I am happy to have a stamped and painted scene to share today. I often create scenic cards and panels in winter but I used liquid frisket on this panel to create a summer vista seen through a frame of birches. I teamed up with Grafix , used their liquid frisket kit and filmed the process.
With a technique like this it would be easy to make a card for any season. The birches could frame a snow scene, autumn foliage or even some mountains in the distance.
Painting the sky was fun, you can see in the video I painted the whole sky area in blue then added all the clouds by dabbing colour away with a kleenex tissue.
You can see in the video I stamped the house and trees with archival ink first then built up colour, depth and shadow with distress inks for the watercolour look. Because the Dr Ph Martin inks used on the sky are permanent once dry I was able to stamp and blend over the house and trees without affecting the sky at all and of course over the masked trees too.
This card is one of those rare ones where the end result is very close to the dreamed up idea.
I started by masking a piece of hot pressed watercolour paper with tape. I taped it into the stamp positioner using the grid lines as guides to get it straight and, wonder of wonders, it actually ended up straight. I stamped the pumpkins from the PB ‘autumn bliss’ set in Gina K’s jet black amalgam ink. I bought the amalgam so I could compare it to my current fave black, versafine clair nocturne. The amalgam stamped well and dried quickly but I didn’t find it superior to the versafine clair.
I wanted bold bright colours and wondered which of my watercolour mediums would give me that result. I settled on my Dr Ph Martin’s Hydrus liquid watercolours. They are definitely bold and bright! Of course they can be diluted for a softer look but I was happy to make the most of their vibrancy. Even though I put barely a drop of each colour on my palette I still ended up with more than I needed. I tried to limit my colour scheme by mixing some of my own colours. I started with gamboge and brilliant cad red for the middle pumpkin and painted all but the flowers. I then mixed the gamboge with the brilliant cad red for the left hand pumpkin and again painted all but the leaves. It was very tricky avoiding the leaves especially before I realised that I had my reading glasses on instead of my stronger ‘art glasses’. Sadly my art glasses are becoming my reading glasses so in the new year I am hoping to get some new ‘art glasses’ to help me see and paint all the fiddly bits. The right hand pumpkin is brill cad red and Venetian brown.
With my art glasses on I painted all the leaves and stalks with a green made by mixing gamboge with ultramarine. The flowers on the middle pumpkin I painted in a diluted deep red rose/ultramarine mix. I added little dots of gold to the right hand pumpkin using finetec pearlescent ink then used a rosy colour from the same set to add shimmer to the flowers. If I did the pumpkins again I think I would paint them one solid colour first with a little shadow and shading then use the pearlescent inks over the top to add all the flowers and leaves. The pearlescent inks are opaque and would not have let the underneath colour show through.
After all the pumpkin decorating, I painted the background with ultramarine. If you have masked with tape before you will know how satisfying it can be to peel back the tape to reveal crisp straight edges and also how frustrating when some paint has seeped underneath. Well, again, wonder of wonders, no seepage! Now, the last wonder of wonders is really the biggest. I occasionally do my own calligraphy sentiments, more often than not it does not end up straight, neat or the right size so I end up cutting the painted panel off and attaching it to a whole new panel in order to get rid of the messed up sentiment. This time I ruled my pencil lines, practiced the sentiment on a scrap, wrote it in pencil on the panel and finally wrote it with pointed pen in a mix of ultramarine and pearlescent ink. The next step was key; I have messed it up in the past. I left the room and went and had my lunch, that way I was not tempted to erase the pencil before the writing was dry, dry dry! I used one of those nifty battery operated erasers to gently erase all the pencil and then did a happy dance!
I hope you don’t think I am overdoing it in my satisfaction with this card, I know it’s nothing out of the ordinary, it’s just that it could have gone wrong in quite a few places but happily it didn’t.
This gratitude themed card heralds the beginning of a gratitude focus on my blog for the coming week. Starting next Monday I will be collaborating with the Foiled Fox crew to celebrate gratitude. Before I dive into that collaboration though I thought I would share this card and issue an invitation to you, my wonderful readers. I am very thankful for those of you who pop in to see what I have been creating. Some of you have been visiting for years, others are new around here; some of you leave me a little encouragement from time to time in the comments section and others contact me with questions and feedback; I love hearing from you.
With gratitude as my focus over the next week and in fact next two weeks leading up to our Canadian Thanksgiving, I thought I would send out some cards to you, my readers. Thing is though, I’ll need to you supply an address if you would like to receive a card in the mail. Please don’t leave your address in the comment section, instead use the Contact Me button at the top of the page.
This lovely spray of flowers is from Concord & 9th; I have embossed it on hot pressed watercolour paper with clear powder. The bold colour is from Dr Ph Martin’s Hydrus inks. They are liquid watercolour inks and are very saturated. You don’t need much ink to get wonderful depth of colour; a little goes a long way and they mix beautifully to create new colours. I only used four colours to paint this panel but with a little mixing or diluting I was able to create an olive green and a pale green, a yellow and a couple of oranges as well as use the brown and red straight from the bottle.
To create a strip of co-ordinating plaid paper I used the plaid background stamped in memento dandelion ink for the yellow then added green and red ruled lines with distress markers. To divide the busy plaid strip from the busy floral panel I added a very thin strip of red cardstock. As usual I switched to versafine ink for the sentiment because it stamps fine lines so well. Isn’t that a sweet and thoughtful sentiment? I’m looking forward to sending it out to friends; maybe it will end up in your mail box.
See you next week for more gratitudinal fun! (is that a real word?)
Stamps: grateful for everything, plaid background (C & 9)
Inks: versamark, versafine vintage sepia, dandelion memento ink & candied apple distress marker, peeled paint distress marker
Paint: Dr Ph Martins deep red rose, phthalo green, gamboge, Venetian brown
Paper: hot pressed watercolour paper, neenah cream, red cardstock
Also: T-ruler, glass mat, clear embossing powder, cutterpillar paper trimmer
The flowers continue to bloom across my blog this week and it’s making me pretty keen for spring to arrive. Today’s poppies are as realistic and detailed as you are likely to see from me! A little different from my distress stain loose and watery florals. I used a stamp positioner to stamp ‘parade of flowers’ in antique linen distress ink on cold pressed watercolour paper; because of the texture of the cold pressed paper I stamped a few times to guarantee a complete image.
All the painting was done with Dr Ph Martins Hydrus watercolours. When undiluted the colours are very vibrant so I put only a drop of each colour in a palette then added water. To keep the colour scheme muted and cohesive I limited my paint choices. The petals are painted with ‘deep red rose’ and the leaves and stems a mix of phthalo green, deep red rose and Venetian brown. The centres of the flowers are gamboge, with dark details added in ultramarine and Venetian brown.
I worked on one petal at a time painting first with water then dropping in some deep red rose paint. I blended the colour to the edges then added more paint if necessary to create shadow or deeper colour near centre of flower. While each petal dried I worked on a non-adjacent one. When all the petals were dry I added some more red here and there to create a bit more depth and when that dried I used a very fine tipped brush to paint veins on some of the petals. I wanted to stamp the sentiment on a matching panel so I painted diluted deep red rose paint on a scrap of hot pressed watercolor paper the die cut three tags using die from ‘gift card pocket’ set. With the stamp postioner I was able to stamp ‘With Love’ sentiment from ‘special wishes’ set on tags one at a time so when together they would over lap each other.
I wrapped twine around top of painted panel, attached the three sentiment tags over the top and attached the panel to a natural coloured card base.
Stamps: parade of flowers, special wishes
Die: gift card pocket
Paper: rough 100% cotton watercolour paper, hot pressed watercolour paper
Ink: antique linen distress ink, imperial purple versafine ink
Paints: deep red rose, gamboge, pthalo green, Venetian brown, ultramarine Dr Ph Martins Hydrus watercolors (soon to be available at The Foiled Fox)
Also: antique hemp twine
To finish the card I trimmed the panel, added a sentiment in black and attached to natural coloured card base.
I’m very happy to be guest blogging over on the Foiled Fox blog again today so please pop over there for the details.
As I post this I am still in Australia but my husband mentioned there could snow this coming weekend – a welcome home present for me! By the time I return to Ottawa I will have been away for just over a month. I don’t get to Australia often so it really isn’t worth the time or money to travel all the way to Australia for a shorter time. I have completed several cards with this stamp each using a slightly different technique. The technique for today’s card is the most straight forward. I painted a graduated wash with Peerless watercolour paint. I began with deep blue at the top and diluted it as I approached the bottom of the panel.
Once the background was dry I stamped the ‘tranquil’ stamp in versafine onyx black then let that dry. To finish it off I splattered white paint over the sky and painted some on the tree and fence posts.
Once again I grabbed some stamps from the new ‘festive snippets’ set to add a sentiment.
This week I am sharing my top three tree stamps from Penny Black’s new ‘Magic of the Season’ release. You know I love tree stamps so you wont be surprised that they were the first image I looked for when the new release arrived. The pretty spruce silhouette stamp immediately caught my eye and I knew it would be in my top three tree stamps. I have four stamped landscape cards to share this week and this little tree stamp features twice, today in a night time snowscape and tomorrow in a day time scene.
You will probably recognise another favourite tree stamp of mine in the background of this scene, it’s the little tree from the ‘Prancers’ set. I created a video to show you how I made this scene which features some watercolour effects along side some pigment ink stamping. I chose to pair pigment inks, which are waterproof, with watercolour painting so I could have pretty blends in the sky and snow but sharp tree images in the foreground and background.
I have two more cards made from my experiments with new stamps on watercolour strips. Both today’s strips and yesterday’s were splattered with masking fluid before I started. For the deer card I also added a circle of masking tape before painting the sky in blue, purple, pink and yellow watercolour paint. I painted the horizon edge in blue and tilted the strip up so the paint flowed toward the moon, one colour blending into another
Once the sky dried I removed the masking fluid and tape then stamped the branches from ‘woodland beauty’ and the deer from ‘ nature’s silhouettes’ in black before painting some shadows in front of the deer’s legs.
I used a similar process for the single tree scene, painting the sky first while leaving some unpainted paper at the bottom to be the snowbanks. Once the sky dried I removed the masking fluid and positioned a post-it mask below the horizon and stamped the single tree from the ‘woodland beauty’ set over the mask. Once I removed the mask I painted shadows on the snow in the foreground and behind the tree.
The four little panels in today’s and yesterday’s posts are a taste of the new stamps and the types of scenes I expect to be creating over the next few months. I really enjoyed working small; have you tried it?
Stamps: Nature’s Silhouettes, Woodland Beauty, Joy Filled (PB)
Paints: Dr Ph Martin Hydrus watercolour paints
Inks: Versafine Onyx black ink (Tsukineko)
Cardstock: Fabriano 100% cotton hot pressed watercolour paper, Neenah epic black cardstock
Also: masking fluid, masking tape
It is over a year ago since I completed a page in my art journal so it was a good thing when I was asked to create an art journal video for the Penny Black blog. The latest release from PB, Artistic Endeavors includes some beautiful stamps designed with journaling in mind. The page I created last year was a Narnia page so I decided to stick with the literary theme and make another book inspired page. My inspiration this time is ‘A Girl of the Limberlost’ by Gene Stratton-Porter. I read the book quite a few years ago but really enjoyed it and could see the butterfly and figure stamp working well on such a page.
The main character, Elnora, catches moths to sell to collectors in order to support herself through high school. She lives on the edge of the Limberlost, a forested and swampy region where she finds the moths she later sells. I know these stamps depict butterflies but I chose to exercise some artistic license.
Because I wanted to watercolour both the butterflies and the girl I stamped them on watercolour paper, painted them, then cut them out so I could attach them to the page.
To add texture to the background I glued torn strips of tissue paper all over it then did partial stamping with a script stamp and a leafy stamp.
Journal pages take me a long time so despite the fact that I sped up just about all the footage, it is still on the lengthy side. I hope you enjoy it and, maybe like me, get inspired to pull out a neglected art journal. Or perhaps you’ll go and check the book out of the library…
Edited to add: In the video I mentioned learning a lot from Vicky Papaioannou; her videos are here:https://www.youtube.com/user/vickypgr
Stamps: Muse, Script, Verdure, Butterfly trio (PB)
Art Journal: Fabriano 24cm x 15.5cm
Art supplies: Faber-Castell gel medium , Tsukineko Versafine Onyx Black ink , clear embossing powder, Ken Oliver Colorburst powders (merlot, violet, ultramarine blue), Ken Oliver liquid metals (platinum, verdi gris, ultramarine blue), Faber-Castell Stampers big brush pen, lead pencil, Pigma 0.3 micron pen, Faber-Castell Albrecht Durer watercolour pencils (medium flesh, brown ochre, juniper green, ochre, burnt ochre, venetian red, delft blue, warm grey 3), tissue paper, Dr Ph Martin Hydrus liquid watercolours (Hansa yellow light, phthalo blue, phthalo green, carbon black) Art glitter designer dries clear adhesive, Ranger distress micro glaze.