the top of the skeletons. Then, not willing to leave the trees, I gave them a watercolour look by blending the two colours within the triangle with water.
I used the same two inks to create a blended sky over the embossed MFT Christmas background stamp. I painted the snow banks in amongst the trees by picking up ink off my glass mat.
I followed a similar process to create this blue card. I inked the triangles with blue print sketch and stormy sky distress oxide inks, blended them and stamped the tree skeleton over the top with blueprint sketch. The background is once again embossed then swiped through some diluted blue print sketch and stormy sky distress oxide ink on my glass mat.
The final card is a very simple design but again I started with two tone blended trees (a different tree stamp). This time my colours were bundled sage and lucky clover oxide inks. Once the trees were dry I stamped the dot stamp over the top with candied apple oxide ink and added a sentiment in the same ink.
I decided to make the sentiment shiny by embossing in clear powder, then restamped all the dots so I could emboss them too.
These cards are a bit different from my usual style but reminded me how much fun can be had with the oxide inks.
Stamps: Christmas background, trio of trees (MFT)
Inks: versamark & peeled paint, peacock feathers, stormy sky, blueprint sketch, bundled sage, lucky clover, candied apple distress oxide inks
Papers: hot pressed watercolour paper, red cardstock, olive cardstock, blue cardstock
Also: clear embossing powder, glass mat
You absolutely made my day on Monday by sharing what you are thankful for. I was so encouraged reading your comments. I hope you are still counting your blessings because the Foiled Fox and I are continuing our gratitude week and giveaways with a couple more cards today. You can enter on each of the posts this week for more chances to win; just tell us something different that you are thankful for on each day. The Foiled Fox is giving away a $25 gift certificate to three of our readers who leave a comment here on my blog and/or on the Foiled Fox blog telling us something they are grateful for. It does not have to be related to art and craft at all. You have until the end of Friday, October 5th to add a comment to any of this week’s gratitude posts. We will randomly choose a winner from each gratitude post and announce them on Tuesday, October 9th.
These sweet dragonflies and butterfly are from My Favorite Things; it’s a set called Fluttering Friends. I like the fact that there are more dragonflies than butterflies in this collection; often it is the other way round. For this first card I embossed the dragonflies on vellum in platinum embossing powder then cut them out using the co-ordinating die set. I painted a rough square on hot pressed watercolour paper with Peerless transparent watercolours. I love these watercolours; the colours are vibrant and the blending is beautiful. I then die-cut a square from the panel and from some adhesive backed foam and popped up my square as a platform for the dragonflies. I even remembered my nuvo drops and made some clear droplets beside the dragon flies, then finished the card with a sentiment from the MFT ‘all about you’ set.
I kept my colours similar for the second card but featured painted dragonflies and butterfly instead of a painted background. Once again I used peerless paints, blending oranges, yellows and pinks.
The embossing is all in platinum powder and the sentiment this time is from ‘brushstroke expressions’ popped up over a ‘typewriter text’ background.
I’ll wrap up this post by telling you another thing I am thankful for, and it is something many of you mentioned on Monday, my dear family both near and far. I have a wonderful family, four of them here in Canada and all the rest on the other side of the world in Australia.
Thanks for dropping in today; I hope you are having a delightful day!
Stamps: fluttering friends, typewriter text, brushstroke expressions, all about you (MFT)
Dies: fluttering friends (MFT)
Inks: versamark, versafine clair tulip red
Paint: Peerless Transparent watercolours
Paper: hot pressed watercolour, light weight vellum, neenah cream
Also: platinum embossing powder, nuvo morning dew drops, white adhesive backed foam