So far this week I have shared three new brushstroke stamps from Penny Black and three different techniques for ‘painting’ with them. I say painting because that really is what I do with brushstroke stamps; I choose a water soluble medium and apply colour in such a way as to create the look of watercolour painting. Today’s card was done using my ‘stamping with water’ technique. I put the pretty, new stamp, A Moment in Time, in my MISTI and painted water on it. As I applied the water with a paint brush I noticed it was beading rather than spreading over the rubber. I realised it was a brand new stamp and needed a little bit of prepping before I used it. I don’t always do this because sometimes the first coat of ink will do the prep for me. I keep a piece of fine sandpaper on hand (it is very fine and has been used many times so it does not damage the stamp at all) to rub gently across the surface of the rubber, then I simply clean with some stamp cleaner. Another way to prep the surface is to use an eraser to rub all over the stamp before cleaning with stamp cleaning solution.
Once I had prepped the surface of the stamp I was able to coat it with water and stamp it on a piece of hot pressed watercolour paper. I could see the watery poppy image on my panel so it was simple to sprinkle brusho powder in the right place, gamboge over the flower head and leaf green over the stem. I watched and waited as the brusho activated then added more water to the stamp and stamped again. I moved my panel so I could stamp another poppy and followed the same procedure. Once the brusho powder stopped reacting I dried the panel with a heat tool, tapped off excess brusho powder and used a paint brush to fill in a few petals. I added a leaf using the same technique then a few droplets of water in the centre of the poppies and some black brusho where I had made it damp. I dried the whole panel before creating a sky by sprinkling some turquoise brusho then spritzing it. I wanted to protect the poppies from coming in contact with too much water so I painted water around the edges then pulled the turquoise colour into the water keeping some areas light while letting others be more intense.
I finished the card off with the ‘wonderful’ die cut and some handlettering to complete my sentiment. I have received some lovely comments in the last week or so and I want you to know how much I appreciate them. I have read the requests for videos also and hope to get onto some as soon as my class prep is up to date. Thank you for visiting, commenting and making my day!
Stamps: A moment in time (PB)
Pens: Fudenosuke brush pen hard tip (Tombow)
Paint: gamboge, leaf green, black & turquoise brusho (Colourcraft)
Die: Awesome (PB)
Paper: hot pressed watercolour paper (Fabriano) orange cardstock, neenah natural white cardstock
Today’s card features one of the new colouring book style images from Penny Black. I chose to let brusho powders do the colouring for me. I embossed the stamped image off the top of the watercolour paper using versamark and clear embossing powder. I taped down the top and sides of the panel to prevent warping when I added water to it. With brusho you can add water first or powder first. For this panel I started by sprinkling powder over the embossed panel; I was selective in where I sprinkled it so I would get purple flowers and green leaves but I knew there would be soft blending between the colours anyway. I spritzed from above and from the side to spread the colour down beyond the stamping.
I did do a little touching up with a paintbrush where the colour hadn’t completely filled a section but I really didn’t need to alter much.
Once the panel was dry I trimmed it and added a sentiment then attached it to a cardbase. I also added a print of the stamp inside the card in violet ink and on an envelope as well.
The new release from Penny Black is appropriately called Bliss and is now available in the online shop and browsable in the online catalogue. There are so many gorgeous new stamps and dies in this release; drop in again tomorrow when I share some more.
Stamps: Gladsome, All great things (PB)
Ink: versamark, versafine imperial purple (Tsukineko)
Paint: purple, ultramarine, emerald green, violet brusho (Colourcraft)
Paper: fabriano hot pressed watercolour paper
Also: WOW clear embossing powder
Earlier this week I posted a card made out of a leftover, the negative print from a stencil used for watercolouring. Today’s card is a positive print made through a stencil (not using the same stencil as the earlier card). I created the stencil for this card myself by die-cutting the shape from a piece of stencil plastic. You could use an old plastic folder as long as it is not too thick for your die cutting machine to handle. The die I used is ‘fresh breeze‘ from Penny Black. I taped my home made stencil to a piece of cold pressed watercolour paper and spread moulding paste over it, keeping the layer fairly thin with a palette knife. Next I sprinkled yellow and green brusho powder over the stencil then spritzed with water to activate the brusho. Too much water and it seeps under the stencil, not enough and the brusho doesn’t activate. Once the brusho appeared a little blurry I removed the stencil and let the panel dry for quite some time.
I chose the angled rectangle layout and messed it up by attaching the panel upside down on my card base. I had to cut it out of the cardbase and attach it to a new one so it is a tad bulky under the stencilled panel! I matted in green and trimmed off the top of the die cut word so it would appear to be attached to the mat. I inked just two words on a sentiment stamp so I could turn it into a phrase.
I’m going to add this one over at the Sweet Stampin’ Dies and Punches challenge. Thanks for dropping by.
Stamps: Heartfelt (PB)
Die: Fresh Breeze , OMG (PB)
Inks: Cottage ivy memento (Tsukineko)
Paint: Brusho (Colourcraft)
Paper: Canson 100% cotton cold pressed watercolour paper, green cardstock
Also: moulding paste
The technique I have to share today is one of those ‘don’t waste all that pretty paint’ techniques. Sometimes I will be creating something and paint or ink ends up all over a mat, stamp or in this case, a stencil after the initial project is completed. Rather than simply rinse the ink or paint off it is usually worth taking a print or swiping a piece of paper through the excess paint to pick up all the pretty.
I was creating panels using the Penny Black stencil, promenade, along with molding paste and brusho paint. Once I had finished sprinkling brusho over the stencil and paste, I spritzed with water before removing the stencil. The stencil was covered in diluted brusho so I pressed it onto a piece of cold pressed watercolour paper and this patterned piece was the result. Incidentally I also made two cards with the stencilled shape on them but they did not photograph well at all. They look fine in real life!
I like the ‘negative’ print from the stencil enough that I might just create a negative print as a technique on its own. But then would I end up with a pretty ‘positive print’ as a by product of my creating!?!
This post was brought to you from my ‘pile of possibilities‘.
Stamps: Amazing (PB)
Stencils: Promenade (PB)
Paint: Brusho (Colourcraft)
Paper: Canson 100% cotton cold pressed watercolour paper, Neenah epic black
Also: white embossing powder
I painted the yellow house a while ago using brusho watercolour powders for both the background and the house. In the background I let the brusho do what it does so well, blend from colour to colour. The house I was more finicky about. I stamped the house in vintage sepia versafine ink, a pigment ink that would not bleed when I started adding watercolour paints over it. I used a small paintbrush and brusho in a palette to paint the house in yellow and grey. After it dried I used watercolour pencils to add shading to columns, steps, roof tiles and bricks. I let that dry before adding a circle mask in the top right corner to create the moon in the blended blue sky. By dampening the paper before adding colour I was able to blend softly from blue to green to grey.
I matted in yellow and grey just like I might if framing a painting . The stamp is long and thin so the card is too. When I was making this panel a friend of mine was making one too. She didn’t end up with such a tall thin card because she added a car beside the house which looked very cute!
Stamps: Victorian Home (PB)
Ink: vintage sepia versafine ink (Tsukineko)
Paper: 100% cotton hot pressed watercolour paper, co-ordinating cardstock for mats
Paint: brusho ultramarine, lemon, emerald green, black (Colourcraft)
Pencils: sepia, pine green, cold greyIV Albrecht Durer watercolour pencils (Faber Castell)
I have one more brusho sky to share this week. For this one I took advantage of the way watercolour powders work to get make the sky a bit more dramatic than the last two more serene scenes. Brusho powders can be blended on or off the paper to create a smooth solid colour or they can be sprinkled onto wet paper and left to move and form patterns with variations in colour intensity. To create this sky I positioned a mask for the moon then painted water over the sky area. I sprinkled a couple of brusho powders into the damp area and let them spread and blend. The areas where I dropped the powder become the textured darker areas in the sky.
Once the sky dried I stamped the tree from Woodland Beauty several times in gray ink then added shadows on the branches in black marker. Brusho really is a great watercolour medium; it does so many clever things.
Stamps: Woodland Beauty, Joy filled (PB)
Paints: Purple, Turquoise, Ultramarine brusho (Colourcraft)
Ink: Versafine onyx black, Smokey Gray ink and black marker (Tsukineko)
Paper: hot pressed Fabriano watercolour paper, blue cardstock
I have another brusho sky to share today. On Monday I explained how sometimes I paint the sky first, other times the images are done first. To create the appearance of snow on these twigs I had to stamp the twigs first. I used the misti and stamped the ‘into the sky’ stamp in versamark first then moved the watercolour panel up ever so slightly and stamped the twigs again in versafine onyx black. I then embossed with clear powder so the images would resist the paint when I added the sky over the top.
I used three colours of brusho to create the gradated sky leaving a bit of white at the bottom like a cloud. I finished the card by adding a simple sentiment and popping it up on a white card base.