Fine Flowers watercolour video

This pretty outline flower is from the Darkroom Door set ‘fine flowers vol 2’. There are six flowers in the set and I am working my way through trying out each stamp. I began inking and stamping this zinnia/dahlia style flower and was so happy with the colour combination I stopped stamping and set myself up to film. You can see the process in the video below.

I’ve exclaimed about inks that colour separate before( and go into more detail in my online class Colour Clues ) but one of my favourites in this regard is chipped sapphire distress ink. You can see in the close up below grey blue, navy blue, pale blue and purply blue. Hardly any effort required!

All the stamps in the set have the same sketchy style and tiny dots so I did not add any further fanciness. It really was a minimal supplies card in the end even though I did not start with that plan in mind.

By the way Rachel Greig from Darkroom Door is running a challenge throughout August called #artfulaugust. If you check her instagram you can see a list of prompts. I am going to join in as often as possible as it is an open ended no pressure challenge. I have already missed one day but I am not going to dwell on that I will just dive in when I can. Kathy Racoosin is also running the Daily Marker colouring challenge during August, another low pressure, designed for fun and relaxation challenge. I hope to participate in that when I can too. Let me know if you are joining in.

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Vintage Style Bookshelf + Video

This isn’t my first time stamping books with Darkroom Door stamps. This time I filmed the process so you could see how I made them look all old and vintagey!

The fun thing about the Darkroom Door ‘bookshelf’ stamp is its length (just under 12″) so I decided to wrap it around my cards for maximum effect. I worked on two cards at the same time giving them slightly different paint jobs and background finishing touches. Watch the video to see my process.

Because I inked the bookshelf stamp randomly the colours moved where they willed and left me with a mix of blues and browns. This second card has some extra scratches from the DD stamp of the same name.

The insides of the cards have random paint splotches here and there so I added paper inserts for a clean place to write a note. Now that I have made a wraparound card with this border stamp I might have to try it with the other DD one I own, ‘butterfly garden‘.

Thank you so much for your interest and discussion about the gel printing I shared last week. I really enjoyed the gel printing session which resulted in my last two videos and turning a few of the prints into cards and a journal page was very satisfying. Several of you mentioned wanting to get your gel plate out to try the techniques; I hope you do. I also hope you try this brown and blue vintage style on some of your own stamped projects. If you do be sure to let me know.

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Gel Printing with recycled cardboard

I posted a video last week featuring gel prints with stencils. In today’s technique video I use cardboard found at home. One piece was the packaging for eggs and the other a piece of corrugated cardboard.

The huge snowballs falling in the card above were printed using the large circles on the egg carton. I could have done more on the gel plate with extra colour or texture but I kept it simple which works well behind the more intricate sleigh. You can see my process in the video below.

The card below also features a gel print background made with an egg carton but I pulled two prints on the one panel both with green and white paint and egg carton circles.

The card below also features a gel print background made with an egg carton but I pulled two prints on the one panel both with green and white paint and egg carton circles. I stamped leaves from the Darkroom Door stamp set, ‘carved leaves vol 1’ over the bokeh-like circle background. To get the right tones of green in the stamping I used both shady lane and rain forest versafine clair inks one over the top of the other. The sentiment is from the ‘happy birthday’ sentiment strip.

In the video I also made prints with a piece of corrugated cardboard pressing it down on the gel press once for a striped pattern and twice for a grid pattern. I’ve turned a couple of those prints into cards which will be on the blog tomorrow. I hope you try gel printing with some recycling you find at your place. See you soon.

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Companions Video & a winner

I have a video and a prize winner to share today but first thank you for participating in the giveaway. I really enjoyed reading what your favourite flower stamps are and I’m planning to go back and read through again and feature some of them in upcoming posts. Several of you named stamps that have been on the blog recently, some of which feature in the new online class FLORAL FAVES. Others mentioned older classics which I hadn’t thought about in a while. Dancing Daisies came up several times so I pulled it out and made a sample for the class. But without further ado let me announce the winner of a registration in my new FLORAL FAVES class!

Denise Bryant

Gorgeous card! I love the design and colors! The effect of the layering to frame the design is so pretty!
My favorite flower stamp is Penny Black’s ‘Together’. It reminds me of the agapanthus plants my grandmother grew in her yard.

Congratulations, Denise, I will be in touch by email.

Another stamp mentioned among the favourites was PB companions which features in today’s video.

After watercolouring on bristol cardstock I can recommend it. I wouldn’t choose it over hot pressed watercolour paper but it worked well and is more of a bright white, if you like that for your stamping.

Flowers continue to my focus right now as I proof read for the 15th time and put the finishing touches on the lessons in the FLORAL FAVES class ready for Wednesday (when the lessons will be available). I also planted more flowers in the garden over the weekend. I transplanted the morning glories I grew from seed; they look rather spindly but they started out that way last year and ended up a big success.

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Moving Alcohol Inks with Air – Video

I’ve had the alcohol inks out recently and spent some time trying to get soft wavy patterns on craft plastic. I have seen several artists who do this technique beautifully but I am very much still a beginner with it. I have a few cards to share today along with a video showing my process for two of the panels. I worked on white craft plastic from Grafix which is heavyweight and totally opaque. For most of the panels featured today I used only two alcohol inks plus plenty of 99% rubbing alcohol; each panel was created with a metallic and a non-metallic ink.

This first panel was made with turquoise AI and gilded alloy AI; I love the range of blues when diluted with rubbing alcohol. The ‘for you’ Penny Black die cut is two layers of turquoise cardstock topped with one layer of pale gold.

This warm toned card was made with honeycomb AI and mined alloy AI then die cut with a WaffleFlower square nesting die. I used the WaffleFlower additional square dies to cut a larger copper square then added the PB ‘light as a feather’ die cut and a PB birthday sentiment embossed in Brutus Monroe penny embossing powder.

You can see the process for both cards above in the video below.

As I am working on alcohol ink panels I am evaluating my process and working out what I want to try next. I just bought a cheap lazy susan to work on the blown flowers and I’m pretty sure I don’t need to use as much coloured ink when I make the initial drops. You can be sure I will let you know what I discover.

I have a couple more cards made off camera using the same technique shown in the video. The card above features juniper AI and statue alloy AI with the PB ‘many thanks’ die cut from antique gold cardstock and stacked twice.

When this panel was finished it reminded me of photos of the artic and far north where the icebergs and glaciers are made up of beautiful shades of blue. It’s kind of a cross section perspective where we can see below and above the ice the bears are walking on. I did use two blue inks plus a silver for this one, ranger turquoise and stream with pinata silver. The bear die is ‘polar bears’ from Penny Black.

We’ve been watching Cecilia Blomdahl’s youtube channel about her life on Svalbard, an island off the north coast of Norway. She lives in the world’s northern most town. Polar bears are definitely around so you don’t wander outside the village without your weapon!

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Oxide Leaves Video

There is no denying it anymore, autumn is in the air and on the trees and definitely in the cards. This week the weather has been lovely, the sun has shone and the frost warnings have gone. Can’t complain.

I really am a seasonal stamper; I’m inspired by what is going on outside in the world. With a few exceptions, like Christmas card prep, I like to stamp what I see in the garden and surrounds. The leaves on my trees are beginning to turn, nothing spectacular yet and nothing to rake (yay) but the signs are there. I chose oxide inks to blend several three coloured panels which I then cut up into leaves. The process and chit chat is all in the video below.

After the video was completed I looked at the wreath and decided it needed some brighter pops of colour and luckily I had some enamel dots which matched exactly. I added them before taking the photos below.

I really enjoy arranging all the elements on die cut cards like the two I’ve shared today but the gluing drives me a little crazy. Sometimes I use double sided adhesive but if the die cuts are not going to be sitting flat that doesn’t really work. If you have any suggestions for attaching fiddly little die cuts please leave them in the comments; I’d love to know. You might notice I try not to include much gluing in the video because it doesn’t make for very entertaining viewing.

I hope you are surrounded by some fall beauty where you are or perhaps enjoying some spring sunshine in the southern hemisphere.

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No-line watercolour Magnolias -video

This is a card which changed shape and style several times before it turned into the design you see above. The watercoloured flowers and the green stamped flowers are from the same MFT ‘magnolia blossoms’ set.

I almost didn’t keep making the video as I made mistakes and alterations but the point of the video was the no-line colouring not the card layout so I kept going. I used Gina K’s ‘barely there’ amalgam ink to stamp the flowers; the ink is a pale peach colour which almost disappeared with both the purple and the green watercolouring. I used Derwent Inktense pencils for the no-line watercolour shading an area lightly and minimally before blending the ink to fill the petal or leaf.

My initial layout for the painted panel involved both stamps from the set but you see in the video a series of unfortunate events caused me to slice up the first panel, add another flower and come up with the layout you see below.

One thing I didn’t initially plan was the simple green stamping behind the coloured panel but I’m glad I tried it. These stamps are definitely stunning when left uncoloured in their simple outline beauty.

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Pencil colouring on kraft paper

I’ve been doing some coloured pencil work, nothing too fancy but definitely satisfying to see it come together. I filmed as I coloured so you can see how I approached each flower as well as the glass vases.  I don’t often complete a whole card with coloured pencils, I’m more likely to bring them in at the end to add details and shading but this time they are took the starring role. I like the look of pencil on kraft paper too, I find it a bit less intimidating than bright white paper.

It took me a long time to finish the colouring so I’m sure you won’t be surprised to hear I didn’t include every last second of footage. I sped it up and chopped it up so it wouldn’t be too long but I made sure to include my process for each element. I even did one part more than once!?! but I’ll tell you about that during the video. Towards the end of the video I referred to colouring wizard Kathy Racoosin, if you haven’t checked out her blog and wonderfully instructive youtube channel, make sure you do.

As you can see I stamped a print on a matching envelope and on the inside of the card too. It is always best to do this while the stamp and inks are still on the table, buy you already knew that didn’t you?

When I showed this one to my daughter she absolutely made my day by saying it reminded her of story books she would read and reread as a child because she enjoyed the illustrations so much!

 

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Stamping with Arteza Real Brush pens

Hi there, this pretty stamp, ‘nature’s glory’ is making its second appearance on the blog and I’ve paired it up with Arteza real brush pens. I did all the inking with the brush pens and made a video to give you an idea of the process. One of the tricky steps when creating watercolour cards with stamps is when, where and how much water to add, hopefully the video will give you an idea.

You probably noticed in the video the way the brush pen bristles were able to easily get into small sections of the stamp so I could ink the flowers, berries and leaves. I spritzed the stamp before pressing onto the hot pressed watercolour paper so the inks would blend on the stamp rather than me blending them on the paper. I love the softness of the blends including the areas that get more water and the ones that look a little dry because they got less water.

The soft background leaves and flowers were all stamped with ink left on the stamp after doing the bold images. The ink is certainly intense enough that an extra spritz of water is all you need in order to stamp the pale images that appear to be further back between the branches. Dabbing these pale images with a paper towel after stamping makes them even paler and removes any liquid sitting on the surface.

I even had enough ink on the stamp to get a pale print on my envelope then finished with splatter as you know I like to do.

The card below was done with the same stamping technique but I created the soft coloured background at the beginning of my process. I scribbled the blue, yellow and green pens on my glass mat first, spritzed with water then swiped the hot pressed watercolour panel through the ink picking up sections of diluted colour which I dried before transferring the panel to my stamp positioner to do all the flowers. If you are wondering about the sentiment, it is for one of my friends who was told this by a student! When she relayed the experience to me I knew it had to become a card. I did a bit of partial stamping with MFT ‘birdie brown greeting stamps’ then cut the letters b, a, b, y from dark green cardstock (I know it looks black ) with MFT ‘little lowercase dies’.

If you are a teacher connecting with your students on line, encouraging them and trying to come up with methods that work in the current situation please know I think you are the best of the best…baby!

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Three colour brusho video

A while back I posted three cards all painted with the same three brusho paint colours and my Welsh friend, Karen requested a video. Well this is it, a different stamp and three different colours (Brusho sunburst lemon, prussian blue, rose red) but the same technique. Here is the one that prompted the video request.

As with the card above I embossed the outline stamp, ‘flutterby’ in gold powder then swiped up a brusho background by sprinkling brusho on my glass mat then spritzing water over it to activate the powders and turn them into liquid watercolour paint. From there I moved onto painting petals and leaves with individual colours and secondary colours. Take a look at the video and you will see what I mean.

 

After all the painting was done I added some extra shading in shadow areas with Faber-Castell polychromos pencils and some gold thread detail. The sentiment is from PB ‘banner sentiments’ gold embossed and die cut with a die from the PB ‘tagged’ set.

One of the things I like about this technique is the way the background works with the painted images even though the are painted right over the top of a multicoloured panel. The colours work because they are the same colours and because the background is not too bold. You can see in the tulip on the left what the true colour of the rose red brusho is, but the ones that are painted over the blue background still look red, just a deeper red perhaps in shadow not full sun.

Happy Easter my friends. Stay home, stay healthy, stay hopeful and maybe try a new art or craft technique!

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